Fiction

Intimate, dissecting, and liberating, Cloud Missives is a poetry collection of excavation and renewal. Like an anthropologist, Kenzie Allen reveals a life from what endures after tragedies and acts of survival. Across four sections, poems explore pop culture—the stereotypes in Peter Pan, Indiana Jones, and beyond—fairy tales, myths, protests, and forgotten histories, before arriving at a dazzling series of love poems that deepen our understanding of romantic, platonic, and communal love.

Cloud Missives is an investigation, a manifestation, and a celebration: of the body, of what we make and remake, of the self, and of the heart. With care and deep attention, it asks what one can reimagine of Indigenous personhood in the wake of colonialism, what healing might look like when loving the world around you—and introduces readers to a profound new voice in poetry.

Reviews
"Cloud Missives is a promise, to the reader, the speaker, the poet, and every generation before and to come. A promise not just of what to expect from Allen’s career, but a promise that the future will look back on this collection, and the time in which it was written—hopefully—with as much skillful attention as Allen has"— Chicago Review of Books

"A master of poetic attention. . . . a collection worthy of the clouds."— Pittsburgh Post-Gazette

"Filled with poems as restless as they are carefully wrought."— The Rumpus

"Incredible. . . . evocative. . . . Kenzie Allen's first volume of poetry is a stunning consideration of constructing identity, finding love, and living life."— Shelf Awareness

"In rejecting the borders previously observed by cartoonish portraits of Indigenous peoples, Allen makes room for the love song... . .Within Cloud Missives, each poem is necessary…. Each a lyric towards a more possible future."— On the Seawall

"Kenzie Allen’s Cloud Missives renders an unchartable landscape, 'wide as a child’s face,' in poems that enact Indigenous autoethnography and a profoundly embodied recovery operation. These are poems of revelation and repair, twenty-first-century poems that extend the work of the lyric into the territory of 'elegy against elegy,' love songs written to drive out violence and exoticization masked as love, and poems that wake to the desire to awaken. Along the way, there is exhumation in all its forms, of pop culture signifiers, from Peter Pan’s Tiger Lily to Indiana Jones, and revivified archetypes, from the ghost of the British Empire to the Evil Queen, harpy, fanged siren. Most crucial is the disinterment of personal scars and the violence they represent, and ancestral bones, 'piled, piled, / piled; piled; PILED; PILED, / nameless, done in, / piled—piled—piled,' each twisted foot and chipped skull a clue to an origin story and 'a keyhole to let angels in,' and the indefatigable voice out. Allen has written a masterwork of self-reclamation and survival through love."— Diane Seuss, author of frank: sonnets and Modern Poetry

"With archeological care, Allen begins a poetic and meticulous examination of the layers of life. Often surprising, these poems 'know violence / like it made me—rage / like it rocked me to sleep.' Intensely scrutinized events that involve Native women are separated into strata to reveal a powerful self and a voice that seems to have been waiting beneath the pressure of years to, at long last, speak."— Heid E. Erdrich, author of Little Big Bully

"This incredible debut announces Kenzie Allen as an important voice in Native literature. Through impeccable craft, she explores themes of health and healing, Indigenous genealogy and identity, kinship and love. These poems are a ‘song against the song of our demise.’ May their missives travel far and wide; may their words bloom like sweetgrass."— Craig Santos Perez, author of from unincorporated territory

Additional Information
128 pages | 6.00" x 9.00" | Paperback

A collection of intersecting stories about Indigenous love and loneliness from one of contemporary literature’s most boundless minds.

Across the prairies and Canada’s west coast, on reserves and university campuses, at literary festivals and existential crossroads, the characters in Coexistence are searching for connection. They’re learning to live with and understand one another, to see beauty and terror side by side, and to accept that the past, present, and future can inhabit a single moment.

An aging mother confides in her son about an intimate friendship from her distant girlhood. A middling poet is haunted by the cliché his life has become. A chorus of anonymous gay men dispense unvarnished truths about their sex lives. A man freshly released from prison finds that life on the outside has sinister strictures of its own. A PhD student dog-sits for his parents at what was once a lodging for nuns operating a residential school—a house where the spectre of Catholicism comes to feel eerily literal.

Bearing the compression, crystalline sentences, and emotional potency that have characterized his earlier books, Coexistence is a testament to Belcourt’s mastery of and playfulness in any literary form. A vital addition to an already rich catalogue, this is a must-read collection and the work of an author at the height of his powers.

Reviews
“Belcourt is one of the finest and most sublime writers at work today. This book is a feat of beauty and compression, every sentence reinventing the reader. It’s like entering a quiet room or a secret lake. It’s about our coexistence with lovers, kin, enemies, but also our coexistence with desire, solitude, and an intelligence that in itself is a form of hunger—language as solace, language as light. Belcourt is the rare writer who composes from, to, and because of the soul. It’s been some time since I loved a book so deeply.”—Claudia Dey, author of Daughter

“Through the interconnected lifeworlds contained in Coexistence, we hear a defiantly loving and astoundingly honest response to colonial and racial violence. Billy-Ray Belcourt has written an homage and an elegy to a still-unfolding history—as intimate and hopeful as young romance, as mysterious and life-giving as family. I adore this collection.” —Tsering Yangzom Lama, author ofWe Measure the Earth with our Bodies

“Coexistence filled my heart and lifted my spirit. There are few writers who can authentically capture the beauty and complexity of Indigenous existence both on the rez and in the city like Billy-Ray Belcourt. This book is a resolute proclamation of resilient Indigenous humanity and the nuance and richness we all embody. The stories weave and enrich on journeys that are both familiar and informative. Coexistence is a powerful celebration and a gift to the world.” —Waubgeshig Rice, author of Moon of the Turning Leaves

“Billy-Ray Belcourt masterfully portrays the complexities of Indigenous lives, longing, and belonging through these stories. There are sentences in this collection that I didn’t know I had been waiting to read; my breath caught on several of them. I suspect that readers will be letting out collective sighs while reading this book.”—Helen Knott, author of Becoming a Matriarch

“Billy-Ray Belcourt’s Coexistence is a brilliant exploration of the boundaries both imposed and imagined that exist between beings and the spaces we inhabit. I wildly admire Belcourt’s crisp prose and remarkable insights, yet what haunts me most about these powerful stories is the author’s heart-blasted willingness to be vulnerable on the page. This engaging, alive text drills right to heart of what it is to be Indigenous in the twenty-first century.”—Mona Susan Power, author of A Council of Dolls

Additional Information
200 pages | 5.00" x 7.50" | Hardcover

A tragic plane crash that leaves two women stranded and fighting for their lives kicks off this sweeping and hilarious novel from award-winning writer Drew Hayden Taylor that blends thriller, murder mystery, and horror with humour and spectacle.

Elmore Trent is a professor of Indigenous studies who finds himself entangled in an affair that's ruining his marriage; Paul North plays in the IHL (Indigenous Hockey League), struggling to keep up with the game that's passing him by; Detective Ruby Birch is chasing a string of gruesome murders, with clues that conspicuously lead her to both Elmore and Paul. And then there's Fabiola Halan, former journalist-turned-author and famed survivor of a plane crash that sparked a nationwide tour promoting her book.

What starts off as a series of subtle connections between isolated characters quickly takes a menacing turn, as it becomes increasingly clear that someone—or something—is hunting them all.

Taking tropes from the murder mystery, police procedural, thriller, and horror genres, Drew Hayden Taylor weaves a pulse-pounding and propulsive narrative with an intricate cast of characters, while never losing the ability to make you laugh.

Reviews
"Cold is an absolutely enthralling novel from a legendary writer and storyteller. Drew Hayden Taylor is a master of genuinely capturing contemporary Indigenous realities in fiction, making the vibrant characters in this exceptional story relatable and real. Cold is creepy and funny, smart and lively, and overall a strikingly dynamic book that will keep readers on edge from start to finish."—Waubgeshig Rice, author of Moon of the Crusted Snow and Moon of the Turning Leaves

"The myth of the Wendigo has shaped narratives from Pet Semetary to Shadow Country to The Hunger—but never in my reading has it been so cleverly and relevantly employed as it is in Drew Hayden Taylor's serpentine and haunting new novel, Cold." —Nick Cutter, author of The Troop and Little Heaven

Additional Information
368 pages | 5.50" x 8.25" | Paperback

Guest artists Riccardo Burchielli (DMZ), Patricio Delpeche, and Emily Schnall join Stephen Graham Jones—New York Times best-selling author of The Only Good Indians and My Heart Is a Chainsaw—for a mission to the Ice Age exploring America’s pre-Columbian past!

When Martin and Tawny’s children disappeared, the couple barreled into the desert to track them down at any cost. Instead, they ran afoul of another group of rovers who claimed to be saving the world by traveling through a cave portal to the year 1492 to prevent the creation of America—an idea that defied belief until the grieving parents were lured into the cave and vanished in time and space.

Now alone, Tawny must adapt to the wild marshlands of prehistoric Florida, circa 20,000 BC, and the breathtaking and bloodthirsty megafauna are the least of her problems when she’s caught in a war between a community of native Paleo-Indians and an occupying Solutrean force. Tawny’s odds of survival are in free fall, but she’s a mother on a mission…and she’s holding on to hope that the cave brought her here for a family reunion.

In the tradition of Saga, the next chapter of the critically acclaimed sci-fi epic is here in Earthdivers Vol. 2.

Series Information
This is the second book in the Earthdivers series.  

Additional Information
104 pages | 6.62" x 10.18" | Paperback

Join or die! New York Times best-selling author Stephen Graham Jones and artist Davide Gianfelice are back in action for the next chapter of their heart-pounding historical sci-fi slasher Earthdivers!

A team of time-traveling Indigenous survivors had one goal: save the world from an American apocalypse by sending one of their own on a suicide trip to kill Christopher Columbus and course-correct world history.

Mission accomplished? Maybe not. Blood is still soaking into the sands of San Salvador as Tad’s friends suffer the consequences of his actions—and their own slippery moral rationalizations—620 years in the future. Faced with a choice to watch the world crumble or double down on their cause, the path is clear for Seminole two-spirit Emily: it's personal now, and there’s no better time and place to take another stab at America than Philadelphia, 1776.

But where violence just failed them, she has a new plan: pass as a man, infiltrate the Founding Fathers, and use only wit and words to carve out a better future in the Declaration of Independence. No need to cut throats this time…right?

The next chapter of the critically acclaimed sci-fi epic is here in Earthdivers Vol. 3.

Series Information
This is the third book in the Earthdivers series, preceded by Earthdivers, Vol. 1: Kill Columbus and Earthdivers, Vol. 2: Ice Age.

Additional Information
208 pages | 6.69" x 10.25" | Paperback

Revived from a coma after a traumatic event, Megan’s injuries leave her capable of great violence, forcing her desperate physician Cassandra to recruit Alison, an Indigenous clinician, as her consultant. Alison uses an innovative form of technologically enhanced expressive arts therapy to augment the rehabilitative effects of speaking Lenape, their shared (and almost extinct) language. However, this reminder of cultural expression and identity triggers Megan, putting herself into a life-threatening situation. With Megan’s safety in jeopardy, Alison must internalize a life-changing lesson to be able to save her: pain is often unjust, but it also reminds us that we’re alive.

Everything I Couldn’t Tell You is a potent reminder of the healing and rehabilitative power within Indigenous languages.

Reviews
“Science, music, art and language combine in the search of a healing prayer in [the] . . .  mind-blowing, heart-wrenching Everything I Couldn’t Tell You.” — Life With More Cowbell

Additional Information
112 pages | 5.37" x 8.38"

In the follow-up to the National Book Award–longlisted Shutter, Navajo forensic photographer Rita Todacheene grapples with a fanatical serial killer—and the ghosts he leaves behind.

A dual-voice cat-and-mouse thriller, told from the points of view of a killer who has created his own deadly religion and the only person who can stop him, an embattled young detective who sees the ghosts of his Native victims.

In Gallup, New Mexico, where violent crime is five times the national average, a serial killer is operating unchecked, his targets indigent Native people whose murders are easily disguised as death by exposure on the frigid winter streets. He slips unnoticed through town, hidden in plain sight by his unassuming nature, while the voices in his head guide him toward a terrifying vision of glory. As the Gallup detectives struggle to put the pieces together, they consider calling in a controversial specialist to help.

Rita Todacheene, Albuquerque PD forensic photographer, is at a crisis point in her career. Her colleagues are watching her with suspicion after the recent revelation that she can see the ghosts of murder victims. Her unmanageable caseload is further complicated by the fact that half the department has blacklisted her for ratting out a corrupt fellow cop. And back home in Tohatchi on the Navajo reservation, Rita’s grandma is getting older. Maybe it’s time for her to leave policework behind entirely—if only the ghosts will let her . . .

Reviews
“Exposure is intense, gripping, moving, and so gorgeously written. I often stopped to reread certain passages purely for the elegance of her language, descriptions of scalded beauty. A stunner!”—Mona Susan Power, author of A Council of Dolls

“From the very first page, Exposure is equally—if not more—electrifying than the first, allowing both fans and newcomers to jump right in . . . Emerson, a Diné writer and filmmaker who hails from Rita’s own hometown of Tohatchi in the Navajo Nation, masterfully commands these tightly wound plot strands, varying the tension and pacing with comforting moments with Rita’s beloved elderly neighbor, Mrs. Santillanes . . . Rita Todacheene is a gritty, believable character with a heart that is equal parts steel and soul. Readers will immediately be clamoring for more.”—BookPage, Starred Review

Educator & Series Information
This is the second book in the A Rita Todacheene Novel series, following Shutter.

Additional Information
288 pages | 6.26" x 9.32" | Hardcover

Does she remember this day? Does she remember it at all? Does she know this history—this story—her body holds secret from her?

From the porch of his home, Charles Lamosway has watched the life he might have had unfold across the river on Maine’s Penobscot Reservation. On the far bank, he caught brief moments of Roger and Mary raising their only child, Elizabeth—from the day she came home from the hospital to her early twenties. But there’s always been something deeper and more dangerous than the river that divides him from this family and the rest of the tribal community. It’s the secret that Elizabeth is his daughter, a secret Charles is no longer willing to keep.

Now it’s been weeks since he’s seen Elizabeth and Charles is worried. As he attempts to hold on and care for what he can: his home and property, his alcoholic, quick-tempered and big-hearted friend Bobby, and his mother, Louise, who is slipping ever-deeper into dementia—he becomes increasingly haunted by his past. Forced to confront a lost childhood on the reservation, a love affair cut short, and the death of his beloved stepfather, Fredrick, in a hunting accident—a death that he and Louise cannot agree where to lay the blame—Charles contends with questions he’s long been afraid to ask. Is it his secret to share? And would his daughter want to know the truth?

From award-winning author of Night of the Living Rez, Morgan Talty’s debut novel, Fire Exit, is a masterful and unforgettable story of family, legacy, bloodlines, culture and inheritance, and what, if anything, we owe one another.

Reviews
“Fire Exit, Morgan Talty’s debut novel, is utterly consuming. With this book, Talty more than fulfills the promise of his glorious short story collection, Night of the Living Rez. The storytelling is both spellbinding and quietly devastating. The novel is ultimately about family and belonging, about the stories we need to know even when they threaten to burn our lives down. A father desperately wants to let his daughter know about her body’s secret history, even while his mother forgets her son altogether. This book is filled with humor, and humanity’s strange wonder at its own desperation and depravity, as only Talty can do, with his subtle charm and crystalline prose, his sober reckoning with what love can and cannot do, what healing is and is not possible in our families. The novel absolutely smolders.” —Tommy Orange

“Fire Exit is gorgeous. A genuinely original examination of the costs we pay to tell ourselves certain stories about who we are and where we come from. Talty is a revelation on matters of the heart, particularly the tenderness and warfare of contemporary manhood. This is that rare thing: a frankly honest novel about hard things written without a trace of bitterness. I loved it.” —Brandon Taylor

“Talty’s writings feels to me like a gift of many lifetimes. Forgiveness, Morgan shows us, is also the work of a lifetime. The people to whom we feel closest can somehow be right beside us in the kitchen and simultaneously on some unreachably distant planet. People rotate away from each other for days or seasons at a time, and it’s miraculous when they return to find each other again, turning towards each other instead of away. It’s a treacherous thing, to love another person in this world that mixes so much beauty with so much sorrow. Thank you for reminding us, Morgan, that it is the necessary thing.” —Karen Russell

Additional Information
256 pages | 5.50" x 8.25" | Hardcover

Nyla has an affinity to fire. A neglected teen in a small northern town—trying to escape a mother battling her own terrors—she is kicked out and struggles through life on the streets. Desperate for love, Nyla accidentally sets fire to her ex’s building and is then incarcerated for arson. Through community-led diversion, Nyla finds herself on a reserve as their firekeeper. But when climate change–induced wildfires threaten her new home, she knows intimately how to fight back.

The fourth book from acclaimed writer Katłıà brings a Northern Indigenous perspective to the destructive effects of ongoing colonialism. Displaying Katłıà’s enthralling storytelling style, Firekeeper is a coming-of-age tale that addresses intergenerational trauma by reclaiming culture, belonging and identity.

Join Nyla on her healing journey through the fire to sacred waters.

Reviews
“Katłıà’s Firekeeper is an enchanting page-turner of a novel that captured my heart from start to finish. It’s an essential story about finding spirit, family, and home, told through one of the strongest and most authentic protagonists I’ve ever read. I felt like I was right there with Nyla through all her tragedies and triumphs, which is testament to Katłıà’s smooth and heartfelt prose. This book is a celebration of the resilient spirit and leadership of Indigenous women.”—Waubgeshig Rice, author of Moon of the Crusted Snow

“Written with searing truth and genuine heart, breathtaking at times in its description of life, living, dying and death - Firekeeper is a loving testament to the power of kindness and of gentleness. Piercing and honest, with an eye for detail in chaos, the writing and voice are humble and humbling. This is Katłı̨̀ą’s best work to date.”— Tracey Lindberg, writer, scholar, Indigenous Rights activist and the author of Birdie

Additional Information
176 pages | 5.50" x 8.50" | Paperback

Matt and Masha hit it off during a theatre research trip in Ukraine. At first they seem like opposites: Masha loves the sea, Matt loves mountains. Masha is Ukrainian, Matt is Métis. But the passionate spark ignited between them cannot be denied. Despite the improbabilities of a cross-continental relationship, a few fairy-tale visits overseas solidifies their bond. But when it seems distance could be the only obstacle in their path, a series of extreme circumstances put their commitment to the ultimate test.

Based on actual events, First Métis Man of Odesa is the extraordinary true story of a whirlwind romance that withstands a global pandemic, a surprise pregnancy, and the Russian invasion of Ukraine. Transcending the usual tropes of documentary theatre, this heartwarming how-we-got-together tale turns art of the here and now into a catalyst for action and a hopeful ode for a better future.

Awards

• 2024 Dora Mavor Moore Award for Outstanding New Play winner

Reviews
“A star-crossed, windswept, war-torn romcom that waltzes back and forth across the threshold that separates dreams from nightmares.” — Ben Waldman, Winnipeg Free Press

“Many of the best tales in the show are so deeply improbable, or so straightforwardly honest, that the plot lines could never have held up as fiction; but as the true stories they are, they triumph.” — Julia Peterson, Saskatoon StarPhoenix

“For all its full-blown drama, First Métis Man of Odesa retains a dreamy charm without ever letting go of the truth.”— Liane Faulder, Edmonton Journal

Additional Information
80 pages | 5.12" x 7.62" | Paperback

In this tightly paced sequel to Redemption, Eva “Lightning Dance” Duran joins the Taos Pueblo tribal police department to uncover a member of her community’s murder…and the conspiracy behind it.

It’s been over a year since the case that almost broke her, but when Eva “Lightning Dance” Duran is called back to duty, she doesn’t hesitate to answer. A bank robbery has left an officer down and a suspect on the run. Law enforcement is in hot pursuit, and residents are on the lookout—but before anyone can catch the criminal, tragedy strikes.

A member of the Taos Pueblo tribe has been shot and killed. The culprit? An untraceable 3D printed gun. With the support of fellow tribal cops, Eva breaks the news to the victim’s family and swears to find justice.

More violence follows, feeding the rising racial tensions between the Taos Pueblo people and the Hispanic community. New evidence forces Eva to consider the possibility that the bank robbery and 3D guns are related, but until she figures out how, there’s no telling how deep this crime ring goes…or how far its evasive ringleader will go to protect it.

Reviews
“Ledford’s sequel to Redemption excels…For fans of books by both Tony and Anne Hillerman, along with others that embody the spirit and landscape of the Southwest.” —Library Journal

“Atmospheric, poignant, and set in the Taos Pueblo, Ledford’s tribal police officer Eva ‘Lightning Dance’ Duran doesn’t flinch in this dark, twisting tale that’s riveting from the first page. A fantastic second book in this new series from a master of crime fiction.” —Jamie Freveletti, award-winning and internationally bestselling author of the Emma Caldridge series

Series Information
This book is part of the Eva "Lightning Dance" Duran series.

Additional Information
352 pages | 5.50" x 8.50" | Paperback 

High Noon Neptune is a powerful poetry collection that delves into important issues of loss, love, class, and capitalism. Throughout this book, the reader is taken on a journey of survival, where the intersections of identity and oppression are explored with clarity and reverence. The poems shed light on the complexities of living in a society that is rife with discrimination and inequality, and the battles that individuals face to survive within these intersecting systems. This book fearlessly navigates through societal and personal struggles with a sharp wit and bold defiance. With each poem, David Groulx confronts and challenges the societal norms and structures that perpetuate injustice and inequality. High Noon Neptune offers a raw and unapologetic perspective on the realities of navigating life as a marginalized individual. This poetry collection is a powerful testament to the resilience and strength of those who refuse to be silenced and continue to fight for survival.

Educator & Series Information
This book is part of the Modern Indigenous Voices series.

Additional Information
88 pages | 5.50" x 8.50" | Paperback 

From New York Times bestselling horror writer Stephen Graham Jones comes a classic slasher story with a twist—perfect for fans of Riley Sager and Grady Hendrix.

1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, the unfairness of being on the outside, through the slasher horror he lives but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.

Educator Information
Genre: Slasher Horror / Thriller 

Additional Information
384 pages | 6.00" x 9.00" | Hardcover 

"If you're in the mood for a steamy enemies-to-lovers romance but also a chilling haunted-house horror, GET YOU A BOOK THAT CAN DO BOTH! I blazed through this book in one sitting because I just couldn't wait to find out what would happen next!" - Alicia Thompson, USA Today bestselling author of With Love, from Cold World

An enemies to lovers romance with a spooky twist where two feuding writers end up on a writers retreat together at a haunted castle in Scotland.

It's been months since horror author Penelope Skinner threw a book at Neil Storm. But he was so infuriating, with his sparkling green eyes and his bestselling horror novels that claimed to break Native stereotypes. And now she’s a publishing pariah and hasn’t been able to write a word since. So when her friend invites her on a too-good-to-be-true writers retreat in a supposedly haunted Scottish castle, she seizes the opportunity. Of course, some things really are too good to be true.

Neil wants nothing less than to be trapped in a castle with the frustratingly adorable woman who threw a book at him. She drew blood! Worse still, she unleashed a serious case of self-doubt! Neil is terrified to write another bestselling “book without a soul,” as Pen called it. All Neil wants is to find inspiration, while completely avoiding her.

But as the retreat begins, Pen and Neil are stunned to find themselves trapped in a real-life ghost story. Even more horrifying, they’re stuck together and a truly shocking (extremely hot) almost-kiss has left them rethinking their feelings, and… maybe they shouldn’t have been enemies at all? But if they can’t stop the ghosts pursuing them, they may never have the chance to find out.

Full of spooky chills and even more sexy thrills, If I Stopped Haunting You by Colby Wilkens is the funny, fast-paced romp romance readers have been waiting for!

Reviews
"I devoured this debut by Colby Wilkens! The author writes with such authority and conviction that I really felt like she had lived in a haunted castle in Scotland, just like the characters. Every sentence felt like it was coming from a place of authenticity, which I loved. In addition, the spooky elements are genuinely spooky, the enemies to lovers genuinely enemies, and it all came together beautifully. I didn't realize I needed a romance book married to cozy horror but now I'm wondering where this particular mashup has been all my life. Can't wait to read the next!" - Jessica Clare, New York Times bestselling author

"If I Stopped Haunting You skillfully balances creepiness, difficult conversations, and a lot of steam to deliver readers a satisfying debut and a well-earned Happily Ever After." - Helena Greer, author of Season of Love and For Never and Always

“If I Stopped Haunting You is a complex deep dive into identity, history, and staying true to one’s self that pulls no punches. With a toe curling romance and bone chilling ghosts lurking around every corner, this effortless blend of romance and horror is not to be missed.” - Sonia Hartl, author of Heartbreak For Hire and Rent to Be

"Brimming with angst, heat, and heart, If I Stopped Haunting You is the unputdownable rivals-to-lovers romance I've been craving! Set in a haunted Scottish castle with atmosphere to die for, this is a cozy season must-read. I fell hard for Penelope and Neil as they traversed their differences toward deeper understanding and love–with lots of steam along the way! Writing with thrilling boldness, sparkling wit, and profound care for queer and indigenous representation, Colby Wilkens is a highly necessary and breathtakingly talented fresh voice in romance–meet your new autobuy author." – Courtney Kae, author of In the Event of Love and In the Case of Heartbreak

"Masterfully blends the delicious tension of a great rivals-to-lovers romance with the gothic vibes of a creepy haunted house story. The heat between Penelope and Neil ignites as they untangle their complicated relationship and grow closer together, and the horror elements create some truly memorable moments of forced proximity. If I Stopped Haunting You hooked me from the first page, and I didn't want to put it down when it was over!" -Jenny L Howe, author of On the Plus Side and The Make-Up Test

"If you're in the mood for a steamy enemies-to-lovers romance but also a chilling haunted-house horror, GET YOU A BOOK THAT CAN DO BOTH! Colby Wilkens' debut If I Stopped Haunting You is so inventive and immersive -- I couldn't tell if my shoulders were up by my ears because of the creeping dread of whatever was going on in that castle or because of the electric chemistry between Pen and Neil. I blazed through this book in one sitting because I just couldn't wait to find out what would happen next!" - Alicia Thompson, USA Today bestselling author of With Love, from Cold World

Additional Information
320 pages | 5.38" x 8.25" | Paperback 

A man lunges in front of a car. An elderly woman silently drowns herself. A corpse sits up in its coffin and speaks. On this reservation, not all is what it seems, in this new spine-chilling mythological horror from the author of Sisters of the Lost Nation.

All Noemi Broussard wanted was a fresh start. With a new boyfriend who actually treats her right and a plan to move from the reservation she grew up on—just like her beloved Uncle Louie before her—things are finally looking up for Noemi. Until the news of her boyfriend’s apparent suicide brings her world crumbling down.

But the facts about Roddy’s death just don’t add up, and Noemi isn’t the only one who suspects that something menacing might be lurking within their tribal lands.

After over a decade away, Uncle Louie has returned to the reservation, bringing with him a past full of secrets, horror, and what might be the key to determining Roddy’s true cause of death. Together, Noemi and Louie set out to find answers...but as they get closer to the truth, Noemi begins to wonder whether it might be best for some secrets to remain buried.

Reviews
"Nick Medina blends myth and reality, supernatural danger and ordinary human menace into a story that will pull your heartstrings even as it shreds your nerves. Like the alligators lurking in its pages, Indian Burial Ground will swallow you whole."—Ana Reyes, New York Times bestselling author of The House in the Pines

"You may arrive at Indian Burial Ground because of author Nick Medina's incredible debut, Sisters of the Lost Nation, or his exceptional story in the bestselling Never Whistle at Night anthology, or perhaps he's a new-to-you author, and now you have the pleasure of reading both of these, but the important thing is you have arrived at an exceptional new novel that lingers long after the last page is turned. From two compelling points of view decades apart, Medina has crafted a story of generational trauma and mythical fears, with deep roots in Native history and modern life, that's part supernatural horror, part mystery, but perhaps most importantly, a story of hope in the darkness." —Vanessa Lillie, USA Today bestselling author of Blood Sisters

"Indian Burial Ground is wonderfully creepy and relentlessly dark. Part adventure narrative, part supernatural horror story, and part eerie mystery, this novel slithers under your skin and makes you wish you knew less with every step it brings you closer to the truth. Nick Medina is waiting in the dark to whisper in your ear about dead things, about the tamahka, about blood and Native mythology. You should let him."—Gabino Iglesias, author of The Devil Takes You Home

"An intense family drama set on the (fictional) Rez where the threat of the mysterious Takoda Vampire makes for a gripping—and creepy!—read. Nick Medina is an Indigenous writer to watch."—Erika T. Wurth, author of White Horse

"Nick Medina’s Indian Burial Ground is an expertly-paced novel, chock-full of Native lore and spine-chilling suspense. When the horror hits, it hits hard."—Jimmy Juliano, author of Dead Eleven

Additional Information
384 pages | 6.19" x 9.30" | Hardcover