Native American

A powerful, moving anthology that celebrates the breadth of Native poets writing today.

Joy Harjo, the first Native poet to serve as U.S. Poet Laureate, has championed the voices of Native peoples past and present. Her signature laureate project gathers the work of contemporary Native poets into a national, fully digital map of story, sound, and space, celebrating their vital and unequivocal contributions to American poetry.

This companion anthology features each poem and poet from the project—including Natalie Diaz, Ray Young Bear, Craig Santos Perez, Sherwin Bitsui, and Layli Long Soldier, among others—to offer readers a chance to hold the wealth of poems in their hands. The chosen poems reflect on the theme of place and displacement and circle the touchpoints of visibility, persistence, resistance, and acknowledgment. Each poem showcases, as Joy Harjo writes in her stirring introduction, “that heritage is a living thing, and there can be no heritage without land and the relationships that outline our kinship.” In this country, poetry is rooted in the more than five hundred living indigenous nations. Living Nations, Living Words is a representative offering.

Additional Information
192 pages | 6.43" x 8.62"

Name Your Mountain continues the exciting No Name Series as the high school basketball team matures and faces new challenges. When the all American Indian team in Trust Your Name enters a national-level tournament, the team travels to big cities and has new experiences, but all is not well. Choctaw Bobby Byington and his new friend, Creek shooting guard Eddie, are torn between struggles on the court and painful episodes back home. With the door of adulthood looming, Coach Robison urges his players to choose the path they want to climb and to "never hesitate--never give up--in your struggle to reach the top."

Reviews
“Refreshingly, the book normalizes male characters’ close friendships and displays of emotion, tying into Tim Tingle’s (Choctaw) mountain metaphor: We encounter challenges every day, but they do not need to be climbed alone. The text uses basketball to emphasize the importance of teamwork both on and off the court. An engaging sports-infused mystery for reluctant readers.”— Kirkus Reviews

“Name Your Mountain continues the story of a Choctaw teenager and his tight-knit basketball team; they help each other through tough games and tougher issues, including parents with alcohol problems and vengeful criminals. Full of action and easy to read, this novel reveals the power of friendships and of careful observations.”— Foreword Reviews

Educator & Series Information
This is the fifth book in the No Name series, which is part of the PathFinders series. The PathFinders series of Hi-Lo (high interest, low readability) novels offers the following features: 

• Indigenous teen protagonists
• Age appropriate plots
• 2.5 – 4.5 Reading Level
• Contemporary and historical fiction
• Indigenous authors

The PathFinders series is from an American publisher. Therefore, Indigenous terminology in the PathFinders books is not the same as Canadian Indigenous terminology. This prompts a useful teaching moment for educators in discussing appropriate terminology use in Canada.  The recommended ages for books in the PathFinders series are 12-16.

Additional Information
168 pages | 4.50" x 7.00"

Modern Indigenous cuisine from the renowned Native foods educator and former chef of Mitsitam Native Foods Café at the Smithsonian’s National Museum of the American Indian

From Freddie Bitsoie, the former executive chef at Mitsitam Native Foods Café at the Smithsonian’s National Museum of the American Indian, and James Beard Award–winning author James O. Fraioli, New Native Kitchen is a celebration of Indigenous cuisine. Accompanied by original artwork by Gabriella Trujillo and offering delicious dishes like Cherrystone Clam Soup from the Northeastern Wampanoag and Spice-Rubbed Pork Tenderloin from the Pueblo peoples, Bitsoie showcases the variety of flavor and culinary history on offer from coast to coast, providing modern interpretations of 100 recipes that have long fed this country.

Recipes like Chocolate Bison Chili, Prickly Pear Sweet Pork Chops, and Sumac Seared Trout with Onion and Bacon Sauce combine the old with the new, holding fast to traditions while also experimenting with modern methods. In this essential cookbook, Bitsoie shares his expertise and culinary insights into Native American cooking and suggests new approaches for every home cook. With recipes as varied as the peoples that inspired them, New Native Kitchen celebrates the Indigenous heritage of American cuisine.

Reviews
“To seek and understand Indigenous foods is to dwell in the lands of our ancestors, to taste the earth and all that grows, from roots to leaf, from field and stream, to even the birds of the sky. Freddie not only has been immersed in this knowledge but has been a true, joyous steward of Native culture through food. This is going to be a staple in my house and will be a great gift for friends, family, and colleagues! I love Freddie!” — Irene Bedard, Iñupiat, Yupik, Métis-Cree, actor, activist, storyteller

“I have always used food as my entry point to learning more about cultures both outside of and within my own—and in New Native Kitchen, Freddie Bitsoie is an exceptional guide, showing off the vibrant, regional native cooking of what is now the United States, giving context to the people who created it while showing off the beautiful ingredients of a truly exciting and diverse cuisine.” — Noah Galuten, chef and author of forthcoming The Don’t Panic Pantry Cookbook

Additional Information
288 pages | 8.00" x 10.00" | 150 Color Photos | Hardcover 

An accessible and educational illustrated book profiling 50 notable American Indian, Alaska Native, and Native Hawaiian people, from NBA star Kyrie Irving of the Standing Rock Lakota to Wilma Mankiller, the first female principal chief of the Cherokee Nation

Celebrate the lives, stories, and contributions of Indigenous artists, activists, scientists, athletes, and other changemakers in this beautifully illustrated collection. From luminaries of the past, like nineteenth-century sculptor Edmonia Lewis—the first Black and Native American female artist to achieve international fame—to contemporary figures like linguist jessie little doe baird, who revived the Wampanoag language, Notable Native People highlights the vital impact Indigenous dreamers and leaders have made on the world.

This powerful and informative collection also offers accessible primers on important Indigenous issues, from the legacy of colonialism and cultural appropriation to food sovereignty, land and water rights, and more. An indispensable read for people of all backgrounds seeking to learn about Native American heritage, histories, and cultures, Notable Native People will educate and inspire readers of all ages.

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144 pages | 7.26" x 9.29" | Hardcover

Three-term poet laureate Joy Harjo offers a vivid, lyrical, and inspiring call for love and justice in this contemplation of her trailblazing life.

Joy Harjo, the first Native American to serve as U.S. poet laureate, invites us to travel along the heartaches, losses, and humble realizations of her "poet-warrior" road. A musical, kaleidoscopic, and wise follow-up to Crazy Brave, Poet Warrior reveals how Harjo came to write poetry of compassion and healing, poetry with the power to unearth the truth and demand justice.

Harjo listens to stories of ancestors and family, the poetry and music that she first encountered as a child, and the messengers of a changing earth—owls heralding grief, resilient desert plants, and a smooth green snake curled up in surprise. She celebrates the influences that shaped her poetry, among them Audre Lorde, N. Scott Momaday, Walt Whitman, Muscogee stomp dance call-and-response, Navajo horse songs, rain, and sunrise. In absorbing, incantatory prose, Harjo grieves at the loss of her mother, reckons with the theft of her ancestral homeland, and sheds light on the rituals that nourish her as an artist, mother, wife, and community member.

Moving fluidly between prose, song, and poetry, Harjo recounts a luminous journey of becoming, a spiritual map that will help us all find home. Poet Warrior sings with the jazz, blues, tenderness, and bravery that we know as distinctly Joy Harjo.

Additional Information
240 pages | 5.50" x 8.25" | 10 Photographs | Hardcover 

In a voice that resonates with insight and humor, New York Times bestselling author Cynthia Leitich Smith tells the story of a teenage girl who must face down her grief and reclaim her place in the world with the help of her intertribal community.

It's been six months since Cassidy Rain Berghoff’s best friend, Galen, died, and up until now she has succeeded in shutting herself off from the world. But when controversy arises around Aunt Georgia’s Indian Camp in their mostly white midwestern community, Rain decides to face the outside world again, with a new job photographing the campers for her town’s newspaper.

Soon, Rain has to decide how involved she wants to become in Indian Camp. Does she want to keep a professional distance from her fellow Native teens? And, though she is still grieving, will she be able to embrace new friends and new beginnings?

Reviews
"A wonderful novel of a present-day teen and her 'patch-work tribe." — School Library Journal

“Rain's observations are appealingly wry, and readers …will find food for thought in this exploration of cultural identity. ” — The Bulletin for the Center for Children's Books

Educator Information
Recommended for ages 13+

Cover art by Métis artist Natasha Donovan.

Author Insights: “Probably every first novel is at least quasi-autobiographical, and that’s certainly true of this one. Like Rain, I grew up (in part) in Northeast Kansas and had ties to community journalism. I likewise enjoy Web design.

More globally, it’s often remarked that this book is stylistically drawn more from Native literary traditions than most children’s books about American Indian characters. I think that’s part of my responsibility as a Native author, to honor and preserve those techniques and sensibilities.” -Cynthia Leitich Smith

Additional Information
144 pages | 5.31" x 8.00"

When the Red Nation released their call for a Red Deal, it generated coverage in places from Teen Vogue to Jacobin to the New Republic, was endorsed by the DSA, and has galvanized organizing and action. Now, in response to popular demand, the Red Nation expands their original statement filling in the histories and ideas that formed it and forwarding an even more powerful case for the actions it demands.

One-part visionary platform, one-part practical toolkit, the Red Deal is a platform that encompasses everyone, including non-Indigenous comrades and relatives who live on Indigenous land. We—Indigenous, Black and people of color, women and trans folks, migrants, and working people—did not create this disaster, but we have inherited it. We have barely a decade to turn back the tide of climate disaster. It is time to reclaim the life and destiny that has been stolen from us and riseup together to confront this challenge and build a world where all life can thrive. Only mass movements can do what the moment demands. Politicians may or may not follow--it is up to them--but we will design, build, and lead this movement with or without them.

The Red Deal is a call for action beyond the scope of the US colonial state. It’s a program for Indigenous liberation, life, and land—an affirmation that colonialism and capitalism must be overturned for this planet to be habitable for human and other-than-human relatives to live dignified lives. The Red Deal is not a response to the Green New Deal, or a “bargain” with the elite and powerful. It’s a deal with the humble people of the earth; a pact that we shall strive for peace and justice and a declaration that movements for justice must come from below and to the left.

Reviews
“The Red Nation has given us The Red Deal, an Indigenous Peoples’ world view and practice that leads to profound changes in existing human relations. Five hundred years of European colonialism, which produced capitalist economic and social relations, has nearly destroyed life itself. Technology can be marshaled to reverse this death march, but it will require a vision for the future and a path to follow to arrive there, and that is what The Red Deal provides.”—Roxanne Dunbar-Ortiz, author of An Indigenous Peoples’ History of the United States

"The Red Deal is an incendiary and necessary compilation. With momentum for a Green New Deal mounting, the humble and powerful organizers of The Red Nation remind us that a Green New Deal must also be Red—socialist, committed to class struggle, internationalist in orientation, and opposed to the settler-colonial theft of Indigenous lands and resources. Redistribution also requires reparations and land back. The Red Deal is a profound call to action for us all."—Harsha Walia, author of Undoing Border Imperialism and Border and Rule: Global Migration, Capitalism, and the Rise of Racist Nationalism

“We really need The Red Deal because it forces open a critical conversation on how Land Back can be a platform for mass mobilization and collective struggle. The Red Deal poignantly argues that if we do not foreground decolonization and Indigenous liberation in climate justice strategies such as the Green New Deal, we will reproduce the violence of the original New Deal that dammed life-giving rivers and further dispossessed Indigenous peoples of their lands. Strategically, The Red Deal shows how, if we understand green infrastructure and economic restructuring as anticolonial struggle, as well as an anticapitalist, we can move from reforms that deny Indigenous jurisdiction towards just coalitions for repossession that radically rethink environmental policy and land protection without sacrificing Indigenous life and relations.”—Shiri Pasternak, author of Grounded Authority: The Algonquins of Barriere Lake Against the State

“The Red Deal asserts that the fight for climate justice must center Native people when it comes to the issues that disproportionately impact Native communities, but it also communicates what the Green New Deal does not — namely, that public lands are stolen lands and climate change is significantly caused by just a few industries, which the government has at worst neglected to hold accountable and at best assisted in their efforts to mine the earth for resources in a move that put profits over people.” —Teen Vogue

“For the Red Nation, living and being interdependent with Mother Nature is explicitly anticapitalist. An ethos merely hinted at in the Green New Deal, The Red Deal understands that capitalism fundamentally protects wealth, not life”—The Politic

“The Red Nation also names Black abolitionists as an inspiration for the Red Deal, citing the links between mass incarceration and detention and climate change. They further note that police departments, prisons, and the U.S. military receive billions of taxpayer dollars annually while doing irreparable harm to Native Americans, Black people, and the Earth.” —Essence

Educator Information
Excerpt from the book:

The Red Deal begins with the oldest yet often forgotten struggle on this continent: ending the occupation. While usually erased from the history of this nation, settler colonial occupation has fundamentally shaped the development of the United States and indeed the world that it dominates economically and politically. Ending the occupation links those of us in the seat of empire with those who face its weapons, soldiers, and policies around the world. Together we share the common enemy of US imperialism, and Indigenous people here have fought against it since the first settlers began to occupy our lands by force. It is important to remember that the very first act of US imperialism was the military and settler incursions on Indigenous land as the fledgling colonies expanded westward. This is why we begin with ending the occupation.

The struggle against occupation on this continent has remained strong throughout history and continues to this day. We’ve seen this in the global uprisings led by Black relatives who have been resisting the colonization of Africa and the enslavement and oppression of African people stolen to work on this continent for centuries. The uprisings during the summer of 2020, even with the global COVID-19 pandemic, built upon the decades of Black resistance to police violence and the everyday brutality of American society towards Black people, and exploded into some of the largest mobilizations in US history. The spread of uprisings throughout cities across the country was also marked by the sharpening of tactics and clarity of the roots of the issues, with images of burnt down police precincts and flipped cop cars evoking memories of Black and Indigenous resistance to slave plantations and frontier forts. Calls for abolition of police and prisons arose with renewed volume, stretching forward from a long history of abolitionist struggle.

It is important that we continue nurturing these histories and movements of struggle against occupation on these lands and continue to build relationships with others globally who face the violence of occupation. We begin with addressing those things that act as obstacles to our collective liberation: the prisons and detention centers filled with our family members; the police officers and prison guards who stand between us and the capitalist interests they defend; and the military, police, and vigilantes who murder our relatives. As we know, colonial occupation is upheld by constant threats of violence and in many instances, actual violence. It is therefore no surprise that these obstacles to our life and wellbeing that employ violence in order to maintain the occupation, receive the largest proportions of resources by the US settler state. We seek to dismantle these institutions that get in our way of living good lives, and we aim to divert resources away from them through divestment.

This is just the first step, though. It is not enough to be against any one thing, even something as big, evil, and all-encompassing as colonial occupation. Ending the occupation gives us the space to breathe and envision other possibilities that we are for, and we must be clear about what we are for. We are for Indigenous life, for the life of all human and other-than-human beings. And in order to live good lives, we must heal ourselves from the destruction caused by colonialism and capitalism by stopping what harms us and desecrates our land and begin to build what will sustain us.

Additional Information
144 pages | 5.00" x 7.00" | b&w illustrations

Authenticity Note: The Red Nation is a coalition of Native and non-Native activists, educators, students, and community organizers advocating Native liberation. The Red Deal was written collectively by members of the Red Nation and the allied movements and community members who comprised the Red Deal coalition. Everyone from youth to elders; from knowledge keepers to farmers contributed to the creation of The Red Deal. It's up to readers to determine if this title works as an authentic resource for their purposes

Steeped in Cherokee myths and history, a novel about a fractured family reckoning with the tragic death of their son long ago—from National Book Award finalist Brandon Hobson.

In the fifteen years since their teenage son, Ray-Ray, was killed in a police shooting, the Echota family has been suspended in private grief. The mother, Maria, increasingly struggles to manage the onset of Alzheimer’s in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation.

With the family’s annual bonfire approaching—an occasion marking both the Cherokee National Holiday and Ray-Ray’s death, and a rare moment in which they openly talk about his memory—Maria attempts to call the family together from their physical and emotional distances once more. But as the bonfire draws near, each of them feels a strange blurring of the boundary between normal life and the spirit world. Maria and Ernest take in a foster child who seems to almost miraculously keep Ernest’s mental fog at bay. Sonja becomes dangerously fixated on a man named Vin, despite—or perhaps because of—his ties to tragedy in her lifetime and lifetimes before. And in the wake of a suicide attempt, Edgar finds himself in the mysterious Darkening Land: a place between the living and the dead, where old atrocities echo.

Drawing deeply on Cherokee folklore, The Removed seamlessly blends the real and spiritual to excavate the deep reverberations of trauma—a meditation on family, grief, home, and the power of stories on both a personal and ancestral level.

Reviews
“Brandon Hobson has given us a haunted work, full of voices old and new. It is about a family’s reckoning with loss and injustice, and it is about a people trying for the same. The journey of this family’s way home is full—in equal measure—of melancholy and love. The Removed is spirited, droll, and as quietly devastating as rain lifting from earth to sky.”—Tommy Orange, author of There There

"Hobson is a master storyteller and illustrates in gently poetic prose how for many Native Americans the line between this world and the next isn’t so sharp. This will stay long in readers’ minds."— Publishers Weekly (starred review)

“Mesmerizing…. Spare, strange, bird-haunted, and mediated by grief, the novel defies its own bleakness as its calls forth a delicate and monumental endurance.”— Kirkus Reviews (starred review)

“A multilayered, emotionally radiant second novel…. Hobson uses Cherokee tradition and the Echotas’ story to amplify each other, blending past and present in a narrative of blistering loss and final healing. Highly recommended.”— Library Journal (starred review)

"With elegiac grace, The Removed tells of one family’s struggles to find wholeness after tragedy."— Booklist

“There are many stories in The Removed, a mystical, deep, and compassionate novel that explores how the intimate lives of a family are shaped by powerful ancestral legacies. The traumas of the past, both personal and historical, are forever with us, but—and here is the miraculous heart of this novel—people can still abide, resist, and even recover. Every character in The Removed seems to contain an intricate, particular, fully realized world. A quietly dazzling and haunting achievement.”— Dana Spiotta, author of Eat the Document

“Astonishing. This moving and affecting novel tells the story of a Native family in crisis, each person dealing with the aftereffects of grief and trauma following the murder of a beloved son. But this is a book of hope and healing, a remarkable tale of resilience in the face of unimaginable pain. Written with lyrical and evocative prose and a deep reverence for Cherokee culture and tradition, The Removed is an important contribution to indigenous fiction and American literature.”— David Heska Wanbli Weiden, author of Winter Counts

Additional Information
288 pages | 5.31" x 8.00" | Paperback

A guide to integrating indigenous thinking into modern life for a more interconnected and spiritual relationship with our fellow beings, Mother Earth, and the natural ways of the universe.

With each generation, we have drifted further and further away from our ability to recognize and connect with the source of our original design. In this modern world, we spend our attention in ways that benefit the powers that be, and not ourselves or the earth.

This book's intention is not to teach you to "be Native American," but instead to use the indigenous culture of the Lakota to help you connect with your own indigenous roots and help you remember your ancestral knowing that all beings are divinely connected.

Thinking indigenously centers around three concepts:
1) The way of the seven generations--conscious living
2) The way of the buffalo--mindful consumption
3) The way of the village--collective impact

Author Doug Good Feather, with Doug Pineda, shares the knowledge that has been handed down through his Lakota elders to help you connect with your purpose in life, personal power, and place in this interconnected web with Spirit, Mother Earth, and humanity as a whole.

Additional Information
176 pages | 5.50" x 8.50"

All cultures have tales of the trickster, a crafty creature or being who uses cunning to get food, steal precious possessions, or simply cause mischief. He disrupts the order of things, often humiliating others and sometimes himself. In Native American traditions, the trickster takes many forms, from coyote or rabbit to raccoon or raven. The first graphic anthology of Native American trickster tales, Trickster brings together Native American folklore and the world of comics.

In Trickster more than twenty Native American tales are cleverly adapted into comic form. Each story is written by a different Native American storyteller who worked closely with a selected illustrator, a combination that gives each tale a unique and powerful voice and look. Ranging from serious and dramatic to funny and sometimes downright fiendish, these tales bring tricksters back into popular culture in a very vivid form. From an ego-driven social misstep in "Coyote and the Pebbles" to the hijinks of"How Wildcat Caught a Turkey" and the hilarity of "Rabbit's Choctaw Tail Tale", Trickster provides entertainment for readers of all ages and backgrounds.

Additional Information
248 pages | 8.00" x 8.00" | Paperback

Louise Erdrich meets Karen Russell in this deliciously strange and daringly original novel from Pulitzer Prize finalist Margaret Verble: set in 1926 Nashville, it follows a death-defying young Cherokee horse-diver who, with her companions from the Glendale Park Zoo, must get to the bottom of a mystery that spans centuries.

Two Feathers, a young Cherokee horse-diver on loan to Glendale Park Zoo from a Wild West show, is determined to find her own way in the world. Two’s closest friend at Glendale is Hank Crawford, who loves horses almost as much as she does. He is part of a high-achieving, land-owning Black family. Neither Two nor Hank fit easily into the highly segregated society of 1920s Nashville.

When disaster strikes during one of Two’s shows, strange things start to happen at the park. Vestiges of the ancient past begin to surface, apparitions appear, and then the hippo falls mysteriously ill. At the same time, Two dodges her unsettling, lurking admirer and bonds with Clive, Glendale’s zookeeper and a World War I veteran, who is haunted—literally—by horrific memories of war. To get to the bottom of it, an eclectic cast of park performers, employees, and even the wealthy stakeholders must come together, making When Two Feathers Fell from the Sky an unforgettable and irresistible tale of exotic animals, lingering spirits, and unexpected friendship.

Reviews
"Verble beautifully weaves period details with the cast’s histories, and enthralls with the supernatural elements, which are made as real for the reader as they are for the characters. This lands perfectly."—Publishers Weekly, STARRED review

"This utterly memorable, beautifully written story will linger with readers."—Booklist, STARRED review

"An ambitious novel that’s impressive in its scope and concept: Glendale Park Zoo and the 101 are rife with narrative possibility and give the author a chance to examine a fascinating cross section of race and class."—Kirkus

“Two Feathers, tough and warmhearted, clear-eyed and funny, captivates from the first striking scene. Margaret Verble has created a remarkable world, rich with vibrant characters and layered histories, long obscured, that emerge to shape their lives in surprising, thought-provoking, and moving ways.” —Kim Edwards, bestselling author of The Memory Keeper’s Daughter and The Lake of Dreams

“Two Feathers Fell from the Sky is a rich and lively novel, steeped in place and history. Verble’s meticulous research and generosity of spirit shine through, lending her characters and their adventures a fullness that lingers.”—Kelli Jo Ford, author of Crooked Hallelujah and winner of the Plimpton Prize

Additional Information
384 pages | 6.00" x 9.00" | Hardcover

How about a book that makes you barge into your boss's office to read a page of poetry from? That you dream of? That every movie, song, book, moment that follows continues to evoke in some way?

The term "Apple" is a slur in Native communities across the country. It's for someone supposedly "red on the outside, white on the inside."

Eric Gansworth is telling his story in Apple (Skin to the Core). The story of his family, of Onondaga among Tuscaroras, of Native folks everywhere. From the horrible legacy of the government boarding schools, to a boy watching his siblings leave and return and leave again, to a young man fighting to be an artist who balances multiple worlds.

Eric shatters that slur and reclaims it in verse and prose and imagery that truly lives up to the word heartbreaking.

Awards

• American Indian Youth Literature Award Winner

Reviews
"With language rich in metaphor, this is a timely and important work that begs for multiple readings."-Booklist, starred review

Educator Information
Recommended for ages 12 to 18.

Additional Information
352 pages | 6.50" x 9.40"

After a school year of dealing with personal issues, Autumn Dawn is happy that summer is finally here. Autumn plans on visiting her aunt Jessie in Minneapolis before heading back home for the class she needs to attend in order to pass to the next grade.

On the first day of class, Autumn finds herself face-to-face with Sydney, the bully who thinks it is fun to pick on her. What could be worse than that? They are paired together and will be tutoring each other!

Between dealing with Sydney and trying not to notice the new guy in school, who has definitely noticed her, Autumn struggles to accept and embrace the fresh challenges she faces as she learns to believe in herself.

Educator & Series Information
Recommended for ages 12+.

Fry Reading Level: 4 

This book is part of the PathFinders series. The PathFinders series of Hi-Lo (high interest, low readability) novels offers the following features:

• Indigenous teen protagonists
• Age-appropriate plots
• 2.5 – 4.5 Reading Level
• Contemporary and historical fiction
• Indigenous authors

The PathFinders series is from an American publisher. Therefore, Indigenous terminology in the PathFinders books is not the same as Canadian Indigenous terminology. This prompts a useful teaching moment for educators in discussing appropriate terminology use in Canada.

This book is part of the Autumn Dawn Series, a subseries of the PathFinders series.

Additional Information
120 pages | 4.50" x 7.00" | Paperback