Novels

Award-winning author Stephen Graham Jones returns with Night of the Mannequins, a contemporary horror story where a teen prank goes very wrong and all hell breaks loose: is there a supernatural cause, a psychopath on the loose, or both?

We thought we'd play a fun prank on her, and now most of us are dead.

One last laugh for the summer as it winds down. One last prank just to scare a friend. Bringing a mannequin into a theater is just some harmless fun, right? Until it wakes up. Until it starts killing.

Luckily, Sawyer has a plan. He’ll be a hero. He'll save everyone to the best of his ability. He'll do whatever he needs to so he can save the day. That's the thing about heroes—sometimes you have to become a monster first.

Reviews
"Suffused with questions about the nature of change and friendship, “Night of the Mannequins” is a fairy tale of impermanence showcasing Graham Jones’s signature style of smart, irreverent horror." —The New York Times

"Stephen Graham Jones’s range and his understanding of horror in fiction and film is staggering. In this novella he juggles—sometimes in very sly ways—slasher stories, coming of age horror, traditions of madness and unreliability, and Kaiju to create an amazingly speedy, voice-driven read that's tons of fun. Each new book of his gives his own take on a different facet of horror, and together they all add up to something really expansive and original." —Brian Evenson, author of Song for the Unraveling of the World

"Readers will delight more than once in the realization that they might be reading a different story from the one they thought was unfolding... trust Jones and enjoy the ride." —Shelf Awareness

Additional Information
144 pages | 5.00" x 8.00"

Award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson returns with a bold reimagination of the novel, one that combines narrative and poetic fragments through a careful and fierce reclamation of Anishinaabe aesthetics.

Mashkawaji (they/them) lies frozen in the ice, remembering a long-ago time of hopeless connection and now finding freedom and solace in isolated suspension. They introduce us to the seven main characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman who represents their conscience; Sabe, the giant who represents their marrow; Adik, the caribou who represents their nervous system; Asin, the human who represents their eyes and ears; and Lucy, the human who represents their brain. Each attempts to commune with the unnatural urban-settler world, a world of SpongeBob Band-Aids, Ziploc baggies, Fjällräven Kånken backpacks, and coffee mugs emblazoned with institutional logos. And each searches out the natural world, only to discover those pockets that still exist are owned, contained, counted, and consumed. Cut off from nature, the characters are cut off from their natural selves.

Noopiming is Anishinaabemowin for “in the bush,” and the title is a response to English Canadian settler and author Susanna Moodie’s 1852 memoir Roughing It in the Bush. To read Simpson’s work is an act of decolonization, degentrification, and willful resistance to the perpetuation and dissemination of centuries-old colonial myth-making. It is a lived experience. It is a breaking open of the self to a world alive with people, animals, ancestors, and spirits, who are all busy with the daily labours of healing — healing not only themselves, but their individual pieces of the network, of the web that connects them all together. Enter and be changed.

Reviews
"Noopiming is a rare parcel of beauty and power, at once a creator and destroyer of forms. All of Leanne Betasamosake Simpson’s myriad literary gifts shine here — her scalpel-sharp humour, her eye for the smallest human details, the prodigious scope of her imaginative and poetic generosity. The result is a book at once fierce, uproarious, heartbreaking, and, throughout and above all else, rooted in love.” — Omar El Akkad, bestselling author of American War

"Noopiming is a novel that is as philosophically generative as it is stylistically original. It begins with someone who is frozen in a lake, waiting, and from whom we learn that: ‘being frozen in the lake is another kind of life.’ Leanne Betasamosake Simpson’s expansive work explores the indivisibility of beings — old woman, old man, tree, caribou, stone, ice, spirit, geese, the brain, and more, all watching, grieving, thinking, acting, and listening amidst the ongoing and quotidian urgencies of capital. They are sleepless, ceaseless, trying to alter and to recode the world of consumerism, and their survival means that they must daily and collectively reconstruct existence in the city and its coterminous forests. Noopiming is far ahead of us in so many registers of story, language, and worldview; its cumulative effect is a new cosmography.” — Dionne Brand, award-winning author of Theory

"This imaginative book is what would happen if we gave pen and paper to the deepest, most secretive parts of ourselves. Down to the fibres, down to each breath, Leanne Betasamosake Simpson dares to not only explore the humanity of a character, but the humanity of the parts that make us whole, in a world running on empty.” — Catherine Hernandez, bestselling author of Scarborough

"Leanne Betasamosake Simpson’s Noopiming once again confirms her position as a brilliant, daring experimentalist and a beautiful, radical portraitist of contemporary NDN life. The prose hums with a lovingness that moved me to tears and with a humour that felt plucked right out of my rez adolescence. The chorus of thinkers, dreamers, revolutionaries, poets, and misfits that Simpson conjures here feels like a miracle. My heart ached and swelled for all of them. What I adored most about this book is that it has so little to do with the white gaze. Simpson writes for us, for NDNs, those made to make other kinds of beauty, to build other kinds of beautiful lives, where no one is looking. Noopiming is a book from the future! Simpson is our much-needed historian of the future!” — Billy-Ray Belcourt, award-winning author of This Wound is a World and NDN Coping Mechanisms

"How is it that Leanne Betasamosake Simpson’s fiction can feel both familiar and warm like old teachings and absolutely fresh and brand new? Is it even fiction? Noopiming seems to exist somewhere in the in-between, with all the best parts of poetry and story. As always, I am in awe of Leanne Betasamosake Simpson, prolific in every way.” — Katherena Vermette, bestselling author of The Break 

Additional Information
368 pages | 5.50" x 8.50"

Echo Desjardins is adjusting to her new home, finding friends, and learning about Métis history. She just can’t stop slipping back and forth in time. One ordinary afternoon in class, Echo finds herself transported to the banks of the Red River in the summer of 1869. All is not well in the territory as Canadian surveyors have arrived to change the face of territory, and Métis families, who have lived there for generations, are losing access to their land. As the Resistance takes hold, Echo fears for her friends and the future of her people in the Red River Valley.

Educator & Series Information
This is volume 3 in the graphic novel series, A Girl Called Echo, by Katherena Vermette.

Books in this series include: 
Volume 1: Pemmican Wars
Volume 2: Red River Resistance
Volume 3: Northwest Resistance
Volume 4: Road Allowance Era

Recommended for grades 5 to 9 by publisher.

Katherena Vermette, a Governor General's Award-winning author deftly enters a format typically dominated by male creators with this graphic novel series, A Girl Called Echo. Featuring compelling illustrations, a female main character, and the contemporary foster care system, the series follows Echo Desjardins as she discovers her Métis heritage firsthand while slipping back and forth through time.

This book is available in French: Elle s'appelle Echo Tome 3: La résistance du Nord-Ouest

Additional Information
48 pages | 6.50" x 10.00"

Experience the riveting, powerful story of the Native American civil rights movement and the resulting struggle for identity told through the high-flying career of West Coast rock 'n' roll pioneers Redbone.

You've heard the hit song "Come and Get Your Love" in the movie Guardians of the Galaxy, but the story of the band behind it is one of cultural, political, and social importance.

Brothers Pat and Lolly Vegas were talented Native American rock musicians that took the 1960s Sunset Strip by storm. They influenced The Doors and jammed with Jimmy Hendrix before he was "Jimi," and the idea of a band made up of all Native Americans soon followed. Determined to control their creative vision and maintain their cultural identity, they eventually signed a deal with Epic Records in 1969. But as the American Indian Movement gained momentum the band took a stand, choosing pride in their ancestry over continued commercial reward.

Created in cooperation of the Vegas family, authors Christian Staebler and Sonia Paoloni with artist Thibault Balahy take painstaking steps to ensure the historical accuracy of this important and often overlooked story of America's past. Part biography and part research journalism, Redbone tells a vivid story about this neglected chapter of American history.

Reviews
"Compelling reading for fans of roots rock and Native American history in middle school and up." —School Library Journal

"An entertaining, enlightening history for music fans. Balahy’s loose, energetic drawings; imaginative layouts; and playful use of color make everything pop." —Publishers Weekly

"Musicians with heart put their people before profits in an inspirational tale. Well-researched and well-paced, this book will introduce a new generation to the music and impact of Redbone." —Kirkus Reviews (Starred review)

"In some eyes, the guys in Redbone, still the most successful Native American rock band this country has produced, are indeed superheroes. Not all heroes wear capes, and some wear buckskin." —Houston Chronicle

"In the early sixties, Pat and his brother, Lolly, perform on the Sunset Strip, crossing paths with The Byrds, The Doors, and Jimi Hendrix, who gives the brothers the idea of forming 'an all Indian band. That'd make this country sit up.' The seed germinates and Redbone bursts forth. Staebler and Paoloni offer a lens onto aspects of the twentieth-century Native American struggle for civil rights and injustices like forced schooling and racist policing, as well as the 1968 birth of the American Indian Movement. Balahy's art is particularly splendid and well-varied in style for the complex subject matter." —Booklist

Additional Information
160 pages | 7.00" x 10.00"

Narnia meets traditional Indigenous stories of the sky and constellations in an epic middle-grade fantasy series from award-winning author David Robertson.

Morgan and Eli, two Indigenous children forced away from their families and communities, are brought together in a foster home in Winnipeg, Manitoba. They each feel disconnected, from their culture and each other, and struggle to fit in at school and at their new home -- until they find a secret place, walled off in an unfinished attic bedroom. A portal opens to another reality, Askí, bringing them onto frozen, barren grounds, where they meet Ochek (Fisher). The only hunter supporting his starving community, Misewa, Ochek welcomes the human children, teaching them traditional ways to survive. But as the need for food becomes desperate, they embark on a dangerous mission. Accompanied by Arik, a sassy Squirrel they catch stealing from the trapline, they try to save Misewa before the icy grip of winter freezes everything -- including them.

Reviews
"David A. Robertson has written such a fine, beautiful novel. He manages to combine hard truths about our history with a Narnia-like fantasy, sweeping us into the world of the story while opening our hearts as well." -- Susin Nielsen, author of We Are All Made of Molecules and No Fixed Address

“This is a book that is rich in its characterization, evocative in its descriptions, and skillful in its weaving together of traditions of the past and life in the present.” --CM Magazine

"This middle-grade fantasy deftly and compellingly centers Indigenous culture." --STARRED REVIEW, Kirkus Reviews

"The Barren Grounds: The Misewa Saga is a story about two Indigenous children forced away from their families to a foster home in Winnipeg, Manitoba. Struggling to fit, the two children find a space in the attic that opens a portal into another realm. They learn the traditional ways to survive and embark on a dangerous mission there." - The Dalai Lama Center 

Educator & Series Information
For ages 10+ (middle-grades).

This is Book 1 of the Misewa Saga. Narnia meets traditional Indigenous stories of the sky and constellations in this epic middle-grade fantasy series from award-winning author David Robertson.

This book is available in French: La saga Misewa: N° 1 - Les terres isolées.

Additional Information
256 pages | 5.44" x 8.25" | Jacket art and interior illustrations Natasha Donovan | Paperback

“My million years of immortality have barely begun…”

Pursued by warring human/alien hybrids, the immortal Kyrill, also known as Salamander, is the key to a prison forged by the seven gods of creation. While one of the warring factions moves to protect him, the other seeks to use him to open the prison. Kyrill’s story unfolds in a war-ravaged dystopia where his people, Indigenous North Americans, are space pirates who control the solar system’s spaceways. The Krillian Key: Salamander Run is a fun, sassy and fast-paced graphic novel set in the post-apocalyptic future of Neo-New York circa 2242, with flashbacks to modern-day Canada.

Additional Information
200 pages | 5.50" x 8.50" | black and white illustrations

Based on the extraordinary life of National Book Award-winning author Louise Erdrich’s grandfather who worked as a night watchman and carried the fight against Native dispossession from rural North Dakota all the way to Washington, D.C., this powerful novel explores themes of love and death with lightness and gravity and unfolds with the elegant prose, sly humor, and depth of feeling of a master craftsman.

Thomas Wazhashk is the night watchman at the jewel bearing plant, the first factory located near the Turtle Mountain Reservation in rural North Dakota. He is also a Chippewa Council member who is trying to understand the consequences of a new “emancipation” bill on its way to the floor of the United States Congress. It is 1953 and he and the other council members know the bill isn’t about freedom; Congress is fed up with Indians. The bill is a “termination” that threatens the rights of Native Americans to their land and their very identity. How can the government abandon treaties made in good faith with Native Americans “for as long as the grasses shall grow, and the rivers run”?

Since graduating high school, Pixie Paranteau has insisted that everyone call her Patrice. Unlike most of the girls on the reservation, Patrice, the class valedictorian, has no desire to wear herself down with a husband and kids. She makes jewel bearings at the plant, a job that barely pays her enough to support her mother and brother. Patrice’s shameful alcoholic father returns home sporadically to terrorize his wife and children and bully her for money. But Patrice needs every penny to follow her beloved older sister, Vera, who moved to the big city of Minneapolis. Vera may have disappeared; she hasn’t been in touch in months, and is rumored to have had a baby. Determined to find Vera and her child, Patrice makes a fateful trip to Minnesota that introduces her to unexpected forms of exploitation and violence, and endangers her life.

Thomas and Patrice live in this impoverished reservation community along with young Chippewa boxer Wood Mountain and his mother Juggie Blue, her niece and Patrice’s best friend Valentine, and Stack Barnes, the white high school math teacher and boxing coach who is hopelessly in love with Patrice.

In The Night Watchman, Louise Erdrich creates a fictional world populated with memorable characters who are forced to grapple with the worst and best impulses of human nature. Illuminating the loves and lives, the desires and ambitions of these characters with compassion, wit, and intelligence, The Night Watchman is a majestic work of fiction from this revered cultural treasure.

Awards

• 2021 Pulitzer Prize for Fiction

Additional Information
464 Pages | 6" x 9" 

From the award-winning and #1 bestselling author of The Back of the Turtle; Green Grass, Running Water and The Inconvenient Indian

Thumps DreadfulWater’s world is turned upside down when Nina Maslow, the producer of a true-crime reality-TV show, turns up dead after working on a cold case that Thumps has spent years trying to forget. What’s more, someone seems set on taunting Thumps, leaving reminders of the Obsidian murder case around town. Is it possible that the elusive serial killer who murdered his girlfriend and her daughter all those years ago has resurfaced in Chinook? Or is this the work of a copycat looking to mess with Thumps by stirring up memories from his past?

Dragged back into a case that has haunted him for years, Thumps DreadfulWater is determined to solve the mystery of the Obsidian murders. But as he works the case, he begins to realize just how dangerous the person he is dealing with is—and that he might be the next target.

Thumps DreadfulWater, the sly, wry, reluctant investigator of Cold Skies and A Matter of Malice, returns in another irresistible mystery that only Thomas King could create.

Series Information
This book is from the DreadfulWater Mystery series, a mystery/detective series from Thomas King.

Books in this series include:
- Dreadful Water
- The Red Power Murders
- Cold Skies
- A Matter of Malice
- The Obsidian Murders
- Deep House 
- Double Eagle
- Black Ice

Additional Information
240 pages | 6.00" x 9.00"

When a TV producer asks Thumps to assist with an episode about a local woman from a wealthy family whose death was ruled “misadventure,” he is reluctant to get involved. Then the producer dies in the exact same manner, and Thumps finds himself solving two cases.

Can a reality TV show solve a cold case?

The crew of a true-crime reality TV show, Malice Aforethought, shows up in Chinook to do an episode about the death of Trudy Samuels. Trudy’s death had originally been ruled accidental, but with ratings in mind, one of the producers, Nina Maslow, wants to prove it was murder. And she wants Thumps to help. Thumps is reluctant to get involved until Nina dies in the exact same place and in the exact same way as Trudy. Are the two deaths related? Or are there two murderers on the loose in Chinook? Thumps uses Nina’s Malice Aforethought files to try to fit the pieces of the puzzle together, and in the process discovers that she had already started work on another case close to Thumps' heart: the Obsidian murders.

Series Information
This novel is part of the DreadfulWater Mystery series from Thomas King. Books in this series include:
- Dreadful Water
- The Red Power Murders
- Cold Skies
- A Matter of Malice
- The Obsidian Murders
- Deep House 
- Double Eagle
- Black Ice

Additional Information

There are too many stories about Indigenous women who go missing or are murdered, and it doesn’t seem as though official sources such as government, police or the courts respond in a way that works toward finding justice or even solutions. At least that is the way Wren StrongEagle sees it.

Wren is devastated when her twin sister, Raven, mysteriously disappears after the two spend an evening visiting at a local pub. When Wren files a missing persons report with the local police, she is dismissed and becomes convinced the case will not be properly investigated. As she follows media reports, Wren realizes that the same heartbreak she’s feeling is the same for too many families, indeed for whole Nations. Something within Wren snaps and she decides to take justice into her own hands. She soon disappears into a darkness, struggling to come to terms with the type of justice she delivers. Throughout her choices, and every step along the way, Wren feels as though she is being guided. But, by what?

Additional Information
256 pages | 5.50" x 8.50"

“The ragged edges of the temperate rainforest reach far out onto an island in the western seas. It is a place where one chooses to go ahead or turn back…” 

In a prequel to the award-winning Red: A Haida Manga, acclaimed artist Michael Nicoll Yahgulanaas blends Asian manhwa/manga with the Haida artistic and oral tradition in another stunning hand-painted volume. 

In a small near-future community perched between the ocean and the northern temperate rainforest, a series of disasters is taking a heavy toll. It is early fall and a fuel spill has contaminated the marine foods the village was preparing to harvest. As food supplies dwindle, a small group decides to make a late-season expedition to search for sea lions. Surprised by a ferocious storm, they abandon one man, Carpe, on an isolated rock at sea. After ten days they are finally able to return, but he has vanished. The story follows Carpe’s encounters with the Lord of the Rock, who demands retribution for Carpe’s role in the hunt, and Carpe’s fate in the half-life between human and animal, life and death.

Educator & Series Information
Haida manga is a contemporary style of Haida comics and print cartoons that explores the elements of both traditional North Pacific Indigenous arts and narrative, while also adapting contemporary techniques of artistic design from the western portion of the North Pacific, namely the Japanese manga from which its name derives.

Additional Information
120 pages | 10.00" x 10.00" | 100 colour illustrations

Chasing Painted Horses has a magical, fable-like quality. It is the story of four unlikely friends who live in Otter Lake, a reserve north of Toronto. Ralph and his sister, Shelley, live with their parents. On the cusp of becoming teenagers, they and their friend William befriend an odd little girl, from a dysfunctional family. Danielle, a timid 10-year-old girl, draws an amazing, arresting image of a horse that draws her loose group of friends into her fantasy world. But those friends are not ready for what that horse may mean or represent. It represents everything that’s wrong in the girl’s life and everything she wished it could be. And the trio who meet her and witness the creation of the horse, are left trying to figure out what the horse means to the girl, and later to them. And how to help the shy little girl.

Awards

• Winner of the 2020-2021 First Nation Communities Read: Indigenous Literature Award

Additional Information
6.00" x 9.00"

Nanabush. A name that has a certain weight on the tongue—a taste. Like lit sage in a windowless room or aluminum foil on a metal filling.

Trickster. Storyteller. Shape-shifter. An ancient troublemaker with the power to do great things, only he doesn’t want to put in the work.

Since coming home to Spirit Bear Point First Nation, Hazel Ellis has been dreaming of an old crow. He tells her he’s here to help her, save her. From what, exactly? Sure, her dad’s been dead for almost two years and she hasn’t quite reconciled that grief, but is that worth the time of an Algonquin demigod?

Soon Hazel learns that there’s more at play than just her own sadness and doubt. The quarry that’s been lying unsullied for over a century on her father’s property is stirring the old magic that crosses the boundaries between this world and the next. With the aid of Nanabush, Hazel must unravel a web of deceit that, if left untouched, could destroy her family and her home on both sides of the Medicine Wheel.

Reviews
“Full of spirit, love, mystery and good medicine, Crow Winter tells the story of Hazel and one very tricky little crow. Karen McBride’s debut novel ambitiously and successfully balances all these things creating a world and story that will stay with you after you have turned that last page.” - Katherena Vermette, award-winning author of The Break

"Algonquin Anishinaabe writer Karen McBride's debut is about a young woman who moves home to her First Nation reserve after losing her father. Dealing with grief and while memories are flooding her thoughts, Hazel's dreams are disturbed by her trickster kin, a crow, Nanabush. 

As she starts to unravel her father's history with a local quarry, the crow is a constant companion and guides her to find the truth. The physical and spiritual worlds are seamlessly woven together, and we are taken inside the experience Hazel is having reconciling her truth with her father's and the imposing facts of the real world.

A lovely story full of spirit and imagery that stays with you long after the final page. Karen is a writer to watch." - Sandy, indieCHOICE

Additional Information
352 pages | 5.50" x 8.50"

Indigenous protectors use language revitalization to save the Earth from evil pioneers and cyborg sasquatches.

Ts’ür’i and Aghay are the Dakwäkãda Warriors protecting Nän from their nemesis Cyber Nà’į and Space Kwäday Dän. Flying in their spaceship, can they prevent the Sha being stolen from Cyber Nà’į and Space Kwäday Dän?!

As a young person growing up in Haines Junction YT, artist Cole Pauls performed in a traditional song and dance group called the Dakwäkãda Dancers. During that time, Pauls encountered the ancestral language of Southern Tutchone. Driven by a desire to help revitalize the language, he created Dakwäkãda Warriors, a bilingual comic about two earth protectors saving the world from evil pioneers and cyborg sasquatches.

Pauls’ Elders supported him throughout the creation process by offering consultation and translation. The resulting work is a whimsical young adult graphic novel that offers an accessible allegory of colonialism. Dakwäkãda Warriors also includes a behind-the-scenes view into the making of the comic and a full-colour insert featuring character illustrations by guest Indigenous Canadian artists.

Awards

• 2020 Indigenous Voices Awards Winner for Works in an Indigenous Language
  

Reviews
From the publisher, an interview with Cole Pauls: 

1. Why did you decide to create this comic? 
I wanted to create a sense of identity and strength for the youth from my hometown and the Yukon. To be portrayed in a heroic but also realistic way, where culture is power and the community is stronger because of that. I made Dakwäkãda Warriors to keep Southern Tutchone language and culture alive.

2. What do you hope your work will bring to the Canadian comics canon?
A proper portrayal of Yukon Indigenous culture, we don't live in igloos, ya know!! I want to show the world what Southern Tutchone culture really is and how strong Indigenous culture can be when properly portrayed by someone who lives and practices it.

Educator Information
Recommended Ages: 8 to 16

Language revitalization in an allegory of colonialization.
Artist Cole Pauls wanted to reclaim the Southern Tutchone language he had learned as a youth while performing in a traditional song and dance group. So, he created a comic about two Earth Protectors saving the Earth from evil pioneers and cyborg sasquatches. But he also went to his elders and asked them to translate his comic into the two dialects of Southern Tutchone. The resulting work is an allegory of colonialization done in an accessible format, a whimsical young adult graphic novel which helps to revitalize language. Pauls includes a "making of" postscript to give context to the project, and invites guest Indigenous Canadian artists to provide "pin-ups" of his characters.

Additional Information
112 pages | 6.50" x 10.00" | 112 illustrations

Art has always played a significant role in the history of the labour movement. Songs, stories, poems, pamphlets, and comics, have inspired workers to take action against greedy bosses and helped shape ideas of a more equal world. They also help fan the flames of discontent. Radical social change doesn’t come without radical art. It would be impossible to think about labour unrest without its iconic songs like “Solidarity Forever” or its cartoons like Ernest Riebe’s creation, Mr. Block. 

In this vein, The Graphic History Collective has created an illustrated chronicle of the strike—the organized withdrawal of labour power—in Canada. For centuries, workers in Canada—Indigenous and non-Indigenous, union and non-union, men and women—have used the strike as a powerful tool, not just for better wages, but also for growing working-class power. This lively comic book will inspire new generations to learn more about labour and working-class history and the power of solidarity.

Reviews
"There are so many exciting and vitally important stories from the history of social movements, and the most engaging way to tell those stories is through art, in its various forms.  The Graphic History Collective is brilliantly doing just that." - David Rovics, singer, songwriter, activists 

"The Graphic History Collective shows us that art can inspire hope for radical social change" - Noam Chomsky

"Brilliant in narrative power and artistic expression, Direct Action Gets the Goods offers more proof of the Graphic History Collective's prowess with the graphic form. Magnificent!" - Paul Buhle 

"Direct Action Gets the Goods is a brilliant and essential resource. Through well-researched history and powerful graphic art, it shows how the strike is key to revolutionary unionism and social movement solidarity. This book will inspire future generations to fight and win against bosses and capitalism." – Harsha Walia, community organizer and author of Undoing Border Imperialism

Educator Information
The Graphic History Collective is made up of activists, artists, writers, and researchers passionate about comics, history, and social change.  They produce alternative histories - people's histories - in an accessible format to help people understand the historical roots of contemporary social issues. 

Additional Information
64 pages | 8.50" x 11.00" | 80 illustrations

Authenticity and Content Note: This work contains contributions from Gord Hill, a member of the Kwakwaka'wakw Nation.  Indigenous content and perspectives, therefore, may be included but are not the sole focus of the work.