First Nations

In this poignant display of the resilience of language, culture, and community in the face of the profound changes brought by settlers, Kluane First Nation Elders share stories from their lives, knowledge of their traditional territory (A si Keyi, "my grandfather's country"), and insights on the building of their self-governing First Nation.

With generosity, diligence and deep commitment to their community, Elders from Lhu'aan Man Keyi (Kluane First Nation) recorded oral histories about their lives in the southwest Yukon. They shared wisdom, stories and songs passed down from grandparents, aunties and uncles, in Dan k'e (Southern Tutchone, Kluane dialect) and English. This years-long project arose from the Elders' desire for their children and future generations to know the foundations of language, culture, skills and beliefs that will keep them proud, healthy and strong. The Elders speak of life before the Alaska Highway, when their grandparents drew on thousands of years of traditional knowledge to live on the land through seasonal rounds of hunting and gathering; the dark years after the building of the Alaska Highway, when children were taken away to residential schools and hunting grounds were removed to form the Kluane Game Preserve and National Park; and the decades since, when the community worked through the Yukon land claims process to establish today's self-governing First Nation.

Inclusivity is a key community value. The Elders' stories are accompanied by the voices of youth and citizens of all ages, along with a history of the Kluane region. The book is beautifully illustrated with Elders' photographs, historical images and art work, and photos showing breathtaking views of Kluane mountains, lakes, sites, trails, and activities in the community today. With passionate and deeply informed voices, this is a stirring portrait created by a community that has shown resilience through massive changes and remains dedicated to preserving their culture, language and lands for the generations to come.

Awards

• 2024 Indigenous History Book Prize 

Educator Information
Some of the wisdom, stories, and songs are in Dan k'e (Southern Tutchone, Kluane dialect).

Additional Information
384 pages | 11.25" x 9.00"| 150 colour and b&w photos | Hardcover 

For six weeks in 2012–13, Attawapiskat chief Theresa Spence undertook a high-profile ceremonial fast to advocate for improved Canadian-Indigenous relations. Life against States of Emergency responds to the central question she asked the Canadian public to consider: What does it mean to be in a treaty relationship today? This incisive research weaves together community-engaged research, Attawapiskat lived experiences, discourse analysis, ecofeminist and Indigenous studies scholarship, art, activism, and storytelling to advance a transformative, future-oriented approach to treaty relations. By centring community voices, Life against States of Emergency seeks to cultivate democratic dialogue about environmental justice.

Reviews
"Wiebe’s book is rich, thoughtful, and wise. It centres Indigenous realities and theories, allowing readers to understand how the past informs the present, why representation matters, and how to move collectively toward an environmentally just future."— Jocelyn Thorpe, director of the Centre for Creative Writing and Oral Culture at the University of Manitoba

Additional Information
312 pages | 6.00" x 9.00" | 19 b&w photos, 1 map | Paperback

Drawing upon oral and documentary evidence, this volume explores the lives of noteworthy Mi’kmaw individuals whose thoughts, actions, and aspirations impacted the history of the Northeast but whose activities were too often relegated to the shadows of history.

The book highlights Mi’kmaw leaders who played major roles in guiding the history of the region between 1680 and 1980. It sheds light on their community and emigration policies, organizational and negotiating skills, diplomatic endeavours, and stewardship of land and resources. Contributors to the volume range from seasoned scholars with years of research in the field to Mi’kmaw students whose interest in their history will prove inspirational. Offering important new insights, the book re-centres Indigenous nationhood to alter the way we understand the field itself. The book also provides a lengthy index so that information may be retrieved and used in future research.

Muiwlanej kikamaqki – Honouring Our Ancestors will engage the interest of Indigenous and non-Indigenous readers alike, engender pride in Mi’kmaw leadership legacies, and encourage Mi’kmaw youth and others to probe more deeply into the history of the Northeast.

Reviews
"This book is an invaluable and original offering. Muiwlanej kikamaqki – Honouring Our Ancestors makes a significant contribution to Mi’kmaq history by successfully bringing little-known individuals into the light and by placing them in a historical context that is uniquely informed by both written and oral narratives. For Mi’kmaq wanting to know more about their history, this book will be a wonderful source." - Natasha Simon, Nihkanatpat (Director) of the Mi’kmaq-Wolastoqey Centre, University of New Brunswick

"This book is deeply researched, both in written sources and in integrating the invaluable evidence of Indigenous knowledge. The detailed individual and family histories are uniquely effective in bringing out both changes and continuities in Mi’kmaw history and in the texture of Mi’kmaw interactions with non-Indigenous sojourners and settlers. With a remarkable and outstanding depth of scholarship, the book meticulously pursues biography as an approach that can be extended to people whose lives have too often been deemed to be insufficiently documented for conventional purposes, in order to take our historical understanding in innovative and productive directions."- John Reid, Professor of History, Saint Mary’s University

Additional Information
1004 pages | 8.00" x 10.00"| 62 b&w illustrations | Hardcover 

With a story spanning over seventy years of the life of respected Elder Calvin White, One Man’s Journey weaves personal history with White’s account of the Mi’kmaw movement and his role in the reclamation and restoration of pride in Mi’kmaw culture in Newfoundland.

Elder White’s journey began in the forests surrounding his home of Flat Bay, where he learned to fish, hunt, and gather from a group of respected mentors who influenced and inspired him. His story recounts how the lessons learned from these valuable moments fueled his later work to spearhead the Mi’kmaw movement throughout the island of Newfoundland, amid the fight for recognition by the provincial and federal governments. His words do not shy away from the prejudice and discrimination faced by his people, and they provide a personal account of the history, responsibilities, philosophy, and worldview of his community.

One Man’s Journey is a personal and critical look at the processes that have led to the recognition of Mi’kmaw people in Newfoundland. The book shares knowledge and history with a new generation so they can continue the movement to which Elder White has been so instrumental.

Additional Information
194 pages | 6.00" x 9.00" | Paperback

Description of work from author: "This is a snapshot of how the Methodist Church of Canada upon invitation by Kitamaat’s Wahouksgamalayou (Charlie Amos). It is about the key players and their role: Wahouksgamalayou, Thomas Crosby and his Lax Kwala’ams catechists, George Raley, and the Women’s Missinay Society of the Methodist Church."

Educator Information
Senior secondary, Post-secondary, Indigenous history

An urgent, informed, intimate condemnation of the Canadian state and its failure to deliver justice to Indigenous people by national bestselling author and former Crown prosecutor Harold R. Johnson. Now with a brand new foreward.

"The night of the decision in the Gerald Stanley trial for the murder of Colten Boushie, I received a text message from a retired provincial court judge. He was feeling ashamed for his time in a system that was so badly tilted. I too feel this way about my time as both defence counsel and as a Crown prosecutor; that I didn't have the courage to stand up in the courtroom and shout 'Enough is enough.' This book is my act of taking responsibility for what I did, for my actions and inactions." -- Harold R. Johnson

In early 2018, the failures of Canada's justice system were sharply and painfully revealed in the verdicts issued in the deaths of Colten Boushie and Tina Fontaine. The outrage and confusion that followed those verdicts inspired former Crown prosecutor and bestselling author Harold R. Johnson to make the case against Canada for its failure to fulfill its duty under Treaty to effectively deliver justice to Indigenous people, worsening the situation and ensuring long-term damage to Indigenous communities.

In this direct, concise, and essential volume, Harold R. Johnson examines the justice system's failures to deliver "peace and good order" to Indigenous people. He explores the part that he understands himself to have played in that mismanagement, drawing on insights he has gained from the experience; insights into the roots and immediate effects of how the justice system has failed Indigenous people, in all the communities in which they live; and insights into the struggle for peace and good order for Indigenous people now.

Additional Information
272 pages | 5.00" x 7.51" | B&W photo spread in text | Paperback

A manifesto for the future of Indigenous Education in Canada

In Reclaiming Anishinaabe Law Leo Baskatawang traces the history of the neglected treaty relationship between the Crown and the Anishinaabe Nation in Treaty #3, and the Canadian government’s egregious failings to administer effective education policy for Indigenous youth—failures epitomized by, but not limited to, the horrors of the residential school system.

Rooted in the belief that Indigenous education should be governed and administered by Indigenous peoples, Baskatawang envisions a hopeful future for Indigenous nations where their traditional laws are formally recognized and affirmed by the governments of Canada. Baskatawang thereby details the efforts being made in Treaty #3 territory to revitalize and codify the Anishinaabe education law, kinamaadiwin inaakonigewin. Kinamaadiwin inaakonigewin considers education wholistically, such that it describes ways of knowing, being, doing, relating, and connecting to the land that are grounded in tradition, while also positioning its learners for success in life, both on and off the reserve.

As the backbone of an Indigenous-led education system, kinamaadiwin inaakonigewin enacts Anishinaabe self-determination, and has the potential to bring about cultural resurgence, language revitalization, and a new era of Crown-Indigenous relations in Canada. Reclaiming Anishinaabe Law challenges policy makers to push beyond apologies and performative politics, and to engage in meaningful reconciliation practices by recognizing and affirming the laws that the Anishinaabeg have always used to govern themselves.

Reviews
"Leo Baskatawang offers a passionate call for Indigenous self-determination and a reclamation of Anishinaabe education law and practice in raising up the next generation. This book can be used to envision a future that uses Indigenous treaties to drive systemic change in education."— Brittany Luby

Additional Information
240 pages | 6.00" x 9.00" | b&w illustrations, maps, index, bibliography | Paperback | 

A revolutionary collaboration about the world we're living in now, between two of our most important contemporary thinkers, writers and activists.

When the world entered pandemic lockdown in spring 2020, Robyn Maynard, influential author of Policing Black Lives, and Leanne Betasamosake Simpson, renowned artist, musician, and author of Noopiming: The Cure for White Ladies, began writing each other letters—a gesture sparked by a desire for kinship and connection in a world shattering under the intersecting crises of pandemic, police killings, and climate catastrophe. These letters soon grew into a powerful exchange about where we go from here.
 
Rehearsals for Living is a captivating and visionary work—part debate, part dialogue, part lively and detailed familial correspondence between two razor-sharp writers. By articulating to each other Black and Indigenous perspectives on our unprecedented here and now, and reiterating the long-disavowed histories of slavery and colonization that have brought us to this moment, Maynard and Simpson create something new: an urgent demand for a different way forward, and a poetic call to dream up other ways of ordering earthly life.

Reviews
“This book must be read for its future vocabularies, its political intimacies, its careful assemblage of the materials of our activisms, and its generous and fulsome thinking.”—Dionne Brand, poet, novelist, and essayist

“Using the age-old practice of letter writing and the land itself as a palimpsest, Robyn Maynard and Leanne Betasamosake Simpson find common ground to challenge the moral legitimacy of the settler nation state, and reinscribe new ways of what it means to be beings who are human in the forensic landscapes of Canada. In Rehearsals for Living, two women, one Indigenous, the other Black and African-descended confront their shared yet different experiences of colonialism, provide new and subversive meanings to the colonial trope of being landed, the mechanism by which the land was (un)settled. Unflinchingly, and in long-overdue and profoundly-needed “reasonings” that reverberate with shared breath, Simpson and Maynard weave their ideas, thoughts and reflections and their deep caring for community and society through the network of issues that impact us today—the pandemic and the differentials in treatment for Black and Indigenous people, the role of BLM, abolition, the necessity of Nibi and homespace for the Nishnaabeg, the joys of living on the land, and parenting in the face of ecological and racial disasters are but a few of the challenges they grapple with. Rehearsals for Living is fundamental to understanding the interlocking, founding crimes of the Americas; necessary for remembering the many erased histories of the on-going struggle for justice, and altogether indispensable to those wanting to create possible solutions.”—M. NourbeSe Philip, author of Zong!

Additional Information
336 pages | 5.17" x 7.99" | Paperback 

Elders and leaders remind us that telling and amplifying histories is key for healing. Remembering Our Relations is an ambitious collaborative oral history project that shares the story of Wood Buffalo National Park and the Dënesųłıné peoples it displaced.

Wood Buffalo National Park is located in the heart of Dënesųłıné homelands, where Dené people have lived from time immemorial. Central to the creation, expansion, and management of this park, Canada’s largest at nearly 45, 000 square kilometers, was the eviction of Dënesųłıné people from their home, the forced separation of Dene families, and restriction of their Treaty rights.

Remembering Our Relations tells the history of Wood Buffalo National Park from a Dene perspective and within the context of Treaty 8. Oral history and testimony from Dene Elders, knowledge-holders, leaders, and community members place Dënesųłıné voices first. With supporting archival research, this book demonstrates how the founding, expansion, and management of Wood Buffalo National Park fits into a wider pattern of promises broken by settler colonial governments managing land use throughout the twentieth and twenty-first centuries.

By prioritizing Dënesųłıné histories Remembering Our Relations deliberately challenges how Dene experiences have been erased, and how this erasure has been used to justify violence against Dënesųłıné homelands and people. Amplifying the voices and lives of the past, present, and future, Remembering Our Relations is a crucial step in the journey for healing and justice Dënesųłıné peoples have been pursuing for over a century.

Additional Information
352 pages | 6.00" x 9.00" | Paperback

Shelley Niro is widely known for her ability to explore Traditional Stories, transgress boundaries, and embody the ethos of her matriarchal culture. A member of the Kanyen’kehaka (Mohawk) Nation, she uses a wide variety of media, including photography, installation, film, and painting to bring greater visibility to Indigenous women and girls.

Pushing the limits of photography, Niro incorporates imagery from Traditional Stories to focus on contemporary subjects with wit, irony, and parody. Throughout her work — in her portraiture, sculptures, landscape paintings, photography, and film and video work — Niro challenges common preconceptions about gender, culture, and Indigenous Peoples.

Shelley Niro: 500 Year Itch brings together 215 reproductions from Niro’s expansive oeuvre, including work published here for the first time. Also included in this career retrospective are three major essays about Niro’s work by Melissa Bennett, Greg Hill, and David W. Penney, as well as texts from seven guest artists, scholars, and curators. Shelley Niro: 500 Year Itch accompanies an international touring exhibition organized by the Art Gallery of Hamilton and the Smithsonian National Museum of the American Indian with the collaboration of the National Gallery of Canada.

Additional Information
304 pages | 8.25" x 9.62"

Place names are powerful, and their significance extends far beyond words. Learning and embracing the original Indigenous phrases used to describe the world around us acknowledges the impact of colonization, recognizes First Peoples’ ongoing relationship to the land, and honours their traditional way of being. In Snuneymuxw Mulstimuxw, Traditional Knowledge Keeper and respected Elder Geraldine Manson, C’tasi:a offers an extensive survey of the history and meaning of local Hul’q’umi’num place names and origin stories of the Snuneymuxw First Nation.

Produced through a partnership between Snuneymuxw First Nation, Vancouver Island University, and New Society Publishers, this beautifully illustrated, full-colour booklet gathers and shares the rich history of the Snuneymuxw’s living landscape as passed down through generations from time immemorial. From how Xw’ulhquyum (Snake Island) and other sites of significance got their names to ancient stories such as the bringing of fire by Qeyux to the Tle:ltxw people, the cultural history chronicled in these pages provides a unique lens through which to view and understand nearby lands and waters.

In addition to the sacred cultural narratives distilled from the teachings of the Ancestors, Snuneymuxw Mulstimuxw delves into more recent historical events, told from the perspective of those who experienced them firsthand or whose families are still experiencing the intergenerational effects. This invaluable work is complemented by a series of maps integrating traditional Hul’q’umi’num place names into their present day context.

Educator Information
In Snuneymuxw Mulstimuxw Elder C’tasi:a offers an extensive survey of Hul’q’umi’num place names, sites of significance, and origin stories of the Snuneymuxw Nation.

Embracing the original Indigenous names for the world around us, this book acknowledges the impact of colonization and honours First Peoples’ ongoing relationship with the land.

Additional Information
42 Pages | 8.5" x 11" | Paperback

All proceeds from the sale of this work are donated to Youth and Elders events and youth who need finances to attend events.

This teaching memoir by an Indigenous spirit talker includes stories about the author’s reconnection with his Mi’kmaq heritage along with techniques for connecting to Spirit and developing your own intuition and psychic abilities.

In this teaching memoir, Shawn Leonard shares his personal story of developing his abilities as a spirit talker, revealing incredible stories from his childhood to the present. Along the way, he shares experiences he has had with elders from his aboriginal tribe, the Mi’kmaq, and his journey learning more about his heritage.

Shawn incorporates the beautiful spiritual practices of the Mi’kmaq, like talking circles, pipe ceremonies, cleansing herbal medicines, and more. He shares fantastic stories of times when he has communicated with Spirit and when he has been able to connect others to Spirit. Here, he will also reveal how the reader can grow in their own spirituality through prayer and meditation; grow in their connection to Spirit through dreams, spirit guides, totem animals, and loved ones in Spirit; and grow and develop their own intuition and psychic abilities through clairsentience, clairvoyance, clairaudience, and claircognizance.

Additional Information
264 pages | 5.50" x 8.50" | Paperback

Stephen Kakfwi was born in a bush camp on the edge of the Arctic Circle in 1950. In a family torn apart by tuberculosis, alcohol and the traumas endured by generations in residential school, he emerged as a respected Dene elder and eventually the Premier of the Northwest Territories.

Stephen belongs to a cohort of young northerners who survived the childhood abuses of residential school only to find themselves as teenagers in another residential school where one Oblate father saw them as the next generation of leaders, and gave them the skills they would need to succeed. Kakfwi, schooled on civil rights and 1960s protest songs, dedicated himself to supporting chiefs in their claim to land that had been taken away from them and in their determination to seize control of the colonial political system.

Kakfwi’s life has been a series of diverse endeavours, blending traditional Dene practices with the daily demands of political office—hunting moose one day and negotiating with European diamond merchants the next. Throughout his career, Kakfwi understood that he held the power to make change—sometimes he succeeded, sometimes he did not. But he also embraced the power of story-telling, and has helped change the story of the North.

Kakfwi combines his remarkable memory for detail with his compelling raconteur’s skill in taking us through the incredible story of his life and one of the most transformative times in Canadian history. In his candid description of the loneliness of leadership and his embrace of Dene spirituality, Kakfwi’s Stoneface transforms politics into philosophy and an intensely personal guide to reconciliation.

Additional Information
240 pages | 6.00" x 9.00" | Paperback

A new tool for preserving Indigenous cultural heritages.

Intangible cultural heritage (ICH) refers to community-based practices, knowledges, and customs that are inherited and passed down through generations. While ICH has always existed, a legal framework for its protection only emerged in 2003 with the UNESCO Convention for the Safeguarding of Intangible Cultural Heritage. In Stored in the Bones, Agnieszka Pawłowska-Mainville details her work with Anishinaabeg and Inninuwag harvesters, showcasing their cultural heritage and providing a new discourse for the promotion and transmission of Indigenous knowledge.

The book focuses on lived experiences of the akiwenziyag and kitayatisuk, “men of the land” in Anishinaabemowin/Ojibwe and Inninumowin/Cree, respectively. These men shared their dibaajimowinan and achimowinak (life stories)—from putting down tobacco to tending traplines—with Pawłowska-Mainville during her fifteen years of research in Manitoba and northwestern Ontario. By performing their living heritage, the akiwenziyag and kitayatisuk are, in the words of Richard Morrison, doing what they need to do to “energize and strengthen their bones as they walk this Earth." Illustrating the importance of ICH recognition, Pawłowska- Mainville also explores her experiences with the Manitoba Clean Environment Commission regarding the impacts of hydro development and the Pimachiowin Aki UNESCO World Heritage Site nomination.

Stored in the Bones enriches discussions of treaty rights, land claims, and environmental and cultural policy. Presenting practical ways to safeguard ICH and an international framework meant to advance community interests in dealings with provincial or federal governments, the study offers a pathway for Indigenous peoples to document knowledge that is “stored in the bones.”

Reviews
“Pawłowska-Mainville’s study is a robust contribution to understanding sovereignty as a vital well-spring for action today. More importantly, this text properly contextualizes that sovereignty outside of colonial legal framings, and carefully establishes it within the continuous practice of ‘peoplehood’." — Wendy Russell

“This book contributes to ongoing discussions of Indigenous-settler relations in Canada around reconciliation, UNDRIP, and TRC. The environmental assessment context is intriguing and executed productively.” — Thomas (Tad) McIlwraith

Additional Information
320 pages | 6.00" x 9.00" | index, bibliography | Paperback

Mi’kmaw artists are creating a wide range of imaginative and beautiful work using the skills and traditions of basketry weaving given to them by their elders and ancestors. In this book, nine artists present their work and their stories in their own words. Their unique artistic practices reflect their relationships to the natural world around them and their abilities to create unique and beautiful objects using a mix of traditional and contemporary materials and forms.

Each artist's account of their background and practice is introduced by editor shalan joudry. Their words stand alongside examples of their art, photographed in their studios by Holly Brown Bear.

This book is a milestone in creating awareness of and celebrating a group of important contemporary artists working today in Mi’kma'ki, the traditional territory which embraces Nova Scotia, New Brunswick, Prince Edward Island and portions of Quebec.

Featured artists:

• Peter Clair, Elsipogtog First Nation, New Brunswick.
• Virick Francis, Eskasoni First Nation, Nova Scotia.
• Stephen Jerome, Gesgapegiag, Quebec.
• Della Maguire, Glooscap First Nation, Nova Scotia.
• Frank Meuse, L'sittkuk First Nation (Bear River), Nova Scotia.
• Margaret Peltier, We'koqma'q First Nation, Nova Scotia.
• Sandra Racine, Elsipogtog First Nation, New Brunswick.
• Nora Richard, Lennox Island, Prince Edward Island.
• Ashley Sanipass, Indian Island, New Brunswick.

Additional Information
10.00" x 8.03" | Paperback | 100+ Colour Photographs