Native American
Synopsis:
Updated with a new introduction from Robin Wall Kimmerer, the special edition of Braiding Sweetgrass celebrates the book as an object of meaning that will last the ages. Beautifully bound with a new cover featuring an engraving by Tony Drehfal, this edition includes a bookmark ribbon, a deckled edge, and five brilliantly colored illustrations by artist Nate Christopherson. In increasingly dark times, we honor the experience that more than 350,000 readers in North America have cherished about the book—gentle, simple, tactile, beautiful, even sacred—and offer an edition that will inspire readers to gift it again and again, spreading the word about scientific knowledge, indigenous wisdom, and the teachings of plants.
As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on “a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise” (Elizabeth Gilbert).
Drawing on her life as an indigenous scientist, and as a woman, Kimmerer shows how other living beings—asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass—offer us gifts and lessons, even if we've forgotten how to hear their voices. In reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.
Educator Information
Includes an updated introduction from the author.
Additional Information
456 pages | 5.50" x 8.50" | Hardcover
Synopsis:
A brutally honest but charming look at the pain of childhood and the alienation and anxiety of early adulthood.
In his memoir, we are invited to walk through the life of the author, Jim Terry, as he struggles to find security and comfort in an often hostile environment. Between the Ho-Chunk community of his Native American family in Wisconsin and his schoolmates in the Chicago suburbs, he tries in vain to fit in and eventually turns to alcohol to provide an escape from increasing loneliness and alienation. Terry also shares with the reader in exquisite detail the process by which he finds hope and gets sober, as well as the powerful experience of finding something to believe in and to belong to at the Dakota Access Pipeline resistance at Standing Rock.
Reviews
"fortunately for readers of this raw and intimate graphic memoir, Terry never fully lets go of his youthful vulnerability. . . . Reckoning with sobriety requires connection and humility, as Terry makes the case for with sincerity and beauty, as he ties his recovery to his spiritual homecoming.” —Starred Review, Publishers Weekly.
“Terry, known for his outstanding superhero illustrations, turns the lens inward in this brutally honest memoir. . . . An exceptionally well-told story with no easy answers but an ending that will inspire.” —Starred Review, Booklist.
“Illuminated by bursts of both joy and sorrow. With humbling sensitivity and candor, Jim shares with us his personal journey down emotionally complex paths towards home.” —TIMOTHY TRUMAN, author of Marvel Comics’ Conan series.
“An epic memoir. Terry has a way with words — his pithy writing skillfully mixes nostalgia and melancholy. But it his gorgeous, inventive, black-and-white artwork that makes this book so memorable.”— JOSH NEUFELD, author of A.D.: New Orleans After the Deluge
Educator Information
Recommended for ages 16+
Additional Information
240 pages | 6.00" x 9.00"
Synopsis:
It’s 1974 in the Cherokee Nation of Oklahoma and fifteen-year-old Justine grows up in a family of tough, complicated, and loyal women presided over by her mother, Lula, and Granny. After Justine’s father abandoned the family, Lula became a devout member of the Holiness Church – a community that Justine at times finds stifling and terrifying. But Justine does her best as a devoted daughter until an act of violence sends her on a different path forever.
Crooked Hallelujah tells the stories of Justine—a mixed-blood Cherokee woman— and her daughter, Reney, as they move from Eastern Oklahoma’s Indian Country in the hopes of starting a new, more stable life in Texas amid the oil bust of the 1980s. However, life in Texas isn’t easy, and Reney feels unmoored from her family in Indian Country. Against the vivid backdrop of the Red River, we see their struggle to survive in a world—of unreliable men and near-Biblical natural forces, like wildfires and tornados—intent on stripping away their connections to one another and their very ideas of home.
In lush and empathic prose, Kelli Jo Ford depicts what this family of proud, stubborn, Cherokee women sacrifices for those they love, amid larger forces of history, religion, class, and culture. This is a big-hearted and ambitious novel of the powerful bonds between mothers and daughters by an exquisite and rare new talent.
Reviews
"A book that you want to share with everyone you know and one that you are desperate to keep in your own possession. A masterful debut and a new and thrilling voice for readers across the globe." —Sarah Jessica Parker, on Instagram
"In “Crooked Hallelujah,” a collection of interwoven story-chapters, Kelli Jo Ford takes her readers on a compelling journey through the evolving terrain of multiple generations of women." —Diana Abu-Jaber, The Washington Post
Additional Information
304 pages | 5.50" x 8.25"
Synopsis:
A magnificent testament to the earth, from Pulitzer Prize-winning novelist and poet N. Scott Momaday.
One of the most distinguished voices in American letters, N. Scott Momaday has devoted much of his life to celebrating and preserving Native American culture, especially its oral tradition. A member of the Kiowa tribe who was born and grew up on Indian reservations throughout the Southwest, Momaday has an intimate connection to the land he knows well and loves deeply.
In Earth Keeper: Reflections on the American Land, he reflects on his native ground and its influence on his people. “When I think about my life and the lives of my ancestors, I am inevitably led to the conviction that I, and they, belong to the American land. This is a declaration of belonging. And it is an offering to the earth.” he writes.
Momaday recalls stories of his childhood, stories that have been passed down through generations, stories that reveal a profound and sacred connection to the American landscape and a reverence for the natural world.
In this moving and lyrical work, he offers an homage and a warning. Momaday reminds us that the Earth is a sacred place of wonder and beauty; a source of strength and healing that must be protected before it’s too late. As he so eloquently yet simply expresses, we must all be keepers of the Earth.
Reviews
“Poets and storytellers have always reminded us of our spiritual connections to the land and the world around us — passed along through dreams, stories, memories, and mythologies. Scott Momaday skillfully continues this tradition in Earth Keeper, from which we can all learn and benefit.”— Robert Redford
“Earth Keeper is a prayer for continuity in these days of uncertainty. I cannot tell you why I loved this book, I can only tell you I wept my way through it. Each page brought me closer to myself, a self I had lost in the pandemic. We need Scott Momaday's calm, clear prose and stories. Words are medicine. There is wisdom in sharing what one knows, especially at a time when we know so little. ‘Let me say my heart,’ he says. And he does.”— Terry Tempest Williams, author of Erosion: Essays of Undoing
"Dazzling. . . . In glittering prose, Momaday recalls stories passed down through generations, illuminating the earth as a sacrosanct place of wonder and abundance. At once a celebration and a warning, Earth Keeper is an impassioned defense of all that our endangered planet stands to lose."— Esquire
“Wonder abounds in these pages. . . . Short chapters of prose that read almost like prayers to the natural world.”— Kirkus Reviews
“Short but satisfying. . . . Using lyrical, heartfelt language, [Momaday] looks back on a life lived close to nature, and on the joy that natural wonders have given him. . . . At a time when bad news is in plentiful supply, readers will find Momaday’s words refreshing and comforting in their sincerity.”— Publishers Weekly
"A profound reflection on humanity's relationship with its terrestrial home, the planet Earth."— Booklist
“A collection of short essays as multilayered and majestic as the landscape that has been present in everything that Momaday has written. . . . [A] poetic love letter to the Earth.”— Minneapolis Star Tribune
Educator Information
From the Author's Note: "This book is a very personal account, a kind of spiritual autobiography."
Additional Information
80 pages | 5.00" x 7.12"
Synopsis:
Autumn Dawn has learned to deal with her dyslexia and her life is starting to look better, but a horrible accident threatens to change everything. When her mother and brother are crossing a street, they are accidentally hit by a car. Autumn's little brother is okay, but her mother ends up in intensive care. Autumn's father, who had walked away from his family awhile ago, leaving them to fend for themselves, is now back in their lives and trying to make amends. When Autumn's mom is released from the hospital, she still needs help, so Autumn's dad moves back home.
Can Autumn ever forgive her father for leaving his family in the first place, or will she continue to be angry and resentful? Is it possible to trust any male, including her devoted boyfriend?
Educator & Series Information
Recommended for ages 12+.
Fry Reading Level: 4.5
This book is part of the PathFinders Collection of Indigenous Hi-Lo- novels. Interest level is pre-teen on up.
The PathFinders series of Hi-Lo (high interest, low readability) novels offers the following features:
• Indigenous teen protagonists
• Age-appropriate plots
• 2.5 – 4.5 Reading Level
• Contemporary and historical fiction
• Indigenous authors
The PathFinders series is from an American publisher. Therefore, Indigenous terminology in the PathFinders books is not the same as Canadian Indigenous terminology. This prompts a useful teaching moment for educators in discussing appropriate terminology use in Canada.
This book is also part of the Autumn Dawn Series, a subseries of the PathFinders.
Additional Information
120 pages | 4.50" x 7.00" | Paperback
Synopsis:
A teenage survival expert finds all of his skills tested as he's pursued through the Canadian wilderness by men determined to silence him. On his way to teach at Camp Seven Generations, a Native outdoor school, Nick witnesses a murder and then is thrown off a train. Remembering and using the teachings of his Abenaki elders will prove to be the difference between life and death for him. Although his pursuers have modern technology to help them, Nick has something even more useful. In addition to the skills he's learned, he has an ally in the natural world around him. Found, like the famous story "The Most Dangerous Game,"is a tale that focuses on being hunted until a way can be found to become the hunter.
Reviews
Review from ALA Booklist: "This high/low adventure is the epitome of an adrenaline rush. It is a terrific survival story packed with fascinating facts (how to cover tracks and hide all evidence of a campsite, what to do if you find yourself in a cave with a bear) and wonderful nods to the Abenaki language and Native American cultural tenants of thanking animals and leaving no trace." — Becca Worthington
Educator & Series Information
Recommended for ages 12+
Fry Reading Level: 4
This book is part of the PathFinders series. The PathFinders series of Hi-Lo (high interest, low readability) novels offers the following features:
• Indigenous teen protagonists
• Age-appropriate plots
• 2.5 – 4.5 Reading Level
• Contemporary and historical fiction
• Indigenous authors
The PathFinders series is from an American publisher. Therefore, Indigenous terminology in the PathFinders books is not the same as Canadian Indigenous terminology. This prompts a useful teaching moment for educators in discussing appropriate terminology use in Canada.
Additional Information
96 pages | 4.50" x 7.00" | Paperback
Synopsis:
Carson Mastick is entering his senior year of high school and desperate to make his mark, on the reservation and off. A rock band -- and winning Battle of the Bands -- is his best shot. But things keep getting in the way. Small matters like the lack of an actual band, or his brother getting shot by the racist owner of a local restaurant.
Maggi Bokoni has just moved back to the reservation with her family. She's dying to stop making the same traditional artwork her family sells to tourists (conceptual stuff is cooler), stop feeling out of place in her new (old) home, and stop being treated like a child. She might like to fall in love for the first time too.
Carson and Maggi -- along with their friend Lewis -- will navigate loud protests, even louder music, and first love in this stirring novel about coming together in a world defined by difference.
Reviews
"Gansworth's follow-up to If I Ever Get Out of Here has an incredible voice.... His characters are rich, well developed, and will stay with readers for a long time.... A stellar choice for YA realistic fiction shelves." -- School Library Journal, starred review
"Gansworth vividly captures the difficulties of reservation life and showcases his thoughtful protagonists' multidimensional interests and far-reaching aspirations." --Publishers Weekly
"An intimate look at the teens' lives.... A rich, honest story of family and friends, of a Nation within a nation." -- The Horn Book
"A 1980s Native American coming-of-age story grapples with the day-to-day details of teenagers’ lives on and off the reservation.... A classic teen novel, especially for Native youth and Beatles fans." - Kirkus Review
Educator Information
Recommended for ages 14+
Additional Information
432 pages | 5.50" x 8.25"
Synopsis:
Award-winning author Stephen Graham Jones returns with Night of the Mannequins, a contemporary horror story where a teen prank goes very wrong and all hell breaks loose: is there a supernatural cause, a psychopath on the loose, or both?
We thought we'd play a fun prank on her, and now most of us are dead.
One last laugh for the summer as it winds down. One last prank just to scare a friend. Bringing a mannequin into a theater is just some harmless fun, right? Until it wakes up. Until it starts killing.
Luckily, Sawyer has a plan. He’ll be a hero. He'll save everyone to the best of his ability. He'll do whatever he needs to so he can save the day. That's the thing about heroes—sometimes you have to become a monster first.
Reviews
"Suffused with questions about the nature of change and friendship, “Night of the Mannequins” is a fairy tale of impermanence showcasing Graham Jones’s signature style of smart, irreverent horror." —The New York Times
"Stephen Graham Jones’s range and his understanding of horror in fiction and film is staggering. In this novella he juggles—sometimes in very sly ways—slasher stories, coming of age horror, traditions of madness and unreliability, and Kaiju to create an amazingly speedy, voice-driven read that's tons of fun. Each new book of his gives his own take on a different facet of horror, and together they all add up to something really expansive and original." —Brian Evenson, author of Song for the Unraveling of the World
"Readers will delight more than once in the realization that they might be reading a different story from the one they thought was unfolding... trust Jones and enjoy the ride." —Shelf Awareness
Additional Information
144 pages | 5.00" x 8.00"
Synopsis:
Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.
Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.
Additional Information
80 pages | 6.00" x 9.00"
Synopsis:
Experience the riveting, powerful story of the Native American civil rights movement and the resulting struggle for identity told through the high-flying career of West Coast rock 'n' roll pioneers Redbone.
You've heard the hit song "Come and Get Your Love" in the movie Guardians of the Galaxy, but the story of the band behind it is one of cultural, political, and social importance.
Brothers Pat and Lolly Vegas were talented Native American rock musicians that took the 1960s Sunset Strip by storm. They influenced The Doors and jammed with Jimmy Hendrix before he was "Jimi," and the idea of a band made up of all Native Americans soon followed. Determined to control their creative vision and maintain their cultural identity, they eventually signed a deal with Epic Records in 1969. But as the American Indian Movement gained momentum the band took a stand, choosing pride in their ancestry over continued commercial reward.
Created in cooperation of the Vegas family, authors Christian Staebler and Sonia Paoloni with artist Thibault Balahy take painstaking steps to ensure the historical accuracy of this important and often overlooked story of America's past. Part biography and part research journalism, Redbone tells a vivid story about this neglected chapter of American history.
Reviews
"Compelling reading for fans of roots rock and Native American history in middle school and up." —School Library Journal
"An entertaining, enlightening history for music fans. Balahy’s loose, energetic drawings; imaginative layouts; and playful use of color make everything pop." —Publishers Weekly
"Musicians with heart put their people before profits in an inspirational tale. Well-researched and well-paced, this book will introduce a new generation to the music and impact of Redbone." —Kirkus Reviews (Starred review)
"In some eyes, the guys in Redbone, still the most successful Native American rock band this country has produced, are indeed superheroes. Not all heroes wear capes, and some wear buckskin." —Houston Chronicle
"In the early sixties, Pat and his brother, Lolly, perform on the Sunset Strip, crossing paths with The Byrds, The Doors, and Jimi Hendrix, who gives the brothers the idea of forming 'an all Indian band. That'd make this country sit up.' The seed germinates and Redbone bursts forth. Staebler and Paoloni offer a lens onto aspects of the twentieth-century Native American struggle for civil rights and injustices like forced schooling and racist policing, as well as the 1968 birth of the American Indian Movement. Balahy's art is particularly splendid and well-varied in style for the complex subject matter." —Booklist
Additional Information
160 pages | 7.00" x 10.00"
Synopsis:
Pulitzer Prize winner and celebrated American master N. Scott Momaday returns with a radiant collection of more than 200 new and selected poems rooted in Native American tradition.
“The poems in this book reflect my deep respect for and appreciation of words. . . . I believe that poetry is the highest form of verbal expression. Although I have written in other forms, I find that poems are what I want and need most to read and write. They give life to my mind.”
One of the most important and unique voices in American letters, distinguished poet, novelist, artist, teacher, and storyteller N. Scott Momaday was born into the Kiowa tribe and grew up on Indian reservations in the Southwest. The customs and traditions that influenced his upbringing—most notably the Native American oral tradition—are the centerpiece of his work.
This luminous collection demonstrates Momaday’s mastery and love of language and the matters closest to his heart. To Momaday, words are sacred; language is power. Spanning nearly fifty years, the poems gathered here illuminate the human condition, Momaday’s connection to his Kiowa roots, and his spiritual relationship to the American landscape.
The title poem, “The Death of Sitting Bear” is a celebration of heritage and a memorial to the great Kiowa warrior and chief. “I feel his presence close by in my blood and imagination,” Momaday writes, “and I sing him an honor song.” Here, too, are meditations on mortality, love, and loss, as well as reflections on the incomparable and holy landscape of the Southwest.
The Death of Sitting Bear evokes the essence of human experience and speaks to us all.
Reviews
“These are the poems of a master poet, born of an age when our ears were not so bent towards digital production. Or should I say, these are the poems of a bear who has walked through several generations and stands before us, breathing clouds into a cold dawn, bearing this book of poetry. The bear’s journey is mythic, a migration through tragedy and beauty, over lands rich with horses and stories. When you read these poems, you will learn to hear deeply the sound a soul makes as it sings about the mystery of dreaming and becoming.”— Joy Harjo, Mvskoke Nation, U.S. Poet Laureate
"An admirable capstone to a distinguished literary career, this splendid selection should be a treasure for Momaday’s readers and an excellent introduction for those new to Native American writing."— Library Journal (starred review)
Additional Information
192 pages | 6.00" x 9.00"
Synopsis:
Based on the extraordinary life of National Book Award-winning author Louise Erdrich’s grandfather who worked as a night watchman and carried the fight against Native dispossession from rural North Dakota all the way to Washington, D.C., this powerful novel explores themes of love and death with lightness and gravity and unfolds with the elegant prose, sly humor, and depth of feeling of a master craftsman.
Thomas Wazhashk is the night watchman at the jewel bearing plant, the first factory located near the Turtle Mountain Reservation in rural North Dakota. He is also a Chippewa Council member who is trying to understand the consequences of a new “emancipation” bill on its way to the floor of the United States Congress. It is 1953 and he and the other council members know the bill isn’t about freedom; Congress is fed up with Indians. The bill is a “termination” that threatens the rights of Native Americans to their land and their very identity. How can the government abandon treaties made in good faith with Native Americans “for as long as the grasses shall grow, and the rivers run”?
Since graduating high school, Pixie Paranteau has insisted that everyone call her Patrice. Unlike most of the girls on the reservation, Patrice, the class valedictorian, has no desire to wear herself down with a husband and kids. She makes jewel bearings at the plant, a job that barely pays her enough to support her mother and brother. Patrice’s shameful alcoholic father returns home sporadically to terrorize his wife and children and bully her for money. But Patrice needs every penny to follow her beloved older sister, Vera, who moved to the big city of Minneapolis. Vera may have disappeared; she hasn’t been in touch in months, and is rumored to have had a baby. Determined to find Vera and her child, Patrice makes a fateful trip to Minnesota that introduces her to unexpected forms of exploitation and violence, and endangers her life.
Thomas and Patrice live in this impoverished reservation community along with young Chippewa boxer Wood Mountain and his mother Juggie Blue, her niece and Patrice’s best friend Valentine, and Stack Barnes, the white high school math teacher and boxing coach who is hopelessly in love with Patrice.
In The Night Watchman, Louise Erdrich creates a fictional world populated with memorable characters who are forced to grapple with the worst and best impulses of human nature. Illuminating the loves and lives, the desires and ambitions of these characters with compassion, wit, and intelligence, The Night Watchman is a majestic work of fiction from this revered cultural treasure.
Awards
- 2021 Pulitzer Prize for Fiction
Additional Information
464 Pages | 6" x 9"
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Synopsis:
From the award-winning and #1 bestselling author of The Back of the Turtle; Green Grass, Running Water and The Inconvenient Indian
Thumps DreadfulWater’s world is turned upside down when Nina Maslow, the producer of a true-crime reality-TV show, turns up dead after working on a cold case that Thumps has spent years trying to forget. What’s more, someone seems set on taunting Thumps, leaving reminders of the Obsidian murder case around town. Is it possible that the elusive serial killer who murdered his girlfriend and her daughter all those years ago has resurfaced in Chinook? Or is this the work of a copycat looking to mess with Thumps by stirring up memories from his past?
Dragged back into a case that has haunted him for years, Thumps DreadfulWater is determined to solve the mystery of the Obsidian murders. But as he works the case, he begins to realize just how dangerous the person he is dealing with is—and that he might be the next target.
Thumps DreadfulWater, the sly, wry, reluctant investigator of Cold Skies and A Matter of Malice, returns in another irresistible mystery that only Thomas King could create.
Series Information
This book is from the DreadfulWater Mystery series, a mystery/detective series from Thomas King.
Books in this series include:
- Dreadful Water
- The Red Power Murders
- Cold Skies
- A Matter of Malice
- The Obsidian Murders
- Deep House
- Double Eagle
- Black Ice
Additional Information
240 pages | 6.00" x 9.00"
Synopsis:
United States Poet Laureate Joy Harjo gathers the work of more than 160 poets, representing nearly 100 indigenous nations, into the first historically comprehensive Native poetry anthology.
This landmark anthology celebrates the indigenous peoples of North America, the first poets of this country, whose literary traditions stretch back centuries. Opening with a blessing from Pulitzer Prize–winner N. Scott Momaday, the book contains powerful introductions from contributing editors who represent the five geographically organized sections. Each section begins with a poem from traditional oral literatures and closes with emerging poets, ranging from Eleazar, a seventeenth-century Native student at Harvard, to Jake Skeets, a young Diné poet born in 1991, and including renowned writers such as Luci Tapahanso, Natalie Diaz, Layli Long Soldier, and Ray Young Bear. When the Light of the World Was Subdued, Our Songs Came Through offers the extraordinary sweep of Native literature, without which no study of American poetry is complete.
Reviews
This anthology is revelatory and stunning.… It shows the remarkable strength and diversity of Native poetry, which vitalizes all of American poetry. It is essential reading.—Arthur Sze, National Book Award–winning author of Sight Lines
Additional Information
352 pages | 6.14" x 9.29" | Paperback
Synopsis:
When a TV producer asks Thumps to assist with an episode about a local woman from a wealthy family whose death was ruled “misadventure,” he is reluctant to get involved. Then the producer dies in the exact same manner, and Thumps finds himself solving two cases.
Can a reality TV show solve a cold case?
The crew of a true-crime reality TV show, Malice Aforethought, shows up in Chinook to do an episode about the death of Trudy Samuels. Trudy’s death had originally been ruled accidental, but with ratings in mind, one of the producers, Nina Maslow, wants to prove it was murder. And she wants Thumps to help. Thumps is reluctant to get involved until Nina dies in the exact same place and in the exact same way as Trudy. Are the two deaths related? Or are there two murderers on the loose in Chinook? Thumps uses Nina’s Malice Aforethought files to try to fit the pieces of the puzzle together, and in the process discovers that she had already started work on another case close to Thumps' heart: the Obsidian murders.
Series Information
This novel is part of the DreadfulWater Mystery series from Thomas King. Books in this series include:
- Dreadful Water
- The Red Power Murders
- Cold Skies
- A Matter of Malice
- The Obsidian Murders
- Deep House
- Double Eagle
- Black Ice
Additional Information
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