Indigenous Peoples in Canada

From Tanya Talaga, the critically acclaimed and award-winning author of Seven Fallen Feathers, comes a riveting exploration of her family’s story and a retelling of the history of the country we now call Canada

For generations, Indigenous People have known that their family members disappeared, many of them after being sent to residential schools, “Indian hospitals” and asylums through a coordinated system designed to destroy who the First Nations, Métis and Inuit people are. This is one of Canada’s greatest open secrets, an unhealed wound that until recently lay hidden by shame and abandonment.

The Knowing is the unfolding of Canadian history unlike anything we have ever read before. Award-winning and bestselling Anishinaabe author Tanya Talaga retells the history of this country as only she can—through an Indigenous lens, beginning with the life of her great-great grandmother Annie Carpenter and her family as they experienced decades of government- and Church-sanctioned enfranchisement and genocide.

Deeply personal and meticulously researched, The Knowing is a seminal unravelling of the centuries-long oppression of Indigenous People that continues to reverberate in these communities today.

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480 pages | 6.12" x 9.25" | Hardcover 

An examination of the barriers facing Indigenous people within the healthcare system from the perspective of an empathetic settler physician

After leaving her medical practice in Pennsylvania in 2011, Jarol Boan returned to her childhood home in Saskatchewan, Canada to practice medicine. There she found a healthcare system struggling with preventable chronic diseases and institutional racism. Shocked by the high rate of preventable diseases in her patients, Boan realized that a paternalistic deficit model does not support Indigenous communities. Through working to provide medical services in Indigenous communities and learning firsthand from her Indigenous patients, Boan embarked on a road to enlightenment and reconciliation.

In The Medicine Chest, Boan exposes the healthcare disparities in a country that prides itself on an equitable healthcare system and examines the devastating effects of diabetes, the myth of “the drunken Indian,” the inner workings of hospitals, Missing and Murdered Indigenous Women and Girls, epidemics on reserves, and residential school trauma. Exploring the intersectionality of common diseases and social determinants of health gained from her experience of caring for Indigenous patients, Boan weaves historical data, comments on health policy, and jurisdictional gaps into the narrative while investigating how Canada’s healthcare system is failing those most in need.

Reviews
“A heart-breaking, heart-warming story of damage and caring. I couldn’t stop reading.” —Gary Geddes, Medicine Unbundled

“Canada’s national sense of self is rooted in the myth of a fair, open, and public health care system. But all too often the medical system is a nightmare journey for Indigenous patients and their families. The Medicine Chest is a frontline diary of the struggle to address the inequities and colonial legacy, and the urgency to find a new way to healing and reconciliation.” —Charlie Angus, Cobalt and Children of the Broken Treaty

“Dr. Boan confronts the traps and assumptions she unearths, both in herself and in the health care system, as she journeys, and sometimes stumbles, along the messy path toward self-awareness and reconciliation.” —Karen Palmer, Policy Advisor to Canadian Doctors for Medicare

“An important effort at reaching out and tackling the challenges presented by Indigenous health disparities and jurisdictional obstacles.” —Blair Stonechild, First Nations University of Canada

Educator Information
Table of Contents

Acknowledgements
Map

Introduction

Willow Medicine
Hollywood in Regina
A Field on the Prairie
A Middle Ground
Two-Eyed Seeing
A Crime to Refuse Treatment
As Long as That Sun Shines
Strangers in the Touchwood Hills
An Expanding Circle
Red Dress Day
Michael’s Tears
An HIV Epidemic
A Clinic in the Parklands
Derrick
The Trade in Alcohol
Maybe I Will, Maybe I Won’t
Sweetgrass and Ceremony
The Dialysis Shuttle
Anxiety
Food on the Reserve
The Spirit Journey
Ten to Fifteen Percent
The Serpent
The Road to Reconciliation

Seven Grandfather Teachings from the Anishinaabe
Postscript
TRC Calls to Action addressed in The Medicine Chest

Index
About the Author

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320 pages | 6.00" x 9.00" | Paperback

A powerful, lyrical collection of essays from the award-winning author of Following the River, exploring the pivotal moments in her life, and how art and nature have shaped her.

Like both memory and the moon, what's written here aims to shed what light it can, bringing it home to now.

How does a woman compose a life? The Old Moon in Her Arms is a hybrid book of fragments, pivotal moments and images in the phases of a woman's life, turning points rendered in Lorri Neilsen Glenn's lyrical prose.

Like the shifting images in a kaleidoscope, these glimpses into the life of an ordinary woman lay bare the ways family, landscape, loss, and a lifelong pursuit of knowledge have forced the author in her later years to examine what really matters. Here, readers bear witness to the making of a daughter, a student, a wife, a friend, a teacher, a mother, a feminist, an award-winning scholar and writer. Neilsen Glenn's artistry weaves personal history, philosophy, pop culture, and contemporary thought to examine moments and people who've inhabited her life. "Over time and circumstance," she says, "haven't we all been various?"

Guiding her exploration are the Cree concept of wahkohtowin, the kinship in all of creation, and the elliptical path of the moon.

This hybrid collection of singular moments celebrates connection, wonder and endless curiosity.

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Subjects/Themes: Memoir, Creativity, Aging, Literacy Collection, Prose, Poetry

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272 pages | 6.00" x 8.00"| Paperback

This art book features artwork by Anishinaabe artist Donna Langhorne.

In the Seven Visions, Anishinaabe artist Donna Langhorne describes to you the meaning behind her seven pieces of artwork. Her visions were inspired by the seven sacred teachings, and draw on contemporary issues affecting Indigenous people.

Diana Frost from Colouring It Forward adds suggestions of activities that you can engage in to do something about these issues and to participate in reconciliation.

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8.5"x11", 24 pages, full colour book

The Spaces In Between examines prospects for the enhanced practice of Indigenous political sovereignty within the Canadian state. As Indigenous rights include the right to self-determination, the book contends that restored practices of Indigenous sovereignty constitute important steps forward in securing better relationships between Indigenous peoples and the Canadian state.

While the Canadian state maintains its position of dominance with respect to the exercise of state sovereignty, Tim Schouls reveals how Indigenous nations are nevertheless carving out and reclaiming areas of significant political power as their own. By means of strategically acquired legal concessions, through hard-fought political negotiations, and sometimes through simple declarations of intent, Indigenous nations have repeatedly compelled the Canadian state to roll back its jurisdiction over them. In doing so, they have enhanced their prospects for political sovereignty within Canada. As such, they now increasingly occupy what Schouls refers to metaphorically as “the spaces in between.”

The book asserts that occupation of these jurisdictional “spaces in between” not only goes some distance in meeting the requirements of Indigenous rights but also contributes to Indigenous community autonomy and well-being, enhancing prospects for reconciliation between Indigenous peoples and the Canadian state.

Reviews
“The Space In Between is a vital resource for understanding how the concept of sovereignty has helped and hindered the Indigenous emancipation project in Canada. Schouls is a gifted educator, who shares his astute insight and considerable knowledge of Indigenous law and politics in a highly accessible and common sense fashion that will be of interest to students, instructors and the broader Canadian public.” — Dimitrios Panagos, Associate Professor of Political Science, Memorial University of Newfoundland

“The Spaces In Between addresses many of the key issues that are most salient in Indigenous–state relations. Tim Schouls presents a good balance between exploring theoretical concepts and examining case studies to contextualize and show how important debates play out in real-world settings. This book will serve as an essential resource for many universities and colleges seeking to build more Indigenous programming and courses, as per the Truth and Reconciliation Commission’s recommendations.” — Minh Do, Assistant Professor of Political Science, University of Guelph

“Drawing on a range of themes and issues, The Spaces In Between provides students with a strong academic grounding in Indigenous politics and Indigenous–settler relations. It articulates the ways Indigenous peoples have opened space within Canadian state claims to sovereignty and filled it with their own articulations and practices of sovereignty. Well-written and accessible, this book presents complex information in an eminently readable and engaging way, offering a clear articulation for a possible path forward for Indigenous–settler relations.” — Liam Midzain-Gobin, Assistant Professor of Political Science, Brock University

Educator Information 
Table of Contents
Introduction: Claiming the Spaces In Between
1. Contending Sovereignties: Prospects for Coexistence
2. Identity Politics: Citizenship and Belonging
3. Policy: From Political Sovereigns to Colonial Subjects
4. Policy: Signs of a Post-colonial Reality?
5. The Courts: Colonialism’s Constraints and Sovereignty’s Opportunities
6. Treaties Old: Sharing Lands and Resources
7. Treaties New: Landed Citizenship
8. Self-Government: Incremental Sovereignty
9. Partnerships: Shared Sovereignty, Shared Ventures
Conclusion: Occupying the Spaces In Between
References
Index

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436 pages | 7.50" x 9.25"

A story of the Sḵwx̱wú7mesh Úxwumixw (Squamish Nation): past, present, and future.

One hundred years after Sḵwx̱wú7mesh (Squamish) leadership signed an amalgamation agreement that declared several communities in Squamish territory as one nation, this accessible history of the Sḵwx̱wú7mesh people traces our stories from ancient times to the present. Tiná7 Cht Ti Temíxw: We Come from This Land offers the culmination of generations of knowledge about the Squamish People and Sḵwx̱wú7meshulh Temíx̱w (Squamish People’s Territory).

Today, we are over 4,100 people and growing, living within Sḵwx̱wú7meshulh Temíx̱w and beyond. Our 6,732-square-kilometre territory includes the watersheds of the Squamish River, Mamquam River, and Howe Sound in the north, and English Bay, False Creek, and Burrard Inlet in the south. It encompasses saltwater and rushing rivers, old-growth forests at valley bottoms, and alpine forests high above the ocean.

Oral histories and archaeological sites demonstrate our relationship with the lands and waters going back over twelve thousand years. Here, we introduce ancient Squamish stories and ways, as well as describe relationships with our neighbours from time immemorial. We discuss early contact with Europeans and the disastrous effects of racism and colonialism, the Indian Act, reserves, and residential schools. We detail our engagement with the imperfect tool of the Canadian judicial system in several significant court cases that have advanced Indigenous rights. And we show how the Squamish Nation is taking back ownership and stewardship within our homelands.

Tiná7 Cht Ti Temíxw: We Come from This Land is a powerful introduction to our vast history and a launching point for discovering more about the different places, people, and stories offered here.

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416 pages | 6.50" x 9.50" | Paperback

Academia remains an unwelcoming space for Indigenous scholars. What space it does cede to Indigenous knowledge is dictated and narrowly defined. W̱SÁNEĆ scholar Jack Horne, author of TOL, NEW̱ SEN TŦE SOȽ: I Know the Road articulates his own negotiation with academia:

“In response to the question of how I, a W̱SÁNEĆ artist and scholar, use embodied W̱SÁNEĆ knowledge in my artistic and academic work, this book advocates for a move away from standard social sciences theories, methodologies and paradigms while forcefully insisting on a W̱SÁNEĆ paradigm.”

To accomplish this constructive goal, Horne argues, “requires a negotiation of embodied W̱SÁNEĆ knowledge, performance studies theory, and western eurocentric social sciences paradigms.”

Written through beautiful storytelling practices with this goal in mind, TOL, NEW̱ SEN TŦE SOȽ: I Know the Road is thus part personal and cultural history, and part contemporary critique. Horne uses a variety of research, letters, and even fragments from his plays, to create a compelling challenge to outmoded academic structures, proposing an alternative that embraces and tools historically suppressed W̱SÁNEĆ ways of knowing. Not only does Horne’s writing confront white supremacy and anti-Indigenous racism in academia, it offers material alternatives to status quo, white-centric pedagogy. With its focus on W̱SÁNEĆ history and knowledge practices, this book offers a praxis of Indigenous knowledge and performance study theory that delivers a unique and deeply valuable pedagogic project.

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216 pages | 5.50" x 8.50"| Paperback

Design and building concepts that pay respect to the land and empower Indigenous communities across the Northern Hemisphere

An Indigenous-led publication, Towards Home explores how Inuit, Sámi and other communities across the Arctic are creating self-determined spaces. This research project, led by Indigenous and settler coeditors, is titled after the phrases angirramut in Inuktitut, or ruovttu guvlui in Sámi, which can be translated as “towards home.” To move towards home is to reflect on where northern Indigenous people find home, on what their connections to their land means and on what these relationships could look like into the future. Framed by these three concepts—Home, Land and Future—the book contains essays, artworks, photographs and personal narratives that express Indigenous notions of home, land, kinship, design and memory. The project emphasizes caring for and living on the land as a way of being, and celebrates practices of space-making and place-making that empower Indigenous communities.

Educator Information
With contributions from Robyn Adams, Ella den Elzen, Liisa-Rávná Finbog, Napatsi Folger, Carola Grahn, Jenni Hakovirta, Elin Kristine Haugdal, Geronimo Inutiq, Ellen Marie Jensen, Tanya Lukin Linklater, Nicole Luke, Reanna Merasty, Johanna Minde, Joar Nango, Taqralik Partridge, Jocelyn Piirainen, Naomi Ratte, Tiffany Shaw, Sunniva Skålnes, Jen Rose Smith, and Olivia Lya Thomassie

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352 pages | 6.75" x 9.50" | 150 Illustrations | Paperback 

Breaks the deafening silence of Indigenous women’s voices in academic leadership positions.

Since the 2015 release of the report on the Truth and Reconciliation Commission of Canada, new Indigenous policies have been enacted in universities and a variety of interconnecting Indigenous senior administrative roles have been created. Many of these newly created roles have been filled by Indigenous women. But what does it mean for Indigenous women to be recruited to Indigenize Western institutions that have not undergone introspective, structural change?

Informed by her own experiences and the stories of other Indigenous women working in senior administrative roles in Canadian universities, Candace Brunette-Debassige explores the triple-binding position Indigenous women often find themselves trapped in when trying to implement reconciliation in institutions that remain colonial, Eurocentric, and male-dominated. The author considers too the gendered, emotional labour Indigenous women are tasked with when universities rush to Indigenize without the necessary preparatory work of decolonization.

Drawing on an Indigenous feminist decolonial theoretical lens and positioning Indigenous story as theory, Brunette-Debassige illustrates how Indigenous women can and do preserve and enact their agency through resistance, and help lead deeper transformative changes in Canadian universities. Ultimately, her work provides a model for how reconciliation and Indigenization can be done at an institutional level.

Reviews
“This book helped me make sense of the ‘trickiness’ of my own experiences as an Indigenous woman in Canadian universities.” —Kim Anderson, University of Guelph

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320 pages | 6.00" x 9.00" | Paperback

There is one question Canadians have asked Jody Wilson-Raybould more than any other: What can I do to help advance reconciliation? It is clear that people from all over the country want to take concrete and tan­gible action that will make real change. We just need to know how to get started. This book provides that next step. For Wilson-Raybould, what individuals and organizations need to do to advance true reconciliation is self-evident, accessible, and achievable. True Reconciliation is broken down into three core practices—Learn, Understand, and Act—that can be applied by individuals, communities, organiza­tions, and governments.

The practices are based not only on the historical and con­temporary experience of Indigenous peoples in their relentless efforts to effect transformative change and decolonization, but also on the deep understanding and expertise about what has been effective in the past, what we are doing right, and wrong, today, and what our collective future requires. Fundamental to a shared way of thinking is an understand­ing of the Indigenous experience throughout the story of Canada. In a manner that reflects how work is done in the Big House, True Reconciliation features an “oral” history of these lands, told through Indigenous and non-Indigenous voices from our past and present.

The ultimate and attainable goal of True Reconciliation is to break down the silos we’ve created that prevent meaning­ful change, to be empowered to increasingly act as “inbe­tweeners,” and to take full advantage of this moment in our history to positively transform the country into a place we can all be proud of.

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352 pages | 5.17" x 7.99" | Paperback

Unbroken is an extraordinary work of memoir and investigative journalism focusing on missing and murdered Indigenous women and girls, written by an award-winning Gitxsan journalist who survived life on the streets against all odds.

As a Gitxsan teenager navigating life on the streets, Angela Sterritt wrote in her journal to help her survive and find her place in the world. Now an acclaimed journalist, she writes for major news outlets to push for justice and to light a path for Indigenous women, girls, and survivors. In her brilliant debut, Sterritt shares her memoir alongside investigative reporting into cases of missing and murdered Indigenous women in Canada, showing how colonialism and racism led to a society where Sterritt struggled to survive as a young person, and where the lives of Indigenous women and girls are ignored and devalued.

Growing up, Sterritt was steeped in the stories of her ancestors: grandparents who carried bentwood boxes of berries, hunted and trapped, and later fought for rights and title to that land. But as a vulnerable young woman, kicked out of the family home and living on the street, Sterritt inhabited places that, today, are infamous for being communities where women have gone missing or been murdered: Vancouver's Downtown Eastside, and, later on, Northern BC's Highway of Tears. Sterritt faced darkness: she experienced violence from partners and strangers and saw friends and community members die or go missing. But she navigated the street, group homes, and SROs to finally find her place in journalism and academic excellence at university, relying entirely on her own strength, resilience, and creativity along with the support of her ancestors and community to find her way.

"She could have been me," Sterritt acknowledges today, and her empathy for victims, survivors, and families drives her present-day investigations into the lives of missing and murdered Indigenous women. In the end, Sterritt steps into a place of power, demanding accountability from the media and the public, exposing racism, and showing that there is much work to do on the path towards understanding the truth. But most importantly, she proves that the strength and brilliance of Indigenous women is unbroken, and that together, they can build lives of joy and abundance.

Reviews
"Sterritt's story is living proof of how courageous Indigenous women are. Listen to her voice and hear the sound of the land, hear the sound of our women weeping but also raging—refusing to be neglected or ignored any longer."—Tanya Talaga, author of Seven Fallen Feathers and All Our Relations

"A fierce, necessary, deeply moving book. Sterritt uses her difficult personal journey to frame the terrible history of missing and murdered Indigenous women in Canada. Haunting and illuminating."— Eden Robinson, author of Son of a Trickster

"Angela Sterritt takes on Canada's deeply flawed justice system, deftly exposing systemic racism and the continuing impacts of colonialism. This book is a compelling read and a well-researched and powerful heart-centered memoir."—Lorimer Shenher, author of That Lonely Section of Hell

"With facts and humanity, Angela Sterritt effortlessly draws us into this emotional and important read. A courageous Indigenous voice who uses her personal journey to educate all of us about critical and urgent issues we must address, including Missing and Murdered Indigenous Women and Girls."— Jody Wilson-Raybould

"A new clear, compelling, and urgent voice illuminates a critical topic of our times with the passion and profound caring of a devoted sister. A tour de force."—Darrel McLeod, author of Mamaskatch and Peyakow

"A remarkable life story. . . Angela Sterritt is a formidable storyteller and a passionate advocate."—Cherie Dimaline, author of The Marrow Thieves

"[A] thought-provoking memoir. . . Beginning with a haunting list of names of Indigenous women and girls who were either murdered or missing along the Highway of Tears, the book tells the stories of such ignored and abused victims. . . The final product is eyeopening, making use of tragic firsthand accounts from grieving families and Sterritt's personal memories, all raw and rich with detail. . . [P]owerful."—Foreword Reviews

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6.00" x 9.00" | Paperback

Follow in the tradition of your ancestors as you learn how to hand sew your capote, a hand-sewn coat made from a wool blanket. Wahwaykinishoo d’en li kapot – Wrap Yourself in Tradition: A Guide to Making a Métis-Style Capote also includes the history of the capote and its connection to Métis heritage. Enjoy the experience, feel the warmth, share the feeling, and wear it with pride. Written by Suzan Lagrove Couillard and Brenda Hrycuik.

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57 Pages | 10" x 8.5" | Spiral Bound 

There have been many things written about Canada’s violent siege of Kanehsatà:ke and Kahnawà:ke in the summer of 1990, but When the Pine Needles Fall: Indigenous Acts of Resistance is the first book from the perspective of Katsi’tsakwas Ellen Gabriel, who was the Kanien’kehá:ka (Mohawk) spokesperson during the siege. When the Pine Needles Fall, written in a conversational style by Gabriel with historian Sean Carleton, offers an intimate look at Gabriel’s life leading up to the 1990 siege, her experiences as spokesperson for her community, and her work since then as an Indigenous land defender, human rights activist, and feminist leader.

More than just the memoir of an extraordinary individual, When the Pine Needles Fall offers insight into Indigenous language, history, and philosophy, reflections on our relationship with the land, and calls to action against both colonialism and capitalism as we face the climate crisis. Gabriel’s hopes for a decolonial future make clear why protecting Indigenous homelands is vital not only for the survival of Indigenous peoples, but for all who live on this planet.

Awards

• 2025 Canadian Historical Association Indigenous History Book Prize
• 2025  Errol Sharpe Book Prize
• 2025 Wilson Institute Book Prize 

Reviews
“When the Pine Needles Fall is a profound treatise and manifesto chronicling Haudenosaunee resistance to land theft by one of the most important Land Defenders of our time. Gabriel’s work is the book on Indigenous resistance I’ve been waiting for my whole life. It is a must-read for anyone concerned with the continuation of life on this planet.”  — Leanne Betasamosake Simpson, co-author of “Rehearsals for Living”

“Katsi’tsakwas Ellen Gabriel’s words in When the Pine Needles Fall are gifts that serve as a beacon of light by igniting our hearts, minds, and spirits. Through her boundless wisdom grounded in healing work as a Land Defender on Turtle Island, she calls for fierce Indigenous resistance and radical global solidarity to put an end to root causes of oppression worldwide: capitalism, patriarchy, and settler colonialism. Gabriel reminds us that a more just, kind, and caring world—where all life is precious—is possible for the next seven generations, but only if we fight for it.” — Samir Shaheen-Hussain, MD, author of “Fighting for A Hand to Hold: Confronting Medical Colonialism against Indigenous Children in Canada”

“When the Pine Needles Fall is a remarkable and revelatory account of the 1990 siege of Kanehsatà:ke and Kahnawà:ke, when provincial, municipal, and national armed forces targeted these Mohawk communities. It is also one of the best first-hand accounts of Indigenous activism that I have ever read, relayed in moving and extraordinary form. An essential addition to contemporary First Nations history and the growing field of Indigenous Studies.” — Ned Blackhawk, Western Shoshone, author of “The Rediscovery of America: Native Peoples and the Unmaking of U.S. History”

“As a treatise on women and culture-based governance from a remarkable Haudenosaunee leader, When the Pine Needles Fall offers me hope and renewed energy. Through her life work, Ellen Gabriel demonstrates how to persevere, remain optimistic, and continue with creative and activist endeavours. The book effectively situates the ‘crisis’ within its centuries-long context, marking a tipping point for Canada while highlighting ongoing challenges. It also examines how mainstream narratives are constructed around Indigenous struggles, providing a comprehensive profile of Gabriel’s diverse contributions to Indigenous resistance and resurgence.” — Kim Anderson, author of“ Life Stages and Native Women: Memory, Teachings, and Story Medicine”

“Katsi’tsakwas Ellen Gabriel’s personal account of the 1990 siege of Kanehsatà:ke and Kahnawà:ke is a crucial contribution to our understanding of these dramatic events and of the political context of the time. Her lifetime dedication to the defence of Indigenous peoples and women’s rights is truly exemplary and constitutes an inspiration for generations to come.” — Bernard Duhaime, professor, Faculty of Political Science and Law, Université du Québec à Montréal

“In When the Pine Needles Fall, celebrated activist Katsi’tsakwas Ellen Gabriel gifts us with an expansive account of the 1990 siege of Kanehsatà:ke and Kahnawà:ke. This alone provides a captivating analysis of this seminal moment and its legacy within larger movements for Indigenous sovereignty on Turtle Island. But Gabriel, an artist, also paints the negative space, braiding her relationship to the land, Kanien’kehá:ka teachings, and the language with her tireless work against settler colonialism, extractive capitalism, and patriarchy. This essential book is an inspiring conversation reminding us that decolonization is world-building rooted in an ethics of relationality and care.” — Nazila Bettache, MD, MPH; assistant professor of medicine, Université de Montréal; social justice organizer and co-editor of “Reflections on Illness”

“I honour my sister whose words speak the truth. One of the most powerful quotes by Katsi’tsakwas is: ‘I’m a Kanien’kehá:ka woman who cares deeply about our land and I want a better future for the generations to come.’  Everything she speaks about in this book is directly connected to these words.” — Beverley Jacobs, CM, LLB, LLM, PhD; Kanien’kehá:ka, Bear Clan, Six Nations Grand River Territory; associate professor, Faculty of Law, University of Windsor

Educator Information
This book is included in the Indigenous Books for Schools database from the Association of Book Publishers of BC. It is recommended for Grades 11 and 12 for English Language Arts and Social Studies. The book's listing in the database provides this content warning: " Abuse, violence, residential schools, death." 

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280 pages | 5.50" x 8.50" | Paperback

A visual and cultural celebration of a traditional Haida wedding ceremony, exploring its roots, rituals, symbolism, joyfulness, and contemporary significance for a thriving Indigenous Nation.

In 1996, Terri-Lynn Williams and Robert Davidson celebrated their wedding with a traditional ceremony, the first in over a century that was legalized under Haida law. This book provides an intimate photographic window into that momentous day and marks the resurgence of a tradition that was nearly lost to colonial forces.

Relying on recorded knowledge their ancestors had shared with ethnographers and anthropologists, and the few details living Elders could recall about the tradition of guud ‘iina Gihl (“becoming married”) in the time before the arrival of Christian missionaries, the couple carefully planned out a seven-part celebration. It involved a canoe procession, ceremony, feast, dancing, and dowry payment, signifying the coming together of two people, two families, and two clans. The occasion is lovingly and painstakingly recounted through imagery and text in this fascinating tribute to a resilient culture and the unbreakable bonds of love and family.

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128 pages | 8.75" x 10.50"| Hardcover 

An Anthology of Monsters by Cherie Dimaline, award-winning Métis author of The Marrow Thieves, is the tale of an intricate dance with life-long anxiety. It is about how the stories we tell ourselves—both the excellent and the horrible—can help reshape the ways in which we think, cope, and ultimately survive. Using examples from her published and forthcoming books, from her mère, and from her own late-night worry sessions, Dimaline choreographs a deeply personal narrative about all the ways in which we cower and crush through stories. Witches emerge as figures of misfortune but also empowerment, and the fearsome Rougarou inspires obedience, but also belonging and responsibility. Dimaline reveals how to collect and curate these stories, how they elicit difficult and beautiful conversations, and how family and community is a place of refuge and strength.

Educator Information
Keywords / Subjects: Stories; Anxiety; Panic; Rougarou; Family; Community; Métis; Witches; Insomnia; Coping; Worries; Grandparents; Empower; Belonging; Responsibility; Mental Health; Biography; Essays; Canadian Literature

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64 pages | 5.25" x 9.00" | Paperback