First Nations

The outrageously funny and painfully relatable satire of an aspiring artist and millennial culture.

Walter Scott’s Wendy comics have become a critical sensation, with rave reviews in The New Yorker and The Guardian, and an appearance in the Best American Comics anthology. Learn Wendy’s origin story as Scott hilariously plumbs millennial culture, creative ennui, and the nepotism of the art world’s institutions.

Wendy’s an aspiring artist in a party city, and she’s in a rut. She spends her time snorting MDMA in gallery bathrooms and watching Nurse Jackie reruns on her laptop while hungover. So when she’s accepted into the prestigious Flojo Island residency, Wendy vows to buckle down and get working. But during the remote, woodsy residency, Wendy and her collaborator/bff Winona put on a performance piece that becomes the centre of an art world controversy, and so Wendy returns to Montreal, getting a job in a coffee shop to make ends meet.

With Wendy, Scott launches the Wendyverse, brimming with painfully relatable characters like the back-stabbing frenemy Tina, the name-dropping Paloma, the cool drummer Wendy obsesses over, Jeff, and of course, our treasured Wendy, the hot mess we can’t live without. In blunt, laugh out loud funny vignettes with perfect punchlines, Scott illuminates the opacity of artspeak and the ceaseless anxieties plaguing a largely privileged generation.

Reviews
“Wendy’s lust for life is inseparable from her knee-jerk self-destruction.”–The New Yorker

“Winningly messy.”—The Guardian

“The art school party girl who is perhaps the real voice of our generation (sorry Lena Dunham).”—Vice

Educator Information
Publisher recommends for ages 16+.  

Caution: mature content (swearing and strong language, sexual content, drug/alcohol use, etc.)

Additional Information
216 pages | 6.50" x 9.00" | black and white illustrations throughout | paperback 

"[In Wendy, Master of Art,] Scott manages a rare thing: the sharpness of his satire doesn’t preclude a realistic rendering of personhood, and the seeming flatness opens up, at every turn, to a depth of feeling…. His mastery of his characters’ faces and gestures is also wonderful, his line quick and sure and expressive." —The New Yorker

The existential dread of making (or not making) art takes center stage in this trenchant satire of MFA culture.

Wendy is an aspiring contemporary artist whose adventures have taken her to galleries, art openings, and parties in Los Angeles, Tokyo, and Toronto. In Wendy, Master of Art, Walter Scott’s sly wit and social commentary zero in on MFA culture as our hero hunkers down to complete a master of fine arts at the University of Hell in small-town Ontario.

Finally Wendy has space to refine her artistic practice, but in this calm, all of her unresolved insecurities and fears explode at full volume—usually while hungover. What is the post-Jungian object as symbol? Will she ever understand her course reading—or herself? What if she’s just not smart enough? As she develops as an artist and a person, Wendy also finds herself in a teaching position, mentoring a perpetually sobbing grade-grubbing undergrad.

Scott’s incisively funny take on art school pretensions isn’t the only focus. Wendy, Master of Art explores the politics of open relationships and polyamory, performative activism, the precariousness of a life in the arts, as well as the complexities of gender identity, sex work, drug use, and more. At its heart, this is a book about the give and take of community—about learning to navigate empathy and boundaries, and to respect herself. It is deeply funny and endlessly relatable as it shows Wendy growing from millennial art party girl to successful artist, friend, teacher—and Master of Art.

Reviews
"Wendy’s personal life remains chaotic, hilarious, and relatable…" —Quill & Quire

Educator Information
The publisher recommends for ages 16+, but this graphic novel contains very mature content. 

Caution: Mature content

This is the third and largest book in the Wendy series.

Additional Information
276 pages | 6.52" x 9.07" | Black-and-white illustrations | Paperback 

This critique of the art world will have you crying with laughter

In Wendy’s Revenge, Scott’s titular heroine returns with a fresh set of awkward misadventures and messy nights out. When the book opens, aspiring artist Wendy has decided to move to the west coast to clear her head.

She plans on getting some quality time with her collaborator and friend Winona, only to find Winona packing up to leave, having decided to move back in with her mom on the rez. All alone, Wendy endeavours to foster community in Vancouver’s bleak art scene. When her hope and optimism are all used up, she packs her bags for an artist residency in Japan. Wendy then gallery hops and parties around the globe until she stumbles upon the opportunity to unite with former foe Paloma. Together they enact revenge on VVURST, the German publication that once tore her performance art to shreds.

Young artists struggle with mental health issues, they get wasted and hook up with men with gross piercings, and they’re afflicted with an insatiable longing for a stable identity—stability they themselves undermine. Scott’s deceptively simple, inky character drawings evoke millennial culture with such Jungian accuracy that you can’t help but stare and giggle in equal measure. Praised by The New Yorker, Guardian, Globe and Mail, and with an appearance in the Best American Comics anthology, it’s clear why Walter Scott’s Wendy comics have taken critics by storm.

Reviews
“I am blown away by Walter Scott’s Wendy series.” —Zadie Smith

“Wendy, her pals and her milieu comprise a fictional world as fully and funnily inhabited as any in recent Canadian storytelling.”—Globe & Mail

“Funny, poignant, and scary. Scott makes you laugh and then rips your heart out.”—Literary Hub

Educator Information
The publisher recommends for ages 16+, but this graphic novel contains very mature content. 

Caution: Mature content

In this second comic, Winona, an Indigenous character, is introduced.

Additional Information
260 pages | 6.50" x 9.00" | Black-and-white illustrations with partial color section | Paperback 

Richard Wagamese, one of Canada’s most celebrated Indigenous authors and storytellers, was a writer of breathtaking honesty and inspiration. Always striving to be a better, stronger person, Wagamese shared his journey through writing, encouraging others to do the same.

Following the success of Embers, which has sold almost seventy thousand copies since its release in 2016, this new collection of Wagamese’s non-fiction works, with an introduction by editor Drew Hayden Taylor, brings together more of the prolific author’s short writings, many for the first time in print, and celebrates his ability to inspire. Drawing from Wagamese’s essays and columns, along with preserved social media and blog posts, this beautifully designed volume is a tribute to Wagamese’s literary legacy.

Reviews
"Treasure these words. Honour his thoughts. But don’t read it too fast. Soak it in. Enjoy every morsel. Linger on each page because every paragraph has nuggets of understanding. Lines of wisdom. Stories to appreciate." — Drew Hayden Taylor

Additional Information
176 pages | 5.50" x 8.00" | Hardcover

A narrative of resistance and resilience spanning seven decades in the life of a tireless advocate for Indigenous language preservation.

Life histories are a form of contemporary social history and convey important messages about identity, cosmology, social behaviour and one’s place in the world. This first-person oral history—the first of its kind ever published by the Royal BC Museum—documents a period of profound social change through the lens of Sti’tum’atul’wut—also known as Mrs. Ruby Peter—a Cowichan elder who made it her life’s work to share and safeguard the ancient language of her people: Hul’q’umi’num’.

Over seven decades, Sti’tum’atul’wut mentored hundreds of students and teachers and helped thousands of people to develop a basic knowledge of the Hul’q’umi’num’ language. She contributed to dictionaries and grammars, and helped assemble a valuable corpus of stories, sound and video files—with more than 10,000 pages of texts from Hul’q’umi’num’ speakers—that has been described as “a treasure of linguistic and cultural knowledge.” Without her passion, commitment and expertise, this rich legacy of material would not exist for future generations.

In 1997 Vancouver Island University anthropologist Helene Demers recorded Sti’tum’atul’wut’s life stories over nine sessions. The result is rich with family and cultural history—a compelling narrative of resistance and resilience that promises to help shape progressive social policy for generations to follow.

Additional Information
240 pages | 6.00" x 9.00"

Where the Power Is: Indigenous Perspectives on Northwest Coast Art is a landmark volume that brings together over eighty contemporary Indigenous knowledge holders with extraordinary works of historical Northwest Coast art, ranging from ancient stone tools to woven baskets to carved masks and poles to silver jewellery. First Nations Elders, artists, scholars, and other community members visited the Museum of Anthropology at the University of British Columbia to connect with these objects, learn from the hands of their ancestors, and share their thoughts and insights on how these belongings transcend the category of “art” or “artifact” to embody vital ways of knowing and being in the world. Texts by the authors sketch the provenance of the objects, and, in dialogue with the commentators, engage in critical and necessary conversations around the role of museums that hold such collections.

The voices within are passionate, enlightening, challenging, and humorous. The commentators speak to their personal and family histories that these objects evoke, the connections between tangible and intangible culture, and how this “art” remains part of Northwest Coast Indigenous peoples’ ongoing relationships to their territories and political governance. Accompanied by over 300 contemporary and historical photographs, this is a vivid and powerful document of Indigenous experiences of reconnection, reclamation, and return.

Featuring contributions by:

ʼLiyaaʼmlaxha—Leonard Alexcee, Goldʼm Nitsʼk—Wii Gandoox—Mona Alexcee, Widiimas—Peter Alexcee, Kʼodalagalis—Byron Alfred, Skwiixta—Karen Anderson, Chaudaquock—Vera Asp, Don Bain, Stan Bevan, Jo Billows, Dempsey Bob, Raymond Boisjoly, Naxshageit—Alison Bremner, Wákas—Irene Brown, Tʼaakeit Gʼaayaa—Corey Bulpitt, Vanessa Campbell, Jisgang—Nika Collison, Nalaga—Donna Cranmer, Gloria Cranmer Webster, Joe David, Guud san glans—Robert Davidson, ʼWalas Gwaʼyam—Beau Dick, Idtaawgan—Mervin Dunn, Sharon Fortney, Yéil Ya-Tseen—Nicholas Galanin, qiyəplenəxw—Howard E. Grant, sʔəyəłəq—Larry Grant, taχwtəna:t—Wendy Grant-John, Müsiiʼn—Phil Gray, Tʼuuʼtk—Robin R.R. Gray, Wii Gwinaał—Henry Green, secəlenəxw—Morgan Guerin, Haaʼyuups, KC (Kelsey) Hall, J̌i:ƛʼmɛtəm—Harold Harry, qoqʼwɛssukwt—Katelynn Harry, 7idansuu—James M. Hart, YaʼYa Heit, Kwakwabalasamayi Hamasaka—Alan Hunt, Corrine Hunt, Tłaliłilaʼogwa—Sarah Hunt, Tsēmā Igharas, Pearl Innis, Haʼhl Yee—Doreen Jensen, Kwankwanxwaligi—Robert Joseph, kwəskwestən—James Kew, Gigaemi Kukwits, Peter Morin, Nugwam ʼMaxwiyalidzi—Kʼodi Nelson, ʼTayagilaʼogwa—Marianne Nicolson, Gwiʼmolas—Ryan Nicolson, Jaad Kuujus—Kwaxhiʼlaga—Meghann OʼBrien, Ximiq—Dionne Paul, A-nii-sa-put—Tim Paul, Xwelíqwiya—Rena Point Bolton, Oqwiʼlowgʼwa—Kim Recalma-Clutesi, Skeena Reece, Nʼusi—Ian Reid, Greg A. Robinson, Siʼt Kwuns—Isabel Rorick, Maximus (Max) Savey, Anaht pi ya tuuk—Sheila Savey, Linda Smith, Xsim Ganaaʼw—Laurel Smith Wilson, θəliχwəlwət—Debra Sparrow, səlisəyeʔ—Leona Sparrow, Wedłidi Speck, Marika Echachis Swan, Simʼoogit Gawaakhl of Wilps Luuyaʼas—Norman Tait, Snxakila—Clyde Tallio, Nakkita Trimble, Xˇùsəmdas Waakas—Ted Walkus, Nuuwagawa—Evelyn Walkus Windsor, Hiłamas—William Wasden, Jr., Tsamiianbaan—William White, Tania Willard, Skiljaday—Merle Williams, Gid7ahl-Gudsllaay Lalaxaaygans—Terri-Lynn Williams-Davidson, Tʼɬaɬbaʼlisameʼ—Tʼɬalis—Mikael (Mike) Willie, Lyle Wilson, Nathan Wilson, and Michael Nicoll Yahgulanaas.

Additional Information
384 pages | 10.31" x 11.96" | Hardcover

Wild Waters is Larry Loyie’s, Cree, exploration of the little-known side of the fur trade, the side of Haudenosaunee (Iroquois) and Canadien (French Canadian) paddlers who powered the canoes. After seeing his four times great-grandfather’s name, Tomma, in Chief Trader Archibald McDonald’s 1828 journal, Larry, with partner and co-author Constance Brissenden, began researching and writing about a challenging canoe voyage from Montreal to Hudson Bay, and then on to the Pacific. Larry was determined to combine his creative vision of Tomma’s life with the entries in McDonald’s journal to honour the unacknowledged voices of history. Some of the people in Wild Waters existed; others are based on the authors’ view of the fur trade and its people. Wherever possible, real dialogue was used. Weights and measures are consistent with usage of the era.

Reviews
“Wild Waters, Inside a Voyageur's World is an authentic, atmospheric tale of the voyageur and Hudson’s Bay Company days. Not only do you admire the strength and courage of the paddlers in navigating the wild waters, but also how they negotiated the intense personalities and rivalries of the Europeans they laboured for. An excellent historical account of the voyageur’s life!” -- Darlene Adams, Curator, High Prairie & District Museum, High Prairie, AB.

Educator Information
The publisher recommends this novel for grades 6 to 12 and for Adult Education.

Additional Information
152 Pages | Paperback

Indigenous peoples in Canada are striving for greater economic prosperity and political self-determination. Investigating specific legal, economic, and political practices, and including research from interviews with Indigenous political and business leaders, this collection seeks to provide insights grounded in lived experience. Covering such critical topics as economic justice and self-determination, and the barriers faced in pursuing each, Wise Practices sets out to understand the issues not in terms of sweeping empirical findings but rather the particular experiences of individuals and communities. The choice to focus on specific practices of law and governance is a conscious rejection of idealized theorizing about law and governance and represents an important step in the existing scholarship.

The volume offers readers a broad scope of perspectives, incorporating contemporary thought on Indigenous law and legal orders, the impact of state law on Indigenous peoples, theories and practices of economic development, and grounded practices of governances. While the authors address a range of topics, each does so in a way that sheds light on how Indigenous practices of law and governance support the social and economic development of Indigenous peoples.

Educator Information
Table of Contents
Part 1: Facilitating and Framing Wise Practices
1. Indigenous Economic Justice and Self-Determination: Wise Practices In Indigenous Law, Governance, And Leadership 
2. A Wise Practices Approach to Indigenous Law, Governance And Leadership: Resistance Against The Imposition Of Law 
3. Wise Practices: Toward A Paradigm of Indigenous Applied Community Economic Development Research And Facilitation 

Part 2: The State of the Law
4. Economic Justice in Practice 
5. Of Spectrums and Foundations: An Investigation into The Limitations Of Aboriginal Rights. 
6. The State Of Canadian Law on Representation and Standing In Aboriginal Rights And Title Litigation 
7. Miyo Pimâtisiwin And The Politics Of Ignorance: Advancing Indigenous ‘Good Living’ Through Dismantling Our Mediated Relations 

Part 3: Alternative in Practice
8. Accepting Responsibility For Your Nationhood Is Worthwhile For Any Nation On Earth, Not Just Indigenous People. 
9. Wise Practices in Indigenous Economic Development & Environmental Protection 
10. Looking Inward, Looking Outward: Finding Solutions in Indigenous and International Law 
11. Victory through Honour: Bridging Canadian Intellectual Property Laws and Kwakwaka’wakw Cultural Property Laws

Recommended for courses in economics, Indigenous studies, Indigenous politics, law and society, and political science.

Additional Information
384 pages | 6.00" x 9.00"

A collection of words and imagery from diverse voices grounded in the land that explore community in relation to time. Filmmaker/writer, Darlene Naponse, curates a gathering of expression about time that has passed, time that is now and time that comes.

Before the Usual Time features contributions by:
Chuquai Billy
Sherwin Bitsui
Emily Clarke
Craig Commanda
Jessie Fiddler
Lori Flinders
Daniel Groulx
Sy Hoahwah
Ajuawak Kapashesit
Leanna Marshall
Darlene Naponse
Joan Naviuyuk Kane
Dennis Saddleman
Ardelle Sagutcheway
Craig Santos Perez
Cathy Smith

Additional Information
180 pages | 5.50" x 8.50"

Poems about a young two-spirit Indigenous man moving through shadow and trauma toward strength and awareness. Bones, Tyler Pennock's wise and arresting debut, is about the ways we process the traumas of our past, and about how often these experiences eliminate moments of softness and gentleness. Here, the poem's journey inward, guided by the world of dreams, seeking memories of a loving sister lost beneath layers of tragedy and abuse. With bravery, the poems stand up to the demons lurking in the many shadows of their lines, seeking glimpses of a good that is always just out of reach. At moments heartrending and gut-punching, at others still and sweet, Bones is a collection of deep and painstaking work that examines the human spirit in all of us. This is a hero's journey and a stark look at the many conditions of the soul. This is a book for survivors, for fighters, for dreamers, and for believers.

Reviews
"Here is a spare and urgent voice that speaks of 'wounds and beauty,' that gestures to a story of trauma and abuse while offering us a potent journey of self-reckoning and reclamation. Bones entwines brutality with the deepest tenderness and in its clear-eyed way asks us, as poetry must, to re-see the world." --Catherine Bush, author of Accusation and The Rules of Engagement

"Tyler Pennock's poetry unfurls like breath: measured, light, caught, whispering, and vital. It charts memory with a steady hand and unerring allegiance to locating the 'beauty/in terrible things.' Bones addresses the effects of intergenerational, state-sponsored trauma with enviable grace, inscribing and affirming life on the other side of overwhelming pain, abuse, and grief. It carries on, resilient, defiant, gazing at the stars, one breath at a time." --Laurie D. Graham, author of Settler Education

"Tyler Pennock's Bones is a soft meandering through the memories of the narrator's hearthome: a place in which trauma, kinship, abuse, and nostalgia cradle one another in a circle. Here, poetics are deployed to inspect the most minute of objects with such wild abandon that the narrator transplants us into a world rife with sharpness so as to make the image complete, focussed, lifelike, photographic even as he continually 'wish[es he] were like water'. Here we find memory and dream animated in equal measure: two spirits sitting in a basement, a headless mother, a white bear, wihtiko, and a sister slowly vanishing. Lyrical, witty, heart-wrenching, and empowering, Pennock's debut book of poetry is a contemplative epic asking us to ponder the ethics of remembrance in all of its lacings of razing and revitalization." --Joshua Whitehead, author of Full-Metal Indigiqueer and Jonny Appleseed

Additional Information
104 pages | 6.00" x 8.75"

Charged with fresh material and new perspectives, this updated edition of the groundbreaking biography From Brotherhood to Nationhood brings George Manuel and his fighting tradition into the present.

George Manuel (19201989) was the strategist and visionary behind the modern Indigenous movement in Canada. A three-time Nobel Peace Prize nominee, he laid the groundwork for what would become the Assembly of First Nations and was the founding president of the World Council of Indigenous Peoples. Authors Peter McFarlane and Doreen Manuel follow him on a riveting journey from his childhood on a Shuswap reserve through three decades of fierce and dedicated activism.

In these pages, an all-new foreword by celebrated Mi'kmaq lawyer and activist Pam Palmater is joined by an afterword from Manuel’s granddaughter, land defender Kanahus Manuel. This edition features new photos and previously untold stories of the pivotal roles that the women of the Manuel family played and continue to play in the battle for Indigenous rights.

Reviews
“Brotherhood to Nationhood is more than just a biography of the life of George Manuel; it demonstrates the roots of an Indigenous internationalism and political theory that is grounded in the ethics, knowledge, and practices of the Secwepemc people.” – Leanne Betasamosake Simpson, author of As We Have Always Done

Educator Information
Table of Contents
Foreword - Dr. Pamela Palmater
Preface - Peter McFarlane
Preface - Doreen Manuel

Part I. The Neck of the Chicken
1. Paradise, Paradise Lost, 1960
2. The Hard-Luck Shuswap Kid, 1920–1932
3. White Plague, Red Victims, 1932–1954
4. Local Agitator to Provincial Leader, 1955–1960
5. A Future for Your Children, 1960–1963

Part II. Building the National Movement
6. Community Development and the Arthur Laing Gang, 1965–1967
7. Down the Garden Path: Chretien Andras Consultations, 1968–1969
8. From White Paper to Red Paper, 1969–1970
9. The National Chief
10. The National Indian Philosophy, 1971–1972

Part III. Indian Shogun
11. International Travels
12. Land Title and the James Bay Battle, 1972–1973
13. Red Power
14. Political Eruptions in British Columbia, 1975
15. A Voice for the Fourth World, 1975–1976
16. Back to British Columbia,1976–1977
17. The Peoples’ Movement, 1977–1979
18. Constitutional Express, 1980

Part IV. Final Days
19. European Express, 1981–1982
20. Passing the Torch, 1982–1989

Epilogue
Afterword - Kanahus Manuel

Additional Information
402 pages | 6.00" x 9.00" | Revised, 2nd Edition

Beautiful and delicious gluten-free, grain-free, and dairy-free recipes, fully endorsed by Whole30.

As millions of people know, one of the toughest things about completing the Whole30 is figuring out what to eat the other 335 days of the year. Kirsten Buck, creator of Buck Naked Kitchen, struggled with her weight and chronic eczema for years before she transformed her life through food. She adopted a mostly paleo way of eating--gluten-free, grain-free, dairy-free, healthy fats, no refined sugars--and experienced dramatic weight loss. Soon after she went on to win the first-ever "Next Whole30 Star" competition and is now a certified holistic nutritionist, sharing delicious and beautiful recipes on her blog and Instagram with thousands of fans. From her Pesto Chicken Salad Sandwich for lunch, to Moroccan Lamb Stew for dinner, to the stunning Summer Berry Galette to satisfy your sweet tooth, there is something for every taste. In addition, there are recipe basics for making your own mayo, yogurt, salad dressings, tahini, and more, which prove that healthy eating doesn't have to break the bank.

Reviews
“[Buck Naked Kitchen] combines Kirsten’s education as a certified holistic nutritionist with her background and experience focusing on whole foods and creating healthy, approachable and delicious meals. Not only is every recipe gluten, grain AND dairy-free, did I also mention the Manitoba favourite: chicken tenders and HONEY DILL?! You gotta try it!”—Travel Manitoba

What I see in this book is a woman showing up as her truest, most authentic self, using food to speak to us, to connect with us, and to show us and herself love. Kirsten has brought her journey into the light, and the joy, vibrancy, and newfound confidence with which she both cooks and moves through this world glows through these pages.”—from the Foreword by Melissa Urban, Whole30 Co-Founder and CEO

“There are so many classic recipe staples in Kirsten's cookbook that it deserves a permanent place on every kitchen counter! I felt like she invited me into her home and showed me how to cook nourishing food from scratch. The photography is beautiful and Kirsten's approach to food is so effortless and natural.”—Joy McCarthy, bestselling author of Joyous Health and The Joyous Cookbook

Additional Information
272 pages | 8.25" x 9.31" | Full-colour photos throughout | Hardcover

bug is a solo performance and artistic ceremony that highlights the ongoing effects of colonialism and intergenerational trauma experienced by Indigenous women, as well as a testimony to the women's resilience and strength. The Girl traces her life from surviving the foster care system to her struggles with addictions. She fights, hoping to break the cycle in order to give her daughter a different life than the one she had. The Mother sits in Alcoholics Anonymous meetings, recounting memories of the daughter that was taken from her, and the struggles of living on the streets in Northern Ontario. They are both followed by Manidoons, a physical manifestation of the trauma and addictions that crawl across generations.

bug reveals the hard truths that many Indigenous women face as they carve out a space to survive in contemporary Canada, while holding on to so much hope.

Reviews
"bug pulls back the curtain on the falsehood of reconciliation using storytelling and movement, bringing everything we've seen in the news and the history books into the heart and gut." - Mooney on Theatre

Educator Information
Recommended for grades 10 to 12.

Additional Information
80 pages | 5.50" x 8.50"

Childhood Thoughts and Water is a collection of Beat Poetry, Spoken Word, Performance Art and Lyrical Verse. This is a work which journeys into the memories and events of an Urban Indigenous warrior's struggles to reconnect with a language and culture that is seemingly always almost out of reach. The common theme of reconnecting with nature and with water is interspersed with the imagery of childhood recollections and anecdotes about life and love, aspirations and defeats, and the desire to achieve greatness in spite of the obstacles and barriers inherent in a life lived on the fringes, in the shadows and on the streets, in the spotlight and behind the backstage curtain.

Educator & Series Information
This book is part of the Modern Indigenous Voices series.

Additional Information
80 pages | 5.50" x 8.50" | Paperback

For fans of true crime, an unsolved mystery of missing persons, police conspiracies, and private investigations in an Indigenous community in northern Canada.

Métis leader James Brady was one of the most famous Indigenous activists in Canada. A communist, strategist, and bibliophile, he led Métis and First Nations to rebel against government and church oppression. Brady’s success made politicians and clergy fear him, and he had enemies everywhere.

In 1967, while prospecting in Saskatchewan with Cree Band Councillor and fellow activist Absolom Halkett, both men vanished without a trace from their remote lakeside camp. For 50 years rumours swirled of secret mining interests, political intrigue, assassination, and murder. Cold Case North is the story of how a small team, with the help of a local Indigenous community, exposed police failure in the original investigation, discovered new clues and testimony, and gathered the pieces of the North’s most enduring missing persons puzzle.

Reviews
“This engrossing account charts the efforts of three dedicated people to determine the fate of two missing Indigenous men in the north of Canada. [...] Meticulously researched, this smoothly written tale of injustice showcases the authors’ tenacity and arouses the reader’s indignation. This is a scathing rebuke of the RCMP’s failure to take the case of missing Indigenous people seriously.” —Publisher's Weekly

“Like too many cases involving missing and murdered Indigenous people, authorities failed to ensure that Brady and Halkett’s deaths were properly investigated. This book helps get to the bottom of the fate of these two men, and demonstrates why investigators should never dismiss the knowledge of Indigenous peoples.” —Darren Prefontaine, author of Gabriel Dumont

“Cold Case North is part true crime thriller, part gripping mystery about the disappearance of Métis legend James Brady and Absolom Halkett in northern Saskatchewan. It is also about Indigenous knowledge, investigative incompetence, and the stuff of legend.” —Paul Seesequasis, author of Blanket Toss Under Midnight Sun

“A fascinating search for the truth, Cold Case North unravels the layers of a decades’ old mystery. It is about how communities hold knowledge for generations, and how missing loved ones are never forgotten.” —Katherena Vermette, author of River Woman and The Break

Additional Information
272 pages | 5.00" x 7.00"