Indigenous Peoples

High Noon Neptune is a powerful poetry collection that delves into important issues of loss, love, class, and capitalism. Throughout this book, the reader is taken on a journey of survival, where the intersections of identity and oppression are explored with clarity and reverence. The poems shed light on the complexities of living in a society that is rife with discrimination and inequality, and the battles that individuals face to survive within these intersecting systems. This book fearlessly navigates through societal and personal struggles with a sharp wit and bold defiance. With each poem, David Groulx confronts and challenges the societal norms and structures that perpetuate injustice and inequality. High Noon Neptune offers a raw and unapologetic perspective on the realities of navigating life as a marginalized individual. This poetry collection is a powerful testament to the resilience and strength of those who refuse to be silenced and continue to fight for survival.

Educator & Series Information
This book is part of the Modern Indigenous Voices series.

Additional Information
88 pages | 5.50" x 8.50" | Paperback 

The political life of Dene leader Georges Erasmus - a radical Native rights crusader widely regarded as one of the most important Indigenous leaders of the past fifty years.

For decades, Georges Erasmus led the fight for Indigenous rights. From the Berger Inquiry to the Canadian constitutional talks to the Oka Crisis, Georges was a significant figure in Canada's political landscape. In the 1990s, he led the Royal Commission on Aboriginal Peoples and afterward was chair and president of the Aboriginal Healing Foundation, around the time that Canada's residential school system became an ongoing frontpage story.

Georges's five-decade battle for Indigenous rights took him around the world and saw him sitting across the table from prime ministers and premiers. In the 1980s, when Georges was the National Chief of the Assembly of First Nations, he was referred to as the "Thirteenth Premier." This book tells the personal story of his life as a leading Indigenous figure, taking the reader inside some of Canada's biggest crises and challenges.

Awards

• 2025 Indigenous Voices Awards - Prose in English Award

Additional Information
320 pages | 6.00" x 9.00" | 57 b&w illustrations | Paperback 

A teacher lesson plan to further explore the book, I am Connected. May include comprehension questions, group activities, conversation starters, quizzes, language arts activities, and colouring pages.

We are all connected. Whether it is with your family, the mossy earth beneath your feet, the warm guidance of your ancestors, you belong in connection with all around you.

Along the backdrop of Haida Gwaii's breathtaking landscapes, Indigenous storyteller, Ḵung Jaadee, invites you to witness the many threads of relationship that connect us across time and space.

What makes you feel connected?

Educator Information
This lesson plan accompanies the book I am Connected.

Additional Information
15 pages | 8.50" x 11.00" | Loose Leaf Packet 

i heard a crow before i was born.
i heard tsó:ka’we before i was born.

i heard a crow before i was born opens with a dream-memory that transforms into a stark, poetic reflection on the generational trauma faced by many Indigenous families. Jules Delorme was born to resentful and abusive parents, in a world in which he never felt he belonged. Yet, buoyed by the love shown to him by his tóta (grandmother) and his many animal protectors, Delorme gained the strength to reckon with his brutal childhood and create this transformative and evocative memoir.

Across chapters that tell of his troubled relationships, Delorme unwraps the pain at the centre of his own story: the residential schools and the aftershocks that continue to reverberate.

In this stunning testament to the power of storytelling — to help us grieve and help us survive — Delorme tells the story of his spirit walk as he embraces the contradictions of his identity. As he writes, “i heard a crow before i was born is a man looking back, and dreaming back, and seeing that life, in whatever form it takes, however harsh it might seem, is beautiful.”

Reviews
“Jules Delorme is an unconventional storyteller and writer. His exploration of self through the eyes of being ‘half white on the reserve and half Indian in the city’ speaks to his vast experience as a Kanien’kehá:ka man in Canada. Jules has lived and continues to live the life of a man who has leapt over every hurdle that life places in front of him. To be able to write of his life in the way that he has shows his determination. Thank you, Jules, for taking us all on your spirit walk.” — Norma Dunning, award-winning author of Tainna, July 2024

Additional Information
164 pages | 5.00" x 8.00" | Paperback 

From New York Times bestselling horror writer Stephen Graham Jones comes a classic slasher story with a twist—perfect for fans of Riley Sager and Grady Hendrix.

1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, the unfairness of being on the outside, through the slasher horror he lives but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.

Educator Information
Genre: Slasher Horror / Thriller 

Additional Information
384 pages | 6.00" x 9.00" | Hardcover 

"If you're in the mood for a steamy enemies-to-lovers romance but also a chilling haunted-house horror, GET YOU A BOOK THAT CAN DO BOTH! I blazed through this book in one sitting because I just couldn't wait to find out what would happen next!" - Alicia Thompson, USA Today bestselling author of With Love, from Cold World

An enemies to lovers romance with a spooky twist where two feuding writers end up on a writers retreat together at a haunted castle in Scotland.

It's been months since horror author Penelope Skinner threw a book at Neil Storm. But he was so infuriating, with his sparkling green eyes and his bestselling horror novels that claimed to break Native stereotypes. And now she’s a publishing pariah and hasn’t been able to write a word since. So when her friend invites her on a too-good-to-be-true writers retreat in a supposedly haunted Scottish castle, she seizes the opportunity. Of course, some things really are too good to be true.

Neil wants nothing less than to be trapped in a castle with the frustratingly adorable woman who threw a book at him. She drew blood! Worse still, she unleashed a serious case of self-doubt! Neil is terrified to write another bestselling “book without a soul,” as Pen called it. All Neil wants is to find inspiration, while completely avoiding her.

But as the retreat begins, Pen and Neil are stunned to find themselves trapped in a real-life ghost story. Even more horrifying, they’re stuck together and a truly shocking (extremely hot) almost-kiss has left them rethinking their feelings, and… maybe they shouldn’t have been enemies at all? But if they can’t stop the ghosts pursuing them, they may never have the chance to find out.

Full of spooky chills and even more sexy thrills, If I Stopped Haunting You by Colby Wilkens is the funny, fast-paced romp romance readers have been waiting for!

Reviews
"I devoured this debut by Colby Wilkens! The author writes with such authority and conviction that I really felt like she had lived in a haunted castle in Scotland, just like the characters. Every sentence felt like it was coming from a place of authenticity, which I loved. In addition, the spooky elements are genuinely spooky, the enemies to lovers genuinely enemies, and it all came together beautifully. I didn't realize I needed a romance book married to cozy horror but now I'm wondering where this particular mashup has been all my life. Can't wait to read the next!" - Jessica Clare, New York Times bestselling author

"If I Stopped Haunting You skillfully balances creepiness, difficult conversations, and a lot of steam to deliver readers a satisfying debut and a well-earned Happily Ever After." - Helena Greer, author of Season of Love and For Never and Always

“If I Stopped Haunting You is a complex deep dive into identity, history, and staying true to one’s self that pulls no punches. With a toe curling romance and bone chilling ghosts lurking around every corner, this effortless blend of romance and horror is not to be missed.” - Sonia Hartl, author of Heartbreak For Hire and Rent to Be

"Brimming with angst, heat, and heart, If I Stopped Haunting You is the unputdownable rivals-to-lovers romance I've been craving! Set in a haunted Scottish castle with atmosphere to die for, this is a cozy season must-read. I fell hard for Penelope and Neil as they traversed their differences toward deeper understanding and love–with lots of steam along the way! Writing with thrilling boldness, sparkling wit, and profound care for queer and indigenous representation, Colby Wilkens is a highly necessary and breathtakingly talented fresh voice in romance–meet your new autobuy author." – Courtney Kae, author of In the Event of Love and In the Case of Heartbreak

"Masterfully blends the delicious tension of a great rivals-to-lovers romance with the gothic vibes of a creepy haunted house story. The heat between Penelope and Neil ignites as they untangle their complicated relationship and grow closer together, and the horror elements create some truly memorable moments of forced proximity. If I Stopped Haunting You hooked me from the first page, and I didn't want to put it down when it was over!" -Jenny L Howe, author of On the Plus Side and The Make-Up Test

"If you're in the mood for a steamy enemies-to-lovers romance but also a chilling haunted-house horror, GET YOU A BOOK THAT CAN DO BOTH! Colby Wilkens' debut If I Stopped Haunting You is so inventive and immersive -- I couldn't tell if my shoulders were up by my ears because of the creeping dread of whatever was going on in that castle or because of the electric chemistry between Pen and Neil. I blazed through this book in one sitting because I just couldn't wait to find out what would happen next!" - Alicia Thompson, USA Today bestselling author of With Love, from Cold World

Additional Information
320 pages | 5.38" x 8.25" | Paperback 

Kimberly Rodriguez, a first-generation Xicana Indigena artist, poet, and activist, invites readers on a transformative journey of self-discovery and empowerment through her book, Incantations Embodied: Rituals for empowerment, reclamation, and resistance, serving as a catalyst for reclaiming our stories, truth, and power.

In Incantations Embodied: Rituals for Empowerment, Reclamation, and Resistance, author Kimberly Rodriuguez takes readers on a profound and transformative journey towards self-discovery and empowerment. Within its pages lies a poignant exploration of the human experience, interwoven with elements of spirituality, healing, and personal growth.

At its core, Incantations Embodied serves as a triumphant homecoming—a return to the essence of one's being. It invites readers to embark on a sacred journey, emboldening them to embrace their true selves with unwavering honesty and compassion.

Through Rodriguez's captivating stories, enlightening prose, and enchanting rituals, this book becomes a powerful catalyst for reclaiming our stories, our bodies, our identities, our voices, and ultimately, our power.

In a world where societal norms and expectations often stifle individuality and self-expression, Incantations Embodied stands as a resounding call to break free from these chains. It seeks to dismantle the oppressive narrative that has been ingrained in our collective consciousness, urging us to question and challenge the colonized structures that have kept us disconnected from our own truth.

The book serves as a powerful guide for self-realization, urging individuals to transcend their limitations and embrace their innate potential. With each turn of the page, a profound shift occurs—a blossoming of self-awareness, strength, and resilience.

"Incantations are our liberation. With the power of words, we become conjurers, bringing our wildest dreams to life." - Kimberly Rodriguez

Additional Information
180 pages | 6.00" x 9.00" | Paperback

A man lunges in front of a car. An elderly woman silently drowns herself. A corpse sits up in its coffin and speaks. On this reservation, not all is what it seems, in this new spine-chilling mythological horror from the author of Sisters of the Lost Nation.

All Noemi Broussard wanted was a fresh start. With a new boyfriend who actually treats her right and a plan to move from the reservation she grew up on—just like her beloved Uncle Louie before her—things are finally looking up for Noemi. Until the news of her boyfriend’s apparent suicide brings her world crumbling down.

But the facts about Roddy’s death just don’t add up, and Noemi isn’t the only one who suspects that something menacing might be lurking within their tribal lands.

After over a decade away, Uncle Louie has returned to the reservation, bringing with him a past full of secrets, horror, and what might be the key to determining Roddy’s true cause of death. Together, Noemi and Louie set out to find answers...but as they get closer to the truth, Noemi begins to wonder whether it might be best for some secrets to remain buried.

Reviews
"Nick Medina blends myth and reality, supernatural danger and ordinary human menace into a story that will pull your heartstrings even as it shreds your nerves. Like the alligators lurking in its pages, Indian Burial Ground will swallow you whole."—Ana Reyes, New York Times bestselling author of The House in the Pines

"You may arrive at Indian Burial Ground because of author Nick Medina's incredible debut, Sisters of the Lost Nation, or his exceptional story in the bestselling Never Whistle at Night anthology, or perhaps he's a new-to-you author, and now you have the pleasure of reading both of these, but the important thing is you have arrived at an exceptional new novel that lingers long after the last page is turned. From two compelling points of view decades apart, Medina has crafted a story of generational trauma and mythical fears, with deep roots in Native history and modern life, that's part supernatural horror, part mystery, but perhaps most importantly, a story of hope in the darkness." —Vanessa Lillie, USA Today bestselling author of Blood Sisters

"Indian Burial Ground is wonderfully creepy and relentlessly dark. Part adventure narrative, part supernatural horror story, and part eerie mystery, this novel slithers under your skin and makes you wish you knew less with every step it brings you closer to the truth. Nick Medina is waiting in the dark to whisper in your ear about dead things, about the tamahka, about blood and Native mythology. You should let him."—Gabino Iglesias, author of The Devil Takes You Home

"An intense family drama set on the (fictional) Rez where the threat of the mysterious Takoda Vampire makes for a gripping—and creepy!—read. Nick Medina is an Indigenous writer to watch."—Erika T. Wurth, author of White Horse

"Nick Medina’s Indian Burial Ground is an expertly-paced novel, chock-full of Native lore and spine-chilling suspense. When the horror hits, it hits hard."—Jimmy Juliano, author of Dead Eleven

Additional Information
384 pages | 6.19" x 9.30" | Hardcover 

At its core, Indigenous Child and Youth Care: Weaving Two Heart Stories Together is about unity. It seeks to create a heart-to-heart practice by bridging Indigenous ways of knowing with Western Child and Youth Care practices, encouraging students to approach their work with a more open understanding of First Nations, Métis, and Inuit worldviews.

Author Cherylanne James guides students through self-location by dismantling their pre-existing biases regarding Indigenous Peoples, understanding personal privilege and power, educating themselves on Canadian and Indigenous history and contexts, and learning about the pervasive impacts of colonialism. Students will cultivate a practice that encourages ethical spaces of engagement while steering away from surface-level or disingenuous interactions.

The text applies concepts and theories such as relational accountability, interconnectivity, resurgence, community-centred approaches, wise practices, relationship-building, anti-oppression, anti-racist, and social justice frameworks to enrich CYC practices and prepare students to engage with Indigenous children, youth, and families in an informed, meaningful way.

Indigenous Child and Youth Care is designed as a journey, wherein the student reflects while they learn and grow as a CYC professional. It includes a variety of pedagogical features that catalyze thoughtful interaction with the material, such as a glossary, discussion questions, reflective practice question boxes, and additional resources for further learning. This is a powerful and vital text for college and university students in Child and Youth Care and Human Services.

Features

• unites Indigenous worldviews, histories and knowledge systems with western Child and Youth Care practices
• exposes students to pre-existing colonial and racist power structures while introducing them to Indigenous concepts and theories for inclusive practice
• contains a broad variety of pedagogical features, including a glossary, reflective practice questions, discussion questions, activities, and additional resources

Educator Information
Table of Contents
Acknowledgements
Introduction

SECTION 1 CONTEXT FOR INDIGENOUS CHILD AND YOUTH PRACTICES
Chapter 1 Self-Location
Chapter 2 Storying Identity
Chapter 3 Living History
Chapter 4 Wise Practice: The Self (Part 1)
Chapter 5 Wise Practice: Working within Spaces and with Others (Part 2)

SECTION 2 CHALLENGES
Chapter 6 Canadian Child Welfare’s Impact on Indigenous Children, Families, and Communities
Chapter 7 MMIWG2S People and Gender-Based Violence
Chapter 8 Trauma
Chapter 9 Legislation, Calls to Action, and Policy

SECTION 3 CHILD, YOUTH, FAMILY, AND COMMUNITY APPROACHES
Chapter 10 Heart-Centred Practice: Fostering Love through Indigenous Approaches to Child and Youth Work
Chapter 11 Supporting Kinship and Family Relations
Chapter 12 Community Wellness: Land, Water, Language, and Community
Chapter 13 Resurgence and Resistance: Re/Centring Indigenous Children and Youth through Strength-Based Approaches
Closing Heart-to-Heart Practice

Child and Youth Care Certification Board
Glossary
Index

Additional Information
308 Pages | 6.75" x 9.75" | Paperback

“Canada rejected our applications for enrolment in the Qalipu First Nation. Initially, I was relieved by the rejection. I’d watched my hometown divide itself — are you Mi′kmaq or settler? Mi′kmaq or not Mi′kmaq enough?”

Centred around the Newfoundland Mi'kmaq experience in the wake of the controversial Qalipu First Nation enrolment process, Island wades through the fracture and mistrust that continues to linger in many communities. In this new collection, Douglas Walbourne-Gough expands upon issues of identity and history that he introduced in Crow Gulch, offering a deeply personal and equally beautiful exploration of Mi'kmaw and Newfoundland identity.

Walbourne-Gough’s narrative poems trace the formation of identity, not through status documentation, but through its deeper roots in childhood memories, family, spirituality, and dreams. Throughout this collection, he approaches life in fragments — snuggling into his nan’s sealskin snowsuit, learning Mi'kmaq from an app, or the myriad of complex emotions that come with receiving a status card — and watches them transform into pieces of an everlasting puzzle. Island reckons with an often-ignored, yet persistent, effect of colonialism — fractured identities.

Additional Information
80 pages | 5.50" x 8.50" | Paperback

The first book published in Tsuut’ina—a critically endangered language—in over a century!

With fewer than 150 speakers, Tsuut’ina is a critically endangered language. Isúh Áníi / As Grandmother Said brings together nine traditional narratives and historical accounts in the Tsuut’ina language, originally narrated by Elders Dátł’ìshí Ts’ìká Bessie Meguinis (1883–1987) and Ninàghá Tsìtł’á Willie Little Bear (1912–1989). At once an act of language preservation and a learning resource, each story is retold in Tsuut’ina by Dit’óní Didlíshí Dr. Bruce Starlight and is presented with English translations and a Tsuut’ina-to-English glossary.

The narratives included in this collection cover considerable ground, ranging from the creation of the world in the caring hands of Xàlítsa-tsii and his animal helpers, to accounts of separation, migration, and cross-cultural contact that mark major turning points in Tsuut’ina history, and to important cultural and ceremonial items and practices that the Tsuut’ina Nation maintains to this day.

These stories will be of lasting value to Tsuut’ina language learners and teachers, and will share the legacy of Elders Bessie Meguinis and Willie Little Bear with generations of Tsuut’ina to come.

Educator & Series Information
This book is part of the First Nation Language Readers series. With a mix of traditional and new stories, each First Nations Language Reader introduces an Indigenous language and demonstrates how each language is used today. 

Additional Information
186 pages | 5.50" x 8.50" | Paperback

A personal account of one man’s confrontation with colonization that illuminates the philosophy and values of a First Nation on the front lines of the fight against an extractive industry, colonial government, and threats to the life-giving Salish Sea.

It Stops Here is the profound story of the spiritual, cultural, and political resurgence of a nation taking action to reclaim their lands, waters, law, and food systems in the face of colonization. In deeply moving testimony, it recounts the intergenerational struggle of the Tsleil-Waututh Nation to overcome colonial harms and the powerful stance they have taken alongside allies and other Indigenous nations across Turtle Island against the development of the Trans Mountain Pipeline—a fossil fuel megaproject on their unceded territories.

In a firsthand account of the resurgence told by Rueben George, one of the most prominent leaders of the widespread opposition to the Trans Mountain Pipeline expansion, It Stops Here reveals extraordinary insights and revelations from someone who has devoted more than a decade of his life to fighting the project. Rueben shares stories about his family’s deep ancestral connections to their unceded lands and waters, which are today more commonly known as Vancouver, British Columbia and the Burrard Inlet. He discloses how, following the systematic cultural genocide enacted by the colonial state, key leaders of his community, such as his grandfather, Chief Dan George, always taught the younger generations to be proud of who they were and to remember the importance of their connection to the inlet.

Part memoir, part call to action, It Stops Here is a compelling appeal to prioritize the sacred over oil and extractive industries, while insisting that settler society honour Indigenous law and jurisdiction over unceded territories rather than exploiting lands and reducing them to their natural resources.

Additional Information
288 pages | 5.13" x 7.98" | 31 b+w images throughout | Paperback

The only book on award-winning Indigenous basket maker Jeremy Frey, accompanying his first major traveling exhibition.

Frey (Passamaquoddy) is one of the most respected Indigenous basket makers working today. Descended from a long line of basket makers, his work is known for its intricate design and exquisite artistry, which reflect both traditional techniques and his own creative vision.

This catalogue considers his work from a variety of perspectives. Secord, whom Frey credits for guiding his career as the founder of Maine Indian Basketmakers Alliance, contributes a detailed biographical essay. DeSimone situates Frey’s work in the broader field of contemporary art, with a specific focus on the new video work he is making for the exhibition. Hoska focuses on Frey’s art in the broader context of Native basket and fiber arts. And Mize considers the ways in which his expanding practice registers ecological knowledge, time, and the impact of climate change.

Additional Information
160 pages | 8.85" x 11.91" | Hardcover  

Rooted in ten Indigenous values, this thoughtful, holistic book-written by Randy Woodley, a Cherokee descendant recognized by the Keetoowah Band, and Edith Woodley, an Eastern Shoshone tribal member-helps readers learn lifeways that lead to true wholeness, well-being, justice, and harmony.

The pursuit of happiness, as defined by settlers and enshrined in the American Dream, has brought us to the brink: emotionally, spiritually, socially, and as a species. We stand on a precipice, the future unknown. But Indigenous people carry forward the values that humans need to survive and thrive. In Journey to Eloheh, Randy and Edith Woodley help readers transform their worldviews and lifestyles by learning the ten values of the Harmony Way. These ten values, held in common across at least forty-five Indigenous tribes and nations, can lead us toward true well-being: harmony, respect, accountability, history, humor, authenticity, equality, friendship, generosity, and balance. By learning, converting to, and cultivating everyday practices of Eloheh--a Cherokee word meaning harmony and peace--we have a chance at building well-being and a sustainable culture.

In this riveting account of their own journeys toward deepening their indigeneity and embodying harmony, Edith, an activist-farmer, and Randy, a scholar, author, teacher, and wisdom-keeper, help readers learn the lifeways of the Harmony Way. The journey to Eloheh holds promise for all of us, Indigenous or not.

We know the Western worldview is at odds with a sustainable Earth, a just common life, and personal well-being. Together we can convert to another way of living--one that recognizes the Earth as sacred, sees all creation as related, and offers ancestral values as the way forward to a shared future.

Reviews
"Edith and Randy Woodley's passion and persistence to create spaces of community and care are inspiring. A blend of storytelling, theology, and guidance harvested directly through Indigenous wisdom, Journey to Eloheh reminds us to stay true to the path of kinship and belonging, and to never give up on justice and peacemaking in the world. I highly recommend this book for anyone who is searching for a way to be a better relative on this earth or to fight for a better reality for future generations. This book will help you get there." --Kaitlin B. Curtice, award-winning author of Native and Living Resistance

"Spiritual journey as autobiography: like a Navajo weaver, Journey to Eloheh skillfully connects Native American theology and personal experience into a way of life. If you are looking for your own path, Edith and Randy Woodley's story is a good place to begin." --Steven Charleston, author of Ladder to the Light, Spirit Wheel, and We Survived the End of the World

"There is so much we can all learn from the wisdom of Indigenous culture. In this book, Randy and Edith Woodley invite us to join them on a journey of learning a different way of living that leads to wholeness, abundance, and peace. They generously share their life experience and spiritual insights to show us a better path toward harmony with the whole of creation. I highly recommend it!" --Dr. Brenda Salter McNeil, author of Becoming Brave and Roadmap to Reconciliation 2.0

"A practical antidote to despair, hopelessness, and aimless consumption, this book offers a robust and healing path to well-being for all of us. The Woodleys are wise and trustworthy guides for restoration and embodied goodness within the community of creation." --Sarah Bessey, author of Field Notes for the Wilderness: Practices for an Evolving Faith

"Randy and Edith Woodley write with insight and wisdom from their years of experience. They have prophetic voices that draw attention to the needs of all of our relatives. Their voices rise out of difficult situations in which they have done more than survive; they are showing how to flourish in an ever-changing world." --Ray Aldred, director of the Indigenous Studies Program, Vancouver School of Theology

"For many years, I have considered Randy Woodley one of my teachers. His books, lectures, and personal conversations--together with his humble, yet bold, spirit as a teacher--have enriched and challenged me. His new book, co-written with his wise and eloquent wife, Edith, is a masterpiece, a book I would recommend to anyone and everyone. It beautifully combines the sharing of their life-story with the essence of their lifeway, articulated in ten powerful Indigenous values that are as deeply spiritual as they are deeply practical." --Brian McLaren, author, teacher, and activist

Educator Information
Keywords / Themes: Well-Being; the Harmony Way (Eloheh); Ten Eloheh Values; Indigenous Knowledge, Indigenous Values; Personal Growth.

Additional Information
264 pages | 5.75" x 8.75" | Hardcover 

Kunuuksayuukka: The Spirit of Winter Storms is a story of Inuvialuk (Western Arctic Inuk) Elder Rose Kirby's early life, beginning from her vibrant traditional life on the land, to being taken away on a "ship of tears" to residential school in Aktlarvik (Aklavik), before moving around different DEW Line sites following her father Joseph Saraana Thrasher's work. Known for her powerful memory and storytelling skills, Rose vividly recounts stories from her childhood and even infancy.

Kunuuksayuukka: The Spirit of Winter Storms honours the important lessons that Rose has learned from her Elders and family, through watching how they interacted with one another, as well as with the larger natural world. Rose uses Kunuuksayuukka-the spirit of winter storms-and its slow disappearance from her life, to describe her own transition from traditional, nomadic life on the land to moving into housing settlements created by tan'ngit (white people).

Through almost 300 pages, Rose's book weaves through candid stories of human relationships, loss, love and care for one another, humour, pain, strength, and resilience. Most importantly, it is a heartfelt tribute to Inuvialuit culture, language, history, life, and experiences-all through the eyes of an Inuvialuk who has learned to move with the changing world as she grew up. This book is a must-read for anyone who wants to learn about how Inuvialuit lived long ago.

Additional Information
6.00" x 9.00" | 25 b&w photographs | Paperback