Indigenous Peoples in Canada

It’s summertime on the rez. The frybread is sizzling, and the local radio station plays bluegrass, Anishinaabemowin lessons, and Friday-night bingo numbers. Lenna, the youngest of the Little family, is preparing to leave home for her first year of college, with little enthusiasm or help from her stubborn father and reckless brother. Amidst lingering doubts about departing the family flock, Lenna collides into a meet-cute with the charming and awkward Sam Thomas, who is returning to the reserve after many years away. With the promise of a romance budding between them, Lenna is caught in a whirlwind of uncertainty, wondering if she’s ready to bid farewell just as she's about to take flight.

Filled with Indigenous humour, small-town seasoning, and dream-world interludes, this heartwarming love story captures the bittersweet highs and lows of a rural teenage upbringing. A love letter to community, Niizh is a refreshing coming-of-age romcom about two young lovebirds leaving the nest.

Reviews
“In Niizh, Joelle Peters offers up a profound love and simultaneous longing for family and community. She stages generational strengths—humour, caring, and insightfulness—alongside generational wounds that can keep our dearest at arm’s length. This disarmingly simple story is artfully crafted with dialogue featuring a uniquely Peters-ian dry wit. Niizh is a celebration of the joys, beauties, and challenges of a young and fiercely capable Indigenous woman.” — Tara Beagan

“I was excited about this play the first time I read it. It's smart and funny, and it's exactly what we need right now.” — Keith Barker

“Joelle can write the rez. Conveying the history, the hardship, but, more than anything, the humour and the beauty of our complicated communities. And to see those spaces on stage is a powerful thing.” — Falen Johnson

“What's most satisfying is how many themes Peters layers into the script—including the loss of Indigenous language and culture, the fear of failure of those embarking on something new and, most poignantly, the shame and anger around abandonment.” — Glenn Sumi

Additional Information
112 pages | 5.40" x 8.35" | Paperback

The incomparable first-hand account of the historic Truth and Reconciliation Commission of Canada told by one of the commissioners who led it.

The Truth and Reconciliation Commission was established to record the previously hidden history of more than a century of forced residential schooling for Indigenous children. Marie Wilson helped lead that work as one of just three commissioners. With the skills of a journalist, the heart of a mother and grandmother, and the insights of a life as the spouse of a residential school survivor, Commissioner Wilson guides readers through her years witnessing survivor testimony across the country, providing her unique perspective on the personal toll and enduring public value of the commission. In this unparalleled account, she honours the voices of survivors who have called Canada to attention, determined to heal, reclaim, and thrive.

Part vital public documentary, part probing memoir, North of Nowhere breathes fresh air into the possibilities of reconciliation amid the persistent legacy of residential schools. It is a call to everyone to view the important and continuing work of reconciliation not as an obligation but as a gift.

Reviews
"I found Marie Wilson's North of Nowhere profoundly moving and surprisingly optimistic. With humility and wisdom, she takes us behind the scenes of the Truth and Reconciliation Commission. As a non-Indigenous woman long settled in the North, she has a unique viewpoint, and she leavens an account of the traumatic intergenerational impact of residential schools with details from her own personal story. Wilson goes beyond the grief and misery triggered by the Truth aspect of the TRC to suggest the joy and laughter that true Reconciliation can produce in survivors. But reconciliation will be achieved only if we don't look away. North of Nowhere is a powerful book that shifted my perspective, and, thanks to Wilson's lucid prose, helps the rest of us glimpse what is needed." — Charlotte Gray (CM), author of Passionate Mothers, Powerful Sons: The Lives of Jennie Jerome Churchill and Sara Delano Roosevelt

"For anyone wanting a front row seat to the Spirit, the vision, and the mechanics of the Truth and Reconciliation Commission of Canada, North of Nowhere is definitely it. Commissioner Dr. Marie Wilson recounts and celebrates the courage of everyone involved in one of Canada's most important chapters of coming to terms with residential school Survivors and their families and their communities forever changed with a policy of cultural genocide. I hope everyone reads this and finds their way to support Survivors, their families, and their communities as they continue to reclaim so much of what was stolen. What a profound and riveting read." — Richard Van Camp, author of The Lesser Blessed and Godless but Loyal to Heaven

"The long-matured work of a true elder, this magnificent book is a sober masterpiece of sacred activism. It deserves to be read by everyone aghast at the chaos and cruelty of our world. Its level decency of tone, its lucidity, its determined hope in terrible circumstances both transmit and model those qualities we all now need to build a new world out of the smouldering ashes of the old." — Andrew Harvey, author of The Hope: A Guide to Sacred Activism

"In North of Nowhere, Marie Wilson honours her vow to residential school Survivors to 'do no harm' and to bear witness to and honour their experiences. Marie has achieved her purpose to educate readers and inspire reconciliation and, most importantly, hope. 'I see you. I hear you. I believe you. And I love you'-Marie's words as a Commissioner to Survivors set the tone for this very important book." — Perry Bellegarde, former National Chief of the Assembly of First Nations

"This book is one of the best I've ever read. It made me laugh, get emotional, and helped reset my journey on the role I need to play. As a child of residential school Survivors, I was motivated to continue to learn my language and strengthen my pride as an Indigenous person. Truth must come before reconciliation; this book will empower Canadians to focus on what we can control today when it comes to implementing the Calls to Action. This book advocates for building awareness, understanding, and long-term relationships between Indigenous people and Canadians. If every Canadian reads this book, the Truth and Reconciliation Calls to Action can be achieved." — Cadmus Delorme, former chief of Cowessess First Nation

"Journalist Marie Wilson brings us into the emotion-charged rooms, the sacred spaces of Canada's Truth and Reconciliation hearings. She listens with the heart of a mother, looking into the souls of the adult Survivors standing before her and seeing the children they once were. Though she holds nothing back, in the end this is a triumphant, restorative narrative-a testament to the healing that happens when we share our deepest, darkest truths." — Judy Rodgers, founding director of Images & Voice of Hope, board member of The Peace Studio

"North of Nowhere is the story of a national soul-searching, braided with Dr. Marie Wilson's own personal story and her unique perspective as a Truth and Reconciliation Commissioner. Every page tells a story. This is a book that is bound to ignite dialogue. It has been a catalyst that has been the spark for numerous visits, deep discussions, and reflections, which is why we wanted to write a collective review. Marie's writing had us thinking and talking about the stories, truths, and wisdom shared throughout the pages. Through her writing, Marie elicits emotional and insightful responses that move us along our own journeys of understanding the truth of Canada." — Shelagh Rogers and Monique Gray Smith

"Marie Wilson is the truth keeper entrusted with the accounts of the First Nations, Métis, and Inuit children who went to residential schools, the memories of those who did not make it home and the fate of us all if we do not learn from the past. The savagery of 'civilization' comes into stark relief as children emerge from the pages to awaken the national consciousness and render the TRC Calls to Action imperative." — Cindy Blackstock, executive director, First Nations Child & Family Caring Society

"Beautifully written, Marie Wilson's North of Nowhere is a stunning work of truth, power, and wisdom. An imperative read for all Canadians to understand the layers of shrapnel left by the residential school system that will leave you with emotion and hope. Wilson is an incredibly brilliant and gifted writer." — Angela Sterritt, author of Unbroken: My Fight for Survival, Hope, and Justice for Indigenous Women and Girls

Educator Information
Curriculum Connections: Social Science, Ethnic Studies, Canadian Studies, Indigenous STudies

Additional Information
384 pages | 6.00" x 9.00" | Hardcover

Now You Know Me tells of a journey of understanding between two old friends who grew up in different worlds in the same small town of Powell River, BC, on traditional Tla’amin land. Joe Gallagher, who is Tla’amin, and John Matterson, who is white, were friends as teenagers but went their separate ways before reconnecting 35 years later and truly getting to know each other.

As John began to listen more deeply to Joe’s history, they journeyed together through the historic events and attitudes that deeply wounded the Tla’amin and their way of life. With each conversation, John’s understanding of Joe’s life and recognition of his own unearned advantages and blind participation in racism became clearer.

In their illuminating dialogue in Now You Know Me, we learn what it took for Joe to straddle two worlds while battling racism, a traumatic childhood, and his father’s warning that he couldn’t succeed in a white world without working twice as hard. Despite ongoing suffering from multigenerational harms, Joe garnered broad respect on his way to becoming CEO of a groundbreaking Indigenous-led health organization, bringing hope and a collaborative spirit to a revolution in health and wellness for BC First Nations.

Today, John is committed to ongoing learning and allyship, while Joe is called on by First Nations leaders as well as senior leaders in health and government as an able navigator of the movement toward Truth and Reconciliation.

Additional Information
304 pages | 5.50" x 8.50" | Paperback

Ceremony, community and connection - the poems of Once the Smudge is Lit carry the reader into deeply spiritual elements of Nishnaabe/Ojibwe culture. Co-written by Cole Forrest and Kelsey Borgford, the poetry of Once the Smudge is Lit highlights the Indigenous experience in post-colonial times through explorations of themes ranging from love to community. Bogford's and Forrest's verses seek to open a multidimensional window into the experience of being a contemporary Nishaabe. A profound sense of movement, connection, and continuity is emphasized by Tessa Pizzale's beautifully evocative illustrations, which include a line of smudge smoke that flows from page to page from beginning to end.

Additional Information
50 pages | 5.50" x 8.50" | 50 Illustrations | Paperback

Bullied and abused at the Fort Alexander Indian Residential day school, Diane Morrisseau fought back and left school at the age of fifteen. Despite her strength, a childhood of trauma and abuse led her into the arms of Edgar Olson, and by sixteen, the young Ojibway-Anishinabe woman had given birth to her first child and married the man who would become her tormentor for the next eighteen years.

For almost two decades, Diane Morrisseau was chained to a brutal husband who abused not only her, but their children. By threatening Diane with their death and hers should she ever try to leave, he ensured that she would continue to endure his cruelty. Notoriously violent, her abuser was aided and abetted by the systems of colonialism that failed to protect Diane during her childhood. Edgar was able to keep Diane and her children trapped in a cycle of violence for years, without being held accountable by law or society.

Despite this, Diane found the strength to walk away. This book is the story of how she did so, and how she rebuilt a life beyond her abuser. Through Al-Anon, Anishinabe traditional healing ceremonies, counselling, and care for others, Diane found a new path illuminated by compassion and purpose.

Diane Morrisseau recounts her traumatic history with one aim: to help other victims of violence know they are not alone, and that escape is possible. The author’s entire career, and this book, testify to her desire to extend to others the hope that eluded her in the depths of her desperate circumstances.

Devastatingly frank about the abuse she suffered, the mothering her children missed because of it, and the systems that allowed it all to happen, Diane today has reconciled the past with a present where she continues to live out the values that matter to her most.

All royalties from sales of this book will be donated to Archway Community Services.

The story of an Ojibway-Anishinabe woman who, against incredible odds, rescued herself and her children from a life of brutal beatings, sexual servitude, and almost unimaginable hardship.

Reviews
"Selected as one of the most anticipated feminist books of 2024."— Ms. Magazine

"A courageous and harrowing story. Morrisseau uses her painful personal journey to frame the horrific history of residential schools. Evocative and illuminating."
— Angela Sterritt, author of Unbroken: My Fight for Survival, Hope, and Justice for Indigenous Women and Girls

"I is, in many ways, a difficult story to read – but it is one that needs to be told. Readers will learn about a courageous woman and the circumstances that enabled an abusive relationship, and hear her message for how to recognize the situation and take steps toward a better life."— Don McCaskill, co-author of In the Words of the Elders

"A fervent call to action, an impassioned plea for compassion and empathy, and a formidable rallying cry that seeks to instigate transformation [… One Second at a Time] serves as a bridge, seeking to connect human souls through shared understanding and collective responsibility."— From the foreword by Marlyn Bennett

"Raw and brutally honest. Morrisseau bravely shares the details of her life with a violent man. Validating and inspiring, her story affirms the complicated healing journey of abuse survivors. It’s a must read for anyone working in the field of gender-based violence."— Kendra Nixon, director of Research and Education for Solutions to Violence and Abuse (RESOLVE)

"Diane Morrisseau has taken us into her confidence with her story, allowing us to truly understand as a society how the relationship between Indigenous people and settlers has created immense hardships for Indigenous people, families, and communities."— Marion Maar, professor, Northern Ontario School of Medicine University

Educator Information
All royalties from sales of this book will be donated to Archway Community Services.

Table of Contents
Foreword: A Tapestry of Truths / Marlyn Bennett
Preface
Prologue
A Note on the Text
1 A Perfect Home
2 Day School
3 Posting of the Bands
4 Mrs. Olson
5 Holes in the Walls
6 Breakdown
7 Scars
8 Breaking Free
9 Seeing the Trees
10 Freedom at Last
Acknowledgments
About the Authors

Additional Information
198 pages | 5.50" x 8.50" | Paperback

Original People, Original Television is the behind-the-scenes account of a little known revolution in Canadian broadcasting—a journey begun in 1922 with Nanook of the North, wending its way across generations and the width and breadth of the traditional territories of the Inuit, First Nations and Métis; culminating in the 1999 launch of the world’s inaugural Indigenous led broadcast, the Aboriginal Peoples’ Television Network.

Additional Information
282 pages | 9.00" x 6.00" | b&w photos, index, bibliography | Special Edition | Paperback 

"John Macfie's vivid and stirring photographs show a way of life on full display - the world my ancestors inhabited and that my mom fondly described to me. It is a world that, shortly after these pictures were taken, ended. So distant and yet achingly familiar, these pictures feel like a visit home."- Jesse Wente, Anishinaabe broadcaster, arts leader, and author of Unreconciled: Family, Truth, and Indigenous Resistance

While working as a trapline manager in Northern Ontario during the 1950s and 1960s, John Macfie, a Canadian of Scottish heritage, formed deep and lasting relationships with the people of the Indigenous communities in the region. As he travelled the vast expanse of the Hudson Bay watershed, from Sandy Lake to Fort Severn to Moose Lake and as far south as Mattagami, he photographed the daily lives of Anishinaabe, Cree, and Anisininew communities, bearing witness to their adaptability and resilience during a time of tremendous change.

Macfie's photos, curated both in this volume and for an accompanying exhibition by the nipisihkopawiyiniw (Willow Cree) writer and journalist Paul Seesequasis, document ways of life firmly rooted in the pleasures of the land and the changing seasons. People of the Watershed builds on Seesequasis's visual reclamation work with his online Indigenous Archival Photo Project and his previous book, Blanket Toss Under Midnight Sun, serving to centre the stories and lives of the people featured in these compelling archival images.

Reviews
"The images reflect a sensitive eye and respectful approach to a solid documentary project." - The Globe and Mail

"Shines a light on the overlooked histories of Indigenous communities in northern Ontario." - APTN

Additional Information
192 pages | 8.01" x 9.99" | 100 colour and black and white photos | Paperback

The Giller Prize-longlisted author of Avenue of Champions returns with a frenetic, propulsive crime thriller that doubles as a sharp critique of modern activism and challenges readers to consider what “Land Back” might really look like.

Meet Isidore “Ezzy” Desjarlais and Grey Ginther: two distant Métis cousins making the most of Grey’s uncle’s old trailer, passing their days playing endless games of cribbage and cracking cans of cheap beer in between. Grey, once a passionate advocate for change, has been hardened and turned cynical by an activist culture she thinks has turned performative and lazy. One night, though, she has a revelation, and enlists Ezzy, who is hopelessly devoted to her but eager to avoid the authorities after a life in and out of the group home system and jail, for a bold yet dangerous political mission: capture a herd of bison from a national park and set them free in downtown Edmonton, disrupting the churn of settler routine. But as Grey becomes increasingly single-minded in her newfound calling, their act of protest puts the pair and those close to them in peril, with devastating and sometimes fatal consequences.

For readers drawn to the electric storytelling of Morgan Talty and the taut register of Stephen Graham Jones, Conor Kerr’s Prairie Edge is at once a gripping, darkly funny caper and a raw reckoning with the wounds that persist across generations.

Additional Information
272 pages | 5.50" x 8.25" | Paperback

Exploring how Indigenous media has flourished across Canada from the 1990s to the present

In the early 1990s, Indigenous media experienced a boom across Canada, resulting in a vast landscape of film, TV, and digital media. Coinciding with a resurgence of Indigenous political activism, Indigenous media highlighted issues around sovereignty and Indigenous rights to broader audiences in Canada. In Producing Sovereignty, Karrmen Crey considers the conditions—social movements, state policy, and evolutions in technology—that enabled this proliferation.

Exploring the wide field of media culture institutions, Crey pays particular attention to those that Indigenous media makers engaged during this cultural moment, including state film agencies, arts organizations, provincial broadcasters, and more. Producing Sovereignty ranges from the formation of the Aboriginal Film and Video Art Alliance in the early 1990s and its partnership with the Banff Centre for the Arts to the Canadian Broadcasting Corporation’s 2016 production of Highway of Tears—an immersive 360-degree short film directed by Anishinaabe filmmaker Lisa Jackson—highlighting works by Indigenous creators along the way and situating Indigenous media within contexts that pay close attention to the role of media-producing institutions.

Importantly, Crey focuses on institutions with limited scholarly attention, shifting beyond the work of the National Film Board of Canada to explore lesser-known institutions such as educational broadcasters and independent production companies that create programming for the Aboriginal Peoples Television Network. Through its refusal to treat Indigenous media simply as a set of cultural aesthetics, Producing Sovereignty offers a revealing media history of this cultural moment.

Reviews
"Producing Sovereignty is a must-read for those interested in the theoretical fundamentals of Indigenous media studies. By unearthing and revealing the subjugated histories and materiality of Indigenous artists and filmmakers, Karrmen Crey provides a crucial lens into the co-constitutive production of Indigenous aesthetics as an outcome of institutional contestations."—Brendan Hokowhitu, University of Queensland

"One of the most engaging and sophisticated books in the field, Producing Sovereignty uses highly immersive case studies to locate Indigenous media within wider social movements and cultural developments in North America. Karrmen Crey speaks to the decolonizing force of Indigenous media—not only as expressions of Indigenous cultural sovereignty but as destabilizing forces within contemporary settler societies."—Marian Bredin, coeditor of Canadian Television: Text and Context

Additional Information
224 pages | 5.50" x 8.50" | 25 black and white illustrations | Paperback 

An invaluable resource for educators looking to actively participate in reshaping education to include historically silenced voices in the classroom.

Re-Storying Education is a process of dismantling old narratives taught in education and rebuilding new narratives that include all the voices that have created this place known as Canada today. This vital and timely book outlines how colonialism has shaped both the country and the public school system. Re-Storying Education uses an Indigenous lens, offering ways to put Indigenous education, history, and pedagogy into practice. It invites readers into an open dialogue in the pursuit of a more inclusive and just educational landscape.

Drawing from her own experiences as an Indigenous student, educator, and administrator, in public and band-operated school systems, Indigenous academic Carolyn Roberts offers a deep understanding of how to support educators with Indigenous education and to create a nurturing and inclusive environment for all students. Re-Storying Education brings wider perspectives, connections to the land and the people of this land, and a deeper understanding of how relationships to these can change the educational experience for all students.

Re-Storying Education contains valuable lesson and assessment ideas, fostering the development of a critical lens in education. Roberts offers questions for self-reflection, suggestions for professional action, recommended resources for further learning, personal stories and anecdotes, insights from her own decolonizing teaching practices, and playlists that reflect the spirit of the work and that uplift Indigenous voices.

This is a must-have resource for all educators and change-makers in education today!

Reviews
"A gentle yet thorough overview and introduction, Re-Storying Education is packed with history and context to help educators decolonize their practices. Carolyn Roberts has written an excellent resource for navigating often-fraught waters, turning potential struggle into a hopeful journey of discovery and reconciliation." — Eden Robinson, bestselling author of the Trickster trilogy

"Woven in these pages is a masterful contribution to the field of education and to those who work in educating hearts, minds and spirits. I found myself lit up, excited, eager to turn each page and also inspired to slow down, reflect and let all the beauty in the pages find their rightful place in my own learning. Carolyn invites us to go on a journey with her, to be in relationship with her as we learn, unlearn, relearn and ignite our excitement in the joy of education. Re-Storying Education is full of knowledge, wisdom, truths and stories and will influence education for generations to come." — Monique Gray Smith, bestselling author of I Hope

Additional Information
224 pages | 5.50" x 8.50" | Paperback

From the author of the nationally bestselling Strangers saga comes a heartrending story of two Michif sisters who must face their past trauma when their mother is called out for false claims to Indigenous identity.

June and her sister, lyn, are NDNs—real ones.

Lyn has her pottery artwork, her precocious kid, Willow, and the uncertain terrain of her midlife to keep her mind, heart and hands busy. June, a Métis Studies professor, yearns to uproot from Vancouver and move. With her loving partner, Sigh, and their faithful pup, June decides to buy a house in the last place on earth she imagined she’d end up: back home in Winnipeg with her family.

But then into lyn and June’s busy lives a bomb drops: their estranged and very white mother, Renee, is called out as a “pretendian.” Under the name (get this) Raven Bearclaw, Renee had topped the charts in the Canadian art world for winning awards and recognition for her Indigenous-style work.

The news is quickly picked up by the media and sparks an enraged online backlash. As the sisters are pulled into the painful tangle of lies their mother has told and the hurt she has caused, searing memories from their unresolved childhood trauma, which still manages to spill into their well-curated adult worlds, come rippling to the surface.

In prose so powerful it could strike a match, real ones is written with the same signature wit and heart on display in The Break, The Strangers and The Circle. An energetic, probing and ultimately hopeful story, real ones pays homage to the long-fought, hard-won battles of Michif (Métis) people to regain ownership of their identity and the right to say who is and isn’t Métis.

Reviews
“With the same artistry and open heart that vermette’s character lyn practices in throwing and displaying her pottery, vermette has crafted real ones to explore—in real time—the traumatic outward rippling effect of a mother’s ethnic fraud on all her relations.” —Michelle Good, author of Five Little Indians and Truth Telling

“A brilliant novel, infused with anger and rich with empathy. In real ones, katherena vermette holds a mirror up to an issue that Indigenous and non-Indigenous communities are all grappling with—the rise of false claims to Indigenous identity. Vermette tells this story like no one else can. By focusing on the relationship between sisters June and lyn (who are Métis on their father’s side) following the public discovery of their own mother’s false claims, vermette offers up an understanding of the way the phenomenon reverberates at the personal and political levels. A healing and eye-opening story, real ones is a must-read.”—Michelle Porter, author of A Grandmother Begins the Story

“With conviction and compassion, vermette shines a light on pretendianism—motivations, tangled emotions, far-reaching consequences—and re-centres collective Métis identity and sovereignty.”—Chantal Fiola, author of Returning to Ceremony: Spirituality in Manitoba Métis Communities

Additional Information
320 pages | 5.50" x 8.25" | Hardcover 

From the #1 national bestselling author of 'Indian' in the Cabinet and True Reconciliation, a truly unique history of our land—powerful, devastating, remarkable—as told through the voices of both Indigenous and non-Indigenous peoples.

The totem pole forms the foundation for this unique and important oral history of Canada. Its goal is both toweringly ambitious and beautifully direct: To tell the story of this country in a way that prompts readers to look from different angles, to see its dimensions, its curves, and its cuts. To see that history has an arc, just as the totem pole rises, but to realize that it is also in the details along the way that important meanings are to be found. To recognize that the story of the past is always there to be retold and recast, and must be conveyed to generations to come. That in the act of re-telling, meaning is found, and strength is built.

When it comes to telling the history of Canada, and in particular the history of the relationship between Indigenous and non-Indigenous peoples, we need to accept that the way in which our history has traditionally been told has not been a common or shared enterprise. In many ways, it has been an exclusive and siloed one. Among the countless peoples and groups that make up this vast country, the voices and experiences of a few have too often dominated those of many others.

Reconciling History shares voices that have seldom been heard, and in this ground-breaking book they are telling and re-telling history from their perspectives. Born out of the oral history in True Reconciliation, and complemented throughout with stunning photography and art, Reconciling History takes this approach to telling our collective story to an entirely different level.

Additional Information
304 pages | 6.25" x 8.75" | Hardcover

Restoring Relations Through Stories introduces, synthesizes, and analyzes traditional stories by Diné and Dene storytellers in orature and film. The book conceptualizes narrative autonomy as hane’tonomy and visual storytelling from a Diné perspective, offering a map for re-storying that resists inauthentic and misappropriated stories. Watchman centres Indigenous narratives and examines how these narratives are tied to land and relations.

In the book’s final movement, the author explores the power of story to forge ancestral and kinship ties between the Diné and Dene, across time and space, through re-storying of relations.

Reviews
“Watchman shows how the old stories, maintained over centuries . . . tie together the Diné and Dene through ancestral and linguistic connections. The works that are surveyed herein reinforce the import of remembering, retelling, and revising the old stories so that they are germane today.” —Luci Tapahonso, inaugural Poet Laureat of the Navajo Nation

“Restoring Relations Through Stories shows how land-based storying among Diné and Dene peoples is strong and continues in the twenty-first century and beyond. It demonstrates how Indigenous peoples continue to remain connected to the land and sustain distinctive ways of life through their narratives, lands, and filmmaking.” —Lloyd L. Lee, author of Diné Identity in a Twenty-First Century World

“Renae Watchman’s Restoring Relations Through Stories introduces readers to the powerful force of ‘Hane’tonomy’ and the work of Diné creatives who refuse misappropriated and inauthentic views by advancing decisive versions of their world. Hane’tonomy provides us all with a new framework for understanding complex works such as Sydney Freeland’s Drunktown’s Finest, Blackhorse Lowe’s 5th World, or Hollywood’s deracinating obsession with the Navajo Nation and Shiprock as a backdrop. It moves toward a meaningful, though potentially daunting, provocation in forging new connections through restorying with ancestral kin of the Diné in present-day Canada.” —Jeff Berglund, co-editor of The Diné Reader: An Anthology of Navajo Literature

“An affirmation of our continued connections to the Mother Earth through prayers, songs, and stories. The connections to each other as Diné and Dene are remembered in Watchman’s stories of placemaking.” —Jennifer Nez Denetdale, professor and Chair of American Studies, University of New Mexico

Additional Information
356 pages | 5.00" x 8.00"| Paperback 

In 2019, a group of scholar-artists led by Jill Carter stood with their audience in a liminal space at the 'edge of the woods'—a space between now and then, a space between now and later. Together, they engaged in a survivance intervention: an Indigenous reclamation of territory, using Storyweaving practices rooted in personal connections to the land as a method of restor(y)ing treaty relationships.

Retreating to Re-Treat documents both their artistic offering and creation process, offered in the spirit of knowledge-sharing and enriching scholarship around collaborative practices. By revealing their unique and still-developing method for addressing a fraught and tangled (hi)story, the Collective Encounter invites readers to join them as we mediate those sites of profound experiences and renewal—sites in which the project of conciliation might truly begin.

Additional Information
144 pages | 5.37" x 8.38" | Paperback

Unless there is snow on the ground, never speak their name aloud.

The more they eat the hungrier they become, and they are starving.

They were meant to stay undisturbed, their dismembered limbs scattered, frozen under the permafrost, but as is always the way, the greed of industry has unburied them once more. Now, the most feared, the Wheetago, have returned, using their powers to call back the Na acho, cannibalistic giants once banished by Dene deities.

The revered hero known as the Child Finder who is fighting to cling to his humanity after a Wheetago attack, a mother and her young son, and a desperate band of convicts, form an uneasy alliance to survive the Wheetago horrors now awakened.

ROTH, from award-winning, bestselling Tlicho Dene author Richard Van Camp, and visionary illustrator Christopher Shy is the first graphic novel in the Wheetago War series.

Reviews
"A storyteller is what Richard Van Camp is—a storyteller par excellence. He tells us of family and traditions, of past and present spirits. Through Roth, he weaves his magic yet again, entwined with the richly atmospheric and terrestrial palette of Christopher Shy. With the Wheetago War series, kind-hearted and horrifically evil come together to hold you fully embraced, page after page."– Kent Williams artist & illustrator X-Men, Batman

"This spectacular, boundary-pushing book will change the way you look at graphic novels.Rooted in ancient and powerful narratives, this captivating saga will have you holding your breath until it releases you from its grip at the end, only to want more.”- Waubgeshig Rice, author Moon of the Turning Leaves

Educator & Series Information
Recommended for ages 15+.

This book is the first book in the Wheetago War series.

Additional Information
192 pages | 6.62" x 10.25" | Paperback