Salish

Animals & Their Babies was created by father and daughter Coast Salish artists Francis Horne and Simone Diamond. It is the first Indigenous board book that features baby animals and their parents. Through this board book, young children can learn the names of baby animals while being introduced to traditional, authentic Coast Salish Indigenous art at an early age.

Animals & Their Babies is Simone Diamond's first board book ever written.

Educator Information
Board book for young children.

"My daughter, Simone Diamond, was born into a world of creativity, blessed with a rich cultural background. From an early age she was passionate about learning Coast Salish Art. Our art is our recorded history, expressing stories, legends, and connections to ancestors and the natural world. Coast Salish artists become knowledge keepers and play an important role in the continuation of our art and culture. This book celebrates art, culture, the natural world and the love between parents and their children." - Francis Horne Sr.

"On a daily basis I witness the natural world around me. My observations translate into my art. Coast Salish art has allowed me to connect to my roots. My art is a form of expression that was waiting to manifest and chose to do that through my hands and vision. I am grateful that I get to share this gift with the world and hope that it inspires others to authentically express their own creativity in whatever form or medium that may be. Parenthood has allowed me to slow down in this fast-paced life to nurture my daughter's curiosities of the world around her" - Simone Diamond

Additional Information
18 Pages | 6.5" x 6.5" | Boardbook 

Busy beavers have a family reunion in this story that celebrates Indigenous perspectives.

It’s a special day for Amik the beaver and her little sister, Nishiime. Their cousins are coming to visit! Amik is excited, but Nishiime feels nervous about meeting new people, and when the cousins finally arrive, Nishiime disappears.

Lively, immersive illustrations show Amik and her cousins as they search the woods for Nishiime. Each creature they encounter, introduced to readers using their Anishinaabe names, reveals how beavers help the forest community. A fish thanks them for digging canals in the mud that they swim through. A deer thanks the beavers for cutting down trees so they can reach the tastiest leaves. None of the creatures have seen Nishiime, but keen-eyed kids will have spotted her hiding in the background throughout the story.

Eventually, Nishiime returns to the group, having overcome her shyness by learning an important lesson: despite being from different places, the beavers are all united by the ways they support the forest ecosystem. With the perfect blend of fact and fun, this salute to the industrious beaver is also an energetic celebration of Indigenous perspectives, languages, and diversity.

Educator Information
Recommended for ages 3 to 7.

Includes some Anishinaabe words.  A glossary is found at the back of the book.

Each beaver in the story comes from a different Nation, and their names mean "beaver" in their own language.

Curriculum Connections
Language Arts: Reading
Science: Needs and Characteristics of Living Things; Habitats
Social Studies: Indigenous Peoples

Additional Information
32 pages | 10.50" x 9.00" | Hardcover

Apprenez ce que veut dire la phrase « Chaque enfant compte ». Phyllis Webstad, la fondatrice de la Journee du chandail orange, presente un apercu de ce mouvement sincere. Chaque enfant compte honore l'histoire et la resilience des peuples autochtones sur l'Ile de la Tortue et nous permet de tous cheminer vers la verite et la reconciliation. Si vous etes un survivant des pensionnats ou un survivant intergenerationnel, vous comptez. Pour les enfants qui ne sont pas revenus a la maison, vous comptez. L'enfant en chacun de nous compte. Chaque enfant compte.

Educator Information
Recommended for ages 6 to 10.

Find the accompanying Teacher Lesson Plan here: Chaque enfant compte plan de cours

This book is available in English: Every Child Matters

Additional Information
44 pages | 8.62" x 11.18" | Hardcover 

Learn the meaning behind the phrase, ‘Every Child Matters.'

Orange Shirt Day founder, Phyllis Webstad, offers insights into this heartfelt movement.

Every Child Matters honours the history and resiliency of Indigenous Peoples on Turtle Island and moves us all forward on a path toward Truth and Reconciliation.

If you're a Residential School Survivor or an Intergenerational Survivor - you matter. For the children who didn't make it home - you matter. The child inside every one of us matters. Every Child Matters.

Reviews
"Every Child Matters speaks to all Indigenous Peoples - past and present - whose lives have been impacted by the residential school system. Phyllis and Karlene beautifully honour the unity, strength and resolve shared by Survivors, their families and their communities. Residential schools took our children and tried to break their vibrant spirits. With this book, the children of today can learn the truths of this history and how they can play a part in making sure every child matters." – Stephanie Scott, Executive Director of the National Center for Truth and Reconciliation

“…a brilliantly illustrated and meticulously written narrative. It is a must read.” -  Chief Dr. Robert Joseph, Gwawaenuk, Elder, Reconciliation Canada

Educator Information
Recommended for ages 6 to 10.

Find the accompanying Teacher Lesson Plan resource HERE!

This book is available in French: Chaque enfant compte

Additional Information
44 pages | 8.50" x 11.00" | Hardcover 

This Indigenous Art Colouring Book features Holiday designs to colour from Coast Salish artist Angela Kimble.

Included are 28 colouring pages based on original pieces of artwork created by the artist, as well as information on the artist's cultural background and the artist's biography. The artist is paid royalties for the sale of this product.

Additional Information
8.5" x 11" | 28 Colouring Pages | Made in Canada

In this sequel to Maggie Lou, Firefox, the irrepressible Maggie Lou acquires a new cousin, and a horse - both of whom have minds of their own.

When Uncle Bobby gets married, Maggie Lou suddenly finds herself with a new cousin, Rosie. Rosie is the same age as Maggie. She also has a fabulous head of curls, although hers are red. And Rosie knows everything about horses and riding - something Maggie Lou has longed to do.

A rivalry sparks between the girls from the start at Uncle Bobby and Aunt Bonnie's wedding, which features an all-you-can-eat dessert table, as well as lots of energetic dancing. On Rosie's horse farm, Maggie experiences her share of humiliations as she learns how to ride on a pony so short that her feet can touch the ground.

Eventually the cousins become allies and wreak some hair-raising mischief, including a secret midnight horseback ride. And in the end they are joined by friends and family to train, hilariously, for the famous Otipîm'sowak Race - a Métis voyageur relay - carrying on a family tradition.

Throughout it all, Maggie remains stubborn and enthusiastic, as she navigates the new challenges of defeat, rivalry and family change.

Reviews
"A high-energy love letter to rambunctious girls, big families, and Métis culture." — Kirkus Reviews, June 2025

"Full of hilarious high jinks yet bursting with heart ... This book shines with realistic sibling relationships, funny dialogue, strong intergenerational bonds, and a steadfast connection to community and culture."— Booklist, July 2025

Educator & Series Information
Recommended for ages 9 to 12.

This book is the second book in the Maggie Lou series.

Key Text Features: chapters; character drawings; dialogue; glossary; illustrations. 

Additional Information
228 pages | 5.00" x 7.50" | b&w illustrations | Paperback

Maggie Lou's grandpa doesn't call her Firefox for nothing. She's always finding ways to make life more interesting - even if this means getting into big trouble.

"Keep taking up space," Maggie Lou's mother says. You're only making room for the girls behind you."

When her grandfather Moshôm finally agrees to teach her how to box, she decides that the rank odors, endless drills and teasing won't stop her from wearing a tutu to the gym. Joining her father's construction crew uncovers a surprising talent - besides learning how to use a broom - and a great source of scrap wood to build a canine hotel for her dogs. And when she turns thirteen, she figures out an ingenious way to make some smokin' good camouflage to wear on her first deer hunt, where she joins a long family tradition.

Through it all she is surrounded by her big extended gumbo soup of a family, pestered by annoying younger siblings, and gently guided by her strong female relatives - her mother, her kokhom and her ultra-cool cousin Jayda. "Keep taking up space," Maggie's mother says. "You're only making room for the girls behind you."

A heroine for today, Maggie Lou discovers that with hard work and perseverance she can gain valuable new skills, without losing one iota of her irrepressible spirit.

Reviews
"Métis author Bowes weaves cultural elements, including Northern Michif words, into this charming story that skillfully captures sweetly hilarious and loving everyday moments. Black-and-white illustrations enhance the text. An amusing story showcasing Métis humor at its finest." - Kirkus, STARRED REVEIW

Educator & Series Information
Recommended for ages 9 to 12.

This is the first book in the Maggie Lou series.

Key Text Features: author's note, biographical note, glossary, chapters, dialogue, epigraph, illustrations.

Includes some Northern Michif words and a glossary.

Additional Information
220 pages | 5.00" x 7.50" | b&w illustrations | Paperback

Orange Shirt Day, observed annually on September 30th, is also known as the National Day for Truth and Reconciliation. It is an official day to honour Residential School Survivors and their families, and to remember the children who did not come home. What was initially envisioned as a way to keep the conversations going about all aspects of Residential Schools in Williams Lake and the Cariboo Region of British Columbia, Canada, has now expanded into a movement across Turtle Island and beyond. Orange Shirt Day: September 30th aims to create champions who will walk a path of reconciliation and promote the message that 'Every Child Matters'. This award-winning book explores a number of important topics including the historical, generational, and continual impacts of Residential Schools on Indigenous Peoples, the journey of the Orange Shirt Day movement, and how you can effectively participate in the National Day for Truth and Reconciliation. With end of chapter reflection questions and a series of student art submissions, readers are guided to explore how they, and others, view and participate in Residential School reconciliation.

Awards

• 2021 First Nation Communities Read 2021 Winner 

Educator Information
Recommended Ages: 10+

Orange Shirt Day was inspired by the story of a survivor named Phyllis Webstad. When Phyllis was 6 years old she went to residential school for the first time wearing a brand new shiny orange shirt. When she arrived at the school her shirt was taken away and never to be seen again. To Phyllis the colour orange was a symbol that she did not matter. Today she has learned to accept the colour and even have fun with it and now the orange shirt has become a symbol of hope and reconciliation. By wearing an orange shirt on Orange Shirt Day, you make a powerful statement that residential schools were wrong and commit to the concept that EVERY CHILD MATTERS.

The Orange Shirt Society is a non-profit organization with its home in Williams Lake, BC where Orange Shirt Day began in 2013. The society has both Indigenous and non-Indigenous board members, and one of the editors of this book, Phyllis Webstad, is Indigenous.  Therefore, the Authentic Indigenous Text label has been applied. It is up to readers to determine if this book is authentic for their purposes.

This is the Revised 2023, 2nd Edition

Additional Information
156 pages | 8.23" x 11.06" | Revised, 2nd Edition

You don't need to have all the answers to be a helper.

Indigenous artist and storyteller Andrea Fritz tells a tale of a salmon and a sea otter who learn it's ok to say "I don't know" and to ask for help.

Thuqi’ the sockeye salmon knows it’s time to spawn, but she is lost in the Salish Sea and doesn't know the way to Sta'lo’, the river. When she asks Tumus the sea otter for help, he doesn’t exactly know either, and he dismisses her questions. But when Tumus becomes lost in some weeds, Thuqi’ shows him that it’s okay not to know something—you can still find a way to help a friend in need.

In this original story set in Coast Salish Traditional Territory, author and artist Andrea Fritz uses Indigenous storytelling techniques and art to share the culture and language of the Hul’q’umi’num’-speaking Peoples.

Educator & Series Information
Recommended for ages 6 to 8.

This book is part of the Coast Salish Tales series.

Themes/Subjects: Nature and Animals; Fish and Marine Life; Courage, Bravery, Hope

Additional Information
32 pages | 8.75" x 10.75" | Hardcover

Drumming, singing, and dancing are all part of being at a Powwow. Perry and his family travel all over North America to participate in these family and community gatherings. Join Perry’s two boys as they share their treasured memories of being at Powwows with their family and learning how to dance.

Reviews
“Lavishly illustrated with photographs, vivid sketches, and ledger art, Powwow Dancing With Family provides a detailed description of each stage of the Powwow, historical and contemporary aspects of the Powwow, and pays homage to Indigenous culture and customs. This informative resource will support studies of Indigenous culture, history, traditions, community, art, and family lifestyle.” – ERAC Review, May 2019

Educator Information
Includes three pages of educational material on Powwows with information found under these headings:

• What is a Powwow?
• Powwow Regalia
• Powwow Dances

About Perry Smith's Ledger Art:
Ledger Art is an art form that was developed in the mid 1800s to early 1900s by the Plains First Nations during a time when reserves were being established across North America. The ledger books were acquired in trade, war, or raids. New art supplies were also introduced: coloured pencils, crayons, and occasionally water paints. The new supplies were favoured by artists over the traditional bone and stick brushes. Many of the artworks within these ledger books display a traditional way of life, before assimilation. Today these artworks are greatly valued for the historical perspective that they offer.

Additional Information
32 pages | 8" x 8" | ISBN: 9781771746281 | Paperback

This inspiring introduction to activism and social justice for young teens shows the important role music plays in changing the world, featuring:

- Musicians young teens will know and love: Beyoncé, Billie Eilish, Lizzo, Lady Gaga, Lil Nas X, and more!

- Iconic artists from past generations: readers will learn about the extraordinary impact of artists such as Nina Simone, Buffy Sainte-Marie, Neil Young, John Lennon, Bob Dylan, Tracy Chapman, and more.

- Playlists for each social justice issue: Each chapter includes a playlist with recommended songs about an area of activism, from classic tracks to contemporary hits.

In Rise Up and Sing!, Andrea Warner explores how music has contributed to the fight for social justice. Across eight areas of activism—the climate emergency, Indigenous rights, civil rights, disability rights, 2SLGBTQIA+ rights, gender equality, the peace/anti-war movement, and human rights—Warner introduces some of the artists, past and present, who have made a difference both on stage and off.

Through ground-breaking artists and iconic moments, Rise Up and Sing! shows us that a song is never just a song, and that music really does have the power to change the world.

Educator Information
Recommended for ages 12 to 17.

Includes some Indigenous content.

Curriculum Connections: Activism, Social Justice, Music 

Additional Information
200 pages | 7.00" x 9.00" | Hardcover

Missing jewelry, a false accusation, and a real thief. Shamus the Urban Rez Dog, P.I. is on the case.

The name’s Shamus. I’m a special kind of dog known as a Rez Dog. That means I’m a mix of different breeds and I come from a reserve. I live in the city with Mom and the twins, Rainey and Cole. We are one of many Indigenous families on our block.

Life is great — until Mom is falsely accused of stealing from the jewelry store she’s worked at for years. When the kids and I set out to catch the real thief, we discover some surprising and, if I do say so myself, hilarious clues — including a false wall, a lucky bowling ball, and a vicious poodle named Hepzibah!

Reviews
“I'm a sucker for a four legged P.I. Shamus the Urban Rez Dog, P.I. by Leslie Gentile is my new favorite flea attracting clue-chaser … I love this book, it was so adorable.” — Angela Misri, CBC’s The Next Chapter, June 2023

“The view from the doghouse isn’t half bad, and Shamus the Urban Rez Dog should know. As a pup, he’s got lots to learn about becoming that ‘well-behaved dog,’ but as a P.I., this dog can sniff out a clue like no-puppy else (as long as he avoids those Thai leftovers).” — Angela Misri, author of Tails from the Apocalypse and the Portia Adams Adventure Series

Educator Information
Recommended for ages 9 to 12.

Additional Information
216 pages | 5.37" x 8.00" | Paperback

A story for children by Kwantlen storyteller and award-winning poet Joseph Dandurand.

The Girl Who Loved the Birds is the third in a series of Kwantlen legends by award-winning author Joseph Dandurand, following The Sasquatch, the Fire and the Cedar Baskets and A Magical Sturgeon.

Accompanied by beautiful watercolour illustrations by Kwantlen artist Elinor Atkins, this tender children’s story follows a young Kwantlen girl who shares her life with the birds of the island she calls home. Collecting piles of sticks and moss for the builders of nests, sharing meals with the eagles and owls, the girl forms a lifelong bond with her feathered friends, and soon they begin to return her kindness.

Written with Dandurand’s familiar simplicity and grace, The Girl Who Loved the Birds is a striking story of kinship and connection.

Educator & Series Information
Recommended for ages 6 to 8.

The Girl Who Loved the Birds is the third in a series of Kwantlen legends, the Kwantlen Stories Then and Now series, by award-winning author Joseph Dandurand, following The Sasquatch, the Fire and the Cedar Baskets and A Magical Sturgeon.

Additional Information
24 pages | 7.00" x 8.50" | Paperback

On the banks of the Gwa’yi River, a young Dzawada̱ʼenux̱w princess grows up to be a curious student, an influential leader, and a mother. She is a humble person and doesn’t speak of her royalty to her children, but when they learn she is a princess at a traditional celebration, they are in disbelief. She doesn’t wear fancy clothes or attend balls or do anything the children think princesses should do. Using a strategy they had read about in an old tale to put their mother’s royalty to the test, the children discover the truth. But more importantly, they also learn what it really means to be a princess.

Written as a tribute to the author’s grandmother, this beautifully illustrated story reimagines a fairy tale in a contemporary Indigenous setting.

Awards

• First Place: 2025 Sunshine Coast Writers and Editors Society Book Awards for BC Authors
• Longlisted: 2024-2025 First Nation Communities READ Award

Reviews
“Loved the role modelling of the princess as one who represents adventure, cultural knowledge, and caring for others while finding achievement. The story promotes respect, admiration, humility, kindness, and honouring of a strong, successful female. The imaginative story is a fun challenge to princess stereotypes and classic related fairytales. The nonfiction content provides an enriching and personalized bonus that deepens the impact of the words and provides local significance.…. The illustrations are excellent, offering accurate and attractive cultural designs, clothing, headwear, and jewellery.” – The 2025 Sunshine Coast Writers and Editors Society judges’ panel

"A contemporary Indigenous spin on The Princess and the Pea, the picture book is suitable as a part of a fairy tale unit and a read-aloud to spark discussions about personal qualities and attributes, expectations, stereotypes, curiosity, the importance of helping others, and honouring traditions." – Focused Education Resources

Educator Information
Recommended for ages 4 to 8.

Backmatter provides details about Ukwanalis, including a map, as well as information about the inspiration behind the story, Dr. Evelyn Voyageur.

Curriculum Connections 

• Early Literacy – listening, reading, and discussing 
• Art – traditional Indigenous art practices, including jewellery and regalia 
• Social Studies – career education, family history, connection to community, geography, and local First Peoples communities 
• Language Arts – contemporary First Peoples stories and revisioning classic fairy tales 
• Social Responsibility – leadership, humility, caring for others, and honouring traditions 

Additional Information
24 Pages | 8.5” x 11” | Hardcover | 9781771746038

The true story of how Indigenous girls at a Canadian residential school sewed secret pockets into their dresses to hide food and survive

Mary was four years old when she was first taken away to the Lejac Indian Residential School. It was far away from her home and family. Always hungry and cold, there was little comfort for young Mary. Speaking Dakelh was forbidden and the nuns and priest were always watching, ready to punish. Mary and the other girls had a genius idea: drawing on the knowledge from their mothers, aunts and grandmothers who were all master sewers, the girls would sew hidden pockets in their clothes to hide food. They secretly gathered materials and sewed at nighttime, then used their pockets to hide apples, carrots and pieces of bread to share with the younger girls.

Based on the author's mother's experience at residential school, The Secret Pocket is a story of survival and resilience in the face of genocide and cruelty. But it's also a celebration of quiet resistance to the injustice of residential schools and how the sewing skills passed down through generations of Indigenous women gave these girls a future, stitch by stitch.

Awards

• 2023 Sunshine Coast Writers and Editors Society (SCWES) Book Awards for BC Authors joint winner
• 2024 Forest of Reading Silver Birch Express Award

Reviews
“In bringing her mother’s story to the world, Peggy Janicki has ignited a powerful fire for intergenerational healing. A vivid illustration of how Traditional Knowledge helped the children at residential schools be heroes for themselves and each other. Not only has Janicki meticulously documented everyday life as experienced by the students of the Lejac residential school but she has also highlighted their ingenious and courageous efforts to survive. Strengths-based, age-appropriate and vividly engaging.”— Christy Jordan-Fenton, award-winning author of Fatty Legs

“Beautifully illustrated and powerfully narrated, The Secret Pocket amplifies the voices and experiences of Indian Residential School Survivors. In doing so, Peggy Janicki and Carrielynn Victor make an important contribution to the work of putting truth before reconciliation.”— Sean Carleton, historian and author of Lessons in Legitimacy: Colonialism, Capitalism, and the Rise of State Schooling in British Columbia

“In this important story of courage and resistance, educator Peggy Janicki shares the story of her mother and other Survivors who sewed secret pockets into their dresses to hide food to feed themselves and others at Lejac residential school. We need to continue to hear these stories and share them with our children so we can move forward in our collective healing.”— Dr. Sara Florence Davidson, co-author of Potlach as Pedagogy: Learning Through Ceremony

“It is through stories that knowledge, understanding, empathy and the tools for deep and lasting change are passed on. Peggy Janicki has carried her mother’s story for us to hold in our hearts. This truth-telling and history-sharing will touch readers of all ages as they allow themselves to feel the weight of this powerful book.”— Amber Price, MGC, owner of The Book Man

Educator Information
Recommended for ages 6 to 8.

This book is available in French: La poche secrète.

Additional Information
32 pages | 8.75" x 10.75" | Hardcover