Indigenous Studies

“Canadians and politicians have a common responsibility: to learn from the mistakes inherited from a colonialist legacy; and to not repeat the wrongs, corruption, and injustices our people suffered in the hands of government officials, politicians, and their oppressive laws. Reading and learning from Cheated would be a good place to start reconciliation and reparation.” — Ovide Mercredi, former National Chief of the Assembly of First Nations

The story of how Laurier Liberals took hold of the Department of Indian Affairs in 1896 and transformed it into a machine for expropriating Indigenous land.

You won’t find the Ocean Man and Pheasant Rump reserves on a map of southeastern Saskatchewan. In 1901, the two Nakoda bands reluctantly surrendered the 70 square miles granted to them under treaty. It’s just one of more than two dozen surrenders aggressively pursued by the Laurier Liberal government over a fifteen-year period. One in five acres was taken from First Nations.

This confiscation was justified on the grounds that prairie bands had too much land and that it would be better used by white settlers. In reality, the surrendered land was largely scooped up by Liberal speculators — including three senior civil servants and a Liberal cabinet minister —and flipped for a tidy profit. None were held to account.

Cheated is a gripping story of single-minded politicians, uncompromising Indian Affairs officials, grasping government appointees, and well-connected Liberal speculators, set against a backdrop of politics, power, patronage, and profit. The Laurier government’s settlement of western Canada can never be looked at the same way again.

Additional Information
352 pages | 5.75" x 8.75" | 68 b&w photos; 3 maps | Paperback

More than seventy delectable recipes that bring California’s Indigenous cuisines into kitchens today.

In this sumptuous cookbook, Sara Calvosa Olson (Karuk) reimagines some of the oldest foods in California for home cooks today. Meaning “Let’s eat!” in the Karuk language, Chími Nu’am shares the author’s delicious and inventive takes on Native food styles from across California. Over seventy seasonal recipes centered on a rich array of Indigenous ingredients follow the year from Fall (elk chili beans, acorn crepes) to Winter (wild boar pozole, huckleberry hand pies) to Spring (wildflower spring rolls, peppernut mole chicken) to Summer (blackberry braised smoked salmon, acorn milk freezer pops). Special sections offer guidance on acorn preparation, traditional uses of proteins, and mindful ingredient sourcing. Calvosa Olson has spent many years connecting her family’s foodways with a growing community, and these recipes, techniques, and insights invite everyone to Calvosa Olson’s table. Designed as an accessible entry for people beginning their journey toward a decolonized diet, Chími Nu’am welcomes readers in with Calvosa Olson’s politically attuned and irresistibly funny writing. With more than 100 photographs, this cookbook is a culinary gift that will add warmth and mouthwatering aromas to any kitchen.

Reviews
"This cookbook designed to uplift Indigenous California foods will delight foragers, adventurous home cooks, and those looking to connect with Native roots. It's a valuable addition to library shelves that will connect Native and non-Native Americans to the earth and its abundant gift of ingredients." —Library Journal

"With Chími Nu'am, Olson looks to encourage people to start thinking about a decolonized diet, connecting to the land and native ingredients prior to European colonization [... and] aims to make Indigenous ingredients and traditional Karuk recipes accessible to a whole range of home cooks." —Nina Friend, BBC World's Table

"Chími Nu’am is serious about taking a holistic view of reintegrating the healthfulness of traditional diets into modern lives, benefiting both personal well-being and the greater good." —Naomi Tomky, Atlas Obscura

"Calvosa Olson has written a book that will speak to multiple audiences. But whether she's guiding Indigenous readers to embrace more of their cultural foods or making recommendations for non-Indigenous readers interested in decolonizing their diets in an ethical way (hint: it's about reciprocity), her voice and philosophy come through clearly on the page." —Twilight Greenaway, Civil Eats

"To say that Chími Nu'am is just a cookbook is inaccurate. What took Calvosa Olson more than two years to write and publish is an expression of her life and an act of stewardship for the earth. [...] The author was raised to believe that if you take care of the land, the land will take care of you." —Prism

"Calvosa Olson invites readers to forage for and become more attuned to Indigenous and seasonal ingredients—nurturing a deeper connection to place and enhancing one’s role as an environmental steward." —Uprooted

"Connecting with nature is an approach to cooking that is often overlooked—but not for Sara Calvosa Olson. A native Californian raised by a Karuk mother, she is leading people on a path to decolonize their diets, one cup of manzanita flour at a time." —KCRW Good Food

"Connection to people and planet is central to both Calvosa Olson's personal approach to food as well as the message of Chími Nu'am." —Rachel Askinasi, The Messenger

"Besides being a creative, accessible cookbook, Calvosa Olson's work is a call for stewardship of the environment and an introduction to some local foods that have long been part of Native diets. It’s a terrific resource for foragers, teachers, libraries, classrooms, cooks, and anyone looking to learn more about the foodways of California's Indigenous peoples." —Edible East Bay

Additional Information
288 pages | 7.50" x 10.00" | Hardcover

Crushed Wild Mint is a collection of poems embodying land love and ancestral wisdom, deeply rooted to the poet’s motherland and their experience as a parent, herbalist and careful observer of the patterns and power of their territory. Jess Housty grapples with the natural and the supernatural, transformation and the hard work of living that our bodies are doing—held by mountains, by oceans, by ancestors and by the grief and love that come with communing.

Housty’s poems are textural—blossoms, feathers, stubborn blots of snow—and reading them is a sensory offering that invites the reader’s whole body to be transported in the experience. Their writing converses with mountains, animals and all our kin beyond the human realm as they sit beside their ancestors’ bones and move throughout the geography of their homeland. Housty’s exploration of history and futurity, ceremony and sexuality, grieving and thriving invites us to look both inward and outward to redefine our sense of community.

Through these poems we can explore living and loving as a practice, and placemaking as an essential part of exploring our humanity and relationality.

Awards

• 2024 Bill Duthie Booksellers’ Choice Award winner
• 2024 Dorothy Livesay Poetry Award winner

Reviews
"When the mountains of your territory are your ancestors, you paint the landscapes as Jess Housty does in this evocative, powerful collection of poetry: in the language of ceremony as taut as the inner surface of a mussel shell when the meat is stripped away. Their hyperlocality is precise medicine, an expansive, generous meditation on the mutual care of mountains, the forgiving veins of rivers, all the liminal territories and beings soaked in the verdant magic of the Pacific Northwest Coast." — Eden Robinson

"I return to read and then stop to wonder, return to read and still wonder: How is this so true? Let these words love you. They’ll sing." — Michael Nicoll Yahgulanaas

Additional Information
132 pages | 5.50" x 8.00" | Paperback

To the colonized, the term 'research' is conflated with European colonialism; the ways in which academic research has been implicated in the throes of imperialism remains a painful memory.

This essential volume explores intersections of imperialism and research - specifically, the ways in which imperialism is embedded in disciplines of knowledge and tradition as 'regimes of truth.' Concepts such as 'discovery' and 'claiming' are discussed and an argument presented that the decolonization of research methods will help to reclaim control over indigenous ways of knowing and being.

Now in its eagerly awaited third edition, this bestselling book includes a co-written introduction features contributions from indigenous scholars on the book's continued relevance to current research. It also features a chapter with twenty-five indigenous projects and a collection of poetry.

Educator Information
Table of Contents
Introduction to the Third Edition
Foreword
Introduction
1. Imperialism, History, Writing and Theory
2. Research through Imperial Eyes
3. Colonizing Knowledges
4. Research Adventures on Indigenous Land
5. Notes from Down Under
6. The Indigenous People's Project: Setting a New Agenda
7. Articulating an Indigenous Research Agenda
8. Twenty-Five Indigenous Projects
9. Responding to the Imperatives of an Indigenous Agenda: A Case Study of Maori
10. Towards Developing Indigenous Methodologies: Kaupapa Maori Research
11. Choosing the Margins: The Role of Research in Indigenous Struggles for Social Justice
12. Getting the Story Right, Telling the Story Well: Indigenous Activism, Indigenous Research
Conclusion: A Personal Journey
Twenty Further Indigenous Projects
Poems
Index

Additional Information
352 pages | 5.28" x 8.35" | 3rd Edition | Paperback

Indigenous Peoples have taken physical recreational activity – sport – back from the colonizers. One of very few books to show the two edges of sport: it colonized but is now decolonizing.

Decolonizing Sport tells the stories of sport colonizing Indigenous Peoples and of Indigenous Peoples using sport to decolonize. Spanning several lands — Turtle Island, the US, Australia, Aotearoa/New Zealand and Kenya — the authors demonstrate the two sharp edges of sport in the history of colonialism. Colonizers used sport, their own and Indigenous recreational activities they appropriated, as part of the process of dispossession of land and culture. Indigenous mascots and team names, hockey at residential schools, lacrosse and many other examples show the subjugating force of sport. Yet, Indigenous Peoples used sport, playing their own games and those of the colonizers, including hockey, horse racing and fishing, and subverting colonial sport rules as liberation from colonialism. This collection stands apart from recent publications in the area of sport with its focus on Indigenous Peoples, sport and decolonization, as well as in imagining a new way forward.

Educator Information
Table of Contents
Sport, Colonialism and Decolonization (Janice Forsyth, Christine O’Bonsawin, Murray G. Phillips and Russell Field)

Section 1: Storytelling Beyond Competition: An Indigenous Perspective on Organized Sport (Brian Rice)

More Than a Mascot: How the Mascot Debate Erases Indigenous People in Sport (Natalie Welch)

Section 2: Interrogating the Archive Witnessing Painful Pasts: Understanding Images of Sports at Canadian Indian Residential Schools (Taylor McKee and Janice Forsyth)

On the Absence of Indigenous Moving Bodies: Whiteness, Decolonization and Indigenous/Indigenizing Sport History (Malcolm MacLean)

Section 3: Rights and Reconciliation # 87: Reconciliation, Sport History and Indigenous Peoples in Canada (Victoria Paraschak)

Taken at Face Value: The Legal Feasibility of Indigenous-Led Olympic Games (Christine O’Bonsawin)

Section 4: Settler Colonialism Canoe Races to Fishing Guides: Sport and Settler Colonialism in Mi’kma’ki (John Reid)

Moments of Transcending Colonialism? Rodeos and Races in Lethbridge (Robert Kossuth)

“Men Pride Themselves on Feats of Endurance”: Masculinities and Movement Cultures in Kenyan Running History (Michelle M. Sikes)

Section 5: Resistance and Activism Stealing, Drinking and Non-Cooperation: Sport, Everyday Resistance in Aboriginal Settlements in Australia (Gary Osmond)

Let’s Make Baseball! Practices of Unsettling on the Recreational Ball Diamonds of Tkaronto/Toronto (Craig Fortier and Colin Hastings)

Subjugating and Liberating at Once: Indigenous Sport History as a Double Edged Sword (Brendan Hokowhitu)

Additional Information
256 pages | 6.00" x 9.00" | Paperback

In this quietly powerful and deeply human book, Ruth DyckFehderau and twenty-one James Bay Cree storytellers put a face to Canada’s Indian Residential School cultural genocide.

Through intimate personal stories of trauma, loss, recovery, and joy, they tell of experiences in the residential schools themselves, in the homes when the children were taken, and on the territory after survivors returned and worked to recover from their experiences and to live with dignity. The prose is clear and accessible, the stories remarkably individual, the detail vivid but not sensational.

Together they reveal the astonishing courage and strength of children along with the complexity and myriad methods of their oppressors. A tough, often funny, and ultimately uplifting book that’s not quite like anything else out there.

This book is published by Cree Board of Health and Social Services of James Bay and distributed by WLU Press.

Reviews
“These previously unwritten stories of lived, traumatized experiences are testament to the storytellers’ courage and strength and resilience. When the rich Cree traditional and spiritual relationship with land and with family is harmed by separation, hatred, and fear - a harm resulting in anger and loss of values, identity, and self-worth - these storytellers find ways to heal. Through their stories, you learn about culture as treatment, about the power of forgiveness and love, and about peaceful co-existence in community as essential to healing, belief, and advancing true reconciliation.” —Chief Willie Littlechild, Ermineskin Cree Nation, Former Truth and Reconciliation Commissioner, Former residential school student athlete, Order of Canada; Order of Sport, Member of Sports Halls of Fame, Canada and North America

“These Cree stories, told with utmost respect and a feeling of safety, are gifts. They are medicine.” —Joanna Campiou, Woodland/Plains Cree Knowledge Keeper

“This is a difficult but necessary book. There’s a power to truth and to the realities of the Indian Residential School system, but for those wanting to see strength and movement toward hope, this is the book for you. These stories hold that hope close to the heart. What shines through is a love of the land, a love of community, a love of the Cree language, a love of family – exactly what colonial forces like the IRS system tried to destroy but couldn’t.” —Conor Kerr, Metis/Ukrainian author, Avenue of Champions, Giller Prize longlist

Additional Information
320 pages | 7.00" x 9.00" | Paperback

A landmark publication bringing together more than seventy voices illuminating the rich array of Indigenous art held by the McMichael Canadian Art Collection.

Under the editorial direction of Anishinaabe artist and scholar Bonnie Devine, Early Days gathers the insights of myriad Indigenous cultural stakeholders, informing us on everything from goose hunting techniques, to the history of Northwest Coast mask-making, to the emergence of the Woodland style of painting and printmaking, to the challenges of art making in the Arctic, to the latest developments in contemporary art by Indigenous peoples from across Turtle Island.

Splendidly illustrated, Early Days not only tells the story of a leading collection but also traces the emergence and increasing participation of many Indigenous artists in the contemporary art world. This publication will be the largest in the history of the McMichael, and represents a vital acknowledgment of the place of Indigenous art and ways of knowing in global art history.

Featured contributors: Barry Ace, Leland Bell, Dempsey Bob, Christian Chapman, Violet Chum, Hannah Claus, Dana Claxton, Jisgang Nika Collison, Alan Corbiere, Marcia Crosby, Ruth Cuthand, Mique'l Dangeli, Joe David, Sarah Davidson, Robert Davidson, Bonnie Devine, Tarralik Duffy, Norma Dunning, David Garneau, John Geoghegan, Janice Grey, Haay'uups (Ron Hamilton), Jim Hart, Emma Hassencahl-Perley, Emily Henderson, Lynn A. Hill, Richard Hill, Maria Hupfield, Jaimie Isaac, Heather Igoliorte, Luis Jacob, Gayle Kabloona, William Kingfisher, Jessica Kotierk, Robin Laurence, Duane Linklater, Ange Loft, Tanya Lukin Linklater, Jean Marshal, Michael Massie, Gerald McMaster, Ossie Michelin, Sarah Milroy, Antoine Mountain, Nadia Myre, Jeneen Frei Njootli, Ruth Phillips, Jocelyn Piirainen, Ryan Rice, Carmen Robertson, Paul Seesequasis, Leanne Betasamosake Simpson, Wedlidi Speck, Clyde Tallio, Drew Hayden Taylor, Nakkita Trimble-Wilson, Jesse Tungilik, Camille Georgeson Usher, William Wasden Jr., Jordan Wilson, Jessica Winters.

Additional Information
400 pages | 11.00" x 10.00" | 200 Colour Photographs | Hardcover

In this complex, at times dark, poetry collection from Inuk author Jamesie Fournier, readers are taken through the recesses of a character struggling with inner demons whispering into his mind.

As he attempts to overcome his inner turmoil within a Colonial and contemporary system that oppresses him, the speaker guides readers through verse both ethereal and imagistic. Echoing artists as varied as Margaret Laurence and The Velvet Underground, this sweeping collection of bilingual verse deals with erasure, resilience, and—above all—resistance through the voice of one complex protagonist.

Educator Information
Bilingual Verse in English and Inuktitut 

Additional Information
132 pages | 7.00" x 9.25" | 10 b&w Photos | Paperback

How prominent scientists have controversially researched Indigenous Peoples to develop racializing forensic genetic technologies.

Forensic genetic technologies are popularly conceptualized and revered as important tools of justice. The research and development of these technologies, however, has been accomplished through the capture of various Indigenous Peoples’ genetic material and a subsequent ongoing genetic servitude.

In Forensic Colonialism Mark Munsterhjelm explores how controversial studies of Indigenous Peoples have been used to develop racializing forensic technologies. Making moral and political claims about defending the public from criminals and terrorists, international networks of scientists, police, and security agencies have developed forensic genetic technologies firmly embedded in hierarchies that target and exploit many Indigenous Peoples without their consent. Collections began under the guise of the highly controversial Human Genome Diversity Project and related efforts, including the 1987 sampling of Brazilian Indigenous Peoples as they recovered from near genocide. After 9/11, War on Terror rhetoric began to be used to justify research on ancestry estimation and physical appearance (phenotyping) markers, and since 2019, international research cooperation networks’ use of genetic data from thousands of Uyghurs and other Indigenous Peoples from Xinjiang and Tibet has contributed to a series of controversies. Munsterhjelm concludes that technologies produced by forensic genetics advance the biopolitical security only of privileged populations, and that this depends on imposing race-based divisions between who lives and who dies.

Meticulously researched, Forensic Colonialism adds to growing debates over racial categories, their roots in colonialism, and the political hierarchies inherent to forensic genetics.

Reviews
“There is so little scholarly analysis of biotechnology, colonization, and policing theory - particularly regarding the Uyghurs, one of the most urgent sites of contemporary settler colonization - and it is vital that this research be shared with scientists and the public. Mark Munsterhjelm expertly takes on this difficult task with his encyclopedic knowledge of the history of DNA collection in this unique, engaging, and important book.” - Darren Byler, Simon Fraser University and author of In the Camps: China's High-Tech Penal Colony

Additional Information
456 pages | 6.00" x 9.00" | 17 figures, 6 tables | 

A 50th anniversary revised edition of the beloved classic, God is Red.

First published in 1973, Vine Deloria, Jr.’s God Is Red remains the seminal work on Native American religious views, asking the reader to think about our species and our ultimate fate in novel ways. Celebrating five decades of publication with this new edition, Deloria’s classic work reminds us to understand “that we are a part of nature, not a transcendent species with no responsibilities to the natural world.” It is time again to listen to Vine Deloria, Jr.’s powerful voice, informing us about a spiritual life that is independent of Western religion and that reveres the interconnectedness of all living things.

This new edition includes critical essays engaging with the original material by well-known Indigenous thinkers - Philip Deloria, Suzan Shown Harjo, Daniel Wildcat, and David E. Wilkins. Inside, the book covers a wide variety of topics including: the problem of creation, the origin of religion, Death, and Human personality.

“God is Red should be read and re-read by Americans who want to understand why the United States keeps losing the peace, war after war.” – Leslie Marmon Silko

Additional Information
360 pages | 6.00" x 9.00" | Paperback

After the death of her estranged father, artist Rita struggles with grief and regret. There was so much she wanted to ask him – about his childhood, their family, and the Mi'kmaq language and culture from which Rita feels disconnected. But when Rita's girlfriend Molly forges an artist's residency application on her behalf, winning Rita a week to paint at an isolated cabin, Rita is both furious and intrigued. The residency is located where her father grew up.

On the first night at the cabin, Rita wakes to strange sounds. Was that a body being dragged through the woods? When she questions the locals about the cabin's history, they are suspicious and unhelpful. Ignoring her unease, Rita gives in to dark visions that emanate from the forest's lake and the surrounding swamp. She feels its pull, channelling that energy into art like she's never painted before. But the uncanny visions become more insistent, more intrusive, and Rita discovers that in the swamp's decay the end of one life is sometimes the beginning of another.

Reviews
"Green Fuse Burning is an impressively vigorous fiction debut from a truly dynamic storyteller. Tiffany Morris has laid out a concise and creepy tale that mesmerizes as it weaves through several realms, from the tangible to the spiritual. I was captivated by the looming mystery and the striking imagery that carried me like a current to the story's monumental resolution. This book is a must-read in new speculative fiction!" - Waubgeshig Rice, author of Moon of the Turning Leaves

"Morris quietly dazzles and disquiets in this weird horror novella . . . Poetic and grotesque imagery drives the novella's horror, with fluid narration fostering a sense of disconnect and dread . . . This is a subtle and refreshing twist on the cabin in the woods trope." - Publishers Weekly starred review

"A verdant alienation seeps through every page as Morris reimagines the possibilities of decay, a desperate isolation scouring the mind to reveal a torrid, seething strangeness beneath, the inevitable reckoning gathering its strength below the calm surface of the pond." - Andrew F. Sullivan, author of The Marigold and The Handyman Method

Additional Information
112 pages | 6.12" x 9.03" | Paperback

Author Leigh Joseph, an ethnobotanist and a member of the Squamish Nation, provides a beautifully illustrated essential introduction to Indigenous plant knowledge.

Plants can be a great source of healing as well as nourishment, and the practice of growing and harvesting from trees, flowering herbs, and other plants is a powerful way to become more connected to the land. The Indigenous Peoples of North America have long traditions of using native plants as medicine as well as for food. Held by the Land honors and shares some of these traditions, offering a guide to:

• Harvesting herbs and other plants and using them topically
• North American plants that can treat common ailments, add nutrition to your diet, become part of your beauty regime, and more
• Stories and traditions about native plants from the author's Squamish culture
• Using plant knowledge to strengthen your connection to the land you live on

Early chapters will introduce you to responsible ways to identify and harvest plants in your area and teach you how to grow a deeper connection with the land you live on through plants. In the plant profiles section, common plants are introduced with illustrations and information on their characteristics, range, how to grow and/or harvest them, and how to use them topically and as food. Special features offer recipes for food and beauty products along with stories and traditions around the plants.

This beautiful, full-color guide to Indigenous plants will give you new insights into the power of everyday plants.

Additional Informaiton
192 pages | 8.00" x 9.25" | Hardcover 

Memories. Some memories are elusive, fleeting, like a butterfly that touches down and is free until it is caught. Others are haunting. You'd rather forget them, but they won't be forgotten. And some are always there. No matter where you are, they are there, too.

In this moving story of legacy and reclamation, two young sisters are taken from their home and family. Powerless in a broken system, April and Cheryl are separated and placed in different foster homes. Despite the distance, they remain close, even as their decisions threaten to divide them emotionally, culturally, and geographically. As one sister embraces her Métis identity, the other tries to leave it behind.

Will the sisters’ bond survive as they struggle to make their way in a society that is often indifferent, hostile, and violent?

Beloved for more than 40 years, In Search of April Raintree is a timeless story that lingers long after the final page. This anniversary edition features a foreword by Governor General’s Award–winning author Katherena Vermette, and an afterword by University of Regina professor, Dr. Raven Sinclair (Ôtiskewâpit), an expert on Indigenous child welfare.

Educator Information
This 40th anniversary edition features a foreword by Governor General’s Award–winning author Katherena Vermette, and an afterword by University of Regina professor, Dr. Raven Sinclair (Ôtiskewâpit), an expert on Indigenous child welfare.

A critical edition of this work, which includes ten critical essays accompanying the text, is available here: In Search of April Raintree: Critical Edition 

A version written specifically for students in grades 9-12 that does not contain the graphic scene that is contained in this original version is available here: April Raintree

Find a teacher guide for In Search of April Raintree and April Raintree here: Teacher Guide for In Search of April Raintree and April Raintree: A Trauma-Informed Approach to Teaching Stories of Indigenous Survivance, Family Separation, and the Child Welfare System

Additional Information
343 pages | 5.50" x 8.50" | Paperback | Critical Edition

In the spirit of truth and reconciliation, judges, lawyers, and law enforcement officers write about working with First Nations, Métis, and Inuit Peoples through their trials and tribulations with the criminal justice system. The stories are a mix of previously published essays from the Durvile True Cases anthologies with an equal number of new chapters by legal and law enforcement professionals including Justice Thomas Berger (posthumous), Justice Nancy Morrison, Justice John Reilly, Senator Kim Pate, lawyers Eleanore Sunchild, Brian Beresh, and John L. Hill, and parole and police officers Doug Heckbert, Ernie Louttit, Val Hoglund, and Sharon Bourque.

Reviews
“I’m struck by how the True Cases series has a multiplicity of authentic perspectives that are able to be our proxy or conduit into amazing worlds... Stories that are happening in our community and to our neighbours that we should know about but don’t.” —Grant Stovers, CKUA Radio

Additional Information
288 pages | 6.00" x 9.00" | Paperback

Indigenous and settler scholars and media artists discuss and analyze crucial questions of narrative sovereignty, cultural identity, cultural resistance, and decolonizing creative practices.

Humans are narrative creatures, and since the dawn of our existence we have shared stories. Storytelling is what connects us, what helps us give shape and understanding to the world and to each other. Who tells whose stories in which particular ways leads to questions of belonging, power, relationality, community and identity. This collection explores those issues with a focus on settler-Indigenous cultural politics in the country known as Canada, looking in particular at Indigenous representation in media arts. Chapters feature roundtable discussions, interviews, film analyses, resurgent media explorations, visual culture advocacy and place-based practices of creative expression.

Eclectic in scope and diverse in perspective, Indigenous Media Arts in Canada is unified by an ethic of conciliation, collaboration, and cultural resistance. Engaging deftly and thoughtfully with instances of cultural appropriation as well as the oppressive structures that seek to erode narrative sovereignty, this collection shines as a crucial gathering of thoughtful critique, cultural kinship, and creative counterpower.

Reviews
“Dana Claxton and Ezra Winton’s collection of conversations between, for, and about Indigenous media makers poses vital, critical, and generative questions about Indigenous film, film festivals and institutions, residential school histories, and decolonization without providing easy answers. These conversations are at times joyful expressions of the radical possibilities of media arts and at times painful provocations about settler colonial violence and its representational apparatuses. The chapters, written by the most brilliant and creative minds in contemporary Indigenous film, are paradigm-shifting love letters to the land, lived experience, collaboration, and futurity.” —Michelle Raheja, Associate Professor, Department of English, University of California, Riverside, author of Reservation Reelism: Redfacing, Visual Sovereignty, and Representations of Native Americans in Film

Educator Information
Table of Contents
Indigenous Media Arts in Canada: Making, Caring, Sharing – Edited by Dana Claxton and Ezra Winton
Acknowledgements
Introduction: Seeing, Knowing, Lifting – Dana Claxton and Ezra Winton
Part I – Decolonizing Media Arts Institutions
Part I Introduction – Dana Claxton and Ezra Winton
1. Our Own Up There: A Discussion at imagineNATIVE – Danis Goulet and Tasha Hubbard with Jesse Wente, Alethea Arnaquq-Baril and Shane Belcourt
2. Curating the North: Documentary Screening Ethics and Inuit Representation in Canada – Ezra Winton and Alethea Arnaquq-Baril
3. Sights of Homecoming: Locating Restorative Sites of Passage in Zacharias Kunuk’s Festival Performance of Angirattut – Claudia Sicondolfo
Part II – Protecting Culture
Part II Introduction – Dana Claxton and Ezra Winton
4. Addressing Colonial Trauma Through Mi’kmaw Film – Margaret Robinson and Bretten Hannam
5. Not Reconciled: The Complex Legacy of Films on Canadian "Indian" Residential Schools – Brenda Longfellow
6. The Resurgence of Indigenous Women in Contemporary Québec Cinema – Karine Bertrand
7. “Our Circle Is Always Open”: Indigenous Voices, Children’s Rights, and Spaces of Inclusion in the Films of Alanis Obomsawin – Joanna Hearne
Part III – Methods/Knowledges/Interventions
Part III Introduction Dana Claxton and Ezra Winton
8. Indigenous Documentary Methodologies: ChiPaChiMoWin: Telling Stories – Jules Arita Koostachin
9. Marking and Mapping Out Embodied Practices through Media Art – Julie Nagam and Carla Taunton
10. Curatorial Insiders/Outsiders: Speaking Outside and Collaboration as Strategic Intervention – Toby Katrine Lawrence
11. The Generative Hope of Indigenous Interactive Media: Ecological Knowledge and Indigenous Futurism – Michelle Stewart
Part IV - Resurgent Media/Allies/Advocacy
Part IV Introduction – Dana Claxton and Ezra Winton + Sasha Crawford-Holland and Lindsay LeBlanc
12. “Making Things Our [Digital] Own”: Lessons on Time and Sovereignty from Indigenous Computational Art – Sasha Crawford-Holland and Lindsay LeBlanc
13. Careful Images: Unsettling Testimony in the Gladue Video Project – Eugenia Kisin and Lisa Jackson
Concluding Thoughts
Part 1: Beyond Words and Images – Ezra Winton and Dana Claxton Part 2: Setting the Record Straight – Lisa Jackson
About the Contributors
References
Index

Contributors

Alethea Arnaquq-Baril
Shane Belcourt
Karine Bertrand
Dana Claxton
Sasha Crawford-Holland
Danis Goulet
Bretten Hannam
Joanna Hearne
Tasha Hubbard
Lisa Jackson
Eugenia Kisin
Jules Arita Koostachin
Toby Katrine Lawrence
Lindsay LeBlanc
Brenda Longfellow
Julie Nagam
Margaret Robinson
Claudia Sicondolfo
Michelle Stewart
Carla Taunton
Jesse Wente
Ezra Winton

Additional Information
450 pages | 6.00" x 9.00" | Paperback