First Nations

Faced with a constant stream of news reports of standoffs and confrontations, Canada’s “reconciliation project” has obviously gone off the rails. In this series of concise and thoughtful essays, lawyer and historian Bruce McIvor explains why reconciliation with Indigenous peoples is failing and what needs to be done to fix it.

Widely known as a passionate advocate for Indigenous rights, McIvor reports from the front lines of legal and political disputes that have gripped the nation. From Wet’suwet’en opposition to a pipeline in northern British Columbia, to Mi’kmaw exercising their fishing rights in Nova Scotia, McIvor has been actively involved in advising First Nation clients, fielding industry and non-Indigenous opposition to true reconciliation, and explaining to government officials why their policies are failing.

McIvor’s essays are honest and heartfelt. In clear, plain language he explains the historical and social forces that underpin the development of Indigenous law, criticizes the current legal shortcomings and charts a practical, principled way forward.

By weaving in personal stories of growing up Métis on the fringes of the Peguis First Nation in Manitoba and representing First Nations in court and negotiations, McIvor brings to life the human side of the law and politics surrounding Indigenous peoples’ ongoing struggle for fairness and justice. His writing covers many of the most important issues that have become part of a national dialogue, including systemic racism, treaty rights, violence against Indigenous people, Métis identity, the United Nations Declaration on the Rights of Indigenous People (UNDRIP) and the duty to consult.

McIvor’s message is consistent and powerful: if Canadians are brave enough to confront the reality of the country’s colonialist past and present and insist that politicians replace empty promises with concrete, meaningful change, there is a realistic path forward based on respect, recognition and the implementation of Indigenous rights.

Additional Information
208 pages | 5.50" x 8.50" | Paperback

A new and expanded version of Gord Hill's seminal illustrated history of Indigenous struggles in the Americas. When it was first published in 2010, The 500 Years of Resistance Comic Book was heralded as a groundbreaking illustrated history of Indigenous activism and resistance in the Americas over the previous 500 years, from contact to present day. Eleven years later, author and artist Gord Hill has revised and expanded the book, which is now available in colour for the first time.

The 500 Years of Indigenous Resistance Comic Book powerfully portrays flashpoints in history when Indigenous peoples have risen up and fought back against colonizers and other oppressors. Events depicted include the the Spanish conquest of the Aztec, Mayan and Inca empires; the 1680 Pueblo Revolt in New Mexico; the Battle of Wounded Knee in 1890; the resistance of the Great Plains peoples in the 19th century; and more recently, the Idle No More protests supporting Indigenous sovereignty and rights in 2012 and 2013, and the resistance to the Dakota Access Pipeline in 2016. Canadian events depicted include the Oka crisis in 1990, the Grand River land dispute between Six Nations and the Government of Canada in 2006, and the Wet'suwet'en anti-pipeline protests in 2020.

With strong, plain language and evocative illustrations, this revised and expanded edition of The 500 Years of Indigenous Resistance Comic Book reveals the tenacity and perseverance of Indigenous peoples as they endured 500-plus years of genocide, massacre, torture, rape, displacement, and assimilation: a necessary antidote to conventional histories of the Americas.

The book includes a foreword by Pamela Palmater, a Mi'kmaq lawyer, professor, and political commentator.

Reviews
"Gord Hill's goal of giving indigenous peoples a better understanding of their past so as to counter the benign version all too often taught in schools and presented in the media makes the format [of his work] the perfect vehicle for his hard-hitting message."-BC Studies

"Gord Hill has put colonial myth-makers on notice with a comic that educates and inspires." - The St'at'imc Runner

"Comics aren't always known for treating serious subjects, but Gord Hill's The 500 Years of Resistance Comic Book adds a dose of reality to the genre. Hill, of the Kwakwaka'wakw nation, has taken the topics of dispossession, genocide, and the colonization of First Nations in the western hemisphere and, surprisingly, pulled off a rendering in comic book form." -Dissident Voice

"Never before have I come across a non-fiction graphic novel capable of evoking such a powerful emotional response. Dealing with such topics as genocide, oppression and assimilation the comic is sure to cause frustration and sadness in the reader. At the same time, 500 Years of Resistance is inspirational and empowering, accurately depicting the strength and nobility of Native warriors. Gord's straightforward approach to writing coupled with his iconic illustrations has created a truly groundbreaking comic book." -Redwire Media

"An excellent introduction to the tremendous historical and ongoing legacy of resistance on the part of Indigenous peoples in Canada and elsewhere in the continent against the settler colonial regimes that continue to oppress and exploit." -Popmatters. com

Educator Information
This book is available in French: 500 ans de résistance autochtone 

Additional Information
144 pages | 9.00" x 12.00" | Comic Book | Colour Illustrations Throughout 

Drawing upon his Cree and Scandinavian roots, Harold R. Johnson merges myth, fantasy, and history in this epic saga of exploration and adventure.

While sorting through the possessions of his recently deceased neighbour, Harold Johnson discovers an old, handwritten manuscript containing epic stories composed in an obscure Swedish dialect. Together, they form The Björkan Sagas.

The first saga tells of three Björkans, led by Juha the storyteller, who set out from their valley to discover what lies beyond its borders. Their quest brings them into contact with the devious story-trader Anthony de Marchand, a group of gun-toting aliens in search of Heaven, and an ethereal Medicine Woman named Lilly. In the second saga, Juha is called upon to protect his people from invaders bent on stealing the secrets contained within the valley’s sacred trees. The third saga chronicles the journey of Lilly as she travels across the universe to bring aid to Juha and the Björkans, who face their deadliest enemy yet.

The Björkan Sagas is a bold, innovative fusion of narrative traditions set in an enchanted world of heroic storytellers, shrieking Valkyries, and fire-breathing dragons.

Additional Information
176 pages | 5.00" x 7.75" | Hardcover

In a world that requires knowledge and wisdom to address developing crises around us, The Gatherings shows how Indigenous and non-Indigenous peoples can come together to create meaningful and lasting relationships.

Thirty years ago, in Wabanaki territory – a region encompassing the state of Maine and the Canadian Maritimes – a group of Indigenous and non-Indigenous individuals came together to explore some of the most pressing questions at the heart of Truth and Healing efforts in the United States and Canada. Meeting over several years in long-weekend gatherings, in a Wabanaki-led traditional Council format, assumptions were challenged, perspectives upended, and stereotypes shattered. Alliances and friendships were formed that endure to this day.

The Gatherings tells the moving story of these meetings in the words of both Indigenous and non-Indigenous participants. Reuniting to reflect on how their lives were changed by their experiences and how they continue to be impacted by them, the participants share the valuable lessons they learned.

The many voices represented in The Gatherings offer insights and strategies that can inform change at the individual, group, and systems levels. These voices affirm that authentic relationships between Indigenous and non-Indigenous peoples – with their attendant anxieties, guilt, anger, embarrassments, and, with time, even laughter and mutual affection – are key to our shared futures here in North America. Now, more than ever, it is critical that we come together to reimagine.

Reviews
“Very impressive. The contributions of these men and women are noteworthy and deserve to be read and available to all persons who are interested and want to learn from them.” — The Hon. Graydon Nicholas, Chancellor and Endowed Chair in Native Studies, St. Thomas University, and Former Lieutenant Governor of New Brunswick

“Shirley N. Hager’s gentle and affirming spirit shines through as she introduces the reader to this unique, collective experience. I felt so much gratitude for each participant, opening themselves to let strangers in.” — Beth Clifford, Curriculum Coordinator, Maine Indian Education

“I had intended to only take a quick look at the book and come back to it later, but once I started reading I couldn’t stop. The Gatherings is a very well-constructed book of great importance both as a cultural document and as a tool for teaching and learning.”

Educator Information
Mawopiyane
Gwen Bear
The Reverend Shirley Bowen
Alma H. Brooks/Zapawey-kwey
gkisedtanamoogk
JoAnn Hughes
Debbie Leighton
Barb Martin
Miigam’agan
T. Dana Mitchell
Wayne A. Newell
Betty Peterson
Marilyn Keyes Roper
Wesley Rothermel

Afterword by Dr. Frances Hancock

To reflect the collaborative nature of this project, the word Mawopiyane is used to describe the full group of co-authors. Mawopiyane, in Passamaquoddy, literally means "let us sit together," but the deeper meaning is of a group coming together, as in the longhouse, to struggle with a sensitive or divisive issue – but one with a very desirable outcome. It is a healing word and one that is recognizable in all Wabanaki languages.

Table of Contents
Foreword
With Gratitude
Notes on Terminology
Introduction

Gathering

The Talking Circle

Miigam’agan
Wayne
Gwen
Dana
Alma
Barb
gkisedtanamoogk
Shirley H.
Debbie
Shirley B.
Wesley
Marilyn
Betty
JoAnn

The Last Gathering
The Decision
Hindsight
The Gatherings: May 1987 to May 1993
Creating This Book

The Giveaway Blanket

The Circle and Ceremony
The Circle and Decision Making
Ceremony: Protect or Share It?

Allies, Friends, Family
Beginnings
The Women Compare Notes
The Relationship Evolves
Mutuality

How We Got Here
The Doctrine of Discovery
But What about the Treaties?
The Personal Is Political
Economic Self-Determination
Beginning to Make Amends
Some Progress ... and a Long Way to Go

How It Could Be Different
Being Here Legitimately
Acknowledging First Peoples/Honoring the Treaties
An Indigenous Worldview
The Need for Gathering Spaces
Creating a Gathering Space
Working Together on a Cause
Humility versus “White Guilt”
Non-Natives Working with Our Own People
Entering the Longhouse

Being in the Relationship: An Afterword by Dr. Frances Hancock

Appendix: How This Book Came to Be
Notes
Suggested Resources
Contributors
Map: Location of the Gatherings
Reader’s Guide
Index

Additional Information
304 pages | 6.00" x 9.00" | 23 illustrations

Authenticity Note: This book's contributors are Indigenous and non-Indigenous. Readers must determine if this works as an authentic Indigenous work for their purposes.

As the settler state of Canada expanded into Indigenous lands, settlers dispossessed Indigenous people and undermined their sovereignty as nations. One site of invasion was Kahnawà:ke, a Kanien’kehá:ka community and part of the Rotinonhsiónni confederacy.

The Laws and the Land delineates the establishment of a settler-colonial relationship from early contact ways of sharing land; land practices under Kahnawà:ke law; the establishment of modern Kahnawà:ke in the context of French imperial claims; intensifying colonial invasions under British rule; and ultimately the Canadian invasion in the guise of the Indian Act, private property, and coercive pressure to assimilate. Daniel Rück reveals increasingly powerful and aggressive colonial governments interfering with the affairs of one of the most populous and influential Indigenous communities in nineteenth-century Canada. What he describes is an invasion spearheaded by bureaucrats, Indian agents, politicians, surveyors, and entrepreneurs. Although these invasions were often chaotic and poorly planned, Rück shows that despite their apparent weaknesses they tended to benefit settlers while becoming sources of oppression for Indigenous peoples who attempted to navigate colonial realities while defending and building their own nations.

This original, meticulously researched book is deeply connected to larger issues of human relations with environments, communal and individual ways of relating to land, legal pluralism, historical racism and inequality, and Indigenous resurgence. It is one story of the "slow violence" of Canada’s legal and environmental conquest of Indigenous peoples and lands, and the persistence of one Indigenous nation in the face of the onslaught.

This book will appeal to legal historians, historical geographers, and scholars of Quebec history, Canadian history, and Indigenous studies.

Reviews
"In this excellent book, Daniel Rück has woven a seamless web of law, history, geography, and Indigenous knowledge, and has made it all look easy." — Philip Girard, professor, Osgoode Hall Law School, York University

"The Laws and the Land is an account of colonial harm. It is an unprecedented look at the dispossession and oppression of the People of Kahnawà:ke by slowly taking their lands away. This book is a must-read for our People but also for all Indigenous peoples who have been dispossessed by the settler governments, churches, and unscrupulous individuals. And it also shows the perseverance and survival of a Mohawk community." — Kenneth Deer, former secretary of the Mohawk Nation at Kahnawà:ke and honorary doctor of laws, Concordia University

Educator Information
Table of Contents
Introduction

1 Kahnawà:ke and Canada: Relationships of Laws and Lands

2 "Whereas the Seigniory of Sault St. Louis Is the Property of the Iroquois Nation": Dissidents, Property, and Power, 1790–1815

3 "Out of the beaten track": Before the Railroad, 1815–50

4 "In What Legal Anarchy Will Questions of Property Soon Find Themselves": The Era of Confederation, 1850–75

5 "The Consequences of This Promiscuous Ownership": Wood and the Indian Act, 1867–1883

6 "Equal to an Ordnance Map of the Old Country": The Walbank Survey, 1880–93

7 "It is Necessary to Follow the Custom of the Reserve Which is Contrary to Law": Rupture and Continuity, 1885–1900

Conclusion

Notes; Bibliography; Index

Additional Information
336 pages | 6.00" x 9.00" | 27 b&w photos, 5 maps | Hardcover

A spellbinding novel celebrating Indigenous sensuality; the first erotic novel written by an Indigenous woman in French, now available in English.

When it was first published in Quebec, The Lover, The Lake was heralded as the first erotic novel written by an Indigenous woman in French. Today, as it is translated into English for the first time, author Virginia Pesemapeo Bordeleau would rather call it a celebration of sensuality, another first. At a time when Indigenous peoples were being dispossessed of their land and history as well as their relationship to the body, the love explored by Wabougouni and Gabriel is an act of defiance. Their intimate connection plays out on the shores of Lake Abitibi in an affair as turbulent and unfathomable as the lake itself.

"The aim here is to break free of the bonds of wounds the priests' abuse has left on our bodies and souls, wounds linked to loss--of land, of intimate spaces, of identity both as an individual and community member, of sexual identity, of delight in the body, of innocence and the uncomplicated nature of lovemaking. My hope is that this novel will serve to unearth the seed of joy buried deep in our culture, still profoundly alive . . . The Lover, The Lake shows us that we are not just suffering and victims: we can also be pleasure." -- Virginia Pesemapeo Bordeleau, from the prologue

Reviews
"A gift to its readers." - Montreal Review of Books

"Both raw and poetic... about healing and continuance... May more French Indigenous writing find its way into English." - Globe and Mail

Additional Information
170 pages | 5.50" x 8.00"

The hilarious story of an unlikely group of Indigenous dancers who find themselves thrown together on a performance tour of Europe.

The Tour is all prepared. The Prairie Chicken dance troupe is all set for a fifteen-day trek through Europe, performing at festivals and cultural events. But then the performers all come down with the flu. And John Greyeyes, a retired cowboy who hasn't danced in fifteen years, finds himself abruptly thrust into the position of leading a hastily-assembled group of replacement dancers.

A group of expert dancers they are not. There's a middle-aged woman with advanced arthritis, her nineteen-year-old niece who is far more interested in flirtations than pow-wow, and an enigmatic man from the U.S. -- all being chased by Nadine, the organizer of the original tour who is determined to be a part of the action, and the handsome man she picked up in a gas-station bathroom. They're all looking to John, who has never left the continent, to guide them through a world that he knows nothing about. As the gang makes its way from one stop to another, absolutely nothing goes as planned and the tour becomes a string of madcap adventures.

The Prairie Chicken Dance Tour is loosely based -- like, hospital-gown loose -- on the true story of a group of Indigenous dancers who left Saskatchewan and toured through Europe in the 1970s. Dawn Dumont brings her signature razor-sharp wit and impeccable comedic timing to this hilarious, warm, and wildly entertaining novel.

Additional Information
300 pages | 6.00" x 9.00" | Paperback

These are the Stories is a memoir presented in short chapters, comprising the life of a survivor of the Sixties Scoop. Christine Miskonoodinkwe Smith reveals her experiences in the child welfare system and her journey towards healing in various stages of her life. As an adult, she was able to reconnect with her birth mother. Though her mother passed shortly afterward, that reconnection allowed the author to finally feel "complete, whole, and home." The memoir details some of the author's travels across Canada as she eventually made a connection with the Peguis First Nation in Manitoba.

A memoir in the vein of Colleen Hele Cardinal's Raised Somewhere Else and Alicia Elliot's A Mind Spread Out On the Ground, These are the Stories is an inspirational and courageous telling of a life story.

Additional Information
170 pages | 5.50" x 8.50" | Paperback

Young Dominique Rankin was intended to succeed his father as Algonquin Hereditary Chief and Medicine Man. Before that could happen, the Government of Canada’s policies of Indigenous assimilation wrested the boy from his home to entrust him to the infamous Indian residential school system. There, like thousands of Indigenous children across North America, Dominique would endure a terrible ordeal. Only upon leaving the school years later would the young man finally be free to begin a long journey of healing and self-discovery that would reunite him with his heritage and his true destiny.

Weaving the Prophecy of the Seven Fires’ teachings with the powerful narrative of his own tumultuous life, Chief Dominique Rankin delivers a vibrant testimony on respect, forgiveness, and healing. In this poignant memoir, the residential school Survivor, Elder, Medicine Man, and former Grand Chief of the Algonquin Nation bares all—the dark and the light alike—to unshroud a chapter of our sombre collective past and to illuminate a path to a better, brighter future.

Additional Information
160 pages | 6.00" x 9.00" | Paperback

Win lives on the rez and Roe lives in the city, where she fled after a terrible family tragedy. After years apart, the two cousins reunite in a Toronto alley to recreate a ceremony from their childhood, but can they remember how? Has the world changed too much? Have they? When the words "missing and murdered," "truth and reconciliation," "occupation and resistance" are everywhere, how do two Mohawk women stand their ground? Falen Johnson"s powerful Two Indians is a darkly comedic look at the landscape of being Indigenous.

Reviews
"The volatile and unpredictable dynamic between Win and Roe shifts uneasily from familiar family nostalgia and hilarious-yet-revealing anecdotes to emotional accusations and intense confrontations that hinge on the reservation/city binary, and associated assumptions about First Nations identities." - NOW Magazine

"As a whole production, the show's such a rewarding entertainment that you'll hardly notice the politics sneaking up behind you. Whatever your background, so long as you come into the room with an open mind, you'll leave savvier, with a number of sticky points and difficult questions that'll rattle around in your head for days afterwards...This is a fun show with heart, energy, and a vital message..." -Mooney on Theatre

Educator Information
Recommended in the Canadian Indigenous Books for Schools resource collection as being useful for grades 11 and 12 for these subjects: Social Studies, Social Justice, English First Peoples, English, BC First Peoples, Contemporary Indigenous Studies, Drama, Theatre Company, Theatre Production, Directing and Script Development.

Content Warning: Coarse Language

Additional Information
72 pages | 5.50" x 8.50" | Paperback

Selina Boan’s debut poetry collection, Undoing Hours, considers the various ways we undo, inherit, reclaim and (re)learn. Boan’s poems emphasize sound and breath. They tell stories of meeting family, of experiencing love and heartbreak, and of learning new ways to express and understand the world around her through nêhiyawêwin.

As a settler and urban nehiyaw who grew up disconnected from her father’s family and community, Boan turns to language as one way to challenge the impact of assimilation policies and colonization on her own being and the landscapes she inhabits. Exploring the nexus of language and power, the effects of which are both far-reaching and deeply intimate, these poems consider the ways language impacts the way we view and construct the world around us. Boan also explores what it means to be a white settler–nehiyaw woman actively building community and working to ground herself through language and relationships. Boan writes from a place of linguistic tension, tenderness and care, creating space to ask questions and to imagine intimate decolonial futures.

Awards

• 2022 Indigenous Voices Award for published poetry in English.

Reviews
"Reading Undoing Hours feels like going home, where home, much like memory, is a place continually under construction. This is a work at once exquisite and particular in its offering while at the same time striking us as expansive, prepossessing and true." — Liz Howard

"Selina Boan’s Undoing Hours is going to be so very important to those who are “learning to name” inside multiple languages. It is about embodying the knowledge of one’s ancestry as well as about love as it collides with grief and longing and hope. It is about standing firmly inside a single hour and being brave enough to want another. It is about learning Cree, about how a word in a language older than the world might, in the end, redeem us. And because of this, it is also about miracles. I can’t wait to read it again and again and again." — Billy-Ray Belcourt

Additional Information
96 pages | 5.50" x 8.00"

Author and knitter Sylvia Olsen explores Canada's history, landscape, economy and social issues on a cross-country knitting-themed road trip.

Toques, mittens and scarves are all associated with northern climates, but the quintessential garment of Canadian knitting is surely the bulky and distinctly patterned West Coast cardigan. In the early twentieth century, Indigenous woolworkers on southern Vancouver Island began knitting what are now called Cowichan sweaters, named for the largest of the Coast Salish tribes in the region. Drawing on their talents as blanket weavers and basket makers, and adapting techniques from European settlers, Coast Salish women created sweaters that fuelled a bustling local economy. Knitters across the country copied the popular sweaters to create their own versions of the garment. The Cowichan sweater embodies industry and economy, politics and race relations, and is a testament to the innovation and resilience of Coast Salish families.

Sylvia Olsen married into the Tsartlip First Nation near Victoria, BC, and developed relationships with Coast Salish knitters through her family’s sweater shop. Olsen was inspired to explore the juncture of her English/Scottish/European heritage and Coast Salish life experiences, bringing to light deeply personal questions about Canadian knitting traditions. In 2015, she and her partner Tex embarked on a cross-Canada journey from the Salish Sea to the Atlantic Ocean with stops in more than forty destinations to promote her books, conduct workshops, exchange experiences with other knitters and, Olsen hoped, discover a fresh appreciation for Canada.

Along the way, with stops in urban centres as well as smaller communities like Sioux Lookout, ON, and Shelburne, NS, Olsen observed that the knitters of Canada are as diverse as their country’s geography. But their textured and colourful stories about knitting create a common narrative. With themes ranging from personal identity, cultural appropriation, provincial stereotypes and national icons, to “boyfriend sweaters” and love stories, Unravelling Canada is both a celebration and a discovery of an ever-changing national landscape. Insightful, optimistic, and beautifully written, it is a book that will speak to knitters and would-be knitters alike.

Reviews
"I love this book, for what it says about the artisans of the past and the present, for what it says about what gets passed on from family to family and between different cultures, for what it says about our country and the people who inhabit it. This book knits us together, not only with strands of wool but with compassion, intelligence, caring and storytelling of the most appealing kind." — Lorna Crozier, author of Through the Garden, March 2021

Additional Information
224 pages | 5.50" x 8.50"

Since the Renaissance, liberal education has as its core tradition a Eurocentric multidisciplinary humanism — the study of literature, art, philosophy and history — grounded in ancient Greek and Latin texts.

In what may be termed cognitive imperialism, the academy has largely ignored Aboriginal perspectives of humanity. In this volume, Mi'kmaw and non-Mi'kmaw scholars, teachers and educators posit an interdisciplinary approach to explicate and animate a Mi'kmaw Humanities.

Drawing on the metaphor of a basket as a multilayered metaphor for engaging postsecondary institutions, these essays reveal historical, educational, legal, philosophical, visual and economic frameworks to develop a knowledge protocol that can direct, transform and enrich conventional Humanities within the complex dynamics of territory, energy, stewardship, alterity and consciousness.

Additional Information
300 pages | 6.00" x 9.00" | Paperback

"I hear so much power in these pages. I also feel it." —Richard Van Camp

We Remember the Coming of the White Man chronicles the history of the Sahtú (Mountain Dene) and Gwinch’in People in the extraordinary time of the early 20th century. This 2021 Special Edition of the book recognizes the anniversary of the signing of Treaty 11, which is greatly controversial due to the emotional and economic fallout for the People.

The remastered film “We Remember,” is included with the book, on DVD and as digital Vimeo links. As well as poignant essays on Treaty 11, the book includes transcripts of oral histories by Elders. They talk about the early days of fur trading and guns; the flu pandemic; and dismay about the way oil and uranium discoveries and pipelines were handled on their land. A new section of stories is included as well — stories by Leanne Goose, Antoine Mountain, Raymond Yakeleya, and George Blondin.

Dene Elders in the book (now all deceased) are Joe Blondin, John Blondin, Elizabeth Yakeleya, Mary Wilson, Isadore Yukon, Peter Thompson, Jim Sittichinli, Sarah Simon, Johnny Kay, and Andrew Kunnizzi. Dene translation is by Bella Ross.

Reviews
"We Remember The Coming of the White Man should be crucial reading for anyone in Canada because it speaks to the resiliency of the Dene and Metis people of Denendeh. It's also a testament to the power of memory carried in the oral tradition. To think what our ancestors have seen in one lifetime: relations with the Hudon's Bay Company, TB, Influenza, Treaty signings, the first musket loader, Residential Schools, the first radio, the first TV, a man on the moon. It is staggering. I hear so much power in these pages. I also feel it. I am grateful to everyone involved in this project because it is a life's work honouring the witnessing of so much change in so little time. Mahsi cho, everyone. I am grateful. We will have and celebrate this book and the DVD that accompanies it forever."— Richard Van Camp, Author

"Our traditional knowledge is recorded in the stories of our ancestors since time immemorial. In this book, you will read our oral history and traditions that are our Dene parables, used to guide ourselves and our People.” — Norman Yakeleya, Dene National Chief

“All Canadians are enriched by the stories in this collection. By listening to these stories, we take a step together towards reconciliation. We are learning the truth and building an understanding. We are nurturing respect and reciprocity. We are honouring our relations in a good way.”—­Colette Poitras, Chair of the Canadian Federation of Library Associations Indigenous Matters Committee

Educator Information
Author royalties for this edition are being used to create a scholarship for an emerging Indigenous writer in conjunction with Northwords Writers Festival.

Keywords: Indigenous, Dene Nation, Elders, Treaty 11, Hudson Bay Company, Missionaries, Northwest Territories.

Contains DVD of film We Remember.

Editors: Sarah Stewart & Raymond Yakeleya
Foreword : Walter Blondin,
Elders: Elizabeth Yakeleya, Sarah Simon, Mary Wilson, Joe Blondin, John Blondin, Isadore Yukon, Johnny Kaye, Jim Edwards Sittichinli, Peter Thompson, Andrew Kunnizzi
Storytellers and Authors: Colette Poitras, Leanne Goose, George Blondin, Raymond Yakeleya, Antoine Mountain
Artists: Antoine Mountain, Ruth Schefter, Deborah Desmarais

This book is part of the Indigenous Spirit of Nature series.

Additional Information
272 pages | 6.00" x 9.00" | 100 b&w photographs, 10 b&w line drawings