Cherokee

One young woman’s relentless quest to become the first Cherokee astronaut will irrevocably alter the fates of the people she loves most in this tour de force of a debut about ambition, belonging, and family.

My mother took my sister and me, and she drove through the night to a place she felt a claim to, a place on earth she thought we might be safe. I stopped asking questions. I picked little glass pieces from my sister’s hair. I watched the moon.

Steph Harper is on the run. When she was five, her mother fled an abusive husband—with Steph and her younger sister in tow—to Cherokee Nation, where she hoped they might finally belong. In response, Steph sets her sights as far away from Oklahoma as she can get, vowing that she will let nothing get in the way of pursuing the rigorous physical and academic training she knows she will need to be accepted by NASA, and ultimately, to go to the moon.

Spanning three decades and several continents, To the Moon and Back encompasses Steph’s turbulent journey, along with the multifaceted and intertwined lives of the three women closest to her: her sister Kayla, an artist who goes on to become an Indigenous social media influencer, and whose determination to appear good takes her life to unexpected places; Steph’s college girlfriend Della Owens, who strives to reclaim her identity as an adult after being removed from her Cherokee family through a challenge to the Indian Child Welfare Act; and Hannah, Steph and Kayla’s mother, who has held up her family’s tribal history as a beacon of inspiration to her children, all the while keeping her own past a secret.

In Steph’s certainty that only her ambition can save her, she will stretch her bonds with each of these women to the point of breaking, at once betraying their love and generosity, and forcing them to reconsider their own deepest desires in her shadow. Told through an intricately woven tapestry of narrative, To the Moon and Back is an astounding and expansive novel of mothers and daughters, love and sacrifice, alienation and heartbreak, terror and wonder. At its core, it is the story of the extraordinary lengths to which one woman will go to find space for herself.

Reviews
“A story of decisions; right, wrong and everything in between, To the Moon and Back explores love and ambition and all its complicated messiness. With characters so perfectly rendered that you’ll want to hug them or give them a shake, Eliana Rampage explores what it means to belong in this immersive and exciting debut.” — Amanda Peters, author of The Berry Pickers (winner of the Carnegie Medal for Excellence)

“A soaring masterpiece that mixes the terror, care, betrayal, and death-defying love of family with deliciously abject lesbian drama and the beautifully self-destructive doggedness of possessing a singular dream. Every character in this novel will stay with you forever. I love this book.” —Casey Plett, award-winning author of A Dream of a Woma—

“A John Irving-esque tragicomic saga… This author is as ambitious as her protagonist: There are three novels worth of material here, all good. The moon or bust!” —Kirkus Review (starred review)

Additional Information
448 pages | 6.00" x 9.00" | Paperback

From the #1 bestselling and award-winning author of Indians on Vacation, a witty and wry novel set in a small Ontario town where all is seemingly ordinary except for one thing—aliens have landed on the moon

In Thomas King’s new novel, the citizens of a small Ontario town face life-changing decisions. Bria’s grandmother asks her to take her great-grandmother’s rosary to Edmonton and return it in person to the pope. When she flings it into the lake, the rosary somehow hits the pope on the cheek, thousands of kilometres away. It is the same rosary. How is this possible? Thea is furious at her son for putting her in an old-age home. She should have had a daughter. A daughter would never have forced her from her home. Darlene is mixed up with the no-good petty thief Billy. When she ends up in the hospital, she finds Thea’s fanny pack on the floor. Darlene needs the $265 tucked inside, but she also wants a reward for returning the fanny pack. Herb has bought the drive-in movie theatre on the edge of town and has turned it into his home. He watches movies on the big screen while treating the parking lot as his personal driving range. Should he travel west to see his family on the reserve? Nico has a Subaru whose battery keeps failing, but there are no replacements in North America. Gary and Brenda from the dealership are having an affair. Richard wants to set up a dating profile but has no cell phone.

Just the stuff of ordinary life except for one thing: Aliens have landed on the moon. They are watching Earth and earthlings. What is their plan? With the arrival of the aliens, ordinary life is upended in ways that are both hilarious and revealing. While some people fear the aliens’ three-part mandate to save the planet (which might have been written by a grade 9 student in the US), others think the arrival of the aliens is a golden opportunity for a deep discount weekend at Costco that could possibly rival Amazon’s Black Friday.

Additional Information
272 pages | 6.00" x 9.00" | Hardcover

Explore Native American culture and learn Hand Talk, also known as Plains Indian Sign Language, Plains Sign Talk, and First Nation Sign Language.

In Talking with Hands, professional Native American dancer, storyteller, and educator Mike Pahsetopah reveals the beauty of Plains Indian Sign Language, which was once used as a common language between the Indigenous peoples of the region now generally known as the Great Plains of North America. The language was used for trade, but also for storytelling and by the Deaf community, making it a very common and useful tool in society. Today, only a few native speakers remain.

This beautifully designed book makes practicing Plains Indian Sign Language easy and engaging. Learn the proper positions and motions of this now-rare language with photos and descriptions throughout the pages. Follow along with diagrams to perfect your abilities.

Learn how to use your hands to convey the meanings of over 200 common words. In this detailed guide, you will learn to sign words like:

• Hungry
• Camp
• Evening
• Angry
• Fire
• Owl
• Together
• Brave
• And more

Honor and carry on the culture of the Plains peoples by learning the sign language they shared.

Additional Information
168 pages | 8.30" x 10.35" | 100+ color photos | Paperback

Follow the beauty way to generate happiness and good relationships, fulfill your life purpose, manifest peace and abundance, and renew the planet.

Dhyani Ywahoo’s powerful, prophetic, and compassionate voice returns in this new expanded edition of the book that’s sold over 90K copies.

This beloved book has resonated with thousands of spiritual explorers and other readers wishing to ground their activities in harmony and well-being. In this expanded edition, Dhyani Ywahoo continues to be a guiding source of wisdom for all who walk the Beauty Way. As the twenty-seventh generation to carry the Ywahoo lineage of the Eastern Tsalagi/Cherokee Nation, she shares the precious oral teachings of her people that remain timely, powerful, and accessible.

Weaving together Buddhist and Native American traditions, Voices of Our Ancestors offers practical ways of transforming obstacles into happiness and good relationships, fulfilling our life purpose, manifesting peace and abundance, and renewing the planet. The Tsalagi worldview teaches us to infuse each moment with the three fundamental principles of intention, compassion, and doing good. We have the opportunity to let go of fear and aggression and begin to live a life of enlightened consciousness, with tools like:

• Meditations;
• Healing rituals;
• Instructions for working with crystals; and
• Teachings on how to practice generosity and harmony.

Our journey is enriched by Dhyani Ywahoo’s new reflections on the expansion of Native American communities in the United States and how they have cooperated to bring Indigenous voices into larger conversations about conflict resolution, the climate crisis, and the need for inclusion of underrepresented groups and individuals. With a voice that is powerful, prophetic, and compassionate, Dhyani Ywahoo calls on us to become peacekeepers in our hearts and in the world.

Reviews
“Venerable Dhyani Ywahoo embodies wisdom of the Native and Tibetan traditions. Hers is a lifetime spent generously sharing these sacred teachings with students all over the world. I celebrate this new edition of her book, which will hold these precious methods to walk in this world with wisdom and compassion now and for future generations.”—Lama Konchok Sonam, spiritual director of Drikung Meditation Center

“These wisdom teachings are profoundly life-changing for spiritual growth no matter your tradition. Venerable Dhyani Ywahoo is an exceptional spiritual leader and teacher, having forged her own way through traditional Cherokee and Vajrayana teachings. She compassionately embraces her students with her wisdom, offering unique and significant insights. Voices of Our Ancestors is a timeless work and as such it lends support and inspiration continually.”—Shan Watters, artist and author of Mothering the Divine

Additional Information
352 pages | 6.00" x 8.99" | Paperback 

The award-winning, bestselling author of The Back of the Turtle and The Inconvenient Indian masters the comic mystery novel in this series opener, starring ex-cop Thumps DreadfulWater.

Thumps DreadfulWater is a Cherokee ex-cop trying to make a living as a photographer in the small town of Chinook, somewhere in the northwestern United States. But he doesn’t count on snapping shots of a dead body languishing in a newly completed luxury condo resort built by the local Indian band. It’s a mystery that Thumps can’t help getting involved in, especially when he realizes the number one suspect is Stick Merchant, anti-condo protester and wayward son of Claire Merchant, head of the tribal council and DreadfulWater’s sometimes lover. Smart and savvy, blessed with a killer dry wit and a penchant for self-deprecating humour, DreadfulWater just can’t manage to shed his California cop skin. Before long, he is deeply entangled in the mystery and has his work cut out for him.

Reviews
"The characters are really clever. . . . The dialogue is crisp and just begs to head to the screen."  — The Globe and Mail

Educator & Series Information
This book is part of the DreadfulWater Mystery Series.

Books in this series include:
- Dreadful Water
- The Red Power Murders
- Cold Skies
- A Matter of Malice
- The Obsidian Murders
- Deep House 
- Double Eagle
- Black Ice

A novel that will appeal to mystery fans as well as Thomas King’s loyal audience, DreadfulWater is a catchy, clever read.

Additional Information
464 pages | 4.19" x 7.50" | Paperback

A beautifully illustrated edition of Poet Laureate Joy Harjo’s poem “Washing My Mother’s Body,” which offers a way through grief when the loss appears unbearable.

As I wash my mother’s face, I tell her
how beautiful she is, how brave, how her beauty and bravery
live on in her grandchildren. Her face is relaxed, peaceful.
Her earth memory body has not left yet,
but when I see her the next day, embalmed and in the casket
in the funeral home, it will be gone.
Where does it go?

Through lyrical prose and evocative watercolor illustrations by award-winning Muscogee artist Dana Tiger, Washing My Mother’s Body explores the complexity of a daughter’s grief as she reflects on the joys and sorrows of her mother’s life. She lays her mother to rest in the landscape of her memory, honoring the hands that raised her, the body that protected her, and the legs that carried her mother through adversity.

Moving, comforting, and deeply emotional, Washing My Mother’s Body is a tender look at mother-daughter relationships, the complexity of grieving the loss of a parent, and the enduring love of those left behind.

Additional Information
80 pages | 5.79" x 7.81" | Hardcover 

In this tightly paced sequel to Redemption, Eva “Lightning Dance” Duran joins the Taos Pueblo tribal police department to uncover a member of her community’s murder…and the conspiracy behind it.

It’s been over a year since the case that almost broke her, but when Eva “Lightning Dance” Duran is called back to duty, she doesn’t hesitate to answer. A bank robbery has left an officer down and a suspect on the run. Law enforcement is in hot pursuit, and residents are on the lookout—but before anyone can catch the criminal, tragedy strikes.

A member of the Taos Pueblo tribe has been shot and killed. The culprit? An untraceable 3D printed gun. With the support of fellow tribal cops, Eva breaks the news to the victim’s family and swears to find justice.

More violence follows, feeding the rising racial tensions between the Taos Pueblo people and the Hispanic community. New evidence forces Eva to consider the possibility that the bank robbery and 3D guns are related, but until she figures out how, there’s no telling how deep this crime ring goes…or how far its evasive ringleader will go to protect it.

Reviews
“Ledford’s sequel to Redemption excels…For fans of books by both Tony and Anne Hillerman, along with others that embody the spirit and landscape of the Southwest.” —Library Journal

“Atmospheric, poignant, and set in the Taos Pueblo, Ledford’s tribal police officer Eva ‘Lightning Dance’ Duran doesn’t flinch in this dark, twisting tale that’s riveting from the first page. A fantastic second book in this new series from a master of crime fiction.” —Jamie Freveletti, award-winning and internationally bestselling author of the Emma Caldridge series

Series Information
This book is part of the Eva "Lightning Dance" Duran series.

Additional Information
352 pages | 5.50" x 8.50" | Paperback 

From award-winning author Deborah J Ledford comes a thrilling new series featuring a Native American sheriff’s deputy who risks it all to find a friend who’s gone missing.

After four women disappear from the Taos Pueblo reservation, Deputy Eva “Lightning Dance” Duran dives into the case. For her, it’s personal. Among the missing is her best friend, Paloma, a heroin addict who left behind an eighteen-year-old son.

Eva senses a lack of interest from the department as she embarks on the investigation. But their reluctance only fuels her fire. Eva teams up with tribal police officer and longtime friend Cruz “Wolf Song” Romero to tackle a mystery that could both ruin her reputation and threaten her standing in the tribe.

And when the missing women start turning up dead, Eva uncovers clues that take her deeper into the reservation’s protected secrets. As Eva races to find Paloma before it’s too late, she will face several tests of loyalty—to her friend, her culture, and her tribe.

Reviews
“Deborah J. Ledford has artfully woven the voices of multiple characters connected to the Taos Pueblo to create a pattern of stories that illuminate the challenges as well as the enduring power of Native American women. The rhythm of daily life is evident in Ledford’s lovely, intimate prose. I eagerly await the new adventures of Eva Duran, who will, no doubt, unearth more mysteries in the buried layers of New Mexico.” —Naomi Hirahara, the Mary Higgins Clark Award–winning author of Clark and Division

“Redemption is a page-turner! I loved reading about sheriff’s deputy Eva Duran and her battle against dark forces on the reservation. Sharp characters, a great setting, and a plot that keeps you guessing. A riveting thriller that hits hard and keeps you hooked.” —David Heska Wanbli Weiden, Anthony and Thriller Award–winning author of Winter Counts

“A riveting tale of murder and intrigue on a Native American reservation from an immensely talented voice in crime fiction. Deborah J. Ledford has created a page-turner featuring an unforgettable hero in Eva ‘Lightning Dance’ Duran.” —Isabella Maldonado, Wall Street Journal bestselling author

Series Information
This book is part of the Eva "Lightning Dance" Duran series.

Additional Information
366 pages | 5.50" x 8.50" | Paperback 

From the author of White Horse (“Twisty and electric.” —The New York Times Book Review) comes a terrifying and resonant novel about a woman who uses her unique gift to learn the truth about her sister’s death.

Olivia Becente was never supposed to have the gift. The ability to commune with the dead was the specialty of her sister, Naiche. But when Naiche dies unexpectedly and under strange circumstances, somehow Olivia suddenly can’t stop seeing and hearing from spirits.

A few years later, she’s the most in-demand paranormal investigator in Denver. She’s good at her job, but the loss of Naiche haunts her. That’s when she hears from the Brown Palace, a landmark Denver hotel. The owner can’t explain it, but every few years, a girl is found dead in room 904, no matter what room she checked into the night before. As Olivia tries to understand these disturbing deaths, the past and the present collide as Olivia’s investigation forces her to confront a mysterious and possibly dangerous cult, a vindictive journalist, betrayal by her friends, and shocking revelations about her sister’s secret life.

The Haunting of Room 904 is a paranormal thriller that is as edgy as it is heartfelt and simmers with intensity and longing. Erika T. Wurth lives up to her reputation as “a gritty new punkish outsider voice in American horror.”

Reviews
“The Haunting of Room 904 deftly mixes humor, scares, and the weight of personal and generational grief. The book is a heady, haunting, righteous, and spiritual exploration of our political mess through the lens of paranormal exploration and, sometimes even scarier, interpersonal relationships. You’ll want to follow Erika and her Olivia into any dark, creaky room.” —Paul Tremblay, New York Times bestselling author of Horror Movie and A Head Full of Ghosts

“The Haunting Of Room 904 is an electric terrifying journey into the world beyond the veil. Erika T. Wurth has created a mind bending tale of loss and love and the devastating cost of grief. You don't want to miss this!” —S. A. Cosby, author of All the Sinners Bleed and Razorblade Tears

Additional Information
320 pages | 6.12" x 9.25" | Hardcover 

An exploration of Indigenous cosmology and history in North America

• Examines the complexities of Indigenous legends and creation myths and reveals common oral traditions across much of North America

• Explores the history of Cahokia, the Mississippian Mound Builder Empire of 1050-1300 CE, told through the voice of Honga, a Native leader of the time

• Presents an Indigenous revisionist history regarding Thomas Jefferson, expansionist doctrine, and Manifest Destiny

While Western accounts of North American history traditionally start with European colonization, Indigenous histories of North America—or Turtle Island—stretch back millennia. Drawing on comparative analysis, firsthand Indigenous accounts, extensive historical writings, and his own experience, Omaha Tribal member, Cherokee citizen, and teacher Taylor Keen presents a comprehensive re-imagining of the ancient and more recent history of this continent’s oldest cultures. Keen reveals shared oral traditions across much of North America, including among the Algonquin, Athabascan, Sioux, Omaha, Ponca, Osage, Quapaw, and Kaw tribes. He explores the history of Cahokia, the Mississippian Mound Builder Empire of 1050–1300 CE. And he examines ancient earthen works and ceremonial sites of Turtle Island, revealing the Indigenous cosmology, sacred mathematics, and archaeoastronomy encoded in these places that artfully blend the movements of the sun, moon, and stars into the physical landscape.

Challenging the mainstream historical consensus, Keen presents an Indigenous revisionist history regarding Thomas Jefferson, expansionist doctrine, and Manifest Destiny. He reveals how, despite being displaced as the United States colonized westward, the Native peoples maintained their vision of an intrinsically shared humanity and the environmental responsibility found at the core of Indigenous mythology.

Building off a deep personal connection to the history and mythology of the First Peoples of the Americas, Taylor Keen gives renewed voice to the cultures of Turtle Island, revealing an alternative vision of the significance of our past and future presence here.

Reviews
“Brother Keen, with his infinite Indigenous and academic knowledge, brings forth amazing truths about ancient North American cultures the modern world was unaware of. Not only are the ancient earthworks extensive and scientifically and astronomically complex but Keen unveils they are all connected across the entire continent, mirroring the heavens. Simply incredible research.” — Scott Wolter, host of History 2 (H2) Channel’s America Unearthed, world-renowned forensic geol

“Careful analysis by Taylor Keen of the placement and designs of earthworks of the Indigenous people of North America reveals far more complex planning and design was involved than just random location selection of mounds for burials, as we were taught to think. His geographical analysis reveals the sacred earthworks designs were far more advanced and esoteric in nature, something he is uniquely qualified to understand as Indigenous himself and a member of several esoteric orders. He proves definitively the intricate level of knowledge of astronomy, heavenly body movements, mathematics, and cosmology involved in the creation of these earthworks, not only at a local level, but incredibly as long-range alignments as well. This revelation, Keen explains, was something that was dismissed and suppressed by early nineteenth-century archaeologists who breached and destroyed the sacred earthworks and burial mounds as part of the promotion of ‘manifest destiny,’ with the intent being justification of taking tribal lands for settlement. Keen’s incredibly important work gives a whole new perspective on the history of North America.” — Janet Wolter, coauthor of America: Nation of the Goddess

“The official history of the United States begins with Spanish contact in the late fifteenth century. The oral traditions and legends of the various Native peoples of North America, however, stretch back much earlier, into the opaque mists of preliterate times. With a member of the Earthen Bison Clan of the Omaha Tribe to serve as our guide, Rediscovering Turtle Island leads the reader along near-forgotten, overgrown paths that twist and turn throughout a resacralized landscape, decorated with ancient landmarks, populated with whispering ghosts and supernatural beings. The sacred geography of America will never again appear the same.” — P. D. Newman, author of Native American Shamanism and the Afterlife Journey in the Mississippi Valle

“What could be more fascinating than the origin of mankind itself? The premise is staggering and the consequences far-reaching. Keen’s hard work pays off immensely in Rediscovering Turtle Island, and readers will be gripped by that experience on every page.” — Sidian M.S. Jones, coauthor of The Voice of Rolling Thunder

Additional Information
208 pages | 6.00" x 9.00" | 70 b&w illustrations | Paperback 

A Navajo Ranger’s chilling and clear-eyed memoir of his investigations into bizarre cases of the paranormal and unexplained in Navajoland

As a Native American with parents of both Navajo and Cherokee descent, Stanley Milford Jr. grew up in a world where the supernatural was both expected and taboo, where shapeshifters roamed, witchcraft was a thing to be feared, and children were taught not to whistle at night.

In his youth, Milford never went looking for the paranormal, but it always seemed to find him. When he joined the fabled Navajo Rangers—a law enforcement branch of the Navajo Nation who are equal parts police officers, archeological conservationists, and historians—the paranormal became part of his job. Alongside addressing the mundane duties of overseeing the massive 27,000-square-mile reservation, Milford was assigned to utterly bizarre and shockingly frequent cases involving mysterious livestock mutilations, skinwalker and Bigfoot sightings, UFOs, and malicious hauntings.

In The Paranormal Ranger, Milford recounts the stories of these cases from the clinical and deductive perspective of a law enforcement officer. Milford’s Native American worldview and investigative training collide to provide an eerie account of what logic dictates should not be possible.

Reviews
“Stanley Milford Jr. masterfully intertwines memoir, Diné creation stories, and true encounters with otherworldly phenomena. As a Navajo Ranger, Milford’s path is shadowed by eerie cryptids, mysterious UFOs, and the ever-present trials of his demanding role. His unwavering dedication, bravery, and deep cultural insight transform this narrative into a mesmerizing journey. Bridging the realms of legend and reality, each spine-chilling investigation illuminates the enduring spirit and wisdom of the Navajo people, offering readers a profound and unforgettable cultural experience.”— Shane Hawk, co-editor of Never Whistle at Night: An Indigenous Dark Fiction Anthology

“Stan’s life story is a true testament to the reverence that Native American culture has for the paranormal. His passion for investigating the otherworldly really shines. A fascinating read, and highly recommended!”  — Steve Gonsalves, star of Ghost Hunters and bestselling author of A Life with Ghosts

“Many of Stan’s experiences recounted in this book parallel what we’ve seen on Skinwalker Ranch, with an eerie degree of similarity. Getting to learn more about Stan’s life and his Navajo-Cherokee heritage alongside these incredible stories is a meaningful bonus.” — Jim Morse, ranch manager and cast member of The Secret of Skinwalker Ranch

"Milford interweaves colorful stories from Navajo mythology that illuminate cultural beliefs about the origins of life, monsters, and the spirit world. . . . Engaging reading for adventurous minds." — Kirkus Reviews

"Equal parts memoir and supernatural record, Milford's book shares how these occurrences enlightened him. He leaves the reader with a unified theory of how paranormal phenomena are connected and what this means for us as human beings. And he demonstrates how experience and open-mindedness can, over a lifetime, build up to unparalleled expertise." — Booklist

Additional Information
256 pages | 6.00" x 9.00" | Hardcover 

Thumps DreadfulWater has a lot on his plate. With Duke out of commission following his wife’s tragic death, Thumps is appointed temporary deputy sheriff, a role that makes him doubly eager for Duke’s swift recovery.

First, a myopic private investigator dies while in custody. The autopsy concludes that he died of natural causes; then an assault rifle is found in the trunk of the dead man’s rental car, and the mystery woman he was investigating disappears. Meanwhile, Thumps contends with a couple of horse-thieving octogenarians and a large, slobbery dog acquired in the line of duty.

As the rest of Chinook comes together to cheer on golf novice Wutty Youngbeaver, who is competing in the US Open qualifying tournament up at Shadow Ranch, Claire and Ivory decamp to Alberta, leaving Thumps to contemplate the simplicity of a life lived alone. If he can’t manage something as simple as a dog or a couple of cats, how can he be responsible for another human being? Two human beings?

The plot thickens when ninja assassin Cisco Cruz returns to Chinook, and Thumps finds himself knee-deep in a complicated web of deceit spun by a nefarious collective known as Black Ice. His job? To sort through the lies. It’s like a game of Jenga, where the blocks need to be removed carefully, one by one, or the whole structure will topple.

Series Information
This book is from the DreadfulWater Mystery series, a mystery/detective series from Thomas King.

Books in this series include:
- Dreadful Water
- The Red Power Murders
- Cold Skies
- A Matter of Malice
- The Obsidian Murders
- Deep House 
- Double Eagle
- Black Ice

Additional Information
384 pages | 6.00" x 9.00" | Paperback

Rooted in ten Indigenous values, this thoughtful, holistic book-written by Randy Woodley, a Cherokee descendant recognized by the Keetoowah Band, and Edith Woodley, an Eastern Shoshone tribal member-helps readers learn lifeways that lead to true wholeness, well-being, justice, and harmony.

The pursuit of happiness, as defined by settlers and enshrined in the American Dream, has brought us to the brink: emotionally, spiritually, socially, and as a species. We stand on a precipice, the future unknown. But Indigenous people carry forward the values that humans need to survive and thrive. In Journey to Eloheh, Randy and Edith Woodley help readers transform their worldviews and lifestyles by learning the ten values of the Harmony Way. These ten values, held in common across at least forty-five Indigenous tribes and nations, can lead us toward true well-being: harmony, respect, accountability, history, humor, authenticity, equality, friendship, generosity, and balance. By learning, converting to, and cultivating everyday practices of Eloheh--a Cherokee word meaning harmony and peace--we have a chance at building well-being and a sustainable culture.

In this riveting account of their own journeys toward deepening their indigeneity and embodying harmony, Edith, an activist-farmer, and Randy, a scholar, author, teacher, and wisdom-keeper, help readers learn the lifeways of the Harmony Way. The journey to Eloheh holds promise for all of us, Indigenous or not.

We know the Western worldview is at odds with a sustainable Earth, a just common life, and personal well-being. Together we can convert to another way of living--one that recognizes the Earth as sacred, sees all creation as related, and offers ancestral values as the way forward to a shared future.

Reviews
"Edith and Randy Woodley's passion and persistence to create spaces of community and care are inspiring. A blend of storytelling, theology, and guidance harvested directly through Indigenous wisdom, Journey to Eloheh reminds us to stay true to the path of kinship and belonging, and to never give up on justice and peacemaking in the world. I highly recommend this book for anyone who is searching for a way to be a better relative on this earth or to fight for a better reality for future generations. This book will help you get there." --Kaitlin B. Curtice, award-winning author of Native and Living Resistance

"Spiritual journey as autobiography: like a Navajo weaver, Journey to Eloheh skillfully connects Native American theology and personal experience into a way of life. If you are looking for your own path, Edith and Randy Woodley's story is a good place to begin." --Steven Charleston, author of Ladder to the Light, Spirit Wheel, and We Survived the End of the World

"There is so much we can all learn from the wisdom of Indigenous culture. In this book, Randy and Edith Woodley invite us to join them on a journey of learning a different way of living that leads to wholeness, abundance, and peace. They generously share their life experience and spiritual insights to show us a better path toward harmony with the whole of creation. I highly recommend it!" --Dr. Brenda Salter McNeil, author of Becoming Brave and Roadmap to Reconciliation 2.0

"A practical antidote to despair, hopelessness, and aimless consumption, this book offers a robust and healing path to well-being for all of us. The Woodleys are wise and trustworthy guides for restoration and embodied goodness within the community of creation." --Sarah Bessey, author of Field Notes for the Wilderness: Practices for an Evolving Faith

"Randy and Edith Woodley write with insight and wisdom from their years of experience. They have prophetic voices that draw attention to the needs of all of our relatives. Their voices rise out of difficult situations in which they have done more than survive; they are showing how to flourish in an ever-changing world." --Ray Aldred, director of the Indigenous Studies Program, Vancouver School of Theology

"For many years, I have considered Randy Woodley one of my teachers. His books, lectures, and personal conversations--together with his humble, yet bold, spirit as a teacher--have enriched and challenged me. His new book, co-written with his wise and eloquent wife, Edith, is a masterpiece, a book I would recommend to anyone and everyone. It beautifully combines the sharing of their life-story with the essence of their lifeway, articulated in ten powerful Indigenous values that are as deeply spiritual as they are deeply practical." --Brian McLaren, author, teacher, and activist

Educator Information
Keywords / Themes: Well-Being; the Harmony Way (Eloheh); Ten Eloheh Values; Indigenous Knowledge, Indigenous Values; Personal Growth.

Additional Information
264 pages | 5.75" x 8.75" | Hardcover 

"If you're in the mood for a steamy enemies-to-lovers romance but also a chilling haunted-house horror, GET YOU A BOOK THAT CAN DO BOTH! I blazed through this book in one sitting because I just couldn't wait to find out what would happen next!" - Alicia Thompson, USA Today bestselling author of With Love, from Cold World

An enemies to lovers romance with a spooky twist where two feuding writers end up on a writers retreat together at a haunted castle in Scotland.

It's been months since horror author Penelope Skinner threw a book at Neil Storm. But he was so infuriating, with his sparkling green eyes and his bestselling horror novels that claimed to break Native stereotypes. And now she’s a publishing pariah and hasn’t been able to write a word since. So when her friend invites her on a too-good-to-be-true writers retreat in a supposedly haunted Scottish castle, she seizes the opportunity. Of course, some things really are too good to be true.

Neil wants nothing less than to be trapped in a castle with the frustratingly adorable woman who threw a book at him. She drew blood! Worse still, she unleashed a serious case of self-doubt! Neil is terrified to write another bestselling “book without a soul,” as Pen called it. All Neil wants is to find inspiration, while completely avoiding her.

But as the retreat begins, Pen and Neil are stunned to find themselves trapped in a real-life ghost story. Even more horrifying, they’re stuck together and a truly shocking (extremely hot) almost-kiss has left them rethinking their feelings, and… maybe they shouldn’t have been enemies at all? But if they can’t stop the ghosts pursuing them, they may never have the chance to find out.

Full of spooky chills and even more sexy thrills, If I Stopped Haunting You by Colby Wilkens is the funny, fast-paced romp romance readers have been waiting for!

Reviews
"I devoured this debut by Colby Wilkens! The author writes with such authority and conviction that I really felt like she had lived in a haunted castle in Scotland, just like the characters. Every sentence felt like it was coming from a place of authenticity, which I loved. In addition, the spooky elements are genuinely spooky, the enemies to lovers genuinely enemies, and it all came together beautifully. I didn't realize I needed a romance book married to cozy horror but now I'm wondering where this particular mashup has been all my life. Can't wait to read the next!" - Jessica Clare, New York Times bestselling author

"If I Stopped Haunting You skillfully balances creepiness, difficult conversations, and a lot of steam to deliver readers a satisfying debut and a well-earned Happily Ever After." - Helena Greer, author of Season of Love and For Never and Always

“If I Stopped Haunting You is a complex deep dive into identity, history, and staying true to one’s self that pulls no punches. With a toe curling romance and bone chilling ghosts lurking around every corner, this effortless blend of romance and horror is not to be missed.” - Sonia Hartl, author of Heartbreak For Hire and Rent to Be

"Brimming with angst, heat, and heart, If I Stopped Haunting You is the unputdownable rivals-to-lovers romance I've been craving! Set in a haunted Scottish castle with atmosphere to die for, this is a cozy season must-read. I fell hard for Penelope and Neil as they traversed their differences toward deeper understanding and love–with lots of steam along the way! Writing with thrilling boldness, sparkling wit, and profound care for queer and indigenous representation, Colby Wilkens is a highly necessary and breathtakingly talented fresh voice in romance–meet your new autobuy author." – Courtney Kae, author of In the Event of Love and In the Case of Heartbreak

"Masterfully blends the delicious tension of a great rivals-to-lovers romance with the gothic vibes of a creepy haunted house story. The heat between Penelope and Neil ignites as they untangle their complicated relationship and grow closer together, and the horror elements create some truly memorable moments of forced proximity. If I Stopped Haunting You hooked me from the first page, and I didn't want to put it down when it was over!" -Jenny L Howe, author of On the Plus Side and The Make-Up Test

"If you're in the mood for a steamy enemies-to-lovers romance but also a chilling haunted-house horror, GET YOU A BOOK THAT CAN DO BOTH! Colby Wilkens' debut If I Stopped Haunting You is so inventive and immersive -- I couldn't tell if my shoulders were up by my ears because of the creeping dread of whatever was going on in that castle or because of the electric chemistry between Pen and Neil. I blazed through this book in one sitting because I just couldn't wait to find out what would happen next!" - Alicia Thompson, USA Today bestselling author of With Love, from Cold World

Additional Information
320 pages | 5.38" x 8.25" | Paperback 

A powerful work of reportage and American history that braids the story of the forced removal of Native Americans onto treaty lands in the nation’s earliest days, and a small-town murder in the ‘90s that led to a Supreme Court ruling reaffirming Native rights to that land over a century later.

Before 2020, American Indian reservations made up roughly 55 million acres of land in the United States. Nearly 200 million acres are reserved for National Forests—in the emergence of this great nation, our government set aside more land for trees than for Indigenous peoples. That changed on July 9, 2020, when a high-profile Supreme Court case—which originated with a small-town murder two decades earlier—affirmed the reservation of Muscogee Nation. The ruling resulted in the largest restoration of tribal land in U.S. history, merely because the Court chose to follow the law.

In the 1830s Muscogee people were rounded by the US military at gunpoint and forced into exile halfway across the continent. At the time, they were promised this new land would be theirs for as long as the grass grew and the waters ran. But that promise was not kept. When Oklahoma was create on top of their land, the new state claimed their reservation no longer existed. Over a century later, when a Muscogee citizen was sentenced to death for murdering another Muscogee citizen, his defense attorneys argued the murder occurred on the reservation of his tribe, and therefore Oklahoma didn’t have the jurisdiction to execute him. Oklahoma argued that reservation no longer existed. In the summer of 2020, the Supreme Court said: no more; a ruling that would ultimately underpin multiple reservations covering half the land in Oklahoma, including Nagle’s own Cherokee Nation.

Here Rebecca Nagle tells the story of the generations-long fight for tribal land and sovereignty in Eastern Oklahoma. By chronicling both the contemporary legal battle and historic acts of Indigenous resistance, By the Fire We Carry stands as a landmark work of American history. The story it tells exposes both the wrongs that our nation has committed in its long history of greed, corruption and lawlessness, and the Native battle for the right to be here that has shaped our country.

Educator Information
By the Fire We Carry is hard-hitting American history that expands on the nation's story. It tells of the treatment of Native Americans, their removal and displacement, and the genocide committed against them by the US government from their viewpoint. 

Additional Information
352 pages | 6.00" x 9.00" | 23 b/w photographs and maps | Hardcover

A gripping, gut-punch of a novel about a Cherokee child removed from her family and sent to a Christian boarding school in the 1950s—an ambitious, eye-opening reckoning of history and small-town prejudices from Pulitzer Prize finalist Margaret Verble.

Since her mother’s death, Kit Crockett has lived with her grief-stricken father, spending lonely days far out in the country tending the garden, fishing in a local stream, and reading Nancy Drew mysteries from the library bookmobile. One day when Kit discovers a mysterious and beautiful woman has moved in just down the road, she is intrigued.

Kit and her new neighbor Bella become fast friends. Both outsiders, they take comfort in each other’s company. But malice lurks near their quiet bayou and Kit suddenly finds herself at the center of tragic, fatal crime. Soon, Kit is ripped from her home and Cherokee family and sent to Ashley Lordard, a religious boarding school. Along with the other Native students, Kit is stripped of her heritage, force-fed Christian indoctrination, and is sexually abused by the director. But Kit, as strong-willed and shrewd as ever, secretly keeps a journal recounting what she remembers—and revealing just what she has forgotten. Over the course of Stealing, she slowly unravels the truth of how she ended up at the school—and plots a way out.

In swift, sharp, and stunning prose, Margaret Verble spins a powerful coming-of age tale and reaffirms her place as an indelible storyteller and chronicler of history.

Reviews
"Verble tells a memorable and sobering story about injustice, hypocrisy, and resilience. Verble upholds her legacy of indelible Cherokee characters—and weaves a dynamic mystery, too.”— Kirkus Reviews

Additional Information
256 pages | 5.31" x 8" | Paperback

A visceral and compelling mystery about a Cherokee archeologist for the Bureau of Indian Affairs who is summoned to rural Oklahoma to investigate the disappearance of two women…one of them her sister.

There are secrets in the land.

As an archeologist for the Bureau of Indian Affairs, Syd Walker spends her days in Rhode Island trying to protect the land's indigenous past, even as she’s escaping her own.

While Syd is dedicated to her job, she’s haunted by a night of violence she barely escaped in her Oklahoma hometown fifteen years ago. Though she swore she’d never go back, the past comes calling.

When a skull is found near the crime scene of her youth, just as her sister, Emma Lou, vanishes, Syd knows she must return home. She refuses to let her sister's disappearance, or the remains, go ignored—as so often happens in cases of missing Native women.

But not everyone is glad to have Syd home, and she can feel the crosshairs on her. Still, the deeper Syd digs, the more she uncovers about a string of missing indigenous women cases going back decades. To save her sister, she must expose a darkness in the town that no one wants to face—not even Syd.

The truth will be unearthed.

Reviews
“Blood Sisters sets its hooks on page one and then pulls relentlessly and colorfully through buried secrets and rediscovered Native heritage.”— C. J. Box, #1 New York Times bestselling author of Storm Front

"Vanessa Lillie’s riveting thriller explores the elusiveness of truth, and the history that binds people together—and to a place—no matter the time or the distance. At once captivating and illuminating, surprising and powerful, Blood Sisters is a story that resonates."—Megan Miranda, New York Times bestselling author of All the Missing Girls

“Combines pulse-pounding action with Cherokee myth and customs. I loved Syd Walker, a compelling new character who’s dealing with her own disturbing family history while trying to unravel the disappearance of several Native women. I hope we’ll see more of Syd Walker soon!” —David Heska Wanbli Weiden, award-winning author of Winter Counts

“This suspenseful mystery will not only captivate you, but it may just teach you something about Cherokee history, land rights and the plague of missing and murdered Indigenous women. Including queer and Two-Spirit characters, Blood Sisters is a meaningful and compelling thriller.” —Ms. Magazine

Additional Information
384 pages | 6.21" x 9.29" | Hardcover

Erika T. Wurth's White Horse is a gritty, vibrant debut novel about an Indigenous woman who must face her past when she discovers a bracelet haunted by her mother’s spirit.

Some people are haunted in more ways than one.

Kari James, Urban Native, is a fan of heavy metal, ripped jeans, Stephen King novels, and dive bars. She spends most of her time at her favorite spot in Denver, the White Horse. When her cousin Debby finds an old family bracelet that once belonged to Kari’s mother, it inadvertently calls up both her mother’s ghost and a monstrous entity, and her willful ignorance about her past is no longer sustainable…

Haunted by visions of her mother and hunted by this mysterious creature, Kari must search for what happened to her mother all those years ago. Her father, permanently disabled from a car crash, can’t help her. Her Auntie Squeaker seems to know something but isn’t eager to give it all up at once. Debby’s anxious to help, but her controlling husband keeps getting in the way. Kari’s journey toward a truth long denied by both her family and law enforcement forces her to confront her dysfunctional relationships, thoughts about a friend she lost in childhood, and her desire for the one thing she’s always wanted but could never have.

Reviews
“It’s metal to the end, it’s Denver to the core, it’s Native without trying, there’s ghosts, there’s blood, there’s roller coasters, and there’s about a thousand cigarettes smoked. What else can you ask for in a novel?” —Stephen Graham Jones, author of The Only Good Indians

"This ghost story is a perfect example of new wave horror that will also satisfy fans of classic Stephen King." —Silvia Moreno-Garcia, author of The Daughter of Doctor Moreau and Mexican Gothic

Additional Information
320 pages | 5.48" x 8.25" | Paperback

Buffalo Mountain is set to host a gold coin exhibition with dealers coming from all over, and Thumps DreadfulWater winds up with the task of making sure the event goes off without a hitch. As if he didn’t already have enough to do.

For starters, he and Claire Merchant are trying to work out their relationship. Should they move in together or should they continue on as they have in the past? And there’s Sheriff Duke Hockney, who wants Thumps to give up landscape photography and return to law enforcement. And last but not least, Cisco Cruz, the ninja assassin, shows up in town with a fiancée in tow.

Can things get any more complicated for our hero?

Yes, they can.

When one of the dealers at the exhibition winds up dead, Cruz’s fiancée is revealed to be an FBI agent responsible for his protection. And Claire’s adoption of Ivory hits a major snag. Like it or not, Thumps is going to have to help Claire as best he can, discover why Cruz is really back in town and try to unravel the murder of the coin dealer—before anyone else dies.

In this new DreadfulWater instalment, our favourite reluctant investigator returns with his signature wit and wry humour to solve a mystery that only Thomas King could create.

Series Information
This book is from the DreadfulWater Mystery series, a mystery/detective series from Thomas King.

Books in this series include:
- Dreadful Water
- The Red Power Murders
- Cold Skies
- A Matter of Malice
- The Obsidian Murders
- Deep House 
- Double Eagle
- Black Ice

Additional Information
304 pages | 6.00" x 9.00" | Paperback

A monumental gathering of more than 60 contemporary artists, photographers, musicians, writers and more, showcasing diverse approaches to Indigenous concepts, forms and mediums

This landmark volume is a gathering of Native North American contemporary artists, musicians, filmmakers, choreographers, architects, writers, photographers, designers and more. Conceived by Jeffrey Gibson, a renowned artist of Mississippi Choctaw and Cherokee descent, An Indigenous Present presents an increasingly visible and expanding field of Indigenous creative practice. It centers individual practices, while acknowledging shared histories, to create a visual experience that foregrounds diverse approaches to concept, form and medium as well as connection, influence, conversation and collaboration. An Indigenous Present foregrounds transculturalism over affiliation and contemporaneity over outmoded categories.

Artists include: Neal Ambrose-Smith, Teresa Baker, Natalie Ball, Laakkuluk Williamson Bathory, Rebecca Belmore, Andrea Carlson, Nani Chacon, Raven Chacon, Dana Claxton, Melissa Cody, Chris T. Cornelius, Lewis deSoto, Beau Dick, Demian DineYazhi’, Wally Dion, Divide and Dissolve, Korina Emmerich, Ka’ila Farrell-Smith, Yatika Starr Fields, Nicholas Galanin, Raven Halfmoon, Elisa Harkins, Luzene Hill, Anna Hoover, Sky Hopinka, Chaz John, Emily Johnson, Brian Jungen, Brad Kahlhamer, Sonya Kelliher-Combs, Adam Khalil, Zack Kahlil, Kite, Layli Long Soldier, Erica Lord, Cannupa Hanska Luger, Tanya Lukin Linklater, James Luna, Dylan McLaughlin, Meryl McMaster, Caroline Monnet, Audie Murray, New Red Order, Jamie Okuma, Laura Ortman, Katherine "KP" Paul/Black Belt Eagle Scout, Postcommodity, Wendy Red Star, Eric-Paul Riege, Cara Romero, Sara Siestreem, Rose B. Simpson, Jaune Quick-to-See Smith, Hulleah J. Tsinhnahjinnie, Anna Tsouhlarakis, Arielle Twist, Marie Watt, Dyani White Hawk and Zoon a.k.a. Daniel Glen Monkman.

Additional Information
448 pages | 9.75" x 12.25" | 387 Illustrations | Hardcover

The gripping, forgotten tale of Ira Hayes—a Native American icon and World War II legend who famously helped raise the flag at Iwo Jima but spent the latter half of his life haunted by being a war hero.

IRA HAYES tells the story of Ira Hamilton Hayes from the perspective of a Native American combat veteran of the Vietnam generation. Hayes, along with five other Marines, was captured in Joe Rosenthal’s iconic photograph of raising the stars and stripes on Mount Suribachi during the battle for the Japanese Island of Iwo Jima. The photograph was the inspiration and model for the U.S. Marine Corps War Memorial in Arlington.

Between the time he helped raise that flag and his death—and beyond—he was the subject of more newspaper columns than any other Native person. He was hailed as a hero and maligned as a chronic alcoholic unable to take care of himself. IRA HAYES explores these fluctuating views of Ira Hayes. It reveals that they were primarily the product of American misconceptions about Native people, the nature of combat, and even alcoholism. Like most surviving veterans of combat, Ira did not think of himself as a heroic figure. There can be no doubt that Ira suffered from PTSD, which is a compound of survivor’s guilt, the shock of seeing death, especially of one’s friends, and the isolation brought on by feeling that no one could understand what he had been through. Ira’s life has been a subject of two motion pictures and a television drama. All these dramas sympathize with him, but ultimately fail to see his binge drinking as his way of temporarily escaping the melancholy, the rage he felt, his sense of betrayal, and the sheer boredom of peacetime.

IRA HAYES breaks apart the complexities of Ira’s short life in honor of all Native veterans who have been to war in the service of the United States. This is equally their story.

Reviews
"Written with page-turning excitement, Tom Holm, a Native scholar and veteran of Vietnam, offers an Indigenous realism through the heroic life of Ira Hayes, an Akimel O’odam marine in World War II. You will re-live the life of Ira Hayes who helped to raise the American flag at Iwo Jima after the bloodiest battle in Pacific during the war and became a legend. A gifted storyteller, Holm writes with an engaging insight making the reader feel right beside Ira Hayes in boarding school, combat, and struggling with PTSD."—Donald L. Fixico (Muscogee, Seminole, Shawnee and Sac and Fox), Regents’ and Distinguished Foundation Professor of History, Arizona State University

“WWII hero Ira Hayes would have appreciated this book. Author Tom Holm uses Ira’s courage and humility as tools to dissect the historic and current fate of his Native American people. And Ira’s challenges focus light upon the tragedy of war and the horrors of PTSD. A meaningful and beautifully-researched read.”—Judy Avila, bestselling author of Code Talker: The First and Only Memoir by One of the Original Navajo Code Talkers of WWII

“Tom Holm brilliantly and respectfully offers readers a rich and long overdue account of the life and tragic death of Ira Hayes that pierces through the stereotypes and misconceptions that plagued his during his life and long after his passing. It is a sensitive work that reminds us of the enormous emotional, psychological, and cultural difficulties Hayes had to cope with throughout his life. It is a splendid and timely contribution.” —Dr. David Wilkins, E. Claiborne Robins Distinguished Professor in Leadership Studies and citizen of the Lumbee Nation of North Carolina

“As a historian and a veteran, Tom Holm is uniquely positioned to write this important story, the first scholarly treatment of Hayes' life and times. Holm examines Hayes' struggles with fame and illness after World War II while offering insights into a post-war America hostile to Native identity and sovereignty despite the sacrifices made by Hayes and thousands of other Native Americans.”—Paul C. Rosier, Ph.D., Professor of History at Villanova University and author of Serving Their Country: American Indian Politics and Patriotism in the Twentieth Century

"An excellent piece of scholarship; the definitive work on this Native American veteran. Carefully nuanced and rich in context, Holm transcends and dispels the stereotypes of Ira Haye’s life to show the complexity of the Akimel O’odham experience, the impacts of World War II, the social use of alcohol in 1940s America, and his personal experiences from poverty, racism, and the unwanted and unending attention following the flag raising on Mount Suribachi. As Holm concludes, 'He should be remembered for who he was rather that for what the dominant society has been led to believe about him.'"—William C. Meadows, Missouri State University

"Tom Holm deservedly looms large in the history of Indigenous peoples’ military service in the wars of the twentieth century. In his new book, IRA HAYES, Holm reintroduces us to the iconic individual in ‘The Photograph’ of the flag-raising on Mount Suribachi. Holm extricates Hayes from the trope of tragedy and the racist stereotype of the ‘drunken Indian’ into which his story was confined during his lifetime and in which it remained trapped since his death. Instead, a complex Ira Hayes comes to life in the long context of his Akimel O’odham culture and community, American colonialism and racism, his military service, and his likely suffering from Post-Traumatic Stress Disorder. This tour de force is, by turns, compelling, devastating, and intensely humanizing."—R. Scott Sheffield, Professor of History at University of the Fraser Valley and co-author of Indigenous Peoples and the Second World War: The Politics, Experiences and Legacies of War in the US, Canada, Australia and New Zealand

“A strong contribution to the literature of World War II, Native American warriors, and the unseen wounds of war.”—Kirkus Reviews

Additional Information
320 pages | 6.35" x 9.25" | Hardcover

A celebration of achievement, accomplishments, and courage!

Native American Medal of Honor recipients, Heisman Trophy recipients, U.S. Olympians, a U.S. vice president, Congressional representatives, NASA astronauts, Pulitzer Prize recipients, U.S. poet laureates, Oscar winners, and more. The first Native magician, all-Native comedy show, architects, attorneys, bloggers, chefs, cartoonists, psychologists, religious leaders, filmmakers, educators, physicians, code talkers, and inventors. Luminaries like Jim Thorpe, King Kamehameha, Debra Haaland, and Will Rogers, along with less familiar notables such as Native Hawaiian language professor and radio host Larry Lindsey Kimura and Cree/Mohawk forensic pathologist Dr. Kona Williams. Their stories plus the stories of 2000 people, events and places are presented in Indigenous Firsts: A History of Native American Achievements and Events, including:

• Suzanne Van Cooten, Ph.D., Chickasaw Nation, the first Native female meteorologist in the country
• Caleb Cheeshahteaumuck, Wampanoag from Martha’s Vineyard, graduate of Harvard College in 1665
• Debra Haaland, the Pueblo of Laguna, U.S. Congresswoman and Secretary of the Interior
• Sam Campos, the Native Hawaiian who developed the Hawaiian superhero Pineapple Man
• Thomas L. Sloan, Omaha, was the first Native American to argue a case before the U.S. Supreme Court
• William R. Pogue, Choctaw, astronaut
• Johnston Murray, Chickasaw, the first person of Native American descent to be elected governor in the United States, holding the office in Oklahoma from 1951 to 1955
• The Cherokee Phoenix published its first edition February 21, 1828, making it the first tribal newspaper in North America and the first to be published in an Indigenous language
• The National Native American Honor Society was founded by acclaimed geneticist Dr. Frank C. Dukepoo , the first Hopi to earn a Ph.D.
• Louis Sockalexis, Penobscot, became the first Native American in the National Baseball League in 1897 as an outfielder with the Cleveland Spiders
• Jock Soto, Navajo/Puerto Rican, the youngest-ever man to be the principal dancer with the New York City Ballet
• The Seminole Tribe of Florida was the first Nation to own and operate an airplane manufacturing company
• Warrior's Circle of Honor, the National Native American Veterans Memorial in Washington, DC, on the grounds of the Smithsonian’s National Museum of the American Indian
• The Iolani Palace, constructed 1879–1882, the home of the Hawaiian royal family in Honolulu
• Loriene Roy, Anishinaabe, White Earth Nation, professor at the University of Texas at Austin’s School of Information, former president of the American Library Association
• Ben Nighthorse Campbell, Northern Cheyenne, U.S. representative and U.S. senator from Colorado
• Hanay Geiogamah, Kiowa /Delaware, founded the American Indian Theatre Ensemble
• Gerald Vizenor, White Earth Nation, writer, literary critic, and journalist for the Minneapolis Tribune
• Ely S. Parker (Hasanoanda, later Donehogawa), Tonawanda Seneca, lieutenant colonel in the Union Army, serving as General Ulysses S. Grant’s military secretary
• Fritz Scholder, Luiseno, painter inducted into the California Hall of Fame
• The Native American Women Warriors, the first all Native American female color guard
• Lori Arviso Alvord, the first Navajo woman to become a board-certified surgeon
• Kay “Kaibah” C. Bennett, Navajo, teacher, author, and the first woman to run for the presidency of the Navajo Nation
• Sandra Sunrising Osawa, Makah Indian Nation, the first Native American to have a series on commercial television
• The Choctaw people’s 1847 donation to aid the Irish people suffering from the great famine
• Otakuye Conroy-Ben, Oglala Lakota, first to earn an environmental engineering Ph.D. at the University of Arizona
• Diane J. Willis, Kiowa, former President of the Society of Pediatric Psychology and founding editor of the Journal of Pediatric Psychology
• Shelly Niro, Mohawk, winner of Canada’s top photography prize, the Scotiabank Photography Award
• Loren Leman, Alutiiq/Russian-Polish, was the first Alaska Native elected lieutenant governor
• Kim TallBear, Sisseton-Wahpeton Oyate, the first recipient of the Canada Research Chair in Indigenous Peoples, Technoscience, and Environment
• Carissa Moore, Native Hawaiian, won the Gold Medal in Surfing at the 2020 Tokyo Olympics
• Will Rogers, Cherokee, actor, performer, humorist was named the first honorary mayor of Beverly Hills
  Foods of the Southwest Indian Nations by Lois Ellen Frank, Kiowa, was the first Native American cookbook to win the James Beard Award
• Diane Humetewa, Hopi, nominated by President Barack Obama, became the first Native American woman to serve as a federal judge
• Susie Walking Bear Yellowtail, Crow, the first Native American nurse to be inducted into the American Nursing Association Hall of Fame

Indigenous Firsts honors the ongoing and rich history of personal victories and triumphs, and with more than 200 photos and illustrations, this information-rich book also includes a helpful bibliography and an extensive index, adding to its usefulness. This vital collection will appeal to anyone interested in America’s amazing history and its resilient and skilled Indigenous people.

Additional Information
496 pages | 7.19" x 9.18" | Paperback

Erika T. Wurth's White Horse is a gritty, vibrant debut novel about an Indigenous woman who must face her past when she discovers a bracelet haunted by her mother’s spirit.

Some people are haunted in more ways than one.

Kari James, Urban Native, is a fan of heavy metal, ripped jeans, Stephen King novels, and dive bars. She spends most of her time at her favorite spot in Denver, the White Horse. When her cousin Debby finds an old family bracelet that once belonged to Kari’s mother, it inadvertently calls up both her mother’s ghost and a monstrous entity, and her willful ignorance about her past is no longer sustainable…

Haunted by visions of her mother and hunted by this mysterious creature, Kari must search for what happened to her mother all those years ago. Her father, permanently disabled from a car crash, can’t help her. Her Auntie Squeaker seems to know something but isn’t eager to give it all up at once. Debby’s anxious to help, but her controlling husband keeps getting in the way. Kari’s journey toward a truth long denied by both her family and law enforcement forces her to confront her dysfunctional relationships, thoughts about a friend she lost in childhood, and her desire for the one thing she’s always wanted but could never have.

Reviews
“It’s metal to the end, it’s Denver to the core, it’s Native without trying, there’s ghosts, there’s blood, there’s roller coasters, and there’s about a thousand cigarettes smoked. What else can you ask for in a novel?” —Stephen Graham Jones, author of The Only Good Indians

"This ghost story is a perfect example of new wave horror that will also satisfy fans of classic Stephen King." —Silvia Moreno-Garcia, author of The Daughter of Doctor Moreau and Mexican Gothic

Additional Information
320 pages | 6.55" x 9.55" | Hardcover

A moving and deeply engaging debut novel about a young Native American man finding strength in his familial identity, from a stellar new voice in fiction.

Told in a series of voices, Calling for a Blanket Dance takes us into the life of Ever Geimausaddle through the multigenerational perspectives of his family as they face myriad obstacles. His father’s injury at the hands of corrupt police, his mother's struggle to hold on to her job and care for her husband, the constant resettlement of the family, and the legacy of centuries of injustice all intensify Ever’s bottled-up rage. Meanwhile, all of Ever’s relatives have ideas about who he is and who he should be. His Cherokee grandmother urges the family to move across Oklahoma to find security; his grandfather hopes to reunite him with his heritage through traditional gourd dances; his Kiowa cousin reminds him that he’s connected to an ancestral past. And once an adult, Ever must take the strength given to him by his relatives to save not only himself but also the next generation of family.

How will this young man visualize a place for himself when the world hasn’t given him a place to start with? Honest, heartbreaking, and ultimately uplifting, Calling for a Blanket Dance is the story of how Ever Geimausaddle found his way to home.

Reviews
“Calling for a Blanket Dance is a stunning novel. Oscar Hokeah writes from deep inside the heart of his communities, bringing life to generations of voices who became so real to me they felt like relatives. The reader can't help but invest in each character as they navigate bitter challenges, sometimes surprising themselves with their strength, their ability to survive and love. Hokeah's prose gorgeously weaves authentic local vernacular with the lyrical notes of hard-won insight. This novel belongs on every recommended booklist for fans of literary fiction.”—Susan Power, author of The Grass Dancer 

​“With solid Tommy Orange vibes, the first novel from Oscar Hokeah is a coming-of-age tale told from a chorus of multigenerational voices . . . One to watch, for sure.”—BookPage

“Filled with astonishing immediacy, and embellished with Hokeah’s authentic voice, these epic stories soar with indelible images of a proud, but challenged, people who find strength through their blood-lines and their enduring familial love. Some characters are so broken and bitter that I was moved to tears. But most characters persevere, and thrive, through the indomitable will and pride of their heritage. Hokeah has accomplished something unique here. In his quietly brilliant depiction of his Cherokee/Kiowa/Mexican heritage he has dipped into his medicine bag and gifted us with a small but compelling masterpiece. This should be required reading for every American.”—Kiana Davenport, author of Shark Dialogues

Additional Information
272 pages | 5.50" x 8.25" | Hardcover 

Jeremiah Camp, a.k.a. the Forecaster, can look into the heart of humanity and see the patterns that create opportunities and profits for the rich and powerful. Problem is, Camp has looked one too many times, has seen what he hadn’t expected to see and has come away from the abyss with no hope for himself or for the future.

So Jeremiah does what any intelligent, sensitive person would do. He runs away. Goes into hiding in a small town, at an old residential school on an even smaller Indian reserve, with no phone, no Internet, no television. With the windows shut, the door locked, the mailbox removed to discourage any connection with the world, he feels safe at last. Except nobody told the locals that they were to leave Jeremiah alone.

And then his past comes calling. Ash Locken, head of the Locken Group, the multinational consortium that Jeremiah has fled, arrives on his doorstep with a simple proposition. She wants our hero to formulate one more forecast, and she’s not about to take no for an answer. Before he left the Locken empire, Jeremiah had created a list of twelve names, every one a billionaire. The problem is, the people on the list are dying at an alarming and unnatural rate. And Ash Locken wants to know why.

A sly and satirical look at the fractures in modern existence, Sufferance is a bold and provocative novel about the social and political consequences of the inequality created by privilege and power—and what we might do about it.

Additional Information
320 pages | 5.31" x 8.00" | Paperback 

Selected speeches from Indigenous leaders around the world--necessary wisdom for our times, nourishment for our collective, and a path away from extinction toward a sustainable, interconnected future.

Indigenous worldviews, and the knowledge they confer, are critical for human survival and the wellbeing of future generations. Editors Wahinkpe Topa (Four Arrows) and Darcia Narvaez present 28 powerful excerpted passages from Indigenous leaders, including Mourning Dove, Robin Wall Kimmerer, Winona LaDuke, and Xiuhtezcatl Martinez. Accompanied by the editors’ own analyses, each chapter reflects the wisdom of Indigenous worldview precepts like:

• Egalitarian rule versus hierarchical governance

• A fearless trust in the universe, instead of a fear-based culture

• The life-sustaining role of ceremony

• Emphasizing generosity and the greater good instead of pursuing selfish goals and for personal gain

• The laws of nature as the highest rules for living

The editors emphasize our deep need to move away from the dominant Western paradigm--one that dictates we live without strong social purpose, fails to honor the earth as sacred, leads with the head while ignoring the heart, and places individual “rights” over collective responsibility. Restoring the Kinship Worldview is rooted in an Indigenous vision and strong social purpose that sees all life forms as sacred and sentient--that honors the wisdom of the heart, and grants equal standing to rights and responsibilities.

Inviting readers into a world-sense that expands beyond perceiving and conceiving to experiencing and being, Restoring the Kinship Worldview is a salve for our times, a nourishment for our collective, and a holistic orientation that will lead us away from extinction toward an integrated, sustainable future.

Reviews
“Humans have a particular ecological niche, a role as the custodial species of this earth. We must return our species to this niche within the next decade, or perish. This book is a perfect place to start—the foundation is good relations, making kin both human and nonhuman—and here we have story from a gathering of some of the finest Indigenous thinkers on the planet. Four Arrows and Darcia Narvaez have a particular way of bringing the right people together for such purposes.” —TYSON YUNKAPORTA, author of Sand Talk, senior research fellow at Deacon University, woodcarver, and poet

“Mahalo Four Arrows and Darcia Narvaez for this collection, this eloquence and grace through time so we can recognize and honor the common sense and purpose of continuity. All of it is needed now. We are all meant to wake up together.” —MANULANI ALULI MEYER, director of Indigenous education, University of Hawai‘i–West O‘ahu

“Darcia Narvaez and Four Arrows have gathered an inspiring pastiche of wise Native American voices woven together by their own insightful and heartfelt dialogues to gift us with an invaluable bundle of tenets and templates for the urgent project of decolonizing and rewilding our minds and communities.” —BILL PLOTKIN, PhD, author of Soulcraft, Wild Mind, and The Journey of Soul Initiation

Additional Information
336 pages | 6.00" x 8.95" | Paperback

What does it mean to become rooted in the land? How can we become better relatives to our greatest teacher, the Earth? Becoming Rooted invites us to live out a deeply spiritual relationship with the whole community of creation and with Creator.

Through meditations and ideas for reflection and action, Randy Woodley, an activist, author, scholar, and Cherokee descendant, recognized by the Keetoowah Band, guides us on a one-hundred-day journey to reconnect with the Earth. Woodley invites us to come away from the American dream--otherwise known as an Indigenous nightmare--and get in touch with the water, land, plants, and creatures around us, with the people who lived on that land for thousands of years prior to Europeans' arrival, and with ourselves. In walking toward the harmony way, we honor balance, wholeness, and connection.

Creation is always teaching us. Our task is to look, and to listen, and to live well. She is teaching us now.

"This journey is your personal invitation into a different kind of relationship with nature—or, as I like to say, with the whole community of creation. It is also an invitation into a different kind of relationship with Creator, however you understand Creator to be present in your own life and within everything—as God, as Great Mystery, as a higher power, or as the universe." - Randy Woodley 

Reviews
“Randy Woodley reminds us that we all have an understanding of what it means to be indigenous to a spiritual place. Through slowly unfolding layers of meaning, he shows us where we may discover that place for ourselves.”—Steven Charleston, elder of the Choctaw Nation of Oklahoma

“Becoming Rooted offers us a precious way back into the land: a way into restoration and reciprocity, a way into healing ourselves and the land, a way of belonging again, a way of finding out who we are. Randy Woodley takes us by the hand and walks with us for the first one hundred days. We begin to think and feel differently, our senses gain new direction, and we start to gain roots. I am so grateful for this book and for the life and work of Randy Woodley.”— Cláudio Carvalhaes, associate professor of worship, Union Theological Seminary

“Becoming Rooted draws you deeper into relationship with the land where you live. Few of us live in the place we were born, but these reflections take you past that disconnection and help you notice the world around you in new ways.”—Patty Krawec, Anishnaabe author and co-host of the Medicine for the Resistance podcast

Educator Information
Includes meditations, reflections, and action items for 100 days.

Additional Information
256 pages | 5.20" x 7.10" | Hardcover 

For the first time since the pandemic, Thumps DreadfulWater has finally found some peace in small-town Chinook. Sure, his beloved cat is still missing and his relationship with Claire is more than uncertain, but at least he can relax in the comfort of his home. And now that local businesses are starting to open their doors again, everything can go back to normal.

But when Thumps unintentionally discovers a body at the bottom of a treacherous canyon, he becomes entangled once again in an inexplicable mystery. As more puzzling details come to the surface, Thumps begins to question whom he can truly trust—especially when an unexpected visitor walks back into his life.

In the follow-up to Obsidian, a Globe and Mail Favourite of 2020, Thumps DreadfulWater returns with wit and wry humour to solve a mystery that only Thomas King could create.

Series Information
This book is from the DreadfulWater Mystery series, a mystery/detective series from Thomas King.

Books in this series include:
- Dreadful Water
- The Red Power Murders
- Cold Skies
- A Matter of Malice
- The Obsidian Murders
- Deep House 
- Double Eagle
- Black Ice

Additional Information
400 pages | 6.00" x 9.00" | Paperback

Steeped in Cherokee myths and history, a novel about a fractured family reckoning with the tragic death of their son long ago—from National Book Award finalist Brandon Hobson.

In the fifteen years since their teenage son, Ray-Ray, was killed in a police shooting, the Echota family has been suspended in private grief. The mother, Maria, increasingly struggles to manage the onset of Alzheimer’s in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation.

With the family’s annual bonfire approaching—an occasion marking both the Cherokee National Holiday and Ray-Ray’s death, and a rare moment in which they openly talk about his memory—Maria attempts to call the family together from their physical and emotional distances once more. But as the bonfire draws near, each of them feels a strange blurring of the boundary between normal life and the spirit world. Maria and Ernest take in a foster child who seems to almost miraculously keep Ernest’s mental fog at bay. Sonja becomes dangerously fixated on a man named Vin, despite—or perhaps because of—his ties to tragedy in her lifetime and lifetimes before. And in the wake of a suicide attempt, Edgar finds himself in the mysterious Darkening Land: a place between the living and the dead, where old atrocities echo.

Drawing deeply on Cherokee folklore, The Removed seamlessly blends the real and spiritual to excavate the deep reverberations of trauma—a meditation on family, grief, home, and the power of stories on both a personal and ancestral level.

Reviews
“Brandon Hobson has given us a haunted work, full of voices old and new. It is about a family’s reckoning with loss and injustice, and it is about a people trying for the same. The journey of this family’s way home is full—in equal measure—of melancholy and love. The Removed is spirited, droll, and as quietly devastating as rain lifting from earth to sky.”—Tommy Orange, author of There There

"Hobson is a master storyteller and illustrates in gently poetic prose how for many Native Americans the line between this world and the next isn’t so sharp. This will stay long in readers’ minds."— Publishers Weekly (starred review)

“Mesmerizing…. Spare, strange, bird-haunted, and mediated by grief, the novel defies its own bleakness as its calls forth a delicate and monumental endurance.”— Kirkus Reviews (starred review)

“A multilayered, emotionally radiant second novel…. Hobson uses Cherokee tradition and the Echotas’ story to amplify each other, blending past and present in a narrative of blistering loss and final healing. Highly recommended.”— Library Journal (starred review)

"With elegiac grace, The Removed tells of one family’s struggles to find wholeness after tragedy."— Booklist

“There are many stories in The Removed, a mystical, deep, and compassionate novel that explores how the intimate lives of a family are shaped by powerful ancestral legacies. The traumas of the past, both personal and historical, are forever with us, but—and here is the miraculous heart of this novel—people can still abide, resist, and even recover. Every character in The Removed seems to contain an intricate, particular, fully realized world. A quietly dazzling and haunting achievement.”— Dana Spiotta, author of Eat the Document

“Astonishing. This moving and affecting novel tells the story of a Native family in crisis, each person dealing with the aftereffects of grief and trauma following the murder of a beloved son. But this is a book of hope and healing, a remarkable tale of resilience in the face of unimaginable pain. Written with lyrical and evocative prose and a deep reverence for Cherokee culture and tradition, The Removed is an important contribution to indigenous fiction and American literature.”— David Heska Wanbli Weiden, author of Winter Counts

Additional Information
288 pages | 5.31" x 8.00" | Paperback

Louise Erdrich meets Karen Russell in this deliciously strange and daringly original novel from Pulitzer Prize finalist Margaret Verble: set in 1926 Nashville, it follows a death-defying young Cherokee horse-diver who, with her companions from the Glendale Park Zoo, must get to the bottom of a mystery that spans centuries.

Two Feathers, a young Cherokee horse-diver on loan to Glendale Park Zoo from a Wild West show, is determined to find her own way in the world. Two’s closest friend at Glendale is Hank Crawford, who loves horses almost as much as she does. He is part of a high-achieving, land-owning Black family. Neither Two nor Hank fit easily into the highly segregated society of 1920s Nashville.

When disaster strikes during one of Two’s shows, strange things start to happen at the park. Vestiges of the ancient past begin to surface, apparitions appear, and then the hippo falls mysteriously ill. At the same time, Two dodges her unsettling, lurking admirer and bonds with Clive, Glendale’s zookeeper and a World War I veteran, who is haunted—literally—by horrific memories of war. To get to the bottom of it, an eclectic cast of park performers, employees, and even the wealthy stakeholders must come together, making When Two Feathers Fell from the Sky an unforgettable and irresistible tale of exotic animals, lingering spirits, and unexpected friendship.

Reviews
"Verble beautifully weaves period details with the cast’s histories, and enthralls with the supernatural elements, which are made as real for the reader as they are for the characters. This lands perfectly."—Publishers Weekly, STARRED review

"This utterly memorable, beautifully written story will linger with readers."—Booklist, STARRED review

"An ambitious novel that’s impressive in its scope and concept: Glendale Park Zoo and the 101 are rife with narrative possibility and give the author a chance to examine a fascinating cross section of race and class."—Kirkus

“Two Feathers, tough and warmhearted, clear-eyed and funny, captivates from the first striking scene. Margaret Verble has created a remarkable world, rich with vibrant characters and layered histories, long obscured, that emerge to shape their lives in surprising, thought-provoking, and moving ways.” —Kim Edwards, bestselling author of The Memory Keeper’s Daughter and The Lake of Dreams

“Two Feathers Fell from the Sky is a rich and lively novel, steeped in place and history. Verble’s meticulous research and generosity of spirit shine through, lending her characters and their adventures a fullness that lingers.”—Kelli Jo Ford, author of Crooked Hallelujah and winner of the Plimpton Prize

Additional Information
384 pages | 6.00" x 9.00" | Hardcover

In September 1921, a young Inupiat woman named Ada Blackjack traveled to Wrangel Island, 200 miles off the Arctic Coast of Siberia, as a cook and seamstress, along with four professional explorers. The expedition did not go as planned. When a rescue ship finally broke through the ice two years later, she was the only survivor.

Diane Glancy discovered Blackjack’s diary in the Dartmouth archives and created a new narrative based on the historical record and her vision of this woman’s extraordinary life. She tells the story of a woman facing danger, loss, and unimaginable hardship, yet surviving against the odds where four “experts” could not. Beyond the expedition, the story examines Blackjack’s childhood experiences at an Indian residential school, her struggles as a mother and wife, and the faith that enabled her to survive alone on a remote island in the Arctic Sea.

Glancy’s creative telling of this heroic tale is a high mark in her award-winning hybrid investigations of suffering, identity, and Native American history.

Reviews
“This is not a reconstruction; it is symbiosis as an act of respect and dignity. As Diane Glancy 'ventriloquizes' Ada into a truth of words—written, typed, spoken, thought—she speaks the paradoxical truth of acts of writing as self-witness: 'I am hurting when I am writing.’ Isolation becomes revelation. The spiritual driftwood becomes a testament of sacred connection and a claiming back of voice.”—John Kinsella

“The shifting of ice. Written letters become elk, an orange is a moon, an owl is a blank page, and the stunning survival in this Arctic landscape redefines the question, “What is rescue?” Diane Glancy hears the spirits, the words beneath the words. She knows the language of scars as she honors the life of Ada Blackjack in this visionary telling of the moving world.”—Jan Beatty

Additional Information
128 pages | 5.50" x 8.25" | Paperback

Jeremiah Camp, a.k.a. the Forecaster, can look into the heart of humanity and see the patterns that create opportunities and profits for the rich and powerful. Problem is, Camp has looked one too many times, has seen what he hadn’t expected to see and has come away from the abyss with no hope for himself or for the future.

So Jeremiah does what any intelligent, sensitive person would do. He runs away. Goes into hiding in a small town, at an old residential school on an even smaller Indian reserve, with no phone, no Internet, no television. With the windows shut, the door locked, the mailbox removed to discourage any connection with the world, he feels safe at last. Except nobody told the locals that they were to leave Jeremiah alone.

And then his past comes calling. Ash Locken, head of the Locken Group, the multinational consortium that Jeremiah has fled, arrives on his doorstep with a simple proposition. She wants our hero to formulate one more forecast, and she’s not about to take no for an answer. Before he left the Locken empire, Jeremiah had created a list of twelve names, every one a billionaire. The problem is, the people on the list are dying at an alarming and unnatural rate. And Ash Locken wants to know why.

A sly and satirical look at the fractures in modern existence, Sufferance is a bold and provocative novel about the social and political consequences of the inequality created by privilege and power—and what we might do about it.

Additional Information
320 pages | 6.00" x 9.00"

It’s 1974 in the Cherokee Nation of Oklahoma and fifteen-year-old Justine grows up in a family of tough, complicated, and loyal women presided over by her mother, Lula, and Granny. After Justine’s father abandoned the family, Lula became a devout member of the Holiness Church – a community that Justine at times finds stifling and terrifying. But Justine does her best as a devoted daughter until an act of violence sends her on a different path forever.

Crooked Hallelujah tells the stories of Justine—a mixed-blood Cherokee woman— and her daughter, Reney, as they move from Eastern Oklahoma’s Indian Country in the hopes of starting a new, more stable life in Texas amid the oil bust of the 1980s. However, life in Texas isn’t easy, and Reney feels unmoored from her family in Indian Country. Against the vivid backdrop of the Red River, we see their struggle to survive in a world—of unreliable men and near-Biblical natural forces, like wildfires and tornados—intent on stripping away their connections to one another and their very ideas of home.

In lush and empathic prose, Kelli Jo Ford depicts what this family of proud, stubborn, Cherokee women sacrifices for those they love, amid larger forces of history, religion, class, and culture. This is a big-hearted and ambitious novel of the powerful bonds between mothers and daughters by an exquisite and rare new talent.

Reviews
"A book that you want to share with everyone you know and one that you are desperate to keep in your own possession. A masterful debut and a new and thrilling voice for readers across the globe." —Sarah Jessica Parker, on Instagram

"In “Crooked Hallelujah,” a collection of interwoven story-chapters, Kelli Jo Ford takes her readers on a compelling journey through the evolving terrain of multiple generations of women." —Diana Abu-Jaber, The Washington Post 

Additional Information
304 pages | 5.50" x 8.25"

From the award-winning and #1 bestselling author of The Back of the Turtle; Green Grass, Running Water and The Inconvenient Indian

Thumps DreadfulWater’s world is turned upside down when Nina Maslow, the producer of a true-crime reality-TV show, turns up dead after working on a cold case that Thumps has spent years trying to forget. What’s more, someone seems set on taunting Thumps, leaving reminders of the Obsidian murder case around town. Is it possible that the elusive serial killer who murdered his girlfriend and her daughter all those years ago has resurfaced in Chinook? Or is this the work of a copycat looking to mess with Thumps by stirring up memories from his past?

Dragged back into a case that has haunted him for years, Thumps DreadfulWater is determined to solve the mystery of the Obsidian murders. But as he works the case, he begins to realize just how dangerous the person he is dealing with is—and that he might be the next target.

Thumps DreadfulWater, the sly, wry, reluctant investigator of Cold Skies and A Matter of Malice, returns in another irresistible mystery that only Thomas King could create.

Series Information
This book is from the DreadfulWater Mystery series, a mystery/detective series from Thomas King.

Books in this series include:
- Dreadful Water
- The Red Power Murders
- Cold Skies
- A Matter of Malice
- The Obsidian Murders
- Deep House 
- Double Eagle
- Black Ice

Additional Information
240 pages | 6.00" x 9.00"

Timely, important, mischievous, powerful: in a word, exceptional.

Seventy-seven poems intended as a eulogy for what we have squandered, a reprimand for all we have allowed, a suggestion for what might still be salvaged, a poetic quarrel with our intolerant and greedy selves, a reflection on mortality and longing, as well as a long-running conversation with the mythological currents that flow throughout North America.

Additional Information
96 pages | 6.00" x 9.00"

Set in rural Oklahoma during the late 1980s, Where the Dead Sit Talking is a startling, authentically voiced and lyrically written Native American coming-of-age story.

With his single mother in jail, Sequoyah, a fifteen-year-old Cherokee boy, is placed in foster care with the Troutt family. Literally and figuratively scarred by his mother’s years of substance abuse, Sequoyah keeps mostly to himself, living with his emotions pressed deep below the surface. At least until he meets seventeen-year-old Rosemary, a troubled artist who also lives with the family.

Sequoyah and Rosemary bond over their shared Native American background and tumultuous paths through the foster care system, but as Sequoyah’s feelings toward Rosemary deepen, the precariousness of their lives and the scars of their pasts threaten to undo them both.

Awards

• A Kirkus Reviews Best Book of 2018
• 2019 In the Margins Book Award Top Fiction Novel

Reviews
"An extraordinary book." —NPR's Code Switch

"A strange and powerful Native American Bildungsroman . . . this novel breathes with a dark, pulsing life of its own." —The Tulsa Voice

" This is a dark story that depicts the loneliness and pain of unwanted children and the foster care system where they end up . . . authentic and humane. " — The Oklahoman

"A powerful testament to one young Native American’s will to survive his lonely existence. Sequoyah’s community and experience is one we all need to know, and Hobson delivers the young man’s story in a deeply profound narrative." —KMUW Wichita Public Radio

"I was really struck by the intelligence of the book, as well as the significance of the story that he's telling, about what it's like to be a modern Indigenous person in this country, as a Native American, and to be in the foster care system. I was very struck by the plot of it—it's very well written, it's very propulsive, it's very readable for literary fiction, and I would recommend it heartily to book clubs." —Min Jin Lee, author of Pachinko

"Dreamlike prose . . . Where the Dead Sit Talking is an exploration of whether it’s possible for a person to heal when all the world sees is a battlefield of scars. " — San Diego CityBeat

"The latest from Hobson is a smart, dark novel of adolescence, death, and rural secrets set in late-1980s Oklahoma. Hobson’s narrative control is stunning, carrying the reader through scenes and timelines with verbal grace and sparse detail. Far more than a mere coming-of-age story, this is a remarkable and moving novel ." — Publishers Weekly, Starred Review

"A masterly tale of life and death, hopes and fears, secrets and lies." —Kirkus Reviews, Starred Review

"Hobson's eloquent prose and storyline will keep literary and general fiction readers turning pages. Its teen protagonists offer interest for young adults." —Library Journal

"[A] poignant and disturbing coming-of-age story . . . Hobson presents a painfully visceral drama about the overlooked lives of those struggling on the periphery of mainstream society." —Booklist

"Where the Dead Sit Talking is a sensitive and searching exploration of a youth forged in turbulence, in the endless aftermath of displacement and loss. Sequoyah’s voice is powerfully singular—both wounded and wounding—and this novel is a thrilling confirmation of Brandon Hobson’s immense gifts on the page.” —Laura van den Berg, author of Find Me

Additional Information
5.50" x 8.25"

Thumps DreadfulWater has finally found some peace and quiet. His past as a California cop now far behind him, he’s living out his retirement as a fine-arts photographer in the small town of Chinook. His health isn’t great, and he could use a new stove, but as long as he’s got his cat and a halfway decent plate of eggs, life is good.

All that changes when a body turns up on the eve of a major water conference and the understaffed sheriff’s department turns to Thumps for help. Thumps wants none of it, but even he is intrigued when he learns the deceased was developing a new technology that could revolutionize water and oil drilling . . . and that could also lose some very powerful people a lot of money. As strangers begin to pour into Chinook for the conference, Thumps finds himself sinking deeper and deeper into a conflict between secretive players who will kill to get what they want.

In Cold Skies, the sly, wry, reluctant investigator of DreadfulWater and The Red Power Murders returns for another irresistible mystery that only Thomas King could tell.

Reviews
“Whimsical and wry, large-hearted and at times laugh out loud funny, but with an underlying gravitas and significance.” — Quill & Quire

“Even armchair sleuths who can see the solution from a mile away will appreciate GoodWeather’s unerring knack for converting social, racial, and economic conflict into blissful farce.”— Kirkus Reviews

Series Information
This novel is part of the DreadfulWater Mystery series from Thomas King.

Books in this series include:
- Dreadful Water
- The Red Power Murders
- Cold Skies
- A Matter of Malice
- The Obsidian Murders
- Deep House 
- Double Eagle
- Black Ice

Additional Information
464 pages | 6.00" x 9.00"

Within the pages of this introduction to American Indian history, culture, and values, readers will gain insight into the totality of Native American experience and culture. Each chapter in the book explores a particular shared cultural value or world view through both traditional stories and Bruchac's commentary. A diverse range of Native groups is included-Tlingit, Navajo, Cree, Abenaki, Yupik, Seminole, Sioux, Cherokee, and many more.

Discover the tool that millions of people worldwide are using for guidance, inspiration, and help in finding answers to life's questions. now, revised and expanded to include eight additional cards, this unique and powerful divination system draws upon ancient wisdom and tradition to teach the healing medicine of animals. Medicine Cards has found its way into the hearts and hands of many, guiding the way to healing the body, emotions, mind, and spirit, and providing insight into and understanding of one's unique purpose in life.

A great resource to use with intermediate and secondary students! -Terri Mack

Reviews
“Since the publication of the Navaho novel, Seven Arrows, over twenty years ago, I haven't seen anything so adventurous or beautifully executed as Medicine Cards...this handsome and inviting package has much to teach us all.” —Patricia Holt, San Francisco Chronicle

“A potent yet refreshingly simple divination tool that can help up reconnect to the sources of life's natural guidance...extraordinarily well crafted. This work is plentiful, overflowing with the richness of the Native American way of life.” —Yoga Journal

Additional Information
256 pages | 5.77" x 8.84" | 62 black-and-white illustrations, cards include full color illustrations 

Born into a storied but impoverished family on the reservation of the Eastern Band of Cherokee Indians, Leonard Carson Lambert Jr.’s candid memoir is a remarkable story and an equally remarkable flouting of the stereotypes that so many tales of American Indian life have engendered.
Up from These Hills provides a grounded, yet poignant, description of what it was like to grow up during the 1930s and 1940s in the mountains of western North Carolina and on a sharecropper’s farm in eastern Tennessee. Lambert straightforwardly describes his independent, hardworking, and stubborn parents; his colorful extended family; his eighth-grade teacher, who recognized his potential and first planted the idea that he might attend college; as well as siblings, schoolmates, and others who shaped his life. He paints a vivid picture of life on the reservation and off, documenting work, family life, education, religion, and more. Up from These Hills also tells the true story of how this family rose from depression-era poverty, a story rarely told about Indian families. With its utterly unique voice, this vivid memoir evokes an unknown yet important part of the American experience, even as it reveals the realities behind Indian experience and rural poverty in the first half of the twentieth century.

From the bestselling author of The Back of the Turtle and The Inconvenient Indian comes a wry and irreverent mystery.

Thumps DreadfulWater has never liked surprises—even the good ones are annoying. So it’s no shock that a string of seemingly random occurrences is causing Thumps some real discomfort. First Noah Ridge, the Red Power Native activist, arrives in Thumps’ sleepy town of Chinook. Then the body of a retired FBI agent turns up at the local Holiday Inn. In the background hovers the ghostly presence of Lucy Kettle, second-in-charge of the Red Power movement, a tough woman in a tough place until her disappearance years ago. Now the sheriff wants Thumps to trade in his photography gig for a temporary cop beat. And it won’t be over, Thumps soon realizes, until everyone’s dead—or famous.

Hailed by critics in his first appearance, Cherokee ex-cop Thumps DreadfulWater is back in rumpled but razor-sharp form, doing his laconic, comic best to avoid trouble—and catch the bad guys. Bestselling writer Thomas King has penned a second entertaining DreadfulWater mystery, injected with the author’s characteristic dry wit and biting social commentary.

Series Information
This novel is from the DreadfulWater Mystery series from Thomas King.

Books in this series include:
- Dreadful Water
- The Red Power Murders
- Cold Skies
- A Matter of Malice
- The Obsidian Murders
- Deep House 
- Double Eagle
- Black Ice

Additional Information

Named in the University of Toronto Bookstore Review as one of the top100 Canadian books of all time

There is much more than one good story in this bestselling (over 10,000 copies sold) collection of short fiction. In fact, there are more than a few of the best examples of native storytelling ever published. Thomas King, author of the acclaimed Medicine River and Green Grass, Running Water, and Truth and Bright Water, has proven he has a magical gift, a fresh voice and a special brand of wit and comic imagination.

One Good Story, That One is steeped in native oral tradition, led off by a sly creation tale, introducing the traditional native trickster coyote. Weaving the realities of native history and contemporary life through the story, King recounts a parodic version of the Garden of Eden story, slyly pulling our leg and our funnybone.

A collection that is rich with strong characters, alive with crisp dialogue and shot through with the universal truths we are all searching for, One Good Story, That One is one great read.

Additional Information
160 pages | 5.31" x 8.00"