Anthologies / Short Stories

Bawaajigan—an Anishinaabemowin word for dream or vision—is a collection of powerful short fiction (urban-fantasy and high-fantasy; alternative histories, and alternative realities; brushes with the supernatural, the prophetic, the hallucinatory, and the surreal) by Indigenous writers from across Turtle Island. Contributors Richard Van Camp, Autumn Bernhardt, Brittany Johnson, Gord Grisenthwaite, Joanne Arnott, Delani Valin, Cathy Smith, David Geary, Yugcetun Anderson, Gerald Silliker Pisim Maskwa, Karen Lee White, Sara Kathryn General, Nathan Niigan Noodin Adler, Francine Cunningham, Christine Miskonoodinkwe Smith, Lee Maracle, Wendy Bone bring you tales about the state of sleep-deprivation where dreams end and reality begins; the tension of television static that conjures a certainty of something terrible about to happen; encounters with spirit guides and spirit enemies; confrontations with ghosts haunting Residential School hallways, and ghosts looking on from the afterlife; and more. These are stories about the strength and power of dream.

Educator Information
This book is number 18 in The Exile Book of Anthology Series.

Additional Information
257 pages | 5.50" x 8.50"

This critical edition delivers a unique and comprehensive collection of the works of Ktunaxa-Secwepemc writer and educator Vera Manuel, daughter of prominent Indigenous leaders Marceline Paul and George Manuel. A vibrant force in the burgeoning Indigenous theatre scene, Vera was at the forefront of residential school writing and did groundbreaking work as a dramatherapist and healer. Long before mainstream Canada understood and discussed the impact and devastating legacy of Canada’s Indian residential schools, Vera Manuel wrote about it as part of her personal and community healing. She became a grassroots leader addressing the need to bring to light the stories of survivors, their journeys of healing, and the therapeutic value of writing and performing arts.

A collaboration by four Indigenous writers and scholars steeped in values of Indigenous ethics and editing practices, the volume features Manuel’s most famous play, "Strength of Indian Women"—first performed in 1992 and still one of the most important literary works to deal with the trauma of residential schools—along with an assemblage of plays, written between the late 1980s until Manuel’s untimely passing in 2010, that were performed but never before published. The volume also includes three previously unpublished short stories written in 1988, poetry written over three decades in a variety of venues, and a 1987 college essay that draws on family and community interviews on the effects of residential schools.

Reviews
“An invaluable contribution to our literature about residential school experiences and the effects of transgenerational trauma. With so many current projects focused on “reconciliation,” this republication of Vera Manuel’s works recalls the often forgotten side of the equation: the truth, unvarnished by politics or bureaucracy.”– Jesse Archibald-Barber, Associate Professor of Indigenous Literatures and Performance, First Nations University of Canada

“Layered with intergenerational wisdom, replete with lived experience, this collection deftly presents both the devastating legacy of residential schools and the complex systems of care that sustain Indigenous women and fuel Indigenous resurgence.”– Carleigh Baker, author of Bad Endings

Educator & Series Information
This book is part of the First Voices, First Texts series.

Topics: Indigenous Studies, Literature, Performing Arts, Poetry.

Additional Information
416 pages | 5.50" x 8.50" | 13 b&w photographs | bibliography

Master Tłı̨chǫ storyteller and bestselling author Richard Van Camp captures the shifting and magical nature of the North in this stunning collection of short stories.

The characters of Moccasin Square Gardens inhabit Denendeh, the land of the people north of the sixtieth parallel. These stories are filled with in-laws, outlaws and common-laws. Get ready for illegal wrestling moves (“The Camel Clutch”), pinky promises, a doctored casino, extraterrestrials or “Sky People,” love, lust, and prayers for peace. 

While this is Van Camp’s most hilarious short story collection, it’s also haunted by the lurking presence of the Wheetago, human-devouring monsters of legend that have returned due to global warming and the greed of humanity. The stories in Moccasin Square Gardens show that medicine power always comes with a price. 

To counteract this darkness, Van Camp weaves a funny and loving portrayal of the Tłı̨chǫ Dene and other communities of the North, drawing from oral history techniques to perfectly capture the character and texture of everyday small-town life. “Moccasin Square Gardens” is the nickname of a dance hall in the town of Fort Smith that serves as a meeting place for a small but diverse community. In the same way, the collection functions as a meeting place for an assortment of characters, from shamans and time-travelling goddess warriors to pop-culture-obsessed pencil pushers, to con artists, archivists and men who just need to grow up, all seeking some form of connection.

Educator Information
Recommended in the Canadian Indigenous Books for Schools 2019-2020 resource list as being useful for grades 11 and 12 for these subjects: English Language Arts, Media Studies, Social Studies.

Includes mature language, sexual references, gory violence, and content related to sexual abuse and trauma.

Additional Information
160 pages | 5.50" x 8.50"

A poetic letter to Canada's politicians and leaders. 

Resisting Canada gathers together poets for a conversation bigger than poetic trends. The book's organizing principle is Canada--the Canada that established residential schools; the Canada grappling with the Truth and Reconciliation Commission; the Canada that has been visible in its welcome of Syrian refugees, yet the not-always-tolerant place where the children of those refugees will grow up; the Canada eager to re-establish its global leadership on the environment while struggling to acknowledge Indigenous sovereignty on resource-rich land and enabling further colonization of that land. In the face of global conflicts due to climate change, scarcity, mass migrations, and the rise of xenophobic populisms, Canada still works with a surface understanding of its democratic values--both at their noblest and most deceptive.

The work included in Resisting Canada--by celebrated poets such as Lee Maracle, Jordan Abel, Billy-Ray Belcourt, Louise Bernice Halfe, Michael Prior, and Leanne Betasamosake Simpson--addresses, among other things, Indigenous agency, cultural belonging, environmental anxieties, and racial privilege. These poems ask us to judge and resist a statecraft that refuses to acknowledge past and present wrongs. Think of Resisting Canada as a poetic letter to Canada's politicians and leaders.

Additional Information
280 pages | 5.00" x 7.50"

Latinas of Indigenous descent living in the American West take center stage in this haunting debut story collection—a powerful meditation on friendship, mothers and daughters, and the deep-rooted truths of our homelands.

“Here are stories that blaze like wildfires, with characters who made me laugh and broke my heart.”—Sandra Cisneros

Kali Fajardo-Anstine’s magnetic story collection breathes life into her Latina characters of indigenous ancestry and the land they inhabit in the American West. Against the remarkable backdrop of Denver, Colorado—a place that is as fierce as it is exquisite—these women navigate the land the way they navigate their lives: with caution, grace, and quiet force.

In “Sugar Babies,” ancestry and heritage are hidden inside the earth but tend to rise during land disputes. “Any Further West” follows a sex worker and her daughter as they leave their ancestral home in southern Colorado only to find a foreign and hostile land in California. In “Tomi,” a woman leaves prison and finds herself in a gentrified city that is a shadow of the one she remembers from her childhood. And in the title story, “Sabrina & Corina,” a Denver family falls into a cycle of violence against women, coming together only through ritual.

Sabrina & Corina is a moving narrative of unrelenting feminine power and an exploration of the universal experiences of abandonment, heritage, and an eternal sense of home.

Reviews

“Sabrina & Corina isn’t just good, it’s masterful storytelling. Fajardo-Anstine is a fearless writer: her women are strong and scarred witnesses of the violations of their homelands, their culture, their bodies; her plots turn and surprise, unerring and organic in their comprehensiveness; her characters break your heart, but you keep on going because you know you are in the hands of a master. Her stories move through the heart of darkness and illuminate it with the soul of truth.”—Julia Alvarez, author of How the García Girls Lost Their Accents

“[A] powerhouse debut . . . stylistically superb, with crisp dialogue and unforgettable characters, Sabrina & Corina introduces an impressive new talent to American letters.”—Rigoberto González, NBC News

“A terrific collection of stories—fiercely and beautifully made.” —Joy Williams

“Here are stories that blaze like wildfires, with characters who made me laugh and broke my heart, believable in everything they said and did. How tragic that American letters hasn’t met these women of the West before, women who were here before America was America. And how tragic that these working-class women haven’t seen themselves in the pages of American lit before. Thank you for honoring their lives, Kali. I welcome them and you.”—Sandra Cisneros

“In the eleven stories of Sabrina & Corina, Fajardo-Anstine writes a love letter to the Chicanas of her homeland—women as unbreakable as the mountains that run through Colorado and as resilient as the arid deserts that surround it. . . . In her fierce, bold stories, these women—and she—are seen, and heard, and made known; the collection is both a product of pain and a celebration of survival. . . . Like the woman on Sabrina & Corina’s cover, the hearts of these characters are exposed but intact. Fajardo-Anstine's heart is there on the page, too, beating with the blood of her ancestors.”—Bustle

“Sabrina & Corina summons a world we hardly recognize, but should. . . . Fajardo-Anstine can make a story smell of sickness. She can make legend of malediction. Conjuring the Sangre de Cristo Mountains, and unfurling the Denver skyline, there is no limit to what Fajardo-Anstine can manifest on paper and, subsequently, in our dreams. Yet, what is most admirable is the courage of her hand. She’s unafraid to delve into areas of race, feminism, queerness, and class. She interrogates whiteness, and its associations like passing and colorism, prodding unapologetically.”—Electric Literature

“In [Sabrina & Corina] we find a different narrative of the West. These are women who inhabit a space between the Indigenous and the Latinx; they are fierce [and] powerful in their own way.”—Brooklyn Rail

Additional Information
224 pages | 5.73" x 8.56"

Dispatches of radical political engagement from people taking a stand against the Dakota Access Pipeline.

It is prophecy. A Black Snake will spread itself across the land, bringing destruction while uniting Indigenous nations. The Dakota Access Pipeline is the Black Snake, crossing the Missouri River north of the Standing Rock Indian Reservation. The oil pipeline united communities along its path—from North Dakota, South Dakota, Iowa, and Illinois—and galvanized a twenty-first-century Indigenous resistance movement marching under the banner Mni Wiconi—Water Is Life! Standing Rock youth issued a call, and millions around the world and thousands of Water Protectors from more than three hundred Native nations answered. Amid the movement to protect the land and the water that millions depend on for life, the Oceti Sakowin (the Dakota, Nakota, and Lakota people) reunited. A nation was reborn with renewed power to protect the environment and support Indigenous grassroots education and organizing. This book assembles the multitude of voices of writers, thinkers, artists, and activists from that movement.

Through poetry and prose, essays, photography, interviews, and polemical interventions, the contributors, including leaders of the Standing Rock movement, reflect on Indigenous history and politics and on the movement’s significance. Their work challenges our understanding of colonial history not simply as “lessons learned” but as essential guideposts for current and future activism.

Contributors: Dave Archambault II, Natalie Avalos, Vanessa Bowen, Alleen Brown, Kevin Bruyneel, Tomoki Mari Birkett, Troy Cochrane, Michelle L. Cook, Deborah Cowen, Andrew Curley, Martin Danyluk, Jaskiran Dhillon, Roxanne Dunbar-Ortiz, Liz Ellis, Nick Estes, Marcella Gilbert, Sandy Grande, Craig Howe, Elise Hunchuck, Michelle Latimer, Layli Long Soldier, David Uahikeaikalei‘ohu Maile, Jason Mancini, Sarah Sunshine Manning, Katie Mazer, Teresa Montoya, Chris Newell, The NYC Stands with Standing Rock Collective, Jeffrey Ostler, Will Parrish, Shiri Pasternak, endawnis Spears, Alice Speri, Anne Spice, Kim TallBear, Mark L. Tilsen, Edward Valandra, Joel Waters, Tyler Young.

Reviews
"As our songs and prayers echo across the prairie, we need the public to see that in standing up for our rights, we do so on behalf of the millions of Americans who will be affected by this pipeline."—David Archambault II, from the interior

"There is no alternative to water. There is no alternative to this Earth. This fight has become my life, and it’s not over. I think this is only the beginning for me, for all of us. Do you want a future for your children and grandchildren? If you want them to have a future then stand with Standing Rock because this is just the beginning of a revolution."—Zaysha Grinnell, from the interior

"We will put our best warriors in the front. We are the vanguard. We are the Hunkpapa Lakota. That means the horn of the buffalo. That’s who we are. We are protectors of our nation of Oceti Sakowin, the Seven Council Fires. Know who we are."—Phyllis Young

Additional Information
448 pages | 7.00" x 9.00"

“Taaqtumi” is an Inuktitut word that means “in the dark”—and these spine-tingling horror stories by Northern writers show just how dangerous darkness can be. A family clinging to survival out on the tundra after a vicious zombie virus. A door that beckons, waiting to unleash the terror behind it. A post-apocalyptic community in the far North where things aren’t quite what they seem. These chilling tales from award-winning authors Richard Van Camp, Rachel and Sean Qitsualik-Tinsley, Aviaq Johnston, and others will thrill and entertain even the most seasoned horror fan.

Educator & Series Information
Includes stories from northern Indigenous authors.

This book is part of the Taaqtumi series.

Additional Information
260 pages | 6.00" x 9.00" | b&w illustrations

Beth Piatote's luminous debut collection opens with a feast, grounding its stories in the landscapes and lifeworlds of the Native Northwest, exploring the inventive and unforgettable pattern of Native American life in the contemporary world.

Told with humor, subtlety, and beautiful spareness, the mixed-genre works of Beth Piatote's first collection find unifying themes in the strength of kinship, the pulse of longing, and the language of return.

A woman teaches her niece to make a pair of beaded earrings while ruminating on a fractured relationship. An eleven-year-old girl narrates the unfolding of the Fish Wars in the 1960s as her family is gradually drawn to the front lines of the conflict. In 1890, as tensions escalate at Wounded Knee, two young men at college—one French and the other Lakota—each contemplate a death in the family. In the final, haunting piece, a Nez Perce/Cayuse family is torn apart as they debate the fate of ancestral remains in a moving revision of the Greek tragedyAntigone.

Formally inventive, witty, and generous,The Beadworkers, a singular debut collection, draws on Indigenous aesthetics and forms to offer a powerful, sustaining vision of Native life in the Americas.

Reviews
"Beth Piatote has created a ritual of clarity, transformation, and wonder. Elegant and vivid, her book is alive, and it will make its readers see the world in a bright new light. I can't recommend it highly enough." —Luis Alberto Urrea, author of The House of Broken Angels

"Piatote is Nez Perce, and a Native American Studies professor at UC Berkeley. In this eloquent and elucidating debut story collection she brings the Native experience to life—from the long line of broken treaties and the tragic effect on Native tribes from coast to coast to contemporary repercussions from forced attendance at Indian boarding schools . . . Piatote draws the reader in with spare and perceptive language and resonate empathy for each struggling yet resilient character." —Booklist

"Piatote’s debut collection mixes poetry, verse, and prose to form an impressive reflection on the lives of modern Native Americans. Piatote, a Nez Perce enrolled with the Colville Confederated Tribes, fits much nuance and profundity into stories that often reflect on the ways in which contemporary mainstream American culture continues to erase the identities and traditions of indigenous groups . . . This beautiful collection announces Piatote as a writer to watch." —Publishers Weekly

"Hope and heartbreak abound in this debut collection set among Native Americans in the northwest . . . Piatote balances the emotional complexities of her characters' lives with the political complexity of their relationship with an America all too eager to look away. A poignant and challenging look at the way the past and present collide." —Kirkus Reviews

"The Beadworkers is beautifully crafted with indigenous storytelling techniques and narrative designs. Throughout, Beth Piatote renders Native American life in all its emotional complexity, profound tragedy, subversive humor, and transformative resilience. After the final drum beat, this book becomes an offering to ancestors, a feast of words, and a water song flowing across generations." —Craig Santos Perez, author of from unincorporated territory [lukao]

"The Beadworkers is an essential celebration of language, kinship, and the enduring power of story. In an exhilarating diversity of voices and literary forms, and with extraordinary heart and artistic precision, this book moves, teaches, and surprises. Beth Piatote is a writer to cherish and trust." ––David Chariandy, author of I've Been Meaning to Tell You

"Beth Piatote's incisive debut eschews the boundaries of genre so as to paint a polyphonic image of Indigenous life past and present.The Beadworkers reveals a writer who deeply understands the norms that govern Indigenous aesthetics, a writer who navigates the choppy waters of representation expertly, nuancing and complicating as she goes with an intellectual and narrative bravery that inspires. This is an important addition to a new wave of Indigenous writing in North America!" ––Billy-Ray Belcourt, author of NDN Coping Mechanisms andThis Wound is a World

“I loved it! It was like an adventure into Indian Thinking. Beth Piatote weaves characters, myths, emotions, and elements together like she is weaving a fine Plateau cornhusk bag. The stories engage your senses, emotions, and memories like a trip to the reservation. I knew I wanted to read this book again before I was even halfway through! I could feel the wind from the river, and I could smell the fragrance of freshly picked huckleberries on a warm summer day by reading her words and going to her places in the book. I could identify with some characters, and other familiar characters resounded with me to the point that it felt like this book was written just for me. I think a lot of people could get that feeling from reading this book." ––Marcus Amerman, traditional beadworker

Additional Information
208 pages | 5.50" x 8.25"

Nenaboozhoo left us many gifts.

Nenaboozhoo, the creator spirit-being of Ojibway legend, gave the people many gifts. This collection of oral stories presents legends of Nenaboozhoo along with other creation stories that tell of the adventures of numerous beloved animal spirits. The Trail of Nenaboozhoo is a book of art and storytelling that preserve the legends of the Anishinaabe people. Each story is accompanied by strikingly beautiful illustrations by revered Indigenous artists Isaac Murdoch and Christi Belcourt.

Educator & Series Information
From the Forward, by Isaac Murdoch:
"Everything we have can be accredited to the gifts from the spirit world. As we are now in abrupt climate change we can see the world-wide ecological collapse happening before our very eyes. How important was the birch bark canoe? The wigwam? How important were those gifts that were given to us? I think they were very important. They were more than important; they were sacred.

And so its with great hopes and encouragement that I offer these stories as a map to understand how to go back to the old ways. The old people always said we are going to go back to the old ways and I truly believe the time is now. We mustn’t wait.

Nenaboozhoo is a spirit that was brought to the earth who is highly respected to this day by my people. They say when he was in spirit form he went through four levels of power. Through each power he went through he went back to the centre saying he didn’t want to leave. But the Great Mystery told him, “'keep going, keep going, you’re needed somewhere.'

And he made his way through those four powers and ended up on earth. His life here on earth was magical. All the rivers, all of the mountains all of the beautiful colours that we see, were created with Nenaboozhoo and his magical trail on earth. They say one day ten men will go fasting and call Nenaboozhoo back and the world will be new again.

Nothing can stop the power that is here."

This book is part of the Ojibwe History Series.

Recommended in the Canadian Indigenous Books for Schools 2020/2021 resource list for grades 7 to 12 for English Language Arts and Science.

Most stories appear in English and with an Anishinaabemowin translation, but some stories are in English only.

Additional Information
55 pages | 9.00" x 9.00" | 20 illustrations

Wënchikàneit Visions is a collection of essays that explores the connection to place and history through the lens of absence, forgetfulness, and abandonment. The pieces and collection as whole turn to often overlooked physical spaces of the region around Waawiiyaatanong, and consider their central role in both its past and its future. The pieces are organized as visions occurring in regards to the moons from September (Hunters Moon) until February (Deep Snow Moon) and utilize traditional teachings and myths to contemplate these forgotten or abandoned places.

Additional Information
70 pages | 6.00" x 9.00"

Note: cover image may differ.

Indian Act is a tribute and thank you to those who survived the Indian Residential School system so that future generations could be free to pursue their lives unhindered by educationally enforced lowered expectations and institutionalized abuse. Plays by contemporary First Nations and Métis playwrights cover the broad scope of residential school experiences, all kinds of characters, and no stereotypes, giving voice to those who could not be heard.

Includes the plays:
Bunk #7 by Larry Guno
God and the Indian by Drew Hayden Taylor
They Know Not What They Do by Tara Began
A Very Polite Genocide or The Girl Who Fell to Earth by Melanie J. Murray
Kihew by Curtis Peeteetuce
Dear Mr. Buchwald by Yvette Nolan

Educator Information
Recommended resource for Grades 10-12 English Language Arts, Drama, and Acting.  

Caution: Some plays contain mature subject matters and cover themes of substance abuse, sexual and physical violence, etc.  Some plays are not appropriate for high school use and may be better suited for college-level courses. 

Additional Information
392 pages | 6.00" x 9.00"

This groundbreaking anthology from territory that is now Saskatchewan, kisiskâciwan, includes rich oral narratives from Cree, Saulteaux, Nakoda, Dakota, Dene, and Métis cultures; early writings from Cree missionaries; speeches and letters by Treaty Chiefs; stories from elders; archival discoveries; and contemporary literary works in all genres.

Historically and culturally comprehensive, voices include Big Bear, Thunderchild, Louis Riel, Gabriel Dumont, Edward Ahenakew, Maria Campbell, Buffy Sainte-Marie, Rita Bouvier, Harold Johnson, Gregory Scofield, Warren Cariou, Louise Halfe, and many more.

Educator Information
The collected works in this anthology would be useful for high school and college/university courses.  All the works in this anthology are connected to Saskatchewan in some way.  Some themes include Residential Schools, family, resilience, the Sixties Scoop, and coming of age.

Recommended resource for Grades 10-12 for these subjects: Drama, English Language Arts, Social Studies.

Caution: Some of the works in this anthology contain mature subject matter, such as discussion of abuse, violence, sexuality, etc. 

Additional Information
300 pages | 6.00" x 9.00"

Authenticity Note: This work is labelled as containing Authentic Indigenous Text because of the contributions from Indigenous Peoples.

Snuneymuxw Elder and storyteller Ellen White shares four stories handed down to her from her grandparents and their ancestors.

Legends and Teachings of Xeel’s, the Creator contains four short stories centering around themes such as communication, connection, teaching and respect. The stories featured include: “The Creator and the Flea Lady, The Boys Who Became a Killer Whale, The Sockeye That Became a Rainbow, and The Marriage of the Seagull and the Crow.” Each story is accompanied by a companion piece developed by the storyteller Ellen Rice White (Kwulasulwut) which provides cultural context and an explanation of some of the lessons found in each story.

In the story “The Creator and the Flea Lady”, a Flea mother asks for help saving her premature infant. The Flea woman is reminded of her connection to the many energies surrounding her by Xeel’s and the energies themselves.

In “Boys Who Became a Killer Whale”, eager learners frustrated with the pace and demeanour of their traditional teachers reach beyond what they know and encounter tragedy.

In both the “Sockeye That Became a Rainbow” and “The Marriage of the Seagull and the Crow”, respect and acceptance of the differences of others are central components of the stories. The protagonists struggle with their relationships and the differences they have with their partners.

Educator Information
Please Note: These are a set of uncensored, traditional stories.  The content is meant to provide traditional teachings. 

Each of the four stories in the book is accompanied by a discussion piece that provides cultural context and questions for the reader to consider.  Huĺq̓ umín̓ um̓ language is used throughout.  A glossary can be found at the back of the book.

Some subject matter may not be suitable for some readers.

Recommended in the Canadian Indigenous Books for Schools 2019-2020 resource list as being useful for grades 9 to 12 for English Language Arts.

Additional Information
112 pages | 6.75" x 9.75"

An enthralling collection of traditional Blackfoot stories revealing the frailty of mankind and the enduring power of narrative.

Napi, the Old Man of the Blackfoot Nation, appears prominently in mythology, sometimes as a quasi-Creator, sometimes a fool, and sometimes a brutal murderer. Although Napi is given credit for creating many of the objects and creatures on Earth, and indeed the Earth itself, the Blackfoot do not consider him to be god-like. Napi stories tell of this mythical figure creating the world and everything in it, but getting into trouble when he starts tinkering with his own creation. Perhaps for this reason, anthropologists have labelled him a trickster/creator.

For thousands of years, people have gathered around the campfire and listened to stories of how Napi blundered and schemed his way through Blackfoot country. They laugh at how Napi was outwitted by a lame fox, how he tried to fly with the geese only to look down when he was told not to and fell to the earth. He makes a perfect subject for telling, listening, and enjoying—and for teaching.

Hugh Dempsey, venerable historian and strong ally of the Blackfoot Nation, has gathered together a number of Napi stories passed on through oral tradition, many recorded and analysed by outsiders, but used by permission of Blackfoot elders. These stories offer complex insight into an ancient and still-thriving culture through the figure of a flawed yet powerful creature—a mirror of humankind itself.

Reviews
"By gathering together a sizeable collection of stories passed down through oral tradition, Dempsey and Koski offer insight into a venerable and still-thriving culture, as well as a piece of history to be kept and passed on to younger generations for years to come." — Vue Weekly

Additional Information
144 pages | 6.00" x 9.00" 

A unique collection of graphically reimagined fiction and poetry.

By merging works of contemporary North American Indigenous literature with imaginative illustrations by U.S. and Canadian artists, Sovereign Traces: Not (Just) (An)Other provides a unique opportunity for audiences to engage with works by prominent authors such as Stephen Graham Jones, Gordon Henry Jr., Gerald Vizenor, Warren Cariou, Niigaanwewidam James Sinclair, Louise Erdrich, Joy Harjo, Richard Van Camp, and Gwen Westerman.

Through this exciting medium, Sovereign Traces beckons to audiences that are both new to and familiar with Native writing, allowing for possibilities for reimagined readings along the way.

Readers will find works of graphic literature, uniquely including both poetry and fiction, newly adapted from writing by Indigenous North Americans. 

Writers
Warren Cariou, Louise Erdrich, Joy Harjo, Gordon G. Henry Jr., Stephen Graham Jones, Sheldon Raymore, Niigaanwewidam James Sinclair, Richard Van Camp, Gerald Vizenor, Gwen Nell Westerman

Illustrators and Colourists
Weshoyot Alvitre, Evan Buchanan, Nicholas Burns, GMB Chomichuk, Scott B. Henderson, Elizabeth LaPensée, Tara Ogaick, Neal Shannacappo, Delicia Williams, Donovan Yaciuk

Content
Preface: Beginnings and Future Imaginings
Foreword: Not (Just) (An)Other
Werewolves on the Moon
The Prisoner of Hiaku
Ice Tricksters
An Athabasca Story
Trickster Reflections
The Strange People
Deer Dancer
Mermaids
Just Another Naming Ceremony

Reviews
“Not just another book for fans of Indigenous stories and comics alike, this collection locates myth not in the past, but in the mundane, drawing on traditional cultures and stories to depict current Indigenous lives in their many complex forms.” — Nyala Ali, Winnipeg Free Press

Additional Information
128 pages | 6.62" x 10.12"