Canadian Indigenous Books for Schools 8 - 12 2013-2014

The 7 Generations series is available in one book, and the illustrations are in vivid colour. 7 Generations: A Plains Cree Saga includes the four graphic novels: Stone, Scars, Ends/Begins, and The Pact.

Edwin is facing an uncertain future. Only by learning about his family's past—as warriors, survivors of a smallpox epidemic, casualties of a residential school—will he be able to face the present and embrace the future.

Educator Information
Recommended for ages 14 to 18.

Includes the stories in the 7 Generations series.

Stone introduces Edwin, a young man who must discover his family’s past if he is to have any future. Edwin learns of his ancestor Stone, a young Plains Cree man, who came of age in the early 19th century. When his older brother is tragically killed during a Blackfoot raid, Stone, the best shot and rider in his encampment, must overcome his grief to avenge his brother’s death.

In Scars, the story of White Cloud, Edwin's ancestor, is set against the smallpox epidemic of 1870-1871. After witnessing the death of his family one by one, White Cloud must summon the strength to find a new home and deliver himself from the terrible disease.

In Ends/Begins, readers learn about the story of Edwin’s father, and his experiences in a residential school. In 1964, two brothers are taken from the warm and loving care of their grandparents, and spirited away to a residential school. When older brother James discovers the anguish that his brother is living under, it leads to unspeakable tragedy.

In The Pact, the guilt and loss of James’s residential school experiences follow him into adulthood, and his life spirals out of control. Edwin, mired in his own pain, tries to navigate past the desolation of his fatherless childhood. As James tries to heal himself he begins to realize that, somehow, he must save his son’s life—as well as his own. When father and son finally meet, can they heal their shattered relationship, and themselves, or will it be too late?

Additional Information
136 pages | 6.50" x 10.00"

Carrying on "Irregardless" is a handsomely illustrated paperback based on the first exhibition to focus on humour in Northwest Coast First Nations art. The show, mounted by the Bill Reid Gallery of Northwest Coast Art in Vancouver is titled after one of Bill Reid's favourite deliberate grammatical blunders that were part of the sense of humour that, as Martine J. Reid says in her introduction, "was perhaps a part of his survival kit, as it often seems to be for First Nations people."

Within this book are the photographed artworks of twenty-eight prominent Northwest Coast artists, including such varied approaches to humour as a rare prehistoric Coast Salish bowl featuring a smiling face carved from stone, a 1990s etching depicting Raven and the First Men Overlooking Wreck Beach (to catch a glimpse at all the nudists, of course!) and a pair of red and yellow cedar bark high heels titled Too Haida. Collected here are artworks that act as political weapons, bold challenges to stereotypes, and nods to the Trickster. They satirize, ridicule and play. And, above all, they make us laugh, and think, and laugh again.

Accompanying the work are descriptions, quips and jokes from the artists themselves. And preceding it stands three impassioned contextualizing essays that range from the poetic to the academic to the anecdotal, by Tahltan artist, stand-up comedian and co-curator, Peter Morin; Director of Content and Research for the Bill Reid Gallery of Northwest Coast Art and co-curator, Martine J. Reid; and CEO of the Bill Reid Trust and Director for the Bill Reid Gallery of Northwest Coast Art, Mike Robinson.

For the Anishinaabeg people, who span a vast geographic region from the Great Lakes to the Plains and beyond, stories are vessels of knowledge. They are bagijiganan, offerings of the possibilities within Anishinaabeg life. Existing along a broad narrative spectrum, from aadizookaanag (traditional or sacred narratives) to dibaajimowinan (histories and news)—as well as everything in between—storytelling is one of the central practices and methods of individual and community existence. Stories create and understand, survive and endure, revitalize and persist. They honor the past, recognize the present, and provide visions of the future. In remembering, (re)making, and (re)writing stories, Anishinaabeg storytellers have forged a well-traveled path of agency, resistance, and resurgence. Respecting this tradition, this groundbreaking anthology features twenty-four contributors who utilize creative and critical approaches to propose that this people’s stories carry dynamic answers to questions posed within Anishinaabeg communities, nations, and the world at large. Examining a range of stories and storytellers across time and space, each contributor explores how narratives form a cultural, political, and historical foundation for Anishinaabeg Studies. Written by Anishinaabeg and non-Anishinaabeg scholars, storytellers, and activists, these essays draw upon the power of cultural expression to illustrate active and ongoing senses of Anishinaabeg life. They are new and dynamic bagijiganan, revealing a viable and sustainable center for Anishinaabeg Studies, what it has been, what it is, what it can be.

Additional Information

This oral autobiography of two remarkable Cree women tells their life stories against a backdrop of government discrimination, First Nations activism, and the resurgence of First Nations communities. Nellie Carlson and Kathleen Steinhauer, who helped to organize the Indian Rights for Indian Women movement in western Canada in the 1960s, fought the Canadian government's interpretation of treaty and Indigenous Rights, the Indian Act, and the male power structure in their own communities in pursuit of equal rights for Indigenous women and children. After decades of activism and court battles, First Nations women succeeded in changing these oppressive regulations, thus benefitting thousands of their descendants. Those interested in human rights, activism, history, and Indigenous Studies will find that these personal stories, enriched by detailed notes and photographs, form a passionate record of an important, continuing struggle.

Additional Information
216 pages | 6.00" x 9.00"

Dr. Frank Arthur Calder of BC's Nisga'a First Nation was the first aboriginal person to be elected to any Canadian governing body. For twenty-six years he served as an MLA in the legislature of British Columbia. He was the driving force behind Canada's decision to grant recognition of aboriginal land title to First Nations people throughout the country. He accomplished this goal by guiding the controversial request through a series of court cases, finally to the Supreme Court of Canada, achieving success when Parliament, in an all-party resolution, passed a measure recognizing indigenous title. Because of this historic decision, Canada serves as a resource for other aboriginal populations in countries where similar accommodations for aboriginal people have not yet been made. Calder received many honours in his lifetime, including the Order of Canada. The one he most cherished, however, was one rarely bestowed by the Nisga'a Nation: "Chief of Chiefs." While growing up, Frank went to grade 10 in residential school, completed high school and then graduated from the University of BC (in the Anglican Theological College). It took him two years longer than usual to complete university, as he had to return home during the fishing season to earn the money for his tuition.

Healing Histories is the first detailed collection of Aboriginal perspectives on the history of tuberculosis in Canada’s indigenous communities and on the federal government’s Indian Health Services. Featuring oral accounts from patients, families, and workers who experienced Canada’s Indian Hospital system, it presents a fresh perspective on health care history that includes the diverse voices and insights of the many people affected by tuberculosis and its treatment in the mid-twentieth century. This intercultural history models new methodologies and ethics for researching and writing about indigenous Canada based on indigenous understandings of “story” and its critical role in Aboriginal historicity, while moving beyond routine colonial interpretations of victimization, oppression, and cultural destruction. Written for both academic and popular reading audiences, Healing Histories is essential reading for those interested in Canadian Aboriginal history, history of medicine and nursing, and oral history.

In her first idiom-shattering book of poetry, Wanda John-Kehewin combines Aboriginal oral tradition with dramatic narrative to address the effects of colonization, alcohol addiction, familial abandonment, religious authority, sexual abuse, and the pain of mourning. She admonishes humanity for its lack of conscience in poems that journey from turmoil of the Gaza Strip to rapidly dissolving ice floes.

In a time when darkness covered the land, a boy named Weget is born who is destined to bring the light. With the gift of a raven's skin that allows him to fly as well as transform, Weget turns into a bird and journeys from Haida Gwaii into the sky. There he finds the Chief of the Heavens who keeps the light in a box. By transforming himself into a pine needle, clever Weget tricks the Chief and escapes with the daylight back down to Earth.

Vividly portrayed through the art of Roy Henry Vickers, Weget's story has been passed down for generations. The tale has been traced back at least 3,000 years by archeologists who have found images of Weget's journey in petroglyphs on the Nass and Skeena rivers. This version of the story originates from one told to the author by Chester Bolton, Chief of the Ravens, from the village of Kitkatla around 1975.

Reviews
"One of the great problems we face today is our sense of isolation and separateness from the rest of the world. Roy Henry Vickers' art constantly reminds us of the interconnectedness of everything in the world. With this magnificent book, he shows us our interdependence physically and spiritually. It is a message we have to hear." — David Suzuki, environmental activist, broadcaster, author

Educator & Series Information
This book is part of the Northwest Coast Legends Series.

Other books in this series include:
Raven Brings the Light
Cloudwalker
Orca Chief
Peace Dancer 

Recommended for ages 3 to 6.

Additional Information
40 pages | 12.00" x 8.25"

Sturgeon Reach is the name some have given to a stretch of the Fraser River between Hope and Pitt Meadows, where its flow slows, and it deposits the gravel it's been carrying from the province's interior. Its story is one of rocks and stones, from its geological origins, from the mythic beginnings of human settlement, and from the arrival of Simon Fraser through to the onslaught of dykes and roads and bridges and foundations that today threaten the river's essential nature.

Sturgeon Reach hosts an incredible array of life, from giant black cottonwoods to a creature that dates from the age of dinosaurs –– the remarkable white sturgeon. This stretch of river is the spawning ground for major salmon runs. And for millennia, it has also been the home of the Sto:lo Indians.

How can we now live well along a river that has a ceaseless desire to overflow its banks and set its own course? How can we allow the life that the river's character fosters to persist in the face of overwhelming development? In the 20th book in the Transmontanus series, Terry Glavin and Ben Parfitt explore Sturgeon Reach — its geography, its history, its critical role in the coastal ecosystem, and the compelling story it tells about competing human needs.

The Gift Is in the Making retells previously published Anishinaabeg stories, bringing to life Anishinaabeg values and teachings to a new generation. Readers are immersed in a world where all genders are respected, the tiniest being has influence in the world, and unconditional love binds families and communities to each other and to their homeland. Sprinkled with gentle humour and the Anishinaabe language, this collection of stories speaks to children and adults alike, and reminds us of the timelessness of stories that touch the heart.

Educator & Series Information
This book is part of The Debwe Series.

Recommended for grades 5 to 9.

Additional Information
99 pages | 5.50" x 8.50"

Like thousands of Aboriginal children in Canada, and elsewhere in the colonized world, Xatsu'll chief Bev Sellars spent part of her childhood as a student in a church-run residential school.

These institutions endeavored to "civilize" Native children through Christian teachings; forced separation from family, language, and culture; and strict discipline. Perhaps the most symbolically potent strategy used to alienate residential school children was addressing them by assigned numbers only-not by the names with which they knew and understood themselves.

In this frank and poignant memoir of her years at St. Joseph's Mission, Sellars breaks her silence about the residential school's lasting effects on her and her family-from substance abuse to suicide attempts-and eloquently articulates her own path to healing. 'Number One' comes at a time of recognition-by governments and society at large-that only through knowing the truth about these past injustices can we begin to redress them.

Awards

• 2014 Burt Award Third Place Winner

Educator Information
Grades 10-12 BC English First Peoples resource for the unit Place-Conscious Learning - Exploring Text through Local Landscape.

Additional Information
256 pages | 5.67" x 8.20"

History in BC grows profusely and luxuriantly, but with odd undergrowth," observed historian J.M.S. Careless many years ago. This claim is fully borne out by this impressive anthology of some of the province's most distinguished historians, geographers, and writers gleaned from over forty years of British Columbia's leading scholarly journal, BC Studies.

This collection includes fascinating articles on the Fraser Canyon by Cole Harris; on Fort Simpson, Metlakatla, and Port Essington by Daniel Clayton; on Victoria's early Chinese community by Patrick Dunae and others; on the eviction of Kitsilano and Squamish people from Vancouver and Stanley Park by Jean Barman; on early home design styles in Vancouver by Deryck Holdsworth; on the failed utopias of Wallachin and Sointula by Nelson Riis and Mikko Saikku; on life in a 1970s logging camp by Peter Harrison; on fly-fishing and dispossession at Penask Lake by Michael Thoms; and on the perennial lonesome prospector by Megan Davies.

The overarching theme is provided by George Bowering in his classic essay, "Home Away," concerning the search for a home on the West Coast--a new one for settlers and an old one for indigenous peoples.

Through poems that move between the two languages, McIlwraith explores the beauty of the intersection between nêhiyawêwin, the PlainsCree language, and English, âkayâsîmowin. Written to honour her father's facility in nêhiyawêwin and her mother's beauty and generosity as an inheritor of Cree, Ojibwe, Scottish, and English, kiyâm articulates a powerful yearning for family,history, peace, and love.

This anthology of Aboriginal writings from Manitoba takes readers back through the millennia and forward to the present day, painting a dynamic picture of a territory interconnected through words, ideas, and experiences. A rich collection of stories, poetry, nonfiction, and speeches, it features:
- Historical writings, from important figures.
- Vibrant literary writing by eminent Aboriginal writers.
- Nonfiction and political writing from contemporary Aboriginal leaders.
- Local storytellers and keepers of knowledge from far-reaching Manitoba communities.
- New, vibrant voices that express the modern Aboriginal experiences.
- Anishinaabe, Cree, Dene, Inuit, Métis, and Sioux writers from Manitoba.

Educator & Series Information
Created in the spirit of the Anishinaabe concept debwe (to speak the truth), The Debwe Series is a collection of exceptional Aboriginal writing from across Canada. Manitowapow, a one-of-a-kind anthology, is the first book in The Debwe Series. Manitowapow is the traditional name that became Manitoba, a word that describes the sounds of beauty and power that created the province.

Recommended for grades 11 and 12, university students, and adults.

Additional Information
416 pages | 6.00" x 9.00"

Framed by the historic 2005 signing of the Labrador Inuit Land Claim Agreement and the creation of Nunatsiavut, the first Inuit self-government, Settlement, Subsistence, and Change Among the Labrador Inuit is a history of land and resource use by the Labrador Inuit. It examines in detail the way of life and cultural survival of this unique indigenous population, including household structure, the social economy and organization of wild food production, forced relocations and land claims, subsistence and settlement patterns, and contemporary issues around climate change, urban planning, and self-government. Comprised of twelve essays, this volume represents the first significant publication on the Labrador Inuit in more than thirty years.