Anthologies / Short Stories

Bringing the Legends home

Legends of the Capilano updates E. Pauline Johnson’s 1911 classic Legends of Vancouver, restoring Johnson’s intended title for the first time. This new edition celebrates the storytelling abilities of Johnson’s Skwxwú7mesh (Squamish) collaborators, Joe and Mary Capilano, and supplements the original fifteen legends with five additional stories narrated solely or in part by Mary Capilano, highlighting her previously overlooked contributions to the book.

Alongside photographs and biographical entries for E. Pauline Johnson, Joe Capilano, and Mary Capilano, editor Alix Shield provides a detailed publishing history of Legends since its first appearance in 1911. Interviews with literary scholar Rick Monture (Mohawk) and archaeologist Rudy Reimer (Skwxwú7mesh) further considers the legacy of Legends in both scholars’ home communities. Compiled in consultation with the Mathias family, the direct descendants of Joe and Mary Capilano and members of the Skwxwú7mesh Nation, this edition reframes, reconnects, and reclaims the stewardship of these stories.

Reviews
"Shield has skilfully opened up a new avenue to the past with potentially wide-ranging appeal both to scholars and students and to general readers."— Jean Barman

Educator Information
This book is part of the First Voices, First Texts series.

Additional Information
256 pages | 5.50" x 8.50" | Paperback

A diverse group of seven writers comes together to create seven tender scenes about their hopes for the future.

The Many Mothers Collective came together during the pandemic, hoping to make sense of the world they found themselves in. What evolved was their need to not only focus on the present moment, but on the world they will leave behind for their children and grandchildren, and for seven generations to come. In seven scenes for the stage, the members of the collective explore the past, where they come from, and the future, where they are going, with a deep sense of hopefulness rooted in resistance.

Additional Information
70 pages | 5.00" x 8.00" | Paperback

A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un-settled?” Featuring stories by:

Norris Black • Amber Blaeser-Wardzala • Phoenix Boudreau • Cherie Dimaline • Carson Faust • Kelli Jo Ford • Kate Hart • Shane Hawk • Brandon Hobson • Darcie Little Badger • Conley Lyons • Nick Medina • Tiffany Morris • Tommy Orange • Mona Susan Power • Marcie R. Rendon • Waubgeshig Rice • Rebecca Roanhorse • Andrea L. Rogers • Morgan Talty • D.H. Trujillo • Theodore C. Van Alst Jr. • Richard Van Camp • David Heska Wanbli Weiden • Royce Young Wolf • Mathilda Zeller

Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home.

These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

Reviews
“All combined, these powerful pages use fantastical elements to create very human characters who suffer very real horrors, like oppression, poverty, abuse, mental illness and the erasure of long-existing cultures and traditions. This volume is a must for any library collection and will be devoured by speculative fiction fans who enjoy a sprinkle of social commentary within their scary books.” —Booklist

“Never Whistle at Night is all I’ve ever wanted in an Indigenous horror anthology. From doubles, to Empty People, to story theft, to zombies, this anthology explores the horror that lives in colonial violence, generational love and trauma, and our everyday lives. It’s a joy to see such a diverse representation of experience, background, and style in this carefully curated and terrifying collection.”—Jessica Johns, author of Bad Cree

“Story to story, Never Whistle at Night never failed to surprise, delight, and shock me. I’m a big fan of stories that make you feel like you’re standing at the edge of a cliff with a stranger’s fingers on the tip of your spine—and this anthology has that ungoverned, go-for-broke aesthetic that I love.”—Nick Cutter, author of Little Heaven

“An extensive collection of Indigenous stories ranging from the humorous to the terrifying, this anthology is a must-read for everyone. Your new favorite author is absolutely in this book.”—Amina Akhtar, author of Kismet

“Melodious, haunting, and visceral, Never Whistle at Night enchants from the very start with fiery confidence and merciless ghosts. These are stories that dig their fingers inside you and carve something truly special. An absolute must-read.”—Hailey Piper, Bram Stoker Award-winning author of Queen of Teeth

"Can you draw power from the spirit of a story? If the twenty-six tales in the essential Never Whistle at Night anthology are any indication, the answer is an emphatic yes. The title itself provides its own warning, but I'll go one step further: Never read this collection of spine-chilling stories alone at night. You just might not make it to morning."—Clay McLeod Chapman, author of Ghost Eaters

Additional Information
416 pages | 5.19" x 8.00" | Paperback

In the Fall of 1900, a young American anthropologist named John Swanton arrived in the Haida country, on the Northwest Coast of North America, intending to learn everything he could about Haida mythology. He spent the next ten months phonetically transcribing several thousand pages of myths, stories, histories and songs in the Haida language. Swanton met a number of fine mythtellers during his year in the Haida country. Each had his own style and his own repertoire. Two of them—a blind man in his fifties by the name of Ghandl, and a septuagenarian named Skaay—were artists of extraordinary stature, revered in their own communities and admired ever since by the few specialists aware of their great legacy.

Nine Visits to the Mythworld includes all the finest works of one of these master mythtellers. In November 1900, when Ghandl dictated these nine stories, the Haida world lay in near ruins. Wave upon wave of smallpox and other diseases, rapacious commercial exploitation by fur traders, whalers and miners, and relentless missionization by the church had taken a huge toll on Haida culture. Yet in the blind poet’s mind, the great tradition lived, and in his voice it comes alive. Robert Bringhurst’s eloquent and vivid translations of these works are supplemented by explanatory notes that supply the needed background information.

Additional Information
224 pages | 5.50" x 8.50" | b&w photographs | Paperback

Curious, uncanny tales blending Indigenous oral storytelling and meticulous style, from an electric voice in Canadian fiction.

These are stories that are a little bit larger than life, or maybe they really happened. Tales that could be told 'round the campfire, each one-upping the next. Tales about a car that drives herself, ever loyal to her owner. Tales about an impossible moose hunt. Tales about the Real Santa(TM) mashed up with the book of Genesis, alongside SPAM stew and bedroom sets from IKEA.

G.A. Grisenthwaite's writing is electric and inimitable, blending meticulous literary style with oral storytelling and coming away with a voice that is entirely his own. Tales for Late Night Bonfires is truly one of a kind, and not to be missed.

Reviews
"Tales for Late Night Bonfires is funny, dark, and rich all at once; each story is immense and alive. Grisenthwaite shows us what fiction can be when story leads the way." - QUILL & QUIRE starred review

"With his first book, Home Waltz, G.A. Grisenthwaite had arrived. With Tales for Late Night Bonfires, he has fully moved in. His writing is so vivid and fresh that the reader inhabits his characters, in their homes, on the land, in their talking cars. Gord has a great gift for dialogue and he writes with flinty humour and such love. I felt more completely human when I finished this book." - SHELAGH ROGERS founding host and co-creator, The Next Chapter, CBC Radio

"Grisenthwaite is a master storyteller, with a voice capable of roasting us and all the other ‘two-leggeds’ while keeping us at the bonfire, hungry for more. The lives of these unforgettable characters are at once comic and heart-crushing, precarious and buoyed by the undying embrace of interlaced dimensions, imbricate worlds." - SUSAN HOLBROOK author of Throaty Wipes and Ink Earl

"Gordon has a voice that is authentic campfire. I felt like I was holding a mug of tea in one hand, and enjoying a fish fry with the other - while waiting for his words to paint a vibrant canvas of characters. Sitting around the campfire, and ingesting memory with stories that need to be told, and retold. These stories visit places in the heart, where we each share, words that need to be said, words that beg to be read." - CAROL ROSE GOLDENEAGLE author of Bearskin Diary and Essential Ingredients

Additional Information
232 pages | 5.25" x 8.00" | Paperback 

In The Missing Morningstar and Other Stories, Stacie Denetsosie confronts long-reaching effects of settler-colonialism on Native lives in a series of gritty, wildly imaginative stories. A young Navajo man catches a ride home alongside a casket he’s sure contains his dead grandfather. A gas station clerk witnesses the kidnapping of the newly crowned Miss Northwestern Arizona. A young couple’s search for a sperm donor raises questions of blood quantum. This debut collection grapples with a complex and painful history alongside an inheritance of beauty, ceremony, and storytelling.

Reviews
“The Missing Morningstar is full of voices that reveal grief and redemption. This collection is a compelling compendium of family, truths, loss and love. Denetsosie’s voice is a wonderful addition to contemporary fiction that explores Indigenous lives. I loved it.”—Brandon Hobson

Additional Information
144 pages | 5.25" x 8.00" | Paperback

In this followup to his hugely popular Midnight Storm Moonless Sky: Indigenous Horror Stories, Blackfoot storyteller Alex Soop plunges us again into enthralling tales that mix reality with dark terror. Within its stories, Whisper at Night and They Will Come reveals ancient theories of the paranormal, post apocalyptic scenarios, impossible wells of grief, and monstrous phobias. Soop scares the wits out of readers, all the while uncovering overlooked social anxieties and racism affecting Indigenous Peoples across North America.

Educator & Series Information
This is the second volume in the Indigenous Horror series.

Additional Information
276 pages | 5.50" x 8.50" | Paperback

From Oklahoma to California, the heroes of A Calm & Normal Heart are modern-day adventurers—seeking out new places to call their own inside a nation to which they do not entirely belong. A member of the Osage tribe, author Chelsea T. Hicks’ stories are compelled by an overlooked diaspora happening inside America itself: that of young Native people.

In stories like “Superdrunk,” “Tsexope,” and “Wets’a,” iPhone lifestyles co-mingle with ancestral connection, strengthening relationships or pushing people apart, while generational trauma haunts individual paths. Broken partnerships and polyamorous desire signal a fraught era of modern love, even as old ways continue to influence how people assess compatibility. And in “By Alcatraz,” a Native student finds herself alone on campus over Thanksgiving break, seeking out new friendships during a national holiday she does not recognize. Leaping back in time, “A Fresh Start Ruined” inhabits the life of Florence, an Osage woman attempting to hide her origins while social climbing in midcentury Oklahoma. And in “House of RGB” a young professional settles into a new home, intent on claiming her independence after a break-up, even if her ancestors can’t seem to get out of her way.

Whether in between college semesters or jobs, on the road to tribal dances or escaping troubled homes, the characters of A Calm & Normal Heart occupy a complicated and often unreliable terrain. Chelsea T. Hicks brings sharp humor, sprawling imagination, and a profound connection to Native experience in a collection that will subvert long-held assumptions for many readers, and inspire hope along the way.

Reviews
"Chelsea T. Hicks' deadpan dexterous wit can make you laugh and cry in the space of a heartbeat. A Calm and Normal Heart is the book I've been waiting for— audacious, tender, and fiercely committed." —Louise Erdrich, author of The Sentence

"A Calm & Normal Heart is sharp, sexy, and endlessly surprising. An electric blend of playfulness and intensity in Hicks's prose ignites her characters' desires. Their stories dazzle and are to be savored. This is a gorgeous collection!" —Deesha Philyaw, National Book Award finalist and author of The Secret Lives of Church Ladies

"The stories in Chelsea Hicks's A Calm & Normal Heart are full of quiet truths and wry, soulful secrets. It is a book that doesn't at all feel like a debut story collection, but rather written with startling beauty and the flawless precision of a master storyteller. It is a genuine page-turner full of sentences so beautiful they demand re-reading." —Brandon Hobson, National Book Award finalist and author of The Removed

Additional Information
Hardcover

Powerful stories of "Metis futurism" that envision a world without violence, capitalism, or colonization.

"Education is the new buffalo" is a metaphor widely used among Indigenous peoples in Canada to signify the importance of education to their survival and ability to support themselves, as once Plains nations supported themselves as buffalo peoples. The assumption is that many of the pre-Contact ways of living are forever gone, so adaptation is necessary. But Chelsea Vowel asks, "Instead of accepting that the buffalo, and our ancestral ways, will never come back, what if we simply ensure that they do?"

Inspired by classic and contemporary speculative fiction, Buffalo Is the New Buffalo explores science fiction tropes through a Metis lens: a Two-Spirit rougarou (shapeshifter) in the nineteenth century tries to solve a murder in her community and joins the nehiyaw-pwat (Iron Confederacy) in order to successfully stop Canadian colonial expansion into the West. A Metis man is gored by a radioactive bison, gaining super strength, but losing the ability to be remembered by anyone not related to him by blood. Nanites babble to babies in Cree, virtual reality teaches transformation, foxes take human form and wreak havoc on hearts, buffalo roam free, and beings grapple with the thorny problem of healing from colonialism.

Indigenous futurisms seek to discover the impact of colonization, remove its psychological baggage, and recover ancestral traditions. These eight short stories of "Metis futurism" explore Indigenous existence and resistance through the specific lens of being Metis. Expansive and eye-opening, Buffalo Is the New Buffalo rewrites our shared history in provocative and exciting ways.

Additional Information
272 pages | 6.00" x 8.00" | Paperback

Faller mixes Roshoman style storytelling with traditional stories to describe the meeting, or juxtapositions, of a few characters on a Reservation. All of these characters are damaged in one way or the other. Faller is not narrative so much as bursts and flashes. It is not about what happens as much as moments in time. The stories fall together rather than follow each other. Faller is dark and funny in places, less sane and rational than yearning. Haunted. Not like every other book, Faller is the first work by an old young Indigenous writer, not trying to make sense of life on the Reservation, but giving a glimpse into the world he grew up in.

Educator & Series Information
This book is part of the Modern Indigenous Voices series.

Additional Information
80 pages | 8.50" x 5.50" | Paperback

For fans of Chuck Palahniuk, Joyce Carol Oates, and Karen Russell, God Isn’t Here Today ricochet between form and genre, taking readers on a dark, irreverent, yet poignant journey led by a unique and powerful new voice.

Driven by desperation into moments of transformation, Cunningham’s characters are presented with moments of choice—some for the better and some for the worse. A young man goes to God’s office downtown for advice; a woman discovers she is the last human on Earth; an ice cream vendor is driven insane by his truck’s song; an ageing stripper uses undergarments to enact her escape plan; an incubus tires of his professional grind; and a young woman inherits a power that has survived genocide, but comes with a burden of its own.

Even as they flirt with the fantastic, Cunningham’s stories unfold with the innate elegance of a spring fern, reminding us of the inherent dualities in human nature—and that redemption can arise where we least expect it.

Reviews
"Each of the stories is quite different from the other, but many are connected by themes of death and transformation and a fragrant throughline of lemon and lavender. ... The stories contain a distinct viscerality: hemoglobin and skin grafts, fantasies of rough sex and bondage, ice cream melting down forearms, and a DIY trepanation. ...God Isn’t Here Today may appeal to fans of Joshua Whitehead, Chuck Palahniuk, and the trash cinema of John Waters."—Shantell Powell Cloud Lake Literary

"God Isn't Here Today is a collection, I feel, that is whispered in the calligraphy of ghosts. Cunningham continues to both astound and haunt all who discover her. Wow!"—Richard Van Camp, author of The Lesser Blessed

Additional Information
248 pages | 5.00" x 8.00" | Paperback

Blackfoot storyteller Alexander Soop plunges us into a shocking well of imagination in his debut collection of short stories, Midnight Storm Moonless Sky. From hauntings on the Highway of Tears to fearful gatherings of ghosts and the sorrows of racism, Soop combines the social anxieties of Indigenous life with spellbinding flights and frights of speculative fiction. Through these enthralling stories of reality mixed with terror, readers get a wicked glimpse into the genre of Indigenous Horror – a combination of First Nations legends, dark fantasy, apocalyptic and paranormal enchantment, and monstrous secrets. In addition to his hungering to scare the wits out of readers, Alexander Soop also examines the overlooked matters affecting First Nations across the diverse world of Turtle Island. Midnight Storm Moonless Sky is Volume One in the Indigenous Horror series, a spinoff of the UpRoute Indigenous Spirit of Nature imprint.

Educator & Series Information
Alex Soop meticulously voices each and every one of the stories in Midnight Storm Moonless Sky from the First Nations Peoples’ perspective. While striving to entertain readers with his bloodcurdling tales, Alexander imaginatively implements the numerous issues that plague the First Nations people of North America, by way of subliminal and head-on messages. These specific matters include alcohol and drug abuse; systemic racism; missing and murdered Indigenous women and girls; foster care; Residential School aftereffects; and over-incarceration. He also deals with legends of Indigenous folklore, such as Wendigo, ghosts, and the afterlife.

Midnight Storm Moonless Sky is Volume One in the Indigenous Horror series, a spinoff of the UpRoute Indigenous Spirit of Nature imprint. 

Additional Information
288 pages | 6.00" x 9.00"| Paperback

Ndè Sii Wet'aà: Northern Indigenous Voices on Land, Life, & Art is a collection of essays, interviews, short stories and poetry written by emerging and established northern Indigenous writers and artists. Centred on land, cultural practice and northern life, this ground-breaking collection shares wealth of Dene (Gwichʼin, Sahtú, Dehcho, Tłı̨chǫ, Saysi, Kaska, Dënesuiné, W?ìl?ìdeh ) Inuit, Alutiiq, Inuvialuit, Métis, Nêhiyawak (Cree), Northern Tutchone, and Tanana Athabascan creative brilliance. Ndè Sii Wet'aà holds up the voices of women and Two Spirit and Queer writers to create a chorus of voices reflecting a deep love of Indigenous cultures, languages, homelands and the north. The book includes a series of pieces and interviews from established northern artists and musicians including Leela Gilday, Randy Baillargeon (lead singer for the W?ìl?ìdeh Drummers), Inuit sisters, song-writers and throat singers Tiffany Ayalik and Inuksuk Mackay of Piqsiq, Two Spirit Vuntut Gwitchin visual artist Jeneen Frei Njootli, Nunavik singer-songwriters Elisapie and Beatrice Deere and visual artist Camille Georgeson-Usher. Ndè Sii Wet'aà also includes writing from well-known northern writers Siku Allooloo, T'áncháy Redvers (Fireweed), Antione Mountain (From Bear Rock Mountain), Glen Coulthard (Red Skin, White Masks), Catherine Lafferty (Northern Wildflower, Land-Water-Sky) and Lianne Marie Leda Charlie, in amongst the best emerging writers in the north.

Additional Information
264 pages | 6.00" x 9.00" | Paperback

Set in a Native community in Maine, Night of the Living Rez is a riveting debut collection about what it means to be Penobscot in the twenty-first century and what it means to live, to survive, and to persevere after tragedy.

In twelve striking, luminescent stories, author Morgan Talty—with searing humor, abiding compassion, and deep insight—breathes life into tales of family and a community as they struggle with a painful past and an uncertain future. A boy unearths a jar that holds an old curse, which sets into motion his family’s unraveling; a man, while trying to swindle some pot from a dealer, discovers a friend passed out in the woods, his hair frozen into the snow; a grandmother suffering from Alzheimer’s projects the past onto her grandson; and two friends, inspired by Antiques Roadshow, attempt to rob the tribal museum for valuable root clubs.

A collection that examines the consequences and merits of inheritance, Night of the Living Rez is an unforgettable portrayal of an Indigenous community and marks the arrival of a standout talent in contemporary fiction.

Reviews
"Morgan Talty's Night of the Living Rez is a beautifully crafted, raw and intimate book about youth, friendship, and family on the reservation. These stories are profoundly moving and essential, rendered with precision and intimacy. Talty is a powerful new voice in Native American fiction." —Brandon Hobson, National Book Award finalist and author of The Removed

"Twelve incredible stories. . . . Haunting, insightful, and just plain excellent." — Book Riot

"Night of the Living Rez is true storytelling. It's a book so funny, so real, so spirited and vivid it brought me back to my own rez life and the people who made me." —Terese Marie Mailhot, author of Heart Berries

Additional Information
250 pages | 5.50" x 8.50" | Paperback