English

Serpents and Other Spiritual Beings is the second book in a series by renowned Ojibwe storyteller Bomgiizhik Isaac Murdoch, following on The Trail of Nenaboozhoo and Other Creation Stories (2019). Serpents and Other Spiritual Beings is a collection of traditional Ojibwe/Anishinaabe stories transliterated directly from Murdoch's oral storytelling. Part history, legend, and mythology, these are stories of tradition, magic and transformation, morality and object lessons, involving powerful spirit-beings in serpent form. The stories appear in both English and Anishinaabemowin, with translations by Patricia BigGeorge. Murdoch's traditional-style Ojibwe artwork provides beautiful illustrations throughout.

Reviews
"'When the Thunderbirds and Serpents fight, they feed off each other, you know great medicine gets cast across the land. We get our life from that.' So writes storyteller Isaac Murdoch as he shares his Elders' stories about tunnels beneath the earth, rich laws, philosophies, teachings, power from up there, down there, and all around us, until we too hear the thunders as they bring us into the world of wahkotowin, all our relations. How privileged and blessed we are to be able to read the Ahtyokaywina of our people."--Maria Campbell, author of Halfbreed

"Gather around, for here are oral stories transcribed so they retain the flavour of a narrative spoken aloud, and translated into Anishinaabemowin; perfect for language-learners. I love the way these stories infuse the spirit world into an every-day context, these are not dusty old legends, but a living way of seeing the world around us in the here and now."--Nathan Niigan Noodin Adler, author of Ghost Lake

Educator & Series Information
Dual-Language: English and Anishinaabemowin.

Anishinaabemowin translation by Patricia BigGeorge, who is an Anishinaabemowin speaker and translator.

This book is Vol. 2 in the Ojibwe History Series.

Additional Information
100 pages | 5.50" x 8.50" | 20 illustrations | Paperback 

Framed by the historic 2005 signing of the Labrador Inuit Land Claim Agreement and the creation of Nunatsiavut, the first Inuit self-government, Settlement, Subsistence, and Change Among the Labrador Inuit is a history of land and resource use by the Labrador Inuit. It examines in detail the way of life and cultural survival of this unique indigenous population, including household structure, the social economy and organization of wild food production, forced relocations and land claims, subsistence and settlement patterns, and contemporary issues around climate change, urban planning, and self-government. Comprised of twelve essays, this volume represents the first significant publication on the Labrador Inuit in more than thirty years.

While cities like Winnipeg, Minneapolis, Saskatoon, Rapid City, Edmonton, Missoula, Regina, and Tulsa are places where Indigenous marginalization has been most acute, they have also long been sites of Indigenous placemaking and resistance to settler colonialism.

Although such cities have been denigrated as “ordinary” or banal in the broader urban literature, they are exceptional sites to study Indigenous resurgence. T​he urban centres of the continental plains have featured Indigenous housing and food co-operatives, social service agencies, and schools. The American Indian Movement initially developed in Minneapolis in 1968, and Idle No More emerged in Saskatoon in 2013.

The editors and authors of Settler City Limits, both Indigenous and settler, address urban struggles involving Anishinaabek, Cree, Creek, Dakota, Flathead, Lakota, and Métis peoples. Collectively, these studies showcase how Indigenous people in the city resist ongoing processes of colonial dispossession and create spaces for themselves and their families.

Working at intersections of Indigenous studies, settler colonial studies, urban studies, geography, and sociology, this book examines how the historical and political conditions of settler colonialism have shaped urban development in the Canadian Prairies and American Plains. Settler City Limits frames cities as Indigenous spaces and places, both in terms of the historical geographies of the regions in which they are embedded, and with respect to ongoing struggles for land, life, and self-determination.

Contributors: Chris Andersen, Nicholas Brown, Elizabeth Comack, Heather Dorries, Nick Estes, Adam Gaudry, Robert Henry, David Hugill, Sharmeen Khan, Corey Laberge, Brenda Macdougall, Tyler McCreary, Lindsey Claire Smith, Michelle Stewart, Zoe Todd, Julie Tomiak

Reviews
“Settler City Limits breaks ground, shattering the powerful authoritative structures of racism that have dichotomized rural and urban space, and Indigenous peoples’ relation to these as a central force sustaining and fortifying settler colonialism.” – Heather A. Howard-Bobiwash, Associate Professor of Anthropology, Michigan State University, and Affiliated Faculty Centre for Indigenous Studies, University of Toronto

Educator Information
Table of Contents

Introduction

Part 1 Land and Politics

Part 2 Contestation, Resistance, Solidarities

Part 3 Policing and Social Control

Part 4 Life and Death

Additional Information
368 pages | 6.00" x 9.00"

Authenticity Note: Contains contributions from both Indigenous peoples and settlers.

Canada has never had an “Indian problem”— but it does have a Settler problem. But what does it mean to be Settler? And why does it matter?

Through an engaging, and sometimes enraging, look at the relationships between Canada and Indigenous nations, Settler: Identity and Colonialism in 21st Century Canada explains what it means to be Settler and argues that accepting this identity is an important first step towards changing those relationships. Being Settler means understanding that Canada is deeply entangled in the violence of colonialism, and that this colonialism and pervasive violence continue to define contemporary political, economic and cultural life in Canada. It also means accepting our responsibility to struggle for change. Settler offers important ways forward — ways to decolonize relationships between Settler Canadians and Indigenous peoples — so that we can find new ways of being on the land, together.

This book presents a serious challenge. It offers no easy road, and lets no one off the hook. It will unsettle, but only to help Settler people find a pathway for transformative change, one that prepares us to imagine and move towards just and beneficial relationships with Indigenous nations. And this way forward may mean leaving much of what we know as Canada behind.

Part memoir, part cultural history, these memories of seven aunts holding home and family together tell a crucial, often overlooked story of women of the twentieth century.

They were German and English, Anishinaabe and French, born in the north woods and Midwestern farm country. They moved again and again, and they fought for each other when men turned mean, when money ran out, when babies—and there were so many—added more trouble but even more love. These are the aunties: Faye, who lived in California, and Lila, who lived just down the street; Doreen, who took on the bullies taunting her “mixed-blood” brothers and sisters; Gloria, who raised six children (no thanks to all of her “stupid husbands”); Betty, who left a marriage of indenture to a misogynistic southerner to find love and acceptance with a Norwegian logger; and Carol and Diane, who broke the warped molds of their own upbringing.

From the fabric of these women’s lives, Staci Lola Drouillard stitches a colorful quilt, its brightly patterned pieces as different as her aunties, yet alike in their warmth and spirit and resilience, their persistence in speaking for their generation. Seven Aunts is an inspired patchwork of memoir and reminiscence, poetry, testimony, love letters, and family lore. 

In this multifaceted, unconventional portrait, Drouillard summons ways of life largely lost to history, even as the possibilities created by these women live on. Unfolding against a personal view of the settler invasion of the Midwest by men who farmed and logged, fished and hunted and mined, it reveals the true heart and soul of that history: the lives of the women who held together family, home, and community—women who defied expectations and overwhelming odds to make a place in the world for the next generation.

Reviews
"Seven Aunts is a celebration of the women in Staci Lola Drouillard’s family who struggled to escape a daunting legacy with unsung courage, humor, and unbreakable love for family. Far more than a family history, Seven Aunts is an honor song that reveals the everyday heroism of these women’s lives."—Diane Wilson, author of The Seed Keeper

"Seven Aunts gives us a unique and privileged insight to the intimate lives and history of a blended Indigenous and immigrant family in northern Minnesota. Staci Lola Drouillard has written with honesty and truth about ‘the treacherous beauty of life’ in a family rich in characters, in love and loss, all with great humor. Anaïs Nin wrote that reaching deep into the personal becomes universal. Seven Aunts is exactly that. It speaks to us of the universal love of family, the reality of historic social challenges, and the strength of the unbreakable bonds of knowing."—Hazel Belvo

Additional Information
320 pages | 5.50" x 8.50" | 7 b&w illustrations | Paperback 

In 1966, twelve-year-old Chanie Wenjack froze to death on the railway tracks after running away from residential school. An inquest was called and four recommendations were made to prevent another tragedy. None of those recommendations were applied.

More than a quarter of a century later, from 2000 to 2011, seven Indigenous high school students died in Thunder Bay, Ontario. The seven were hundreds of miles away from their families, forced to leave home and live in a foreign and unwelcoming city. Five were found dead in the rivers surrounding Lake Superior, below a sacred Indigenous site. Jordan Wabasse, a gentle boy and star hockey player, disappeared into the minus twenty degrees Celsius night. The body of celebrated artist Norval Morrisseau’s grandson, Kyle, was pulled from a river, as was Curran Strang’s. Robyn Harper died in her boarding-house hallway and Paul Panacheese inexplicably collapsed on his kitchen floor. Reggie Bushie’s death finally prompted an inquest, seven years after the discovery of Jethro Anderson, the first boy whose body was found in the water.

Using a sweeping narrative focusing on the lives of the students, award-winning investigative journalist Tanya Talaga delves into the history of this small northern city that has come to manifest Canada’s long struggle with human rights violations against Indigenous communities.

A portion of each sale of Seven Fallen Feathers will go to the Dennis Franklin Cromarty Memorial Fund, set up in 1994 to financially assist Nishnawbe Aski Nation students’ studies in Thunder Bay and at post-secondary institutions.

Awards
- 2018-2019 First Nation Communities Read
- 2018 RBC Taylor Prize

Reviews
“Talaga has written Canada’s J’Accuse, an open letter to the rest of us about the many ways we contribute — through act or inaction — to suicides and damaged existences in Canada’s Indigenous communities. Tanya Talaga’s account of teen lives and deaths in and near Thunder Bay is detailed, balanced and heart-rending. Talaga describes gaps in the system large enough for beloved children and adults to fall through, endemic indifference, casual racism and a persistent lack of resources. It is impossible to read this book and come away unchanged.” — RBC Taylor Prize Jury Citation

“In Seven Fallen Feathers, Tanya Talaga delves into the lives of seven Indigenous students who died while attending high school in Thunder Bay over the first eleven years of this century. With a narrative voice encompassing lyrical creation myth, razor-sharp reporting, and a searing critique of Canada’s ongoing colonial legacy, Talaga binds these tragedies — and the ambivalent response from police and government — into a compelling tapestry. This vivid, wrenching book shatters the air of abstraction that so often permeates news of the injustices Indigenous communities face every day. It is impossible to read Seven Fallen Feathers and not care about the lives lost, the families thrust into purgatory, while the rest of society looks away.” — Hilary Weston Writers’ Trust Prize for Nonfiction Jury Citation

“[A]n urgent and unshakable portrait of the horrors faced by Indigenous teens going to school in Thunder Bay, Ontario, far from their homes and families. . . . Talaga’s incisive research and breathtaking storytelling could bring this community one step closer to the healing it deserves.” — Booklist, STARRED REVIEW

“Seven Fallen Feathers may prove to be the most important book published in Canada in 2017. Tanya Talaga offers well-researched, difficult truths that expose the systemic racism, poverty, and powerlessness that contribute to the ongoing issues facing Indigenous youth, their families, and their communities. It is a call to action that deeply honours the lives of the seven young people; our entire nation should feel their loss profoundly.” — Patti LaBoucane-Benson, author of The Outside Circle

“[W]here Seven Fallen Feathers truly shines is in Talaga’s intimate retellings of what families experience when a loved one goes missing, from filing a missing-persons report with police, to the long and brutal investigation process, to the final visit in the coroner’s office. It’s a heartbreaking portrait of an indifferent and often callous system . . . Seven Fallen Feathers is a must-read for all Canadians. It shows us where we came from, where we’re at, and what we need to do to make the country a better place for us all.” — The Walrus

Educator Information
The Canadian Indigenous Books for Schools list recommends this resource for Grade 12 English Language Arts and Social Studies.

Curriculum Connections: Indigenous Studies, History, Health

Additional Information
376 pages | 5.50" x 8.50" | 8-page colour insert and maps

Seven Sacred Truths explores the perspective of an Indigenous Woman on a continuous journey of healing from trauma.

Seven Sacred Truths presents a powerful exploration of an Indigenous woman's healing journey. Seeing the world through "brown" eyes, poet Wanda John-Kehewin makes new meaning of the past, present, and future through a consideration of Love, Wisdom, Truth, Honesty, Respect, Humility, and Courage. By sharing her views on these Seven Sacred Truths and what they meant to her growing up, John-Kehewin instigates a therapeutic process of restoration and transformation. Her Seven Sacred Truths uncovers new meaning in the written word - meaning that can be shared with others who have lived trauma or who want insight into it. John-Kehewin strives to create a safe space and provide the opportunity to experience another perspective; she invites readers to embark on their own healing journeys. The closer you are to the truth, she writes, the freer you become.

Wanda John-Kehewin uses writing as a therapeutic medium to understand and respond to the near-decimation of First Nations cultures and traditions.

Educator Information
Recommended in the Canadian Indigenous Books for Schools 2019-2020 resource list for grades 10 to 12 for English Language Arts.

Additional Information
120 pages | 5.50" x 8.50"

For readers of N.K. Jemisin and Rebecca Roanhorse, a fast-paced, anti-colonial action-adventure fantasy that explores twisted power dynamics and the effects of settler colonialism

After the murder of T’Rayles’s adopted son, the infamous warrior and daughter of the Indigenous Ibinnas returns to the colonized city of Seventhblade, ready to tear the streets asunder in search of her son’s killer. T’Rayles must lean into the dangerous power of her inherited sword and ally herself with questionable forces, including the Broken Fangs, an alliance her mother founded, now fallen into greed and corruption, and the immortal Elraiche, a powerful and manipulative deity exiled from a faraway land. Navigating the power shifts in a colonized city on the edge and contending with a deadly new power emerging from within, T’Rayles must risk everything to find the answers, and the justice, she so desperately desires.

Loaded with complex characters and intricately staged action, and set in a fragmented, fascinating world of dangerous magics and cryptic gods, Seventhblade is a masterful new fantasy adventure from a bright, emerging Indigenous voice.

Reviews
“Tonia [Laird] is a powerhouse.” — Katherena Vermette, award-winning author of The Break and The Strangers

“Tonia Laird tells a gripping story of grief, magic, and revenge while exploring the impact of generational trauma on a colonized people. At times brutal, nuanced, and compassionate, Laird writes with confidence and gives us a fantastic hero in T’Rayles.” — Trick Weekes, author of The Palace Job

“At its core, Seventhblade is a story of a mother’s love, her need for justice, and the discovery of her roots. Drawing on her Indigenous heritage, Tonia Laird weaves the tale of T’Rayles, a half-soul with a mysterious past, set in a world where gods roam freely. Deftly written with intricate worldbuilding and vivid characters, Seventhblade is fantasy at its finest ... and I need a sequel!” — Allison Pang, writer of the Abby Sinclair urban fantasy series

Additional Information
376 pages | 5.50" x 8.50" | Paperback 

Meditations upon the decimation of the Kwantlen people of western Canada.

This powerful collection, all too relevant today, tells a story that needs to be told. The author writes, "This is the truth of what has happened to my people. The Kwantlen people used to number in the thousands but like all river tribes, eighty percent of our people were wiped out by smallpox and now there are only 200 of us. As a Kwantlen man, father, fisherman, poet and playwright I believe the gift of words was given to me so I can retell our stories?"

These poems tell the story of a Kwantlen man who has been given the gift of healing but is also is a heroin addict.

Educator Information
Recommended in the Canadian Indigenous Books for Schools 2020/2021 resource list for Grades 11 and 12 for English Language Arts.

Caution: Mature subject matter.

Additional Information
96 pages | 5.50" x 8.25"

Just as a basket’s purpose determines its materials, weave, and shape, so too is the purpose of the essay related to its material, weave, and shape. Editors Elissa Washuta and Theresa Warburton ground this anthology of essays by Native writers in the formal art of basket weaving. Using weaving techniques such as coiling and plaiting as organizing themes, the editors have curated an exciting collection of imaginative, world-making lyric essays by twenty-seven contemporary Native writers from tribal nations across Turtle Island into a well-crafted basket.

Shapes of Native Nonfiction features a dynamic combination of established and emerging Native writers, including Stephen Graham Jones, Deborah Miranda, Terese Marie Mailhot, Billy-Ray Belcourt, Eden Robinson, and Kim TallBear. Their ambitious, creative, and visionary work with genre and form demonstrate the slippery, shape-changing possibilities of Native stories. Considered together, they offer responses to broader questions of materiality, orality, spatiality, and temporality that continue to animate the study and practice of distinct Native literary traditions in North America.

Reviews
"In this anthology, shape matters. It turns the essay into a resistant form, pushing against the myth of the ‘disappearing Native’ and asserting a new narrative, one that isn’t subject to colonizing. . . . Shapes of Native Nonfiction is full of cognitive and emotional work. It turns the essay into something alive and breathing." - Cincinnati Review

"The medium is the message in this formally daring anthology of essays from Native writers, organized into basket-weaving themes such as ‘coiling’ and ‘plaiting.’ In these 27 essays by writers hailing from multiple tribal nations, some established and some newcomers, the Native experience is interrogated, elucidated, and celebrated." - Esquire

"In gathering contemporary Native nonfiction, this book elucidates the roots of the form-conscious essay and brings together the exciting current work of Native writers. In a sweeping decolonizing gesture, this anthology challenges the nonfiction canon as it’s been taught and creates a porous new space in its place." - Essay Daily

"Shapes of Native Nonfiction is. . . an accessible, engaging book, both for those who have read widely on the subject and for those seeking a place to begin." - New York Journal of Books

"This new collection of essays from established and emerging contemporary Indigenous writers is stunning both in-depth and scope. . . . The collection, expertly curated and structured by writer and Cowlitz Indian Tribe member Elissa Washuta (whose incredible essay Apocalypse Logic also appears here) and literary scholar Theresa Warburton, shines in every piece and in its existence as a whole. . . . In these pages, storytelling is a way of developing new Native nonfiction literary possibility." - Literary Hub

"Shapes of Native Nonfiction introduces the reader to a unique collection of voices, telling stories that shift from lost to living language, from history to lived experience. These shifts create new shapes for Indigenous writers to inhabit, explore and share. In this anthology, that shaping makes for a powerful read, and an absolutely necessary one" - High Country News

"In this far-ranging collection of essays, Indigenous writers explore family, home, landscape, identity, trauma, history, and memory. Some of the essays are about writing itself. Others tell stories about particular experiences or moments. Still others are more outwardly focused, exploring art, culture, and politics. Part of what makes this book so unique is the various innovative forms the essays take." - Book Riot

Additional Information
302 pages | 6.00" x 9.00" | Paperback

In Shapeshifters, Délani Valin explores the cost of finding the perfect mask. Through a lens of urban Métis experience and neurodivergence, Valin takes on a series of personas as an act of empathy as resistance. Some personas are capitalist mascots like the Starbucks siren, Barbie and the Michelin Man, who confide the hopes and frustrations that lay hidden behind their relentless public enthusiasm. Others include psychiatric diagnoses like hypochondria, autism and depression, and unlikely archetypes such as a woman who becomes a land mass by ending the quest to shrink herself. In more confessional poems, the pressure to find relief from otherness often leads to magical thinking: portals, flight, telepathy and incantations all become metaphors for survival. Shapeshifters maps ways in which an individual can attempt to fit into a world that is inhospitable to them, and makes a case to shift the shape of that world.

Additional Information
112 pages | 5.50" x 8.00" | Paperback

Old ways are pitted against new horrors in this compellingly crafted dystopian tale about a girl who is both healer and seer.Two hundred years from now, blood has become the most valuable commodity on the planet—especially the blood of aboriginal peoples, for it contains antibodies that protect them from the Plague ravaging the rest of the world.

Sixteen-year-old Cassandra Mercredi might be immune to Plague, but that doesn’t mean she’s safe—government forces are searching for those of aboriginal heritage to harvest their blood. When a search threatens Cassandra and her family, they flee to the Island: a mysterious and idyllic territory protected by the Band, a group of guerilla warriors—and by an enigmatic energy barrier that keeps outsiders out and the spirit world in. And though the village healer has taken her under her wing, and the tribal leader’s son into his heart, the creatures of the spirit world are angry, and they have chosen Cassandra to be their voice and instrument....

Incorporating the traditions of the First Peoples as well as the more familiar stories of Greek mythology and Arthurian legend, Shadows Cast by Stars is a haunting, beautifully written story that breathes new life into ancient customs.

Educator Information
Recommended for ages 12+

Additional Information
464 pages | 5.50" x 8.25"

Seven Sacred Teachings is a message of traditional values and hope for the future. The Teachings are universal to most First Nation peoples. These Teachings are seen in school communities from coast to coast across North America. They are a link that ties all Native, Inuit and Métis communities together.

The seven teachings include: respect, humility, love, truth, honesty, wisdom and courage. The stories in the book provide an example of how each teaching came to be.

Educator Information
Seven Sacred Teachings has been produced in several languages. This edition is in English and Ojibwe.

This resource is also available in French: Les Sept enseignements sacrés

Missing jewelry, a false accusation, and a real thief. Shamus the Urban Rez Dog, P.I. is on the case.

The name’s Shamus. I’m a special kind of dog known as a Rez Dog. That means I’m a mix of different breeds and I come from a reserve. I live in the city with Mom and the twins, Rainey and Cole. We are one of many Indigenous families on our block.

Life is great — until Mom is falsely accused of stealing from the jewelry store she’s worked at for years. When the kids and I set out to catch the real thief, we discover some surprising and, if I do say so myself, hilarious clues — including a false wall, a lucky bowling ball, and a vicious poodle named Hepzibah!

Reviews
“I'm a sucker for a four legged P.I. Shamus the Urban Rez Dog, P.I. by Leslie Gentile is my new favorite flea attracting clue-chaser … I love this book, it was so adorable.” — Angela Misri, CBC’s The Next Chapter, June 2023

“The view from the doghouse isn’t half bad, and Shamus the Urban Rez Dog should know. As a pup, he’s got lots to learn about becoming that ‘well-behaved dog,’ but as a P.I., this dog can sniff out a clue like no-puppy else (as long as he avoids those Thai leftovers).” — Angela Misri, author of Tails from the Apocalypse and the Portia Adams Adventure Series

Educator Information
Recommended for ages 9 to 12.

Additional Information
216 pages | 5.37" x 8.00" | Paperback

This is the true story of Shannen Koostachin and the people of Attawapiskat, a Cree community in Northern Ontario, who have been fighting for a new school since 1979, when a fuel spill contaminated their original school building.

It is 2008, and thirteen-year-old Shannen and the other students at J.R. Nakogee Elementary are tired of attending class in portables that smell and don’t keep out the freezing cold winter air. They make a YouTube video describing the poor conditions, and their plea for a decent school gains them attention and support from community leaders and children across the country. Inspired, the students decide to turn their grade-eight class trip into a visit to Ottawa, to speak to the Canadian government. Once there, Shannen speaks passionately to the politicians about the need to give Native children the opportunity to succeed. The following summer, Shannen is nominated for the International Children’s Peace Prize. Her passion and that of the other students makes politicians stand up and take notice, and becomes a rallying point for the community and for the country.

Shannen will never see her dream fulfilled. Tragically, she was killed in a car crash in 2010. Her family, friends, and supporters are continuing to fight and to honor her memory as they work for equality for children in communities everywhere.

Awards
- In 2012-2013 Shannen and the Dream for a School was the award recipient for First Nation Communities Read.

Educator & Series Information
This book is part of the Kids' Power Series.

Recommended for ages 9 to 13.

Authenticity Note: This book has received the Authentic Indigenous Text label as it is written by Janet Wilson with the participation and support of members of the Attawapiskat community.