Salish

Cedar Sigo's latest poetry collection, Siren of Atlantis, is an introspective odyssey of remarkable poetic and personal resonance.

Here are poems that speak to Sigo's profound experience of learning to write again after suffering a stroke in 2022. In creating this work, the author retraces poetic sources and reexamines style and tone, using a variety of compositional techniques to renegotiate what is at stake in the work. There is a joy in this collection, as Sigo allows us to bear witness to the rediscovery of language, imparting the work with a new and dramatic clarity, for the poet and ultimately for the reader as well.

Additional Information
80 pages | 7.00" x 9.00" | Paperback

The pelt of a dog named “Mutton” languished in a drawer at the Smithsonian for 150 years until it was discovered, almost accidentally, by an amateur archivist. This book tells Mutton's story and explores what it can teach us about Coast Salish Woolly Dogs and their cultural significance.

Until now, there has been very little written about the enigmatic Coast Salish Woolly Dog, or sqʷəmey̓ in the Hul'q'umi'num language. According to Indigenous Oral Histories of the Pacific Northwest, this small dog was bred for thousands of years for its woolly fibres, which were woven into traditional blankets, robes and regalia. Although the dogs were carefully protected by Coast Salish peoples, by the 1900s, the Woolly Dog had become so rare it is now considered extinct.

Co-authored with weavers, Knowledge Keepers, and Elders, The Teachings of Mutton interweaves perspectives from Musqueam, Squamish, Stó:lō, Suquamish, Cowichan, Katzie, Snuneymuxw, and Skokomish cultures with narratives of science, post-contact history, and the lasting and devastating impacts of colonization. Binding it all together is Mutton's story—a tale of research, reawakening, and resurgence.

Reviews
“What a compelling story, reflecting a way of life, practical knowledge, artistry and change in the Pacific Northwest! Mutton, the domesticated woolly dog, represents so much more than a museum collection or a source of weaving material. Generations of breeding, learning and sharing, caring and trading are mirrored in the discovery of his pelt in a drawer at the Smithsonian. Liz Hammond-Kaarremaa and her respected Salishan co-authors and Knowledge Keepers have brought Mutton into the present, and in doing so, have given us a new and unique perspective on the complex history of this region and on the meaning of Truth and Reconciliation. The book is clearly and thoughtfully written, and supplemented with excellent illustrations. It is a ‘must read’ for anyone wishing to know more about weaving arts, dog breeds, Indigenous cultures and/or history in northwestern North America.” — Nancy J. Turner, Distinguished Professor Emerita, University of Victoria

“Conscientious and accessible, The Teachings of Mutton weaves a charming and informative history, walking through the discovery of his pelt in a museum drawer to the modern science that reveals the shape of this dog’s life. Highlighting and correcting generations of non-Indigenous misinterpretation, the intertwined histories provided by Salish knowledge keepers reveal the nuanced Indigenous sciences of dog husbandry, spinning, weaving, and the cultural significance of Woolly Dogs while telling a lively story.” — Kathryn Bunn-Marcuse, PhD, curator of Northwest Native art and director of the Bill Holm Center for

Additional Information
264 pages | 8.00" x 10.00"

The author of the award-winning memoir Red Paint returns with a razor-sharp, clear-eyed collection of essays on what it means to be a proudly queer indigenous woman in the United States today

Drawing on a rich family archive as well as the anthropological work of her late great-grandmother, Sasha taqʷšəblu LaPointe explores themes ranging from indigenous identity and stereotypes to cultural displacement and environmental degradation to understand what our experiences teach us about the power of community, commitment, and conscientious honesty.

Unapologetically punk, the essays in Thunder Song segue from the miraculous to the mundane, from the spiritual to the physical, as they examine the role of art—in particular music—and community in helping a new generation of indigenous people claim the strength of their heritage while defining their own path in the contemporary world.

Reviews
"Blending beautiful family history with her own personal memories, LaPointe’s writing is a ballad against amnesia, and a call to action for healing, for decolonization, for hope." —Lauren Puckett-Pope, Elle

“It’s a provocative and wonderfully crafted collection exploring cultural legacies, colonialism, and finding your own path forward.” —Susie Dumond, BookRiot

"Lyrical prose elevates LaPointe’s incisive and heartfelt personal reflections. The result is a beautifully rendered snapshot of contemporary American Indigenous life." —Publishers Weekly

"These passionate essays, adamant in their activist pleas, reflect hard-won wisdom, as well as the representative significance of the author’s experiences. Probing and poignant reflections on Indigenous America." —Kirkus Reviews

“Sasha taqʷšəblu LaPointe’s essays in Thunder Song are loud, bold, and startlingly majestic. None of Sasha’s examinations fail to find truth: page after page, the intersections of family, heritage, history, and music build to countless transcendental moments for the reader, which is not only the magic of this book but a clear testament to Sasha’s immense storytelling power. She is a major talent. Thunder Song is masterful and wise, and it will not be forgotten.” ––Morgan Talty, National Bestselling author of Night of the Living Rez

Additional Information
256 pages | 5.36" x 8.30" | Hardcover

“We need to learn and grow together, and if we are able to do this, we will create harmony,” counsels Tom Sampson, an elder of Tsartlip First Nation in British Columbia.

Dynamic and diverse, Coast Salish culture is bound together by shared values and relations that generate a resilient worldview. Jesintel—"to learn and grow together"—characterizes the spirit of this book, which brings the cultural teachings of nineteen elders to new generations.

Featuring interviews that share powerful experiences and stories, Jesintel illuminates the importance of ethical reciprocal relationships and the interconnectedness of places, land, water, and the spirit within all things. Elders offer their perspectives on language revitalization, Coast Salish family values and naming practices, salmon, sovereignty, canoe racing, and storytelling. They also share traumatic memories, including of their boarding school experiences and the epidemics that ravished their communities. Jesintel highlights the importance of maintaining relations and traditions in the face of ongoing struggles. Collaboration is at the heart of this work and informs how the editors and community came together to honor the boundless relations of Coast Salish people and their territories.

Elders Interviewed:
Tom Sampson (Tsartlip First Nation)
Virginia Cross (Muckleshoot Tribe)
Ernestine Gensaw (Lummi Nation)
Steve and Gwen Point (Stó:lō Nation)
Gene and Wendy Harry (Malahat Nation)
Claude Wilbur (Swinomish Tribe)
Richard Solomon (Lummi Nation)
Elaine Grinell (Jamestown S’Klallam Tribe)
Arvid Charlie (Cowichan Nation)
Amy George (Tsleil-Waututh Nation)
Nancy Shippentower (Nisqually Tribe)
Nolan Charles (Musqueam Indian Band)
Andy de los Angeles (Snoqualmie Tribe)
Jewell James (Lummi Nation)
Kenny Moses Sr. Family (Tulalip Tribal Nation)
Ramona Morris (Lummi Nation)

Reviews
"A beautiful sharing of thriving Coast Salish communities. Indigenous elders, cultures, and languages have so much precious wisdom to share, and Jesintel celebrates these through storytelling and photos. It is a generous gift to anyone who wants to better understand the resilience of Indigenous communities."- Michelle M. Jacob (Yakama), author of The Auntie Way: Stories Celebrating Kindness, Fierceness, and Creativity

Educator Information
Nineteen elders from Coast Salish communities in the Pacific Northwest and British Columbia offer a portrait of their perspectives on language, revitalization, and Coast Salish family values. Topics include naming practices, salmon, canoe journeys and storytelling.

Additional Information
224 pages | 9.00" x 10.00" | 144 colour illustrations | 1 map | Paperback

An Indigenous artist blends the aesthetics of punk rock with the traditional spiritual practices of the women in her lineage in this bold, contemporary journey to reclaim her heritage and unleash her power and voice while searching for a permanent home.

Sasha taqʷšəblu LaPointe has always longed for a sense of home. When she was a child, her family moved around frequently, often staying in barely habitable church attics and trailers, dangerous places for young Sasha.

With little more to guide her than a passion for the thriving punk scene of the Pacific Northwest and a desire to live up to the responsibility of being the namesake of her beloved great-grandmother—a linguist who helped preserve her Indigenous language of Lushootseed—Sasha throws herself headlong into the world, determined to build a better future for herself and her people.

Set against a backdrop of the breathtaking beauty of Coast Salish ancestral land and imbued with the universal spirit of punk, Red Paint is ultimately a story of the ways we learn to find our true selves while fighting for our right to claim a place of our own.

Examining what it means to be vulnerable in love and in art, Sasha offers up an unblinking reckoning with personal traumas amplified by the collective historical traumas of colonialism and genocide that continue to haunt native peoples. Red Paint is an intersectional autobiography of lineage, resilience, and, above all, the ability to heal.

Awards

• Winner of the 2023 Pacific Northwest Book Award 

Reviews
"Red Paint is a miraculous book. Sasha LaPointe walks us through the sites of her evisceration while rebuilding a home within her body using sturdy materials: rose quartz, cedar bark, red clay, and the words of her ancestors. With each potent sentence, she shows us what access to power looks like. She shows us how to become whole.” —Elissa Washuta, author of White Magic

"As luminous as the morning sun over the fir forests, Red Paint is a story of where strength takes us. Sasha taqwšəblu LaPointe goes looking to the past to help heal from terrible traumas, finding inspiration in her ancestors, the Salish people. This is a book destined to be a classic. Read it." —Rene Denfeld, bestselling author of The Child Finder

Additional Information
240 pages | 5.01" x 8.00" | Paperback

A wild, seductive debut collection that presents a powerful journey of struggle and healing—and a spellbinding brew of folklore, movies, music, and ritual.

“Draw me encircled // in something // other than gasoline.” The poems of Rose Quartz hum with the naked energy of one who has found her way home after a journey rife with difficulty and who has the scars to show for it. In them, Sasha taqwšəblu LaPointe moves from intimate scenes of peril—a car accident, an unwelcome advance at a party, a miscarriage—to the salvific, exhilarating punk scene of the Pacific Northwest and the centering shores of her Coast Salish ancestors. Along the way, she peers into the darker corners of her own search for belonging, and finds there glittering stones dense with meaning and the power to move forward.

As game to follow a beckoning Laura Palmer into the burning woods as she is to step into the shoes of Little Red Riding Hood as she lays waste to her wolf, LaPointe explores the sublime space between beauty and danger through lush, almost baroque, use of folktale and color. Red, white, blue, and an amalgam that is none of the above—rose—vie for the speaker’s embrace as a mixed-race woman. Here, poems become offerings, rituals, incantations conjured in the name of healing and power.

Like the stones and cards laid on an altar, Rose Quartz offers a reading at the intersection of identity and myth, trauma and truth, telling the story of past, present, and future.

Reviews
“From the author of Red Paint, LaPointe’s long-awaited debut poetry collection Rose Quartz pulls no punches. Accompanied by rustic and witchy atmospheres that ooze Pacific Northwest, LaPointe’s poems often center around the hardships she’s survived and growth she has accomplished in relationships, a miscarriage, and her Coast Salish identity. Gorgeous, vulnerable, and shimmering with strength.”—Andrew King, Secret Garden, Seattle, WA

“In Rose Quartz—a tapestry of stone and tarot, story and dream—the luxury of fairy-tale is disrupted by the beautiful and scarring velocity of our reality, resulting in poems that sing and haunt, dance and tackle the heart, that glow like fire but at times are the dangerous blaze itself. Sasha taqwšəblu LaPointe’s book of protection spells and unfairied-tales is the jewel anyone who knows the turbulent roads of life will want to hold close for the rest of the journey.”—Danez Smith

Additional Information
136 pages | 5.59" x 8.48" | Paperback

“In my seventh winter, when my head only reached my Appe’s rib, a White Man came into camp. Bare trees scratched sky. Cold was endless. He moved through trees like strikes of sunlight. My Bia said he came with bad intentions, like a Water Baby’s cry.”

Among the most memorialized women in American history, Sacajewea served as interpreter and guide for Lewis and Clark’s Corps of Discovery. In this visionary novel, acclaimed Indigenous author Debra Magpie Earling brings this mythologized figure vividly to life, casting unsparing light on the men who brutalized her and recentering Sacajewea as the arbiter of her own history.

Raised among the Lemhi Shoshone, in this telling the young Sacajewea is bright and bold, growing strong from the hard work of “learning all ways to survive”: gathering berries, water, roots, and wood; butchering buffalo, antelope, and deer; catching salmon and snaring rabbits; weaving baskets and listening to the stories of her elders. When her village is raided and her beloved Appe and Bia are killed, Sacajewea is kidnapped and then gambled away to Charbonneau, a French Canadian trapper.

Heavy with grief, Sacajewea learns how to survive at the edge of a strange new world teeming with fur trappers and traders. When Lewis and Clark’s expedition party arrives, Sacajewea knows she must cross a vast and brutal terrain with her newborn son, the white man who owns her, and a company of men who wish to conquer and commodify the world she loves.

Written in lyrical, dreamlike prose, The Lost Journals of Sacajewea is an astonishing work of art and a powerful tale of perseverance—the Indigenous woman’s story that hasn’t been told.

Reviews
“[In The Lost Journals of Sacajewea] the suffering—and bold, ingenious agency—of women held as captives by both Native and Euro-Americans is rendered with special vividness [. . .] The narration is rich in realistic detail but animated by a dreamlike intensity [. . .] Throughout the text, Sacajewea memorably enacts what Gerald Vizenor dubs survivance, the negotiation of existential challenges with a spirited, oppositional inventiveness. A profoundly moving imagining of the impressions and contributions of a major historical figure."—Kirkus Reviews, starred review

"Earling adds a much-needed Native woman’s perspective to Sacajewea’s story, bringing a note of resilience to her unflinching account of the white men’s violence and depredation: 'Women do not become their Enemy captors. We survive them.' This is a beautiful reclamation."—Publishers Weekly

[The Lost Journals of Sacajewea] offers new perspective on what is known, and debated, about the life of Sacajewea, including her age, her marriage to a French fur-trader (Toussaint Charbonneau), and her experience as the only woman traveling on the 1804-1806 Corp of Discovery expedition with Meriwether Lewis and William Clark. In poetic prose, Earling interweaves factual accounts of Sacajewea’s life with a first-person narrative deeply rooted in the physicality of landscape and brutality of the times”—Jessica Gigot, Seattle Times

“[The Lost Journals of Sacajewea is] an impressionistic, poetic account, one that vividly renders external hardships and internal thoughts, giving equal weight to each. [. . .] it delivers a uniquely thorough perspective on the mind of a particular young woman, both ordinary and extraordinary. In this way, we come to understand Sacajewea more deeply—certainly more than we understand the men of famous names like Lewis and Clark. lt’s a book to enjoy like a river: you give yourself over to it and follow where it takes you.”—Greer Macallister, Chicago Review of Books

Additional Information
264 pages | 5.50" x 8.50"

Named a Most Anticipated Book of 2023 by The Millions

A vibrant new voice blends Native folklore and the search for identity in a fierce debut work of personal history.

Leah Myers may be the last member of the Jamestown S’Klallam Tribe in her family line, due to her tribe’s strict blood quantum laws. In this unflinching and intimate memoir, Myers excavates the stories of four generations of women in order to leave a record of her family. Beginning with her great-grandmother, the last full-blooded Native member in their lineage, she connects each woman with her totem to construct her family’s totem pole: protective Bear, defiant Salmon, compassionate Hummingbird, and perched on top, Raven.

As she pieces together their stories, Myers weaves in tribal folktales, the history of the Native genocide, and Native mythology. Throughout, she tells the larger story of how, as she puts it, her “culture is being bleached out,” offering sharp vignettes of her own life between White and Native worlds: her naive childhood love for Pocahontas, her struggles with the Klallam language, the violence she faced at the hands of a close White friend as a teenager.

Crisp and powerful, Thinning Blood is at once a bold reclamation of one woman’s identity and a searingly honest meditation on heritage, family, and what it means to belong.

Reviews"
[A] searing debut…Myers's fierce testimony is both record and reclamation of [family] history, told beautifully and simply. Any family would be lucky to have their story handled with this much care."—Publishers Weekly

"A quietly elegiac memoir that could serve as an enduring historical document."—Kirkus Reviews

"This powerful, memorable debut runs hot with Leah Myers’s fierce intelligence. She admirably interrogates her relationship to identity, her place in her family’s history, and the future of her people—and demands a long-delayed justice."—Matt Bell, author of Appleseed

"Thinning Blood is a powerful testament to the power of storytelling. It is both personal and historical, factual and deeply imaginative. Leah Myers is an honest and passionate witness to the culture and people that produced her. Her essays pay tribute to the complexity of memory, and the tenacity of experience." —Emily Bernard, author of Black Is the Body

"In this powerful debut, Leah Myers reveals with unvarnished honesty something that so often remains unspoken: what it feels like to teeter on the edge of identity, to face down the specter of erasure and a dwindling sense of self. By reconstructing family history and myth, she uncovers old foundations and builds a new home atop them, throwing its doors open, miraculously, to all of us."—Francisco Cantú, author of The Line Becomes a River

Additional Information
176 pages | 5.71" x 8.54" | Hardcover

Bold, passionate, and more urgent than ever, Debra Magpie Earling’s powerful classic novel is reborn in this new edition.

On the Flathead Indian Reservation, summer is ending, and Louise White Elk is determined to forge her own path. Raised by her Grandmother Magpie after the death of her mother, Louise and her younger sister have grown up into the harsh social and physical landscape of western Montana in the 1940s, where Native people endure boarding schools and life far from home. As she approaches adulthood, Louise hopes to create an independent life for herself and an improved future for her family—but three persistent men have other plans.

Since childhood, Louise has been pursued by Baptiste Yellow Knife, feared not only for his rough-and-tumble ways, but also for the preternatural gifts of his bloodline. Baptiste’s rival is his cousin, Charlie Kicking Woman: a man caught between worlds, torn between his duty as a tribal officer and his fascination with Louise. And then there is Harvey Stoner. The white real estate mogul can offer Louise her wildest dreams of freedom, but at what cost?

As tensions mount, Louise finds herself trying to outrun the bitter clutches of winter and the will of powerful men, facing choices that will alter her life—and end another’s—forever.

Reviews
“Perma Red has no equal. You will be mesmerized by the poetically intimate prose, the realistically graphic details of life on a Montana Indian reservation, and the humor, love and pain you’ll experience through these richly drawn, honest characters. As another of Montana’s greatest writers, James Welch, put it: Perma Red ‘borders on mythic . . . a wonder-filled gift to all.’”—Mark Gibbons, NPR

Additional Information
368 pages | 5.50" x 8.50" | Paperback 

An Indigenous artist blends the aesthetics of punk rock with the traditional spiritual practices of the women in her lineage in this bold, contemporary journey to reclaim her heritage and unleash her power and voice while searching for a permanent home.

Sasha taqʷšəblu LaPointe has always longed for a sense of home. When she was a child, her family moved around frequently, often staying in barely habitable church attics and trailers, dangerous places for young Sasha.

With little more to guide her than a passion for the thriving punk scene of the Pacific Northwest and a desire to live up to the responsibility of being the namesake of her beloved great-grandmother—a linguist who helped preserve her Indigenous language of Lushootseed—Sasha throws herself headlong into the world, determined to build a better future for herself and her people.

Set against a backdrop of the breathtaking beauty of Coast Salish ancestral land and imbued with the universal spirit of punk, Red Paint is ultimately a story of the ways we learn to find our true selves while fighting for our right to claim a place of our own.

Examining what it means to be vulnerable in love and in art, Sasha offers up an unblinking reckoning with personal traumas amplified by the collective historical traumas of colonialism and genocide that continue to haunt native peoples. Red Paint is an intersectional autobiography of lineage, resilience, and, above all, the ability to heal.

Awards

• Winner of the 2023 Pacific Northwest Book Award 

Reviews
"Red Paint is a miraculous book. Sasha LaPointe walks us through the sites of her evisceration while rebuilding a home within her body using sturdy materials: rose quartz, cedar bark, red clay, and the words of her ancestors. With each potent sentence, she shows us what access to power looks like. She shows us how to become whole.” —Elissa Washuta, author of White Magic

"As luminous as the morning sun over the fir forests, Red Paint is a story of where strength takes us. Sasha taqwšəblu LaPointe goes looking to the past to help heal from terrible traumas, finding inspiration in her ancestors, the Salish people. This is a book destined to be a classic. Read it." —Rene Denfeld, bestselling author of The Child Finder

Additional Information
240 pages | 5.31" x 8.29" | Hardcover

Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, “starter witch kits” of sage, rose quartz, and tarot cards packaged together in paper and plastic. Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment for a misdiagnosis of bipolar disorder, she felt drawn to the real spirits and powers her dispossessed and discarded ancestors knew, while she undertook necessary work to find love and meaning.

In this collection of intertwined essays, she writes about land, heartbreak, and colonization, about life without the escape hatch of intoxication, and about how she became a powerful witch. She interlaces stories from her forebears with cultural artifacts from her own life—Twin Peaks, the Oregon Trail II video game, a Claymation Satan, a YouTube video of Stevie Nicks and Lindsey Buckingham—to explore questions of cultural inheritance and the particular danger, as a Native woman, of relaxing into romantic love under colonial rule.

Reviews
"A fascinating magic trick of a memoir that illuminates a woman's search for meaning." —Kirkus, Starred Review

"Washuta’s frank confrontations with, and acknowledgments of, unhealed wounds are validating. . . . evoking the sense of peeling open a letter from an estranged friend. A poignant work by a rising essayist."—Foreword Reviews, Starred Review

"Her prose is crisp and precise, and the references hit spot-on. . . . Fans of the personal essay are in for a treat."—Publishers Weekly

"Powerful. . . . Washuta’s essays refuse the mandate of a tidy resolution. Instead she circles around each subject, inspecting it as symbol, myth, metaphor, and reality, all while allowing her readers space to draw their own conclusions, or to reject the need for any conclusion at all. Like a stage magician, she asks readers to look again. White Magic is an insightful, surprising, and eloquent record of stories of magic and the magic in stories." —Booklist

"Washuta's story and struggles become a metaphor for the toll of colonialism on generations of Indigenous people like herself. Readers of recovery narratives, women's issues, and keenly observed social commentary will be rewarded here."—Library Journal

"White magic, red magic, Stevie Nicks magic—this is Elissa Washuta magic, which is a spell carved from a life, written in blood, and sealed in an honesty I can hardly fathom." —Stephen Graham Jones, author of The Only Good Indians

"White Magic is funny and wry, it’s thought-provoking and tender. It’s a sleight of hand performed by a true master of the craft. White Magic is magnificent and Elissa Washuta is spellbinding. There is no one else like her." —Kristen Arnett, author of Mostly Dead Things

"These pages are windows into a black lodge where Twin Peaks and Fleetwood Mac are on repeat—sometimes forward, sometimes backwards, sometimes in blackout blur. I stand in awe of everything here. What an incredible and wounding read."—Richard van Camp, author of The Lesser Blessed

Additional Information
Paperback

Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, “starter witch kits” of sage, rose quartz, and tarot cards packaged together in paper and plastic. Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment for a misdiagnosis of bipolar disorder, she felt drawn to the real spirits and powers her dispossessed and discarded ancestors knew, while she undertook necessary work to find love and meaning.

In this collection of intertwined essays, she writes about land, heartbreak, and colonization, about life without the escape hatch of intoxication, and about how she became a powerful witch. She interlaces stories from her forebears with cultural artifacts from her own life—Twin Peaks, the Oregon Trail II video game, a Claymation Satan, a YouTube video of Stevie Nicks and Lindsey Buckingham—to explore questions of cultural inheritance and the particular danger, as a Native woman, of relaxing into romantic love under colonial rule.

Reviews
"A fascinating magic trick of a memoir that illuminates a woman's search for meaning." —Kirkus, Starred Review

"Washuta’s frank confrontations with, and acknowledgments of, unhealed wounds are validating. . . . evoking the sense of peeling open a letter from an estranged friend. A poignant work by a rising essayist."—Foreword Reviews, Starred Review

"Her prose is crisp and precise, and the references hit spot-on. . . . Fans of the personal essay are in for a treat."—Publishers Weekly

"Powerful. . . . Washuta’s essays refuse the mandate of a tidy resolution. Instead she circles around each subject, inspecting it as symbol, myth, metaphor, and reality, all while allowing her readers space to draw their own conclusions, or to reject the need for any conclusion at all. Like a stage magician, she asks readers to look again. White Magic is an insightful, surprising, and eloquent record of stories of magic and the magic in stories." —Booklist

"Washuta's story and struggles become a metaphor for the toll of colonialism on generations of Indigenous people like herself. Readers of recovery narratives, women's issues, and keenly observed social commentary will be rewarded here."—Library Journal

"White magic, red magic, Stevie Nicks magic—this is Elissa Washuta magic, which is a spell carved from a life, written in blood, and sealed in an honesty I can hardly fathom." —Stephen Graham Jones, author of The Only Good Indians

"White Magic is funny and wry, it’s thought-provoking and tender. It’s a sleight of hand performed by a true master of the craft. White Magic is magnificent and Elissa Washuta is spellbinding. There is no one else like her." —Kristen Arnett, author of Mostly Dead Things

"These pages are windows into a black lodge where Twin Peaks and Fleetwood Mac are on repeat—sometimes forward, sometimes backwards, sometimes in blackout blur. I stand in awe of everything here. What an incredible and wounding read."—Richard van Camp, author of The Lesser Blessed

Additional Information
350 pages | 5.50" x 8.50"

The stories of the Lushootseed-speaking people of Puget Sound represent an important part of the oral tradition by which one generation hands down beliefs, values, and customs to another. Vi Hilbert grew up when many of the old social patterns survived and everyone spoke the ancestral language.

Haboo, Hilbert’s collection of thirty-three stories, features tales mostly set in a time before the world transformed. Animals, plants, trees, and even rocks had human attributes. Prominent characters like Wolf, Salmon, and Changer and tricksters like Mink, Raven, and Coyote populate humorous, earthy stories that reflect foibles of human nature, convey serious moral instruction, and comically detail the unfortunate, even disastrous consequences of breaking taboos.

Beautifully redesigned and with a new foreword by Jill La Pointe, Haboo offers a vivid and invaluable resource for linguists, anthropologists, folklorists, future generations of Lushootseed-speaking people, and others interested in Native languages and cultures.

Reviews
"The wisdom and teachings found in Haboo continue to offer a . . . resource that highlights a way of being in the world that we have strayed from, and they remain as relevant today as they have been for generations." - from the foreword by Jill La Pointe

Additional Information
232 pages | 6.50" x 9.00" | 20 b&w illustrations, 1 map | Translated and Edited by Val Hilbert, Foreword by Jill La Pointe, Introduction by Thom Hess | 2nd Edition

Puget Sound is a magnificent and intricate estuary, the very core of life in Western Washington. Yet it’s also a place of broader significance: rivers rush from the Cascade and Olympic mountains and Canada’s coastal ranges through varied watersheds to feed the Sound, which forms the southern portion of a complex, international ecosystem known as the Salish Sea.

A rich, life-sustaining home shared by two countries, as well as 50-plus Native American Tribes and First Nations, the Salish Sea is also a huge economic engine, with outdoor recreation and commercial shellfish harvesting alone worth $10.2 billion. But this spectacular inland sea is suffering. Pollution and habitat loss, human population growth, ocean acidification, climate change, and toxins from wastewater and storm runoff present formidable challenges.

We Are Puget Sound amplifies the voices and ideas behind saving Puget Sound, and it will help engage and inspire citizens around the region to join together to preserve its ecosystem and the livelihoods that depend on it.

Additional Information
224 pages | 10.00" x 9.00" | 125 colour photographs

A searing, deeply moving memoir about family, love, loss, and forgiveness from the critically acclaimed, bestselling National Book Award-winning author of The Absolutely True Diary of a Part-Time Indian.

Family relationships are never simple. But Sherman Alexie's bond with his mother Lillian was more complex than most. She plunged her family into chaos with a drinking habit, but shed her addiction when it was on the brink of costing her everything. She survived a violent past, but created an elaborate facade to hide the truth. She selflessly cared for strangers, but was often incapable of showering her children with the affection that they so desperately craved. She wanted a better life for her son, but it was only by leaving her behind that he could hope to achieve it. It's these contradictions that made Lillian Alexie a beautiful, mercurial, abusive, intelligent, complicated, and very human woman.

When she passed away, the incongruities that defined his mother shook Sherman and his remembrance of her. Grappling with the haunting ghosts of the past in the wake of loss, he responded the only way he knew how: he wrote. The result is a stunning memoir filled with raw, angry, funny, profane, tender memories of a childhood few can imagine, much less survive. An unflinching and unforgettable remembrance, You Don't Have to Say You Love Me is a powerful, deeply felt account of a complicated relationship.

Additional Information
464 pages | 5.55" x 8.25"