Ojibway (Ojibwe)

In Nobody Cries At Bingo, the narrator, Dawn, invites the reader to witness first hand Dumont family life on the Okanese First Nation. Beyond the sterotypes and clichés of Rez dogs, drinking, and bingos, the story of a girl who loved to read begins to unfold. It is her hopes, dreams, and indomitable humour that lay bear the beauty and love within her family. It is her unerring eye that reveals the great bond of family expressed in the actions and affections of her sisters, aunties, uncles, brothers, cousins, nieces, nephews, and ultimately her ancestors.

It’s all here — life on the Rez in rich technicolour — as Dawn emerges from home life, through school life, and into the promise of a great future. Nobody Cries At Bingo embraces cultural differences and does it with the great traditional medicine of laughter.

Educator Information
Young adult fiction.

Recommended English First Peoples resource for grades 11-12 in the unit What Creates Family.

Additional Information
136 pages | 5.48" x 8.48"

A collection of warm, wise and inspiring stories from the author of the bestselling One Native Life.

Since its publication in 2008, readers and reviewers have embraced Richard Wagamese's One Native Life. In quiet tones and luminous language,wrote the Winnipeg Free Press, Wagamese shares his hurts and joys, inviting readers to find the ways in which they are joined to him and to consider how they might be joined to others.

In this book, Richard Wagamese again invites readers to accompany him on his travels. This time, his focus is on stories: how they shape us, how they empower us, how they change our lives. Ancient and contemporary, cultural and spiritual, funny and sad, the tales are grouped according to the four Ojibway storytelling principles: balance, harmony, knowledge and intuition.

Whether the topic is learning from his grade five teacher about Martin Luther King, gleaning understanding from a wolf track, lighting a fire for the first time without matches or finding the universe in an eagle feather, these stories exhibit the warmth, wisdom and generosity that made One Native Life so popular. As always, in these pages, the land serves as Wagamese' guide. And as always, he finds that true home means not only community but conversation good, straight-hearted talk about important things. We all need to tell our stories, he says. Every voice matters.

Reviews
"One Story, One Song is a collection of short stories that show how stories shape & empower us, and change our lives. The stories are grouped according to the 4 essential principles of the Ojibway traditional teachings: humility, trust, introspection, and wisdom." - The Dalai Lama Center

Additional Information
216 pages | 5.52" x 8.50" | Paperback

Having developed a large reputation for his many novels and nonfiction works, Richard Wagamese now appears before us as a poet, with a collection of stunning poems ranging over a broad landscape. He begins with an immersion in the immemorial landscape where “the ancient ones stand at your shoulder . . . making you a circle / containing everything.” These are Medicine teachings told from the experience of one who lived and still lives them. He describes his life on the road when he repeatedly ran away at an early age, and the beatings he received when the authorities tried “to beat the Indian right out of me.” Yet even in the most desperate situations, Wagamese shows us Canada as seen through the eyes and soul of a well-worn traveller, with his love of country, his love of people. Through it all, there are poems of love and music, the language sensuous and tender.

Additional Information
100 pages | 9.00" x 6.00"

Thirteen-year-old Jak Loren is a typical boy with the usual problems a family with older sisters and younger brothers presents. Never mind the troubles at school - bullies and girls!

When Jak goes to the ravine near his home in Brantford to get away from Steven Burke, a bully who's been tormenting him, he discovers the ravine has a history that's much older than he thought. He meets Grandfather Rock, who shares with him the story of the people who have lived near the ravine for thousands of years. Soon Jak's eyes are opened to a new world of beings and respect.

He learns about First Nations people and how their teachings inhabit the spirits of all living things that surround us even today. The tales of the First Nations help Jak to understand that the gift of life is something to be cherished. And when a construction crew arrives in his neighbourhood and threatens his beloved ravine, Jak knows he has to act to save it.

Reviews
"Jak's Story explores the issues of bullying and the environment and integrates First Nations storytelling, wisdom and history. The chapters are short and captivating and Bell manages to minimize coming off as preachy. I read this book in one sitting." — Waterloo Record

"This is an excellent story to teach youth about First Nations beliefs and culture. It also reminds the reader of the importance of protecting the environment by setting limits to the amount of development of land. Aaron Bells honesty and respect for land and community shines through his writing in this first book." — Resource Links, February 2011

Educator Information
Recommended Ages: 12-15

Additional Information
96 pages | 6.00" x 9.00"

In One Native Life, Wagamese looks back down the road he has travelled in reclaiming his identity and talks about the things he has learned as a human being, a man and an Ojibway in his fifty-two years. Whether he's writing about playing baseball, running away with the circus, attending a sacred bundle ceremony or meeting Pierre Trudeau, he tells these stories in a healing spirit. Through them, he celebrates the learning journey his life has been.

Free of rhetoric and anger despite the horrors he has faced, Wagamese’s prose resonates with a peace that has come from acceptance. Acceptance is an Aboriginal principle, and he has come to see that we are all neighbours here. One Native Life is his tribute to the people, the places and the events that have allowed him to stand in the sunshine and celebrate being alive.

Reviews
"One Native Life contains sixty-five stories that are divided into four books: Ahki (Earth), Ishskwaday (Fire),Nibi (Water), andIshpiming (Universe). From this diverse selection emerge accounts not only of disappointment and racial discrimination but also of the transformative power of love and caring." - Sean Carleton, The British Columbia Quarterly

Educator Information
Suggested Grades: 9-12
ABPBC

Grades 10-12 BC English First Peoples Resource for units on First Peoples' Story and Place-Conscious Learning.

Additional Information
272 pages | 5.63" x 8.75"

Four chronically homeless people–Amelia One Sky, Timber, Double Dick and Digger–seek refuge in a warm movie theatre when a severe Arctic Front descends on the city. During what is supposed to be a one-time event, this temporary refuge transfixes them. They fall in love with this new world, and once the weather clears, continue their trips to the cinema. On one of these outings they meet Granite, a jaded and lonely journalist who has turned his back on writing “the same story over and over again” in favour of the escapist qualities of film, and an unlikely friendship is struck.

A found cigarette package (contents: some unsmoked cigarettes, three $20 bills, and a lottery ticket) changes the fortune of this struggling set. The ragged company discovers they have won $13.5 million, but none of them can claim the money for lack of proper identification. Enlisting the help of Granite, their lives, and fortunes, become forever changed.

Ragged Company is a journey into both the future and the past. Richard Wagamese deftly explores the nature of the comforts these friends find in their ideas of “home,” as he reconnects them to their histories.

Additional Information
384 pages | 5.20" x 7.99"

Seven Sacred Teachings is a message of traditional values and hope for the future. The Teachings are universal to most First Nation peoples. These Teachings are seen in school communities from coast to coast across North America. They are a link that ties all Native, Inuit and Métis communities together.

The seven teachings include: respect, humility, love, truth, honesty, wisdom and courage. The stories in the book provide an example of how each teaching came to be.

Educator Information
Seven Sacred Teachings has been produced in several languages. This edition is in English and Ojibwe.

This resource is also available in French: Les Sept enseignements sacrés

Cowboy lore and First Nations mysticism in this affecting novel about the healing effects of family. In pursuit of a world-champion title, Joe Willie Wolfchild suffers a horrific, career-ending accident while riding a temperamental bull named C-4. His supportive family, longtime rodeo people, whisk him back to their ranch to recuperate. Far from the laconic stereotype, this book is filled with his soaring descriptions of the desert landscape, action-packed rodeo scenes, and reverence for hearth and home which will strike a chord with readers.

Dream Wheels is a vital and unsparing novel from one of the most fascinating voices in Canadian writing.

Joe Willie Wolfchild is on the verge of becoming a World Champion rodeo cowboy when a legendary bull cripples him. At the same time, in the same city, Claire Hartley is brutally assaulted and her 14-year-old son, Aiden, is critically injured during a burglary. The young Ojibway-Sioux man, the black single mother and her mulatto son find their lives irrevocably changed.

Joe Willie, a rodeo cowboy since he was a child, smolders in angry silence over a deformed left arm and a limp that make it impossible for him to compete. Claire, a victim of numerous bad relationships, withdraws from men and swears a bitter celibacy. Aiden gains notoriety among his criminal peers and slips into a self-destructive spiral of drugs and violence.

Eager to find a place for her son to channel his explosive energies, Claire brings Aiden to a rodeo camp run by the Wolfchild family, where he is drawn to bull riding and proves to be a stunning natural. But Joe Willie refuses to have anything to do with the camp, remaining an aloof, mysterious presence to Claire and the boy.

Birch Wolfchild, Joe Willie’s father, sees the potential for Aiden to become a champion and for his son to heal himself, if they can move beyond anger to forge a partnership. Claire’s and Joe Willie’s wounds bring them together in a surprising romance, and beneath it all is Birch Wolfchild’s tale of the changing of the life of the Indian cowboy.

Dream Wheels is a story about change. Moving from the Wild West Shows of the late 1880s to the National Finals Rodeo in Las Vegas to a lush valley in the mountains, it tells the story of a people’s journey, a family’s vision, a man’s reawakening, a woman’s recovery, and a boy’s emergence to manhood.

Reviews
“Richard Wagamese is a born storyteller and Dream Wheels is his finest book yet. Cover to cover a ripping read.”  —Louise Erdrich

“A three-pronged story of redemption, kinship and healing. . . . Dream Wheels’s. . .wisdom is not community specific. It’s
universal.” —The Gazette (Montreal)

“Compelling. . . . With an opening passage reminiscent of Faulkner . . . Dream Wheels will delight cowboy literature fans, readers looking for a gorgeous turn of phrase, those interested in Native culture, or anyone simply after an engaging and satisfying story.” —Calgary Herald

Educator Information
Recommended Ages: 15+

Grades 10-11 BC English First Peoples resource for the unit on Relationships.

Additional Information
416 pages | 5.00" x 8.00"

A mystical novel reflecting a positive view of native life and philosophy, it's about a three-year-old who was taken from his home on an Ojibway reserve and placed in a series of foster homes. Join him as he travels back to the reserve and discovers his sense of place and of self.

When Garnet Raven was three years old, he was taken from his home on an Ojibway Indian reserve and placed in a series of foster homes. Having reached his mid-teens, he escapes at the first available opportunity, only to find himself cast adrift on the streets of the big city.

Having skirted the urban underbelly once too often by age 20, he finds himself thrown in jail. While there, he gets a surprise letter from his long-forgotten native family.

The sudden communication from his past spurs him to return to the reserve following his release from jail. Deciding to stay awhile, his life is changed completely as he comes to discover his sense of place, and of self. While on the reserve, Garnet is initiated into the ways of the Ojibway -- both ancient and modern -- by Keeper, a friend of his grandfather, and last fount of history about his people's ways.

By turns funny, poignant and mystical, Keeper 'n Me reflects a positive view of Native life and philosophy -- as well as casting fresh light on the redemptive power of one's community and traditions.

Educator Information
Grades 10-11 BC English First Peoples resource for the unit How Do We Define Ourselves? 

Additional Information
320 pages | 5.19" x 7.98" | This edition published in 2018

Celebrated Ojibway author Richard Wagamese shares the traditions and teachings of his people, entwining them with an account of his own life-long struggle for self-knowledge and self-respect.

Richard Wagamese stares the modern world in the eye and takes careful note of its snares and perils. He sees people coveting without knowing why, people looking for roots without understanding what might constitute rootedness, people looking for acceptance without offering reciprocal respect, and people longing for love without knowing how to offer it. And underneath all lurks the seductive oblivion of substance abuse. These are the pitfalls of his own life, dangers he hopes his estranged son, Joshua, will be able to navigate with the guidance afforded by this heartfelt memoir.

Richard Wagamese has no easy answers. His road to self-knowledge has been long and treacherous -- and it is in part this series of trials that has furnished him if not with a complete set of answers then at least a profound understanding of the questions. Again and again Wagamese brings universal problems into astonishingly sharp focus by sharing the special wisdom of Canada’s First Nations, while reminding us that we are not so different after all.

Additional Information

Alexander Wolfe is a Saulteaux/Ojibwa storyteller and the keeper of his family's oral history. These stories belong to his family and include accounts of how the descendents of Pinayzitt, a Saulteaux leader who lived in the Northwest Territories of Canada and the Great Plains of the United States in the 1800s, lived on the land, survived the smallpox and flu epidemics, signed treaties, and were confined to reservations.

The stories blend history with legend and prophecy, giving both the equal weight they occupy in Native oral tradition. In their retelling, Wolfe carries out his responsibility of passing on his family's stories to the next generation, as well as encouraging Natives to record their histories and non-Natives to understand the significance and lessons of these tales.

Earth Elder Stories has proven an excellent resource for students of Native Studies, history, linguistics, and literature.

In this collection of two plays about the process of children becoming adults, Drew Hayden Taylor works his delightfully comic and bitter-sweet magic on the denials, misunderstandings and preconceptions which persist between Native and Colonial culture in North America.

In “The Boy in the Treehouse,” Simon, the son of an Ojibway mother and a British father, climbs into his half-finished tree house on the vision-quest his books say is necessary forhim to reclaim his mother’s culture. “It’s a Native thing,” he informs his incredulous father (who tells him he’d never heard of such a thing from his wife): “Only boys do it. It’s part of becoming a man.” Of course, what with the threats of the police, the temptation of the barbeque next door, and the distractions of a persistent neighbourhood girl, Simon probably wouldn’t recognize a vision if he fell overit.

“Girl Who Loved Her Horses” is the Native name for the strange and quiet Danielle from the non-status community across the tracks, imbued with the mysterious power to draw the horse “every human being on the planet wanted but could never have.” She is and remains an enigma to the people of the reservation, but the power of her spirit remains strong. Years later, a huge image of her horse reappears, covering an entire side of a building in a blighted urban landscape of beggars and broken dreams. The eyes of her stallion, which once gleamed exhilaration and freedom, now glare with defiance and anger. Danielle has clearly been forced to grow up.

With these two plays, Taylor rediscovers an issue long forgotten in our “post-historical” age: the nature of, and the necessity for, these rites of passage in all cultures.

Additional Information
160 pages | 5.50" x 8.50" | Paperback