Anthologies / Short Stories

Utilizing intricately blended visual and written imagery, Arctic Dreams and Nightmares takes the reader on an Arctic journey interpreted through the mythological and contemporary world of an Inuit artist and author. Containing twenty short stories with accompanying pen ink drawings, it is the first publication to exclusively feature the writing and artwork of Alootook Ipellie. At the time of its original publication in 1993, Arctic Dreams and Nightmares was one of the few books to be written by an Inuk in Canada, and became a landmark in the emerging discipline of Inuit literature.

Additional Information
160 pages | 8.75" x 9.25" | Paperback

In this powerful reframing of the stories that make us, Anishinaabe writer Patty Krawec leads us into the borderlands to ask: What worlds do books written by marginalized people describe and invite us to inhabit?

Patty Krawec doesn’t want to be a “Good Indian.” When a friend asked what books could help them understand Indigenous lives, Patty Krawec gave them a list. This list then exploded into a book club, then into a podcast about a year of Indigenous reading, and then, ultimately, into this book.

Drawing on conversations with readers and authors, Bad Indians Book Club delves into writing about history, science, and gender, and into memoirs and fiction, all by “Bad Indians” and those like them, whose refusal of the dominant narrative of the wemitigoozhiwag (European settlers) opens up new possibilities for identity and existence.

Introducing each chapter with flash fiction about a shapeshifting Deer Woman, who is on her own journey to decide who she is, Krawec leads us into a place of wisdom and medicine where stories of and by marginalized writers help us imagine a thousand worlds waiting to be born.

Reviews
“Bad Indians Book Club is a compendium of worlds. From a lifetime of reading, there emerges a marriage of tapestry and map, a vision of the literary canon not as some secret handshake of the correctly educated but as a living, growing organism. . . There’s a dangerousness to a book like this. It’s not enough to define the Good Indian, the Grateful Immigrant, the Untroublesome Minority. Nor is it enough to simply reject these designations. One must interrogate how they came to hold so much power, how they offer the willing participant so many crumbs of reward from colonialism’s table.”— Omar El Akkad, author of One Day, Everyone Will Have Always Been Against This, September 2025

“Bad Indians Book Club is like a kind and protective auntie guiding you through a sometimes hostile world with sheer wisdom and wit. It’s a resounding rallying cry for our stories and our peoples. There’s no other book club I’d want to be in!”— Waubgeshig Rice, author of Moon of the Turning Leaves, September 2025

“This genre-crossing, shape-shifting, imagination-expanding book is for all who love to, and also need to, read. We tell stories to live, and this enlivening book reflects on all kinds of stories, each page suffused with Patty Krawec’s unmistakable voice and generous, timeless wisdom.”— Astra Taylor, author of The Age of Insecurity: Coming Together as Things Fall Apart, September 2025

“I didn’t want the Bad Indians Book Club to end. I read it at the perfect time, when snow was on the ground, in a period of rest and renewal. Patty Krawec made me wonder and made me ponder. Her book is a call to action to be curious, vigilant, to listen to and receive the inner strength of the land, to create and recreate community, to agitate, to investigate, to take story into ourselves and to hold the teachings sacred. As she guides us, throughout the book she tells us a new, sustaining, serial story about Kwe, Deer Woman. Such a gift. There is so much goodness in The Bad Indians Book Club!”— Shelagh Rogers, Shelagh Rogers, Truth and Reconciliaton Commission Honorary Witness, recovering broadcast journalist, September 2025

“Bad Indians Book Club is full of good medicine — challenging us to ask questions and bringing us home to ourselves. As Patty Krawec guides us into the deep wisdom wells of many people who journey in kinship, we consider how to hold the curiosity of care and stories, and what it means to imagine and create a future that integrates all our stories into a web of healing. Please buy this book, and celebrate the power of story in a weary yet flourishing world.”— Kaitlin B. Curtice, author of Living Resistance, September 2025

“In Bad Indians Book Club, Patty Krawec provides critical space for the ne'er-do-wells, disrupters, red sheep, box-busters, tricksters, and all us rowdy relatives defying expectations. Indigenous people have always been proverbial thorns in the sides of colonizers, and this piercing book does an incredible job of letting the air out of today’s imperialist narratives.”— Taté Walker, Two Spirit Lakota storyteller and community-builder, September 2025

“With Bad Indians Book Club, Patty Krawec gifts us a compelling investigation into the power of not just reading books but also doing so in community. Krawec makes the case for building your circle through reading, as a way of being in better relations with all our kin, including the land. Thinking deeply alongside other books, Bad Indians Book Club is a needed guide at a moment when books are under attack. Books are not just written culture, they are also oral culture, and Krawec illuminates this beautifully.”— Chanda Prescod-Weinstein, author of The Disordered Cosmo, September 2025

Additional Information
232 pages | 6.00" x 9.00" | Paperback 

From adventures in Indigenous futurism to tales of first love, the stories and poems of Beyond the Glittering World proclaim and celebrate a rising generation of Native American storytellers.

Beyond the Glittering World brings together twenty emerging and established Native women writers and writers of marginalized genders, including Moniquill Blackgoose, Heid E. Erdrich, A.J. Eversole, Chelesa Hicks, and D. Daye Hunter. Immersing readers in worlds as varied as their authors, this collection presents an array of singular voices at their genre-bending, boundary-breaking, devastating, and joyous best.

Reviews
"An evocative compilation of voices pondering Indigenous futures and the shape of Indigenous love. Beyond the Glittering World holds a healthy dose of gender-bending, genre-challenging, future-hoping might. This anthology is a welcome addition to the field of Indigenous anthologies.”—DEBORAH JACKSON TAFFA, Whiskey Tender

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240 pages | 5.25" x 8.00" | Paperback

 
Essays and short stories from a celebrated Cupeño/Cahuilla journalist.

"Johnson is by turns tender and hilarious—as ever. This book is a welcome addition to his loving history of the world as he knows it." —Susan Straight, author of Sacrament

In this moving collection of short stories and essays, Gordon Lee Johnson (Cupeño/Cahuilla) cements his voice not only as a commentator on American Indian reservation life but also as a master of fiction writing. From the noir-tinged mystery of "Unholy Wine" to the gripping intensity of "Tukwut," Johnson effortlessly switches genre and perspective, vividly evoking people and places that are fictional but profoundly true to life. Johnson’s nonfiction is equally revelatory in its exploration of connections between past and present. Whether examining his own conflicted feelings toward the missions as a source of both cultural damage and identity or sharing advice on cooking for eight dozen cowboys and -girls, Johnson plumbs the comedy, catastrophe, and beauty of his life on the Pala Reservation to thunderous effect.

Reviews
"Gordon Johnson's voice is like no other, and he continues in this new book to send out missives from his place in the world—the beating-strong heart of southern California's first peoples and the land they've loved for generations. Johnson is by turns tender and hilarious—as ever. This book is a welcome addition to his loving history of the world as he knows it." —Susan Straight, author of Sacrament

"A delicious communal feast of memory and imagination for California Indians or for anyone who has spent time living among us; on every page, there is a sensory connection to people, places, and events to delight the senses, evoke a smile, and trigger more stories about traditional gatherings, summer softball tournaments, elders who have passed on, or the bone-rattling comfort from hearing bird songs wafting through the summer air all night long." —Dr. Theresa Gregor (Iipay Nation of Santa Ysabel), CSU Long Beach

Additional Information
240 pages | 5.50" x 8.00" | Paperback 

A singular collection of responses to the still life paintings of acclaimed artist David Garneau

Dark Chapters brings together 17 poets, fiction writers, curators, and critics to engage with the works of David Garneau, the Governor General’s Award-winning Métis artist. Featuring paintings from Garneau’s still life series “Dark Chapters” alongside poetry, fiction, critical analysis, and autotheory, the book includes contributions from Fred Wah, Paul Seesequasis, Jesse Wente, Lillian Allen, Billy-Ray Belcourt, Larissa Lai, Susan Musgrave, and more.

A nod to the Reports of Truth and Reconciliation Commission, in which Justice Murray Sinclair describes the residential school system as “one of the darkest, most troubling chapters in our nation’s history,” Garneau’s still life paintings combine common objects (books, bones, teacups, mirrors) and less familiar ones (a Métis sash, a stone hammer, a braid of sweetgrass) to reflect the complexity of contemporary Indigenous experiences. Provocative titles like “Métis in the Academy” and “Smudge Before Reading” invite consideration of the mixed influences and loyalties faced by Indigenous students and scholars. Other paintings explore colonialism, vertical and lateral violence, Christian influence on traditional knowledge, and museum treatment of Indigenous belongings.

Rooted in Garneau’s life-long engagement at the intersections of visual art and writing, Dark Chapters presents a multifaceted reflection on the work of an inimitable, unparalleled artist.

Includes contributions from Arin Fay, Billy-Ray Belcourt, Cecily Nicholson, David Howes, Dick Averns, Fred Wah, Jeff Derksen, Jesse Wente, John G. Hampton, Larissa Lai, Lillian Allen, Paul Seesequasis, Peter Morin, Rita Bouvier, Susan Musgrave, Tarene Thomas, and Trevor Herriot.

Reviews
“A smart collection of art and essays, Dark Chapters activates deep conversations about art, resistance, and sovereignty. Visiting with paintings by Métis artist David Garneau, seventeen poets, curators, and thinkers offer complex provocations that trouble and activate new forms of communities and relationships.” —Dr. Carmen Robertson, Canada Research Chair in North American Indigenous Visual and Material Culture
 
“Provocative, probing, and precarious, Dark Chapters pairs the poetic, literary, political, and critical responses of seventeen authors with the deceptively uncluttered yet gravid and combustible still lifes of David Garneau. This collection of pictures and words undertakes a necessary examination of the uncanny oppositions and disquieting literal and symbolic inversions that signify and animate the Indigenous history of Canada.” —Bonnie Devine
 
“Dark Chapters is a lesson in relationality and innovation. Built through conversations between Garneau’s work and artists/writers, the intergenerational contributors to this book come together in relation to Garneau and his still lives to explore the important contribution the artist has made to Canadian, Indigenous, and International art.” —Erin Sutherland

Educator Information
Table of Contents

Foreword
Nic Wilson

Still Life
John G. Hampton

Stone and Rock: I Have Failed You
Peter Morin

Wander Carried
Cecily Nicholson

On Kinship
Paul Seesequasis

Learning from Indigenous Academic Solidarity
Jeff Derksen

Knock Knock
Lillian Allen

Unsettling the Colonial Gaze
Trevor Herriot

Smudge Before Reading and The Land Does Not Forget
Tarene Thomas

Confession (after David Garneau) by Rita Bouvier

Fuse and Formal and Informal Education
Jesse Wente

The Problem with Pleasure
Billy-Ray Belcourt

Métis Realism: On the Materiality of Smoke and Relationality of Rocks
David Howes

Allies (after Hsieh and Montano)
Larissa Lai

Ally Tear Reliquary
Arin Fay

Understanding Attempted Enlightening: Between Language as Power…and Light as Life
Dick Averns

Spine
Fred Wah

The Resting Heartbeat of a Wounded Bird
Susan Musgrave

Gallery
About the Artist
About the Curator
About the Editor
About the Contributors
List of Artworks
Index

Additional Information
160 pages | 6.50" x 9.50" | 58 colour illustrations | Paperback 

This new collection of horror short fiction weaves together contemporary Arctic settings with ancient monsters and mysterious beings that have been said to stalk the tundra for centuries.

Featuring authors from across the Canadian Arctic, this new volume of Taaqtumi—an Inuktitut word that means “In the Dark”—reveals just how horrifying the dark can be.

Featuring new fiction from award-winning authors Aviaq Johnston, Rachel and Sean Qitsualik-Tinsley and Jamesie Fournier, as well as new voices in the genre, this collection is perfect for any horror lover.

Educator & Series Information
Includes stories from Indigenous authors across the Canadian Arctic.

This book is part of the Taaqtumi series.

Additional Information
184 pages | 6.00" x 9.00" | b&w illustrations | Paperback

Emma LaRocque was born in 1949 in Lac La Biche into a Cree-speaking Métis family. She grew up in a one-room, kerosene-lit log cabin built by her father. At the age of nine, she fought her parents to attend school, where she encountered English and the colonizer’s harmful stereotypes of Indigenous peoples. Confronting the contradictions of colonialism sparked her journey as a writer and scholar, as she sought to understand the dissonance between her identity and the world around her.

The Emma LaRocque Reader is a comprehensive collection of her most significant writings, poetry and prose, offering an intimate window into the mind of one of Canada’s foremost Indigenous scholars. Through her work, LaRocque provides profound insights into the intersections of colonialism, sexism, and racism in Canada, while also critically celebrating the beauty of her community and culture. In the afterword, she reflects on fifty years of challenging the colonial enterprise. A vital contribution to postcolonial literature, The Emma LaRocque Reader intertwines the personal and the political to explore what it means to be human, offering a powerful testament to Indigenous resistance, resilience, and vision.

This collection brings together the works of Métis scholar Emma LaRocque, offering a half-century of her poetry and prose, and shedding new light on Canada, colonialism, and Indigenous resistance.

Educator Information
Chapters
Foreword by Armand Ruffo
Preface by Elaine Coburn
Acknowledgments by Emma LaRocque
Acknowledgments of Permissions to Reprint
Introduction by Elaine Coburn
1975 A Personal Essay on Poverty (Excerpt from Defeathering the Indian)
1983 The Métis in English Canadian Literature
1988 On the Ethics of Publishing Historical Documents
1989 Racism Runs through Canadian Society
1990 Preface: Here Are Our Voices: Who Will Hear?
1990 Geese (poem)
1990 Nostalgia (poem)
1990 “Progress” (poem)
1990 The Red in Winter (poem)
1990 Incongruence (poem)
1990 Loneliness (poem)
1990 Beggar (poem)
1990 Tides, Towns, and Trains
1992 My Hometown, Northern Canada, South Africa (poem)
1993 Violence in Aboriginal Communities
1994 Long Way from Home (poem)
1996 The Colonization of a Native Woman Scholar
1996 When the Other Is Me: Native Writers Confronting Canadian Literature
2001 Native Identity and the Métis: Otehpayimsuak Peoples
2001 From the Land to the Classroom
2004 When the Wild West Is Me
2006 Sweeping (poem)
2006 Sources of Inspiration: The Birth of "For the Love of Words": Aboriginal Writers of Canada
2007 Métis and Feminist
2009 Reflections on Cultural Continuity through Aboriginal Women’s Writings
2010 Native Writers Reconstruct: Pushing Paradigms
2013 For the Love of Place – Not Just Any Place: Selected Métis Writings
2015 “Resist No Longer”: Reflections on Resistance Writing and Teaching
2016 Contemporary Métis Literature: Resistance, Roots, Innovation
2016 Colonialism Lived
2017 Powerlines (poem)
2022 Wehsakehcha, Comics, Shakespeare, and the Dictionary
2023 Afterword
Index

Additional Information
348 pages | 6.00" x 9.00" | Paperback

Winnipeg and Other Places / Winnipeg et ailleurs is a back-to-back bilingual collection of short stories which read as sketches or snapshots of the author’s wanderings. Seen through the author’s subjective lenses, no two people have the same recollection of the past or of what just happened. Memory, loss, and longing are shaped by the author’s native Winnipeg and wherever else fate has taken him.

Educator Information
Bilingual: English and French.

Additional Information
75 pages | 3.00" x 5.00" | Paperback

A collection of intersecting stories about Indigenous love and loneliness from one of contemporary literature’s most boundless minds.

Across the prairies and Canada’s west coast, on reserves and university campuses, at literary festivals and existential crossroads, the characters in Coexistence are searching for connection. They’re learning to live with and understand one another, to see beauty and terror side by side, and to accept that the past, present, and future can inhabit a single moment.

An aging mother confides in her son about an intimate friendship from her distant girlhood. A middling poet is haunted by the cliché his life has become. A chorus of anonymous gay men dispense unvarnished truths about their sex lives. A man freshly released from prison finds that life on the outside has sinister strictures of its own. A PhD student dog-sits for his parents at what was once a lodging for nuns operating a residential school—a house where the spectre of Catholicism comes to feel eerily literal.

Bearing the compression, crystalline sentences, and emotional potency that have characterized his earlier books, Coexistence is a testament to Belcourt’s mastery of and playfulness in any literary form. A vital addition to an already rich catalogue, this is a must-read collection and the work of an author at the height of his powers.

Reviews
“Belcourt is one of the finest and most sublime writers at work today. This book is a feat of beauty and compression, every sentence reinventing the reader. It’s like entering a quiet room or a secret lake. It’s about our coexistence with lovers, kin, enemies, but also our coexistence with desire, solitude, and an intelligence that in itself is a form of hunger—language as solace, language as light. Belcourt is the rare writer who composes from, to, and because of the soul. It’s been some time since I loved a book so deeply.”—Claudia Dey, author of Daughter

“Through the interconnected lifeworlds contained in Coexistence, we hear a defiantly loving and astoundingly honest response to colonial and racial violence. Billy-Ray Belcourt has written an homage and an elegy to a still-unfolding history—as intimate and hopeful as young romance, as mysterious and life-giving as family. I adore this collection.” —Tsering Yangzom Lama, author ofWe Measure the Earth with our Bodies

“Coexistence filled my heart and lifted my spirit. There are few writers who can authentically capture the beauty and complexity of Indigenous existence both on the rez and in the city like Billy-Ray Belcourt. This book is a resolute proclamation of resilient Indigenous humanity and the nuance and richness we all embody. The stories weave and enrich on journeys that are both familiar and informative. Coexistence is a powerful celebration and a gift to the world.” —Waubgeshig Rice, author of Moon of the Turning Leaves

“Billy-Ray Belcourt masterfully portrays the complexities of Indigenous lives, longing, and belonging through these stories. There are sentences in this collection that I didn’t know I had been waiting to read; my breath caught on several of them. I suspect that readers will be letting out collective sighs while reading this book.”—Helen Knott, author of Becoming a Matriarch

“Billy-Ray Belcourt’s Coexistence is a brilliant exploration of the boundaries both imposed and imagined that exist between beings and the spaces we inhabit. I wildly admire Belcourt’s crisp prose and remarkable insights, yet what haunts me most about these powerful stories is the author’s heart-blasted willingness to be vulnerable on the page. This engaging, alive text drills right to heart of what it is to be Indigenous in the twenty-first century.”—Mona Susan Power, author of A Council of Dolls

Additional Information
200 pages | 5.00" x 7.50" | Hardcover

From one of the country’s most celebrated new writers, a blistering collection of short fiction that is bracingly relevant, playfully irreverent, and absolutely unforgettable.

There’s a hole in the ozone layer. Are teenage girls to blame?

Floods and wildfires, toxic culture, billionaires in outer space, or a purse-related disaster while on mushrooms—in today’s hellscape world, there’s no shortage of things to worry about. Last Woman, the new collection of short fiction by award-winning author Carleigh Baker, wants you to know that you’re not alone. In these 13 brilliant new stories, Baker and her perfectly-drawn characters are here for you—in fact, they’re just as worried and weirded-out as everyone else.

A woman’s dream of poetic solitude turns out to be a recipe for loneliness. A retiree is convinced that his silence is the only thing that will prevent a deadly sinkhole. An emerging academic wakes up and chooses institutional violence. A young woman finds sisterhood in a strange fertility ritual, and an enigmatic empath is on a cleanse. Baker’s characters are both wildly misguided and a product of the misguided times in which we live. Through them we see our world askew and skewered—and, perhaps, we can begin to see it anew.

Carleigh Baker’s signature style is irreverent, but her heart is true—these stories delve into fear for the future, intergenerational misunderstandings, and the complexities of belonging with sharp wit and boundless empathy. With equal parts compassion and critique, she brings her clear-eyed attention to bear on our world, and the results are hilarious, heartbreaking, and startling in their freshness.

Reviews
“Carleigh Baker’s Last Woman is a knockout. These fifteen stories are probing contemplations on technology, the climate crisis, childhood, adulthood, parenthood, dreams, identity, creativity, and those staggering moments when the uncanny burbles up through the cracks of everyday experience. I gulped these pages in one sitting, but their insights will linger for years to come.”—Michael Christie, author of Greenwood
 
“Carleigh Baker’s Last Woman is a satirical, energetic look at our messed-up world. The stories in this collection ask original, surprising what-if questions, exploring disasters small and large, personal and public, and the past, present, and future of this planet—and beyond. I’m so impressed with Baker’s ability to craft such a range of voices, by turns funny and vulnerable and exuberant and idiosyncratic. These stories are inventive, a little weird, and very, very cool.”—Shashi Bhat, author of The Most Precious Substance on Earth

Additional Information
208 pages | 5.18" x 8.00" | Paperback

Mark Kalluak was a respected community leader and Inuktitut specialist who was passionate about sharing Inuit culture. This book is a compilation of Kalluak’s works on traditional Inuit stories and beliefs from his home community of Arviat, Nunavut. These tales and cultural outlooks were thoughtfully collected, written in Inuktitut and English, and illustrated by Kalluak. From the origins of darkness and light, to cautionary tales of how to treat others, to explanations of taboos, this book is a noteworthy collection of traditional Inuit stories and beliefs.

Additional Information
216 pages | 8.00" x 10.00" | Hardcover

In her debut collection of short fiction, Amanda Peters describes the Indigenous experience from an astonishingly wide spectrum in time and place—from contact with the first European settlers, to the forced removal of Indigenous children, to the present-day fight for the right to clean water.

In this intimate collection, Peters melds traditional storytelling with beautiful, spare prose to describe the dignity of the traditional way of life, the humiliations of systemic racism and the resilient power to endure. A young man returns from residential school only to realize he can no longer communicate with his own parents. A young woman finds purpose and healing on the front lines as a water protector. An old man remembers his life as he patiently waits for death. And a young girl nervously dances in her first Mawi’omi. The collection also includes the story “The Berry Pickers,” which inspired Peters’ critically acclaimed novel of the same name, as well as the Indigenous Voices Award–nominated story “Pejipug (Winter Arrives).”

At times sad, sometimes disturbing but always redemptive, the stories in Waiting for the Long Night Moon will remind you that where there is grief there is also joy, where there is trauma there is resilience and, most importantly, there is power.

Educator Information
Waiting for the Long Night Moon is a collection of short stories.

Additional Information
256 pages | 6.00" x 9.00" | Paperback

A brand-new, spine-chilling collection of horror/thriller fiction, Zegaajimo, Anishinaabemowin for "to tell a scary story," includes stories from eleven leading First Nations and Metis authors from across the territories of Canada: Nathan Niigan Noodin Adler, Dawn Dumont, Daniel Heath Justice, D.A. Lockhart, Karen McBride, Tyler Pennock, Waubgeshig Rice, David A. Robertson, Drew Hayden Taylor, and Richard Van Camp.

Many of the stories draw on Traditional Stories. These stories of supernatural settings and deadful dees are more than speculative fiction, they are also reminders that monsters are already in our midst, that the known can be just as frightening as the unknown, and that the slightest mistakes can have dire consequences.

The collection is co-edited by Nathan Niigan Noodin Adler and Kateri Akiwenzie-Damm. Thrilling horror, Indigenous-style, perfect for Halloween!

Additional Information
230 pages | 5.50" x 8.50" | Paperback 

Being in Being contains three masterpieces by legendary Haida mythteller Skaay of the Qquuna Qiighawaay. The shortest recounts the high points of the legend of his family. The second, Raven Travelling, is the longest and most complex version of the story of the Raven ever recorded on the Northwest Coast. The third is The Qquuna Cycle, a narrative poem of nearly 5,500 lines, one of the true masterpieces of North American literature. Robert Bringhurst’s eloquent and vivid translations of these works are supplemented by explanatory notes that supply the needed background information.

Additional Information
384 pages | 5.50" x 8.50" | Paperback

To celebrate the fifth anniversary of the Indigenous Voices Awards, an anthology consisting of selected works by finalists over the past five years, edited by Jordan Abel, Carleigh Baker, and Madeleine Reddon.

For five years, the Indigenous Voices Awards have nurtured the work of Indigenous writers in lands claimed by Canada. Established in 2017 initially through a crowd-funded campaign by lawyer Robin Parker and author Silvia Moreno-Garcia that set an initial fundraising goal of $10,000, the initiative raised over $116,000 in just four months.

Through generous support from organizations such as Penguin Random House Canada, CELA, and others, the award has grown and have helped usher in a new and dynamic generation of Indigenous writers. Past IVA recipients include Billy-Ray Belcourt, Tanya Tagaq, and Jesse Thistle. The IVAs also help promote the works of unpublished writers, helping launch the careers of Smokii Sumac, Cody Caetano, and Samantha Martin-Bird.

For the first time, a selection of standout works over the past five years of the Indigenous Voices Award will be collected in an anthology that will highlight some of the most groundbreaking Indigenous writing across poetry, prose, and theatre in English, French, and in an Indigenous language. Curated by award-winning and critically acclaimed writers Carleigh Baker, Jordan Abel, and Indigenous scholar Madeleine Reddon, this anthology will be a true celebration of Indigenous storytelling that will both introduce readers to emerging luminaries as well as return them to treasured favourites.

Educator Information
Carving Space: The Indigenous Voices Awards Anthology: A collection of prose and poetry from emerging Indigenous writers in lands claimed by Canada includes a selection of standout work from the first five years of the Indigenous Voices Awards.

Additional Information
400 pages | 5.50" x 8.25" | Paperback