Indigenous Studies

A groundbreaking and deeply personal exploration of Tribal enrollment, and what it means to be Native American in the United States

Who is Indian enough?

To be Native American is to live in a world of contradictions. At the same time that the number of people in the US who claim Native identity has exploded—increasing 85 percent in just ten years—the number of people formally enrolled in Tribes has not. While the federal government recognizes Tribal sovereignty, being a member of a Tribe requires navigating blood quantum laws and rolls that the federal government created with the intention of wiping out Native people altogether. Over two million Native people are tribally enrolled, yet there are Native people who will never be. Native people who, for a variety of reasons ranging from displacement to disconnection, cannot be card-carrying members of their Tribe.

In The Indian Card, Carrie Lowry Schuettpelz grapples with these contradictions. Through in-depth interviews, she shares the stories of people caught in the mire of identity-formation, trying to define themselves outside of bureaucratic processes. With archival research, she pieces together the history of blood quantum and tribal rolls and federal government intrusion on Native identity-making. Reckoning with her own identity—the story of her enrollment and the enrollment of her children—she investigates the cultural, racial, and political dynamics of today’s Tribal identity policing. With this intimate perspective of the ongoing fight for Native sovereignty, The Indian Card sheds light on what it looks like to find a deeper sense of belonging.

Reviews
“The Indian Card is a candid, unflinching look at the sometimes subtle, sometimes ruthless ways federal policies undermine Indigenous culture and society. Carrie Schuettpelz understands first-hand how official tribal membership rations not only access to benefits such as healthcare and housing stipends, but also an ineffable sense of belonging. Her thorough excavation of the painful history that gave rise to rigid enrollment policies is a courageous gift to our understanding of contemporary Native life.”– The Whiting Foundation Jury's Note

"The Indian Card is all at once an intimate portrait, a sweeping history and a thoughtful examination of tribal identity, Native sovereignty and the quest for belonging."—WBUR

"Carrie’s book is so dang good you need to get two copies: one for you and then the other for a friend. Schuettpelz, with so much research and interviews, shares the stories of people caught in the mire of identity-formation with such ease. The voice is pitch perfect, there is not one wrong word and the content is written with so much grace and elegance and honesty you can’t help but finish Schuettpelz’s work knowing it will live on for as long as it takes to unravel the many, many contradictions surrounding what it means to Native American today." - Morgan Talty, author of Fire Exit

"A well researched book for readers who are curious or confused about complex kinship relationships in Native America. Armed with personal experience, interviews, and scholarly data, Carrie Lowry Schuettpelz tackles the political nature of Indigenous identity with clarity and concision."—Deborah Taffa, author of Whiskey Tender

"Illuminating...An innovative exploration of a thorny issue." —Publishers Weekly, starred review

"A clear and frank analysis of the challenges that define Native selfhood." —Kirkus Reviews

Additional Information
304 pages | 6.12" x 9.25" | includes 10-12 charts/figures and captions throughout | Hardcover 

From Tanya Talaga, the critically acclaimed and award-winning author of Seven Fallen Feathers, comes a riveting exploration of her family’s story and a retelling of the history of the country we now call Canada

For generations, Indigenous People have known that their family members disappeared, many of them after being sent to residential schools, “Indian hospitals” and asylums through a coordinated system designed to destroy who the First Nations, Métis and Inuit people are. This is one of Canada’s greatest open secrets, an unhealed wound that until recently lay hidden by shame and abandonment.

The Knowing is the unfolding of Canadian history unlike anything we have ever read before. Award-winning and bestselling Anishinaabe author Tanya Talaga retells the history of this country as only she can—through an Indigenous lens, beginning with the life of her great-great grandmother Annie Carpenter and her family as they experienced decades of government- and Church-sanctioned enfranchisement and genocide.

Deeply personal and meticulously researched, The Knowing is a seminal unravelling of the centuries-long oppression of Indigenous People that continues to reverberate in these communities today.

Additional Information
480 pages | 6.12" x 9.25" | Hardcover 

An examination of the barriers facing Indigenous people within the healthcare system from the perspective of an empathetic settler physician

After leaving her medical practice in Pennsylvania in 2011, Jarol Boan returned to her childhood home in Saskatchewan, Canada to practice medicine. There she found a healthcare system struggling with preventable chronic diseases and institutional racism. Shocked by the high rate of preventable diseases in her patients, Boan realized that a paternalistic deficit model does not support Indigenous communities. Through working to provide medical services in Indigenous communities and learning firsthand from her Indigenous patients, Boan embarked on a road to enlightenment and reconciliation.

In The Medicine Chest, Boan exposes the healthcare disparities in a country that prides itself on an equitable healthcare system and examines the devastating effects of diabetes, the myth of “the drunken Indian,” the inner workings of hospitals, Missing and Murdered Indigenous Women and Girls, epidemics on reserves, and residential school trauma. Exploring the intersectionality of common diseases and social determinants of health gained from her experience of caring for Indigenous patients, Boan weaves historical data, comments on health policy, and jurisdictional gaps into the narrative while investigating how Canada’s healthcare system is failing those most in need.

Reviews
“A heart-breaking, heart-warming story of damage and caring. I couldn’t stop reading.” —Gary Geddes, Medicine Unbundled

“Canada’s national sense of self is rooted in the myth of a fair, open, and public health care system. But all too often the medical system is a nightmare journey for Indigenous patients and their families. The Medicine Chest is a frontline diary of the struggle to address the inequities and colonial legacy, and the urgency to find a new way to healing and reconciliation.” —Charlie Angus, Cobalt and Children of the Broken Treaty

“Dr. Boan confronts the traps and assumptions she unearths, both in herself and in the health care system, as she journeys, and sometimes stumbles, along the messy path toward self-awareness and reconciliation.” —Karen Palmer, Policy Advisor to Canadian Doctors for Medicare

“An important effort at reaching out and tackling the challenges presented by Indigenous health disparities and jurisdictional obstacles.” —Blair Stonechild, First Nations University of Canada

Educator Information
Table of Contents

Acknowledgements
Map

Introduction

Willow Medicine
Hollywood in Regina
A Field on the Prairie
A Middle Ground
Two-Eyed Seeing
A Crime to Refuse Treatment
As Long as That Sun Shines
Strangers in the Touchwood Hills
An Expanding Circle
Red Dress Day
Michael’s Tears
An HIV Epidemic
A Clinic in the Parklands
Derrick
The Trade in Alcohol
Maybe I Will, Maybe I Won’t
Sweetgrass and Ceremony
The Dialysis Shuttle
Anxiety
Food on the Reserve
The Spirit Journey
Ten to Fifteen Percent
The Serpent
The Road to Reconciliation

Seven Grandfather Teachings from the Anishinaabe
Postscript
TRC Calls to Action addressed in The Medicine Chest

Index
About the Author

Additional Information
320 pages | 6.00" x 9.00" | Paperback

In this stunning novel, Pulitzer Prize and National Book Award–winning author Louise Erdrich tells a story of love, natural forces, spiritual yearnings, and the tragic impact of uncontrollable circumstances on ordinary people’s lives.

History is a flood. The mighty red . . .

In Argus, North Dakota, a collection of people revolve around a fraught wedding.

Gary Geist, a terrified young man set to inherit two farms, is desperate to marry Kismet Poe, an impulsive, lapsed Goth who can't read her future but seems to resolve his.

Hugo, a gentle red-haired, home-schooled giant, is also in love with Kismet. He’s determined to steal her and is eager to be a home wrecker.

Kismet's mother, Crystal, hauls sugar beets for Gary's family, and on her nightly runs, tunes into the darkness of late-night radio, sees visions of guardian angels, and worries for the future, her daughter’s and her own.

Human time, deep time, Red River time, the half-life of herbicides and pesticides, and the elegance of time represented in fracking core samples from unimaginable depths, is set against the speed of climate change, the depletion of natural resources, and the sudden economic meltdown of 2008-2009. How much does a dress cost? A used car? A package of cinnamon rolls? Can you see the shape of your soul in the everchanging clouds? Your personal salvation in the giant expanse of sky? These are the questions the people of the Red River Valley of the North wrestle with every day.

The Mighty Red is a novel of tender humor, disturbance, and hallucinatory mourning. It is about on-the-job pains and immeasurable satisfactions, a turbulent landscape, and eating the native weeds growing in your backyard. It is about ordinary people who dream, grow up, fall in love, struggle, endure tragedy, carry bitter secrets; men and women both complicated and contradictory, flawed and decent, lonely and hopeful. It is about a starkly beautiful prairie community whose members must cope with devastating consequences as powerful forces upend them. As with every book this great modern master writes, The Mighty Red is about our tattered bond with the earth, and about love in all of its absurdity and splendor.

A new novel by Louise Erdrich is a major literary event; gorgeous and heartrending, The Mighty Red is a triumph.

Reviews
"A love triangle is at the heart of this novel, set against the backdrop of a beet farm in North Dakota during the economic meltdown of 2008-2009. It's as much about the financial crash and environmental destruction as it is about the people most impacted by and vulnerable to these devastations." — New York Times

"While the novel touches on tragedy, it also includes scenes of sheer comedic delight. No one describes a book-group meeting better than Erdrich. Pulitzer Price and National Book Award winner Erdrich (The Sentence) yet again displays her storytelling skills." — Library Journal (starred review)

"[A] finely woven tale of anguish and desire, crimes and healing. With irresistible characters, dramatic predicaments, crisp wit, gorgeously rendered settings, striking ecological facts, and a cosmic dimension, Erdrich’s latest tale of the plains reverberates with arresting revelations." — Booklist

Educator Information
The Mighty Red is a standalone novel, but it's also a sequel to Louise's 1986 novel The Beet Queen. It takes place in Argus, North Dakota, the same fictional town where many of her other novels are set. 

Additional Information
384 pages | 6.00" x 9.00" | Paperback 

Nourish your body and mind through food with these 60 recipes celebrating Navajo culinary traditions.

The Modern Navajo Kitchen​ takes you on an exhilarating journey for your taste buds. This beautifully photographed cookbook ties together traditional Navajo recipes as well as global recipes with a Navajo spin, creating a truly unique culinary experience! Choose from a plethora of drinks, breads, breakfasts, soups, mains, sides, and desserts—the sky’s the limit.

Incorporating traditional and modern ingredients, some of the deliciously nourishing and comforting recipes include:

• Navajo Boba Milk Tea (Abe’ Boba Dééhk’azí)
• Fry Bread (Dah Díníilghaazh)
• Navajo Burgers (Atsį’ Yik’ą́ Náneeskadí Bił Ałch’į’ Át’éhí)
• Sumac and Strawberry Greek Yogurt Ice Pops (Chiiłchin Yogurt Tiní)
• and more!

This comprehensive cookbook also includes instructions for how to make such things as juniper ash, roasted cornmeal, and roasted chiles that will bring your Navajo cooking skills to the next level. A short history of Navajo culinary traditions is provided to provide cultural context behind your new culinary experiences, and sample meal plans will help you put together the perfect menus for the week ahead or for those special occasions with family and friends.

Reconnect to your cultural heritage or treat your palate (or both!) with The Modern Navajo Kitchen.

Additional Information
192 pages | 8.00" x 9.50" | Colour Photos | Hardcover 

A powerful, lyrical collection of essays from the award-winning author of Following the River, exploring the pivotal moments in her life, and how art and nature have shaped her.

Like both memory and the moon, what's written here aims to shed what light it can, bringing it home to now.

How does a woman compose a life? The Old Moon in Her Arms is a hybrid book of fragments, pivotal moments and images in the phases of a woman's life, turning points rendered in Lorri Neilsen Glenn's lyrical prose.

Like the shifting images in a kaleidoscope, these glimpses into the life of an ordinary woman lay bare the ways family, landscape, loss, and a lifelong pursuit of knowledge have forced the author in her later years to examine what really matters. Here, readers bear witness to the making of a daughter, a student, a wife, a friend, a teacher, a mother, a feminist, an award-winning scholar and writer. Neilsen Glenn's artistry weaves personal history, philosophy, pop culture, and contemporary thought to examine moments and people who've inhabited her life. "Over time and circumstance," she says, "haven't we all been various?"

Guiding her exploration are the Cree concept of wahkohtowin, the kinship in all of creation, and the elliptical path of the moon.

This hybrid collection of singular moments celebrates connection, wonder and endless curiosity.

Educator Information
Subjects/Themes: Memoir, Creativity, Aging, Literacy Collection, Prose, Poetry

Additional Information
272 pages | 6.00" x 8.00"| Paperback

A Navajo Ranger’s chilling and clear-eyed memoir of his investigations into bizarre cases of the paranormal and unexplained in Navajoland

As a Native American with parents of both Navajo and Cherokee descent, Stanley Milford Jr. grew up in a world where the supernatural was both expected and taboo, where shapeshifters roamed, witchcraft was a thing to be feared, and children were taught not to whistle at night.

In his youth, Milford never went looking for the paranormal, but it always seemed to find him. When he joined the fabled Navajo Rangers—a law enforcement branch of the Navajo Nation who are equal parts police officers, archeological conservationists, and historians—the paranormal became part of his job. Alongside addressing the mundane duties of overseeing the massive 27,000-square-mile reservation, Milford was assigned to utterly bizarre and shockingly frequent cases involving mysterious livestock mutilations, skinwalker and Bigfoot sightings, UFOs, and malicious hauntings.

In The Paranormal Ranger, Milford recounts the stories of these cases from the clinical and deductive perspective of a law enforcement officer. Milford’s Native American worldview and investigative training collide to provide an eerie account of what logic dictates should not be possible.

Reviews
“Stanley Milford Jr. masterfully intertwines memoir, Diné creation stories, and true encounters with otherworldly phenomena. As a Navajo Ranger, Milford’s path is shadowed by eerie cryptids, mysterious UFOs, and the ever-present trials of his demanding role. His unwavering dedication, bravery, and deep cultural insight transform this narrative into a mesmerizing journey. Bridging the realms of legend and reality, each spine-chilling investigation illuminates the enduring spirit and wisdom of the Navajo people, offering readers a profound and unforgettable cultural experience.”— Shane Hawk, co-editor of Never Whistle at Night: An Indigenous Dark Fiction Anthology

“Stan’s life story is a true testament to the reverence that Native American culture has for the paranormal. His passion for investigating the otherworldly really shines. A fascinating read, and highly recommended!”  — Steve Gonsalves, star of Ghost Hunters and bestselling author of A Life with Ghosts

“Many of Stan’s experiences recounted in this book parallel what we’ve seen on Skinwalker Ranch, with an eerie degree of similarity. Getting to learn more about Stan’s life and his Navajo-Cherokee heritage alongside these incredible stories is a meaningful bonus.” — Jim Morse, ranch manager and cast member of The Secret of Skinwalker Ranch

"Milford interweaves colorful stories from Navajo mythology that illuminate cultural beliefs about the origins of life, monsters, and the spirit world. . . . Engaging reading for adventurous minds." — Kirkus Reviews

"Equal parts memoir and supernatural record, Milford's book shares how these occurrences enlightened him. He leaves the reader with a unified theory of how paranormal phenomena are connected and what this means for us as human beings. And he demonstrates how experience and open-mindedness can, over a lifetime, build up to unparalleled expertise." — Booklist

Additional Information
256 pages | 6.00" x 9.00" | Hardcover 

The Spaces In Between examines prospects for the enhanced practice of Indigenous political sovereignty within the Canadian state. As Indigenous rights include the right to self-determination, the book contends that restored practices of Indigenous sovereignty constitute important steps forward in securing better relationships between Indigenous peoples and the Canadian state.

While the Canadian state maintains its position of dominance with respect to the exercise of state sovereignty, Tim Schouls reveals how Indigenous nations are nevertheless carving out and reclaiming areas of significant political power as their own. By means of strategically acquired legal concessions, through hard-fought political negotiations, and sometimes through simple declarations of intent, Indigenous nations have repeatedly compelled the Canadian state to roll back its jurisdiction over them. In doing so, they have enhanced their prospects for political sovereignty within Canada. As such, they now increasingly occupy what Schouls refers to metaphorically as “the spaces in between.”

The book asserts that occupation of these jurisdictional “spaces in between” not only goes some distance in meeting the requirements of Indigenous rights but also contributes to Indigenous community autonomy and well-being, enhancing prospects for reconciliation between Indigenous peoples and the Canadian state.

Reviews
“The Space In Between is a vital resource for understanding how the concept of sovereignty has helped and hindered the Indigenous emancipation project in Canada. Schouls is a gifted educator, who shares his astute insight and considerable knowledge of Indigenous law and politics in a highly accessible and common sense fashion that will be of interest to students, instructors and the broader Canadian public.” — Dimitrios Panagos, Associate Professor of Political Science, Memorial University of Newfoundland

“The Spaces In Between addresses many of the key issues that are most salient in Indigenous–state relations. Tim Schouls presents a good balance between exploring theoretical concepts and examining case studies to contextualize and show how important debates play out in real-world settings. This book will serve as an essential resource for many universities and colleges seeking to build more Indigenous programming and courses, as per the Truth and Reconciliation Commission’s recommendations.” — Minh Do, Assistant Professor of Political Science, University of Guelph

“Drawing on a range of themes and issues, The Spaces In Between provides students with a strong academic grounding in Indigenous politics and Indigenous–settler relations. It articulates the ways Indigenous peoples have opened space within Canadian state claims to sovereignty and filled it with their own articulations and practices of sovereignty. Well-written and accessible, this book presents complex information in an eminently readable and engaging way, offering a clear articulation for a possible path forward for Indigenous–settler relations.” — Liam Midzain-Gobin, Assistant Professor of Political Science, Brock University

Educator Information 
Table of Contents
Introduction: Claiming the Spaces In Between
1. Contending Sovereignties: Prospects for Coexistence
2. Identity Politics: Citizenship and Belonging
3. Policy: From Political Sovereigns to Colonial Subjects
4. Policy: Signs of a Post-colonial Reality?
5. The Courts: Colonialism’s Constraints and Sovereignty’s Opportunities
6. Treaties Old: Sharing Lands and Resources
7. Treaties New: Landed Citizenship
8. Self-Government: Incremental Sovereignty
9. Partnerships: Shared Sovereignty, Shared Ventures
Conclusion: Occupying the Spaces In Between
References
Index

Additional Information 
436 pages | 7.50" x 9.25"

Threatened by encroaching colonialism, one Métis family struggles to protect their way of life.

In 1869, the arrival of surveyors from the new Dominion of Canada sends ripples of anxiety through the people of Red River. As the Métis Nation begins negotiating terms for joining Confederation, each member of the Rougeau family adapts in their own way: Clément looks outward, trying to maintain his livelihood as a carter, while his wife, Marienne, looks inward, determined to hold their fracturing family together. Julien, the eldest son, joins Louis Riel to confront the same intruders that so impress his sister, Charlotte. As the Red River Resistance unfolds, the consequences of each choice become heartbreakingly clear.

Additional Information
256 pages | 5.50" x 8.50" | Paperback 

From ancestral healing expert Pānquetzani comes traditional Indigenous wisdom for helping women thrive in, rather than merely survive, the postpartum experience.

Though we now have more resources for ancestral birthing and self-care practices than ever, postpartum care is still largely stuck in an outdated, patriarchal paradigm that fails to serve mothers and newborns. “Slowing down, recovering fully, and giving your baby the best start isn’t a privilege—it’s a basic human need,” says Pānquetzani, a leading expert in Indigenous health care for women. In Thriving Postpartum, she shares the sacred ritual of la cuarentena (or quarantine) that honors, nurtures, and empowers a birthing person’s transition into their new life. Here, you’ll find guidance on:

• Herbal recipes and 25 yerbas for postpartum healing
• Newborn and immediate postpartum care
• Sacred foods in la cuarentena
• Bodywork
• Your emotional body in la cuarentena
• Sex, pleasure, and intimacy postpartum

Pānquetzani teaches this 40-day journey as a spiritual rite of passage, one that has endured colonization and supported women in Mesoamerican, Mexican, and Central American communities. She shares everything you’ll need—from ancestral recipes for lactation and replenishing, to prayers and somatic practices for physical, emotional, and sexual recovery. Through traditional stories and practical guidance, she also helps you engage your support network, become your own best advocate, and lay a healthy foundation for the years to come.

“This wisdom has come from my familia and is a direct inheritance from our collective body of knowledge,” says Pānquetzani. Imparted with love, tenderness, and respect, here is an invitation to participate in a rich tradition that celebrates birth and motherhood as sacred acts of creation.

Reviews
“Thriving Postpartum is imperative to the ancestral healing of all birthing people and their families. Prioritizing Indigenous practices impacts more current social injustices than we even realize—everything from sustainability to the protection and equality of Black and Brown bodies. Pānquetzani’s book is saving lives, one generation at a time.” —Kehlani, activist, home birther, and award-winning singer and songwriter

“This much-needed book brings to light the important and historical knowledge of Mexican Indigenous herbal medicine for women during their postpartum time. Pānquetzani provides a rich, practical, and highly effective guide on how to care for yourself with traditional herbs, body practices, and sacred foods and recipes from her years of experience working with women and expanding on the wisdom of her abuelas. She also lovingly and unflinchingly guides BIPOC new mothers through the variety of emotions that surface during this transition into motherhood to help navigate ancestral and familial wounds, systemic oppression, and relationships and sexuality with a focus on nervous system support and regulation practices. Reading this book will make you feel like Pānquetzani is your doula guiding you along your postpartum journey, reconnecting and empowering you with your sacred heritage. This book is a reclamation and a healing for BIPOC women and a sacred gift to future generations.” —Alisa Vitti, functional nutrition and women’s hormone expert, author of WomanCode and In the FLO, creator of the Cycle Syncing® Method, and founder of FLOliving.com

Additional Information
256 pages | 6.00" x 9.00" | 20 b&w photos | Paperback 

The author of the award-winning memoir Red Paint returns with a razor-sharp, clear-eyed collection of essays on what it means to be a proudly queer indigenous woman in the United States today

Drawing on a rich family archive as well as the anthropological work of her late great-grandmother, Sasha taqʷšəblu LaPointe explores themes ranging from indigenous identity and stereotypes to cultural displacement and environmental degradation to understand what our experiences teach us about the power of community, commitment, and conscientious honesty.

Unapologetically punk, the essays in Thunder Song segue from the miraculous to the mundane, from the spiritual to the physical, as they examine the role of art—in particular music—and community in helping a new generation of indigenous people claim the strength of their heritage while defining their own path in the contemporary world.

Reviews
"Blending beautiful family history with her own personal memories, LaPointe’s writing is a ballad against amnesia, and a call to action for healing, for decolonization, for hope." —Lauren Puckett-Pope, Elle

“It’s a provocative and wonderfully crafted collection exploring cultural legacies, colonialism, and finding your own path forward.” —Susie Dumond, BookRiot

"Lyrical prose elevates LaPointe’s incisive and heartfelt personal reflections. The result is a beautifully rendered snapshot of contemporary American Indigenous life." —Publishers Weekly

"These passionate essays, adamant in their activist pleas, reflect hard-won wisdom, as well as the representative significance of the author’s experiences. Probing and poignant reflections on Indigenous America." —Kirkus Reviews

“Sasha taqʷšəblu LaPointe’s essays in Thunder Song are loud, bold, and startlingly majestic. None of Sasha’s examinations fail to find truth: page after page, the intersections of family, heritage, history, and music build to countless transcendental moments for the reader, which is not only the magic of this book but a clear testament to Sasha’s immense storytelling power. She is a major talent. Thunder Song is masterful and wise, and it will not be forgotten.” ––Morgan Talty, National Bestselling author of Night of the Living Rez

Additional Information
256 pages | 5.36" x 8.30" | Hardcover

A story of the Sḵwx̱wú7mesh Úxwumixw (Squamish Nation): past, present, and future.

One hundred years after Sḵwx̱wú7mesh (Squamish) leadership signed an amalgamation agreement that declared several communities in Squamish territory as one nation, this accessible history of the Sḵwx̱wú7mesh people traces our stories from ancient times to the present. Tiná7 Cht Ti Temíxw: We Come from This Land offers the culmination of generations of knowledge about the Squamish People and Sḵwx̱wú7meshulh Temíx̱w (Squamish People’s Territory).

Today, we are over 4,100 people and growing, living within Sḵwx̱wú7meshulh Temíx̱w and beyond. Our 6,732-square-kilometre territory includes the watersheds of the Squamish River, Mamquam River, and Howe Sound in the north, and English Bay, False Creek, and Burrard Inlet in the south. It encompasses saltwater and rushing rivers, old-growth forests at valley bottoms, and alpine forests high above the ocean.

Oral histories and archaeological sites demonstrate our relationship with the lands and waters going back over twelve thousand years. Here, we introduce ancient Squamish stories and ways, as well as describe relationships with our neighbours from time immemorial. We discuss early contact with Europeans and the disastrous effects of racism and colonialism, the Indian Act, reserves, and residential schools. We detail our engagement with the imperfect tool of the Canadian judicial system in several significant court cases that have advanced Indigenous rights. And we show how the Squamish Nation is taking back ownership and stewardship within our homelands.

Tiná7 Cht Ti Temíxw: We Come from This Land is a powerful introduction to our vast history and a launching point for discovering more about the different places, people, and stories offered here.

Additional Information
416 pages | 6.50" x 9.50" | Paperback

Academia remains an unwelcoming space for Indigenous scholars. What space it does cede to Indigenous knowledge is dictated and narrowly defined. W̱SÁNEĆ scholar Jack Horne, author of TOL, NEW̱ SEN TŦE SOȽ: I Know the Road articulates his own negotiation with academia:

“In response to the question of how I, a W̱SÁNEĆ artist and scholar, use embodied W̱SÁNEĆ knowledge in my artistic and academic work, this book advocates for a move away from standard social sciences theories, methodologies and paradigms while forcefully insisting on a W̱SÁNEĆ paradigm.”

To accomplish this constructive goal, Horne argues, “requires a negotiation of embodied W̱SÁNEĆ knowledge, performance studies theory, and western eurocentric social sciences paradigms.”

Written through beautiful storytelling practices with this goal in mind, TOL, NEW̱ SEN TŦE SOȽ: I Know the Road is thus part personal and cultural history, and part contemporary critique. Horne uses a variety of research, letters, and even fragments from his plays, to create a compelling challenge to outmoded academic structures, proposing an alternative that embraces and tools historically suppressed W̱SÁNEĆ ways of knowing. Not only does Horne’s writing confront white supremacy and anti-Indigenous racism in academia, it offers material alternatives to status quo, white-centric pedagogy. With its focus on W̱SÁNEĆ history and knowledge practices, this book offers a praxis of Indigenous knowledge and performance study theory that delivers a unique and deeply valuable pedagogic project.

Additional Information
216 pages | 5.50" x 8.50"| Paperback

Design and building concepts that pay respect to the land and empower Indigenous communities across the Northern Hemisphere

An Indigenous-led publication, Towards Home explores how Inuit, Sámi and other communities across the Arctic are creating self-determined spaces. This research project, led by Indigenous and settler coeditors, is titled after the phrases angirramut in Inuktitut, or ruovttu guvlui in Sámi, which can be translated as “towards home.” To move towards home is to reflect on where northern Indigenous people find home, on what their connections to their land means and on what these relationships could look like into the future. Framed by these three concepts—Home, Land and Future—the book contains essays, artworks, photographs and personal narratives that express Indigenous notions of home, land, kinship, design and memory. The project emphasizes caring for and living on the land as a way of being, and celebrates practices of space-making and place-making that empower Indigenous communities.

Educator Information
With contributions from Robyn Adams, Ella den Elzen, Liisa-Rávná Finbog, Napatsi Folger, Carola Grahn, Jenni Hakovirta, Elin Kristine Haugdal, Geronimo Inutiq, Ellen Marie Jensen, Tanya Lukin Linklater, Nicole Luke, Reanna Merasty, Johanna Minde, Joar Nango, Taqralik Partridge, Jocelyn Piirainen, Naomi Ratte, Tiffany Shaw, Sunniva Skålnes, Jen Rose Smith, and Olivia Lya Thomassie

Additional Information
352 pages | 6.75" x 9.50" | 150 Illustrations | Paperback 

Breaks the deafening silence of Indigenous women’s voices in academic leadership positions.

Since the 2015 release of the report on the Truth and Reconciliation Commission of Canada, new Indigenous policies have been enacted in universities and a variety of interconnecting Indigenous senior administrative roles have been created. Many of these newly created roles have been filled by Indigenous women. But what does it mean for Indigenous women to be recruited to Indigenize Western institutions that have not undergone introspective, structural change?

Informed by her own experiences and the stories of other Indigenous women working in senior administrative roles in Canadian universities, Candace Brunette-Debassige explores the triple-binding position Indigenous women often find themselves trapped in when trying to implement reconciliation in institutions that remain colonial, Eurocentric, and male-dominated. The author considers too the gendered, emotional labour Indigenous women are tasked with when universities rush to Indigenize without the necessary preparatory work of decolonization.

Drawing on an Indigenous feminist decolonial theoretical lens and positioning Indigenous story as theory, Brunette-Debassige illustrates how Indigenous women can and do preserve and enact their agency through resistance, and help lead deeper transformative changes in Canadian universities. Ultimately, her work provides a model for how reconciliation and Indigenization can be done at an institutional level.

Reviews
“This book helped me make sense of the ‘trickiness’ of my own experiences as an Indigenous woman in Canadian universities.” —Kim Anderson, University of Guelph

Additional Information
320 pages | 6.00" x 9.00" | Paperback