Books

An unflinching examination of the impacts of settler colonialism from first contact to the contemporary nation state.

On Settler Colonialism in Canada: Lands and Peoples is the first installment in a comprehensive collection investigating settler colonialism as a state mandate, a structuring logic of institutions, and an alibi for violence and death. The book examines how settler identities are fashioned in opposition to nature and how eras of settler colonialism have come to be defined. Scholars and thinkers explore how settlers understood themselves as servants of empire, how settler identities came to be predicated on racialization and white supremacy, and more recently, how they have been constructed in relation to multiculturalism.

Featuring perspectives from Indigenous, Black, mixed-race, and other racialized, queer, and white European-descended thinkers from across a range of disciplines, On Settler Colonialism in Canada: Lands and Peoples addresses the fundamental truths of this country. Essays engage contemporary questions on the legacy of displacement that settler colonialism has wrought for Indigenous people and racialized settlers caught up in the global implications of empire.

Asserting that reconciliation is a shared endeavor, the collection’s final section exposes the myth at the heart of Canada’s constitutional legitimacy and describes the importance of affirming Indigenous rights, protecting Indigenous people (especially women) from systemic violence, and holding the Canadian settler nation state—which has benefited from the creation and maintenance of genocidal institutions for generations—accountable.

Reviews
“Remarkable...likely to become a landmark reference work for scholars and interested individuals alike.” — Lorenzo Veracini, author of Colonialism: A Global History

“Positive shared futures with all our relations depend on perpetual truth-telling and (re)conciliation. This book guides us through the dark and toward the light.”— David Garneau, author of Dark Chapters

"A thought-provoking and insightful ‘must read’ for all those seeking reconciliation based on truth, justice, and accountability.” — Paulette Regan, author of Unsettling the Settler Within and former research director for the Truth and Reconciliation Commission of Canada

"The truth will set you free, but first it will piss you off! That observation best describes the power of this fabulous book that every Canadian should read.”— Val Napoleon, Professor and Law Foundation Chair of Indigenous Justice and Governance, University of Victoria

Educator & Series Information
This book is part of the On Settler Colonialism in Canada series.

Table of Contents
Acknowledgements 
Contributor Biographies

David B MacDonald and Emily Grafton, “Introduction: Critical Engagements with Canadian Settler Colonialism: Colonization, Land Theft, Gender Violence, Imperialism, and Genocide” 

Section 1: Considering Violence and Genocide in the Canadian Settler State

Karine Duhamel, “I feel like my spirit knows violence: interrogating the language of temporality and crisis for missing and murdered Indigenous women, girls, and LGBTQ people.”

James Daschuck, “The Battleford hangings and the rise of the settler colonial state.”

David B MacDonald, “Match and Exceed: Why Recognizing Genocide in Canada is Only the First Step in Promoting Indigenous Self-Determination.”

Malissa Bryan, “Unsettled Arrivants: Imagining Black & Indigenous Solidarity Under Settler Colonialism.”

Angie Wong, “Labouring and Living in Canada: Early Chinese Arrivants and Making Settler Colonial Canada.” 

Section 2: Logics of Empire, Colonialism, and Unsettlement

Liam Midzain-Gobin, “Imperial circulation, implicatedness and co-conspiracy, racialized interruptions of settler colonialism in Canada.”

Peter Kulchyski, “A Contribution to Periodizing Settler Colonial History in Canada”

Ajay Parasram, “Learning Settler Colonialism: Double Diaspora and Transnational Imperial Refraction.”

Andrew Woolford, “Settler natures: becoming settler against water.” 

Section 3: Settler colonial society: Relating, Reckoning, and Unreconciliation

Chris Lindgren and Michelle Stewart, “Reckoning and Unreconciled: Neil Stonechild, Starlight Tours, and Racialized Policing in the Settler State.”

Fazeela Jiwa, “On shitheads and revolutionaries: claiming my displaced kin.”

Jerome Melancon, “Relying upon the Colonial Project: Francophone Communities in Minority Settings within the Bilingual Settler Colonial State.”

Desmond McAllister, “Straddling Different Worlds.”

Bernie Farber and Len Rudner, “B’Chol Dor v’Dor: In each and Every Generation.” 

Section 4: Asserting Indigenous Knowledges in settler colonial Canada

Solomon Ratt (poetry) “stolen childhood” and “asastîwa – They pile up”

Joyce Green, “Being and Knowing Home.”

Rebecca Major, “Surviving Institutions in Canada’s Polite Society.”

Paul Simard Smith, “On the Illegitimacy of the Canadian Constitutional Order.”

Emily Grafton, “Resistance and Resurgence: Asserting Indigenous Peoples’ Rights in Settler Colonial Canada.” 

“Afterword,” Jeremy Patzer

Additional Information
384 pages | 6.02" x 9.01" | Paperback

A brilliant exploration of the body as a site of settler colonial impact, centring embodied wholeness as a pathway to our collective liberation.

This fierce and enlightening book reimagines the way we understand settler colonialism-through the body itself. Anishinaabeg visual artist Quill Christie-Peters takes us on a journey that begins before birth, in a realm where ancestors and spirits swirl like smoke in the great beyond. But once we enter the world, our bodies are shaped and scarred by colonial forces.

In poetic and raw storytelling, Quill shares her own experiences of gendered violence and her father's survival of residential school, revealing how colonialism disconnects us from ourselves. Yet, through an Anishinaabeg lens, the body is more than just flesh-it extends to ancestors, homelands, spirit relations, and animal kin.

Through reflections on childbirth, parenting, creative practice, and expansive responsibility as pathways to wholeness, Quill explores how reconnecting with the body can be an act of resistance and healing. She shows that wholeness-despite pain and displacement-is not just possible but essential for liberation, not only for Indigenous people but for all of us.

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288 pages | 5.50" x 8.50" | Paperback 

Secwépemc elder, matriarch and knowledge-keeper Cecilia DeRose presents her powerful, heartfelt and inspiring memoir of overcoming racism and adversity—One Arrow Left is a celebration of Secwépemc culture, language and the importance of passing on this knowledge to future generations.

Born in 1935 in the village of Esket, Cecilia DeRose was welcomed into a loving, supportive Secwepemc family. Growing up in an isolated meadow, Cecilia was the fourth of ten children, spending much of her early years caring for younger siblings. Ranch life was in their blood; Cecilia’s mother, Amelia Joe, was the progeny of a white ranch hand, Joe Smith, and her Secwepemc mother, Martha Williams; her father, Matthew Dick, was well-known in the Williams Lake rodeo circuit and played for the famous Alkali Braves hockey team. Navigating the complexities of being a mixed-race family, both within and outside of the Secwepemc community, would be a lifelong source of tension, which Cecilia handles with grace, tenacity and humour.

Like their parents before them, Cecilia and her siblings were sent to St. Joseph’s Mission residential school near Williams Lake. At seven years old she eagerly awaited her turn to join her older sister and brother at the mission, where she could escape the drudgery of washing diapers and caring for her younger siblings at home. Nothing could have prepared her for the cruelty of institutionalized life. Dreams of an education that might lead to a career as a teacher, lawyer, or journalist were dashed. Residential school was hell, and Cecilia was left with the scars to prove it.

In 1956, Cecilia married non-Indigenous ranch hand Lenny DeRose and lost her Indigenous status. Nevertheless, on the insistence of her father Matthew Dick, Cecilia remained true to her Secwepemc roots and traditions. She eventually regained her status and became an ambassador of Secwepemc language and cultural practices. As she raised her own six children, she took great care to bestow in them the cultural teachings of the Secwepemc identity. She eventually taught the Secwepemcstin language in the public-school system, fulfilling her dream of teaching and reinforcing her belief that “we have one arrow left in our quiver and that’s education—we must use it wisely.”

Today, Cecilia is recognized nationally as an Indigenous knowledge keeper. She has provided cross-cultural training for hospitals, courts, and law enforcement institutions, and shared her knowledge on projects ranging from ethnobotany research to culturally safe elder care. In 2018, she received the Indspire Award for Culture, Heritage and Spirituality. In 2024, she was honoured by Thompson Rivers University with a Doctor of Letter, honoris causa, for her indispensable contributions to language revitalization.

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224 pages | 6.00" x 9.00" | Paperback 

Duncan Mercredi was Winnipeg's Poet Laureate in 2021. In this frank, raw, and honest collection the poet chases down the river of who he is. Each bend, each stone, every waterfall, a sharing of self. Then the writings can be rolled up and when the time comes, the time that he leaves the place he calls home, they will be placed on the sacred fire. To return to where they came from. You are invited to walk with the author during intimate reflection and pause to remember the people who have been a part of his life and journey, the ones who influenced him, both good and bad. The paths taken, the roads travelled that led him to this city. As the wick burns the last of its wax we recognize its existence as the scent of smoke still remains long after the light goes out.

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160 pages | 5.00" x 7.50" | Paperback

Hoping to snag their perfect home in a red-hot housing market, an African Canadian man, a Chinese Canadian man, and a Jewish/Indigenous lesbian couple show up to an open house run by a white settler real estate agent. Each potential buyer feels most deserving of the prize. When a police incident outside traps them together in the house, debate erupts over which of their cultures has faced the most discrimination and exclusion. Passions run high and opinions clash. With wry humour, Open House deftly navigates current conversations about oppression, colonization, and middle-class aspirations.

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5.82" x 8.26" | Paperback 

This guide:

• Highlights 70-plus edible species including seaweeds, beach vegetables, shellfish, mushrooms, berries, trees, ferns, and wild and weedy greens
• Includes more than 60 recipes, plus tips for enjoying this natural abundance
• Includes key sections describe sustainable harvesting practices

Pacific Harvest, written by expert forager and guide Jennifer Hahn, introduces both novice and more experienced foragers to the Pacific Coast’s ample and diverse edible species. Recognizing your local edible berries, flowers, greens, roots, tree parts, mushrooms, seaweeds, beach vegetables, and shellfish is a passport to a comforting sense of place. Hahn shares immersive descriptions of her foraging adventures as well as full-color photos to make identifying these species easy and enjoyable. Each featured food listing includes common names, taxonomy, primary location, description, harvesting details, and culinary tips for transition from the wild to the kitchen table. Select listings call out notable nutrition and wellness benefits, along with contemporary research on conservation status.

This coastal foraging guide highlights authentic Indigenous harvesting practices including profiles of Indigenous leaders in the traditional foods movement. Hahn emphasizes a sustainable approach to foraging, reminding readers what other beings also depend on these plants and animals as food and shelter sources.

Pacific Harvest includes dozens of recipes featuring foraged foods, ranging from no-fuss delights like Salal Berry Scones and Kelp-Wrapped Salmon to comfort foods like Fiddlehead Quiche and Horse Clam Stir-Fry.

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360 pages | 6.00" x 8.50" | 175 Color Photos | Paperback 

 

A darkly humorous thriller about the ghosts that haunt the temples of excess we call casinos, and the people caught in their high-stakes, low-odds web

For decades, a dark force has terrorized the Languille Lake reservation. Spoken of only in whispers as “the sandman,” he lurks in the Hidden Atlantis Lake Resort and Casino, the reservation’s main attraction and source of revenue, leeching its patrons’ dreams and preventing the ghosts that linger there from moving on. Fleeing a breakup, Marion Lafournier, a midtwenties Ojibwe, seeks solace in the slot machine’s siren song. Here he falls afoul of the sandman, an encounter he barely escapes through the timely intervention of his cousins Alana and Cherie, who both work at the casino and are intimately aware of the sandman’s power. Meanwhile, Glenn Nielan, recently out of the closet and an aspiring documentarian, hopes to capture the faces of the Ojibwe land while experiencing the casino’s thrills. But he will learn that all who choose to play the sandman’s games are in danger of falling into his grasp.

Marion and Alana are members of the Bullhead clan, a family with ties to a sacred past and a fierce determination to ensure their future. Alana, with her sevenfire sight, is the only person to fully understand the danger the sandman poses. Aware of Marion’s occasional ability to navigate the spirit world, she enlists his aid in defeating this wraith. But the power and reach of the sandman go far beyond Alana’s worst fears. Soon she and Marion find themselves in a battle for their lives and for the souls of the reservation’s residents, both the living and the dead.

Reviews
"Ojibwe writer Dennis E. Staples' blend of suspense, comedy and thrills is perfect for fans of Reservation Dogs and Stephen Graham Jones." — Lizz Schumer, People

"The sense of timelessness and multiple points of view add to the novel's chaotic suspense, giving readers the impression they're trapped in an episode of Twin Peaks. This is a quick and unique read sure to appeal to thriller fans who also enjoy gothic horror." —Booklist

"Taking readers on a journey through the lavish Hidden Atlantis Casino, where no clocks hang on the walls, to the timeless realm of mysterious and death-dealing spirits, Dennis E. Staples delivers an otherworldly story that's haunting, darkly humorous, and chock full of fascinating Native lore." —Nick Medina, author of Indian Burial Ground

Additional Information
272 pages | 5.80" x 8.52" | Hardcover 

you are only here

to learn from those who came before

and make space

for those who come after

Procession: a line of people moving in the same direction; a formal ceremony or celebration, as in a wedding, a funeral, a religious parade. Bestseller and Governor General's Award-winner katherena vermette's third collection presents a series of poems reaching into what it means to be at once a descendant and a future ancestor, exploring the connections we have with one another and ourselves, amongst friends, and within families and Nations.

In frank, heartfelt poems that move through body sovereignty and ancestral dreams, and from '80s childhood nostalgia to welcoming one's own babies, vermette unreels the story of a child, a parent, and soon, an elder, living in a prairie place that has always existed, though looks much different to her now. This book is about being one small part of a large genealogy. A lineage is a line, and the procession, whether in celebration or in mourning, is ongoing. procession delves into what it means to make poems and to be an artist, to be born into a body, to carry it all, and, if you're very lucky, age.

be a good ancestor

be a good kid

Reviews
"The poems in procession are remarkable: spare but generous, both grounded and skillfully drawn. With her signature musicality, insight, and wit, vermette reminds us that we - like our bodies and the earth, like our histories and our shared, threatened future - are essentially, impossibly intertwined." -Chimwemwe Undi, Governor General's Award-winning author of Scientific Marvel?

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112 pages | 5.50" x 8.50" | Paperback

Mapping Métis history and cultural heritage through women's work.

Centring kinship and the strength of women, Putting Down Roots reframes Métis road allowance communities as sites of profound resistance and resilience, restoring Métis life in places, times, and scholarship where it has been obscured by settler narratives. These communities were not peripheral spaces where Métis lived as squatters, but places where families culturally thrived by visiting each other, telling stories, sharing food, and providing mutual aid. With stories of Métis li vyeu (Elders) as its foundation, this innovative study reveals the agency embedded in the everyday actions of women's work, which sustained Métis identity, family systems, and relationships to land.

Cheryl Troupe charts a century of Métis presence and persistence in the Qu'Appelle Valley, from the end of the buffalo hunt in the 1850s, through displacement following the northwest resistances, resettlement on fringe Crown lands, ongoing political activism and opposition to Canadian land-use practices, and finally the dissolution of the road allowance community along Katepwa Lake in the 1950s. Focusing on female kinship relationships and food production, Putting Down Roots illuminates the ways women created the stability necessary to adapt to the rapidly changing economic, social, and political conditions that defined this period of Canadian history.

Troupe's sophisticated use of oral histories, archival sources, genealogies, photographs, and deep mapping links people and their stories to the spaces that are important to them. Adding a new dimension to the study of Métis history, Putting Down Roots brings to life the tremendous cultural strength that characterized Métis road allowance communities.

Reviews
"Engaging and well-documented, Putting Down Roots details the economic production of Métis women and should serve to permanently dispel the trope that Métis men were the dominant breadwinners in their society. Compelling anecdotes provided through the collected oral histories clearly delineate the major role of Métis women in family and community formation."— Heather Devine

Educator Information
Table of Contents
List of Tables
List of Figures
Foreword
Acknowledgments
Introduction
Chapter 1. “Down there in the Valley”: Introducing Bob and Margaret
Chapter 2. Daughters of the Country: Women’s Labour in the Métis World
Chapter 3. Petitioning for Rights and Taking up Agriculture
Chapter 4. Asserting Sovereignty to Secure Land
Chapter 5. Securing Land Tenure: The North-West Half-Breed Scrip Commission and Homesteading
Chapter 6. “We Got Our House Built by Seneca Roots”: Life on the Road Allowance
Chapter 7. Going Hunting Rabbits: Women’s Labour in Feeding the Family
Chapter 8. Contesting Government Intervention into Harvesting Spaces
Chapter 9. “This is a Michif Road”: Métis Labour and Relief
Conclusion
Bibliography
Notes

Additional Information
408 pages | 6.00" x 9.00" | 29 b&w illustrations, 10 b&w tables, 14 maps, index, bibliography | Paperback

In nature, rewilding restores biodiversity and ecosystems. In this new collection from award-winning poet Shannon Webb-Campbell, it is a form of Indigenous resurgence and pleasure.

Drawing upon ecology, traditional knowledge, and sexuality, Re: Wild Her is a personal and poetic awakening. In these pages artistry and nature are intertwined, speaking to the sensual musings of lovers in Paris, driftwood and death cycles, and the rise of wild swimming and cold dipping. Throughout, reclaiming one’s divine femininity is celebrated as a powerful act of resistance and rejuvenation.

These “poem spells” each offer a different prism with which to rewild ourselves, answering the call: How does joy help us cope with the harsh realities and complexities of life? How does poetry help us move forward? Re: Wild Her is an invitation to catapult into the otherworldly, to dive with the muses, and to resubmerge ourselves in joy.

Reviews
“Shannon Webb-Campbell's nomad-like grazing on the treasures and pleasures of the world is sensuous, hungry, restless; the throat of this poet is wide open, expectant. In swallowing life and earth's marvels, she herself becomes them, and encourages the same of her reader.” —Shani Mootoo, author of Oh Witness Dey!

“These poems are wanderers, boldly straying across the globe (France, Cypress, Mexico, Cuba, California, Newfoundland) and in and out of the past, unafraid of 'strange creature sightings'—seeking them, in fact. They are poems hungry for magic and eager for transport, harkening to Elders and Buddhists, astrology and transatlantic flights, Two-Eyed Seeing and tarot. The transport sought isn’t the sort that offers escape from the world but one that pushes past the dominance of Enlightenment-style reason and opens a person up to mutuality and wonder.” —Sue Sinclair, author of Almost Beauty: New and Selected Poems

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112 pages | 6.00" x 8.00" | Paperback 

A bundle of letters to activists and organizers on the frontlines in catastrophic times from Let This Radicalize You co-author Kelly Hayes.

In social movements, some heartbreaks are all but inevitable. Campaigns will be lost. Mental health crises will occur. Social ills, like gender-based violence, will manifest themselves in movement spaces. People will experience profound personal losses. Grief, alienation, and despair can grind us under. Sometimes, we need accompaniment. Sometimes, we need to be met where we’re at by a caring voice of experience. Read This When Things Fall Apart is a care package for activists and organizers building power under fascistic, demoralizing conditions. It’s an outstretched hand, offering history lessons, personal anecdotes, and practical advice about how to navigate the woes of justice work. A survival guide for the heart, this is a book for activists to keep close, and to share with co-strugglers in need.

Personal, reflective, and hopeful, Read This When Things Fall Apart harnesses the writers' individual moments of despair into living, breathing wisdom that chips away at the supposed inevitability of fascist life. Restorative like a letter from a trusted friend and invigorating like a story from a mentor, the book is an indispensable companion for all of us navigating challenging times. Featuring letters from Mariame Kaba, Ashon Crawley, Leanne Betasamosake Simpson, Leah Lakshmi Piepzna-Samarasinha, Eman Abdelhadi, Brian Merchant, and more.

Reviews
"This marvelous book is essential reading for the times we find ourselves in."—Chanda Prescod-Weinstein, author of The Disordered Cosmos: A Journey into Dark Matter, Spacetime, and Dreams Deferred

"What a gift! We all need these letters, not just in times of crisis or defeat. It is the only book you’ll hold that will hold you, free you, permit you to fail, rest, retreat, grieve, live, laugh, fight, and heal—to be human. This book must never go out of print." —Robin D. G. Kelley, author of Freedom Dreams: The Black Radical Imagination

"Read this When Things Fall Apart is a balm of these dark times. This is the book I wish I'd had as a young organizer. It is a necessary text that sent me through the full kaleidoscope of emotions—spanning rage, laughter, and sadness—but more importantly, helped ground me in times of crisis and unrelenting brutality." —Robyn Maynard, co-author of Rehearsals for Living

“If you need an antidote to despair, this book is for you. It’s a repository of fortifying collective wisdom, a tonic for our troubled times. The letters Kelly Hayes has collected offer vital insights amid the darkness, shrewd strategic advice for aspiring change-makers, and a reminder none of us are in the fight alone.” —Astra Taylor, co-author of Solidarity: The Past, Present, and Future of a World-Changing Idea

“For years I've had a saying: resist the pleasures of doom. It can feel perversely good to tell ourselves that the situation is so bad we simply can't do anything, to throw up our hands and give up. This book is an antidote to the pleasures of doom—it offers the deeper, more sustaining pleasure of solidarity, in beautiful specificity, from committed organizers in a variety of movements. They have felt despair, stared into the void of defeat, and they share concrete advice about the ways we can keep going when all feels hopeless. This book is a profound act of care.” —Sarah Jaffe, author of From the Ashes: Grief and Revolution in a World on Fire

“Read this When Things Fall Apart: Letters to Activists in Crisis is a signpost for activists who feel unsettled about themselves and the future. The contributors offer their truths and wisdom with raw vulnerability. Read this When Things Fall Apart is a resource for anyone who believes hope will guide us through the darkest of times.” —Alice Wong, editor of Disability Intimacy: Essays on Love, Care, and Desire

"These letters are like seeds in a pomegranate—gorgeous gems full of nourishment, nestled together, shaped by one another, juicy, sweet and alive. The intimacy and urgency of these wise messages, written by people who have given so much to our movements and seen so much, is just what we need right now, in harrowing times, to help new people cross the threshold to collective action and to bolster the spirits of all who continue to press on, against difficult odds. I cannot wait to give this book to my students and the people I've been working with for decades. We all need what is in here." —Dean Spade, author of Mutual Aid: Building Solidarity During This Crisis (and the Next)

“In this time of monsters burying us in grief and despair, this extraordinary collection is a steady hand with advice, analysis and affirmation. Each generous and generative letter centers our love for ourselves and our people as methodology. This book is a compelling reminder that we need each other as comrades and community, that we all have gifts to contribute to movements, and that—through uncertainty and one million experiments—we will win.” —Harsha Walia, author of Border and Rule: Global Migration, Capitalism, and the Rise of Racist Nationalism

Additional Information
172 pages | 5.50" x 8.50" | Paperback 

Join the dance of North American Indigenous interpretations of Christian Scripture

In Reading the Bible on Turtle Island, Indigenous scholars Chris Hoklotubbe and Danny Zacharias explore what it means to read the Bible from the lens of Indigenous peoples in North America. Exploring the intersection of Scripture, Cultural Traditions, Hearts and Minds, and Creation, they affirm Creator's presence with Indigenous people since the beginning. By recovering these rich histories, this book offers a fresh reading of Scripture that celebrates the assets, blessings, and insights of Indigenous interpretation.

Indigenous culture has often been dismissed or deemed problematic within Western Christian circles, and historical practices have often communicated that Indigenous worldviews have little to offer the church or its understanding of Scripture. Hoklotubbe and Zacharias challenge this perspective, reasserting the dignity of these cultures that were condemned through colonial practices and showing how Indigenous interpretations bring invaluable insights to all of God’s people.

In Reading the Bible on Turtle Island, Hoklotubbe and Zacharias

• Affirm the dignity and value of Indigenous cultures and their contributions to hermeneutics.
• Explore the intersection of the Bible with Indigenous traditions.
• Delve deeply into the stories of Scripture alongside the complex histories of Indigenous communities in North America.
• Celebrate the unique blessings and insights of Indigenous interpretation.
• Offer a fresh, transformative reading of the Bible that speaks to all of God’s people.

Reading the Bible on Turtle Island is a vital resource for scholars who are interested in the intersection of biblical studies and social location, who are seeking to explore Scripture through an Indigenous hermeneutic, or who desire to learn more about the contributions of Indigenous worldviews to Biblical interpretation. 

Reviews
"We have been waiting for a book like this—one that presents indigenous biblical interpretation. T. Christopher Hoklotubbe and Daniel Zacharias call their approach to biblical interpretation Turtle Island Hermeneutics. I call it groundbreaking, urgent, and necessary at this present moment. Now students studying the Bible in seminary or college will have a text that will help them do what few books on interpretation can do—take the dirt, the water, the air, our animal kin, and of course, indigenous thought and life seriously. We are now in a new day for biblical scholarship." — William James Jennings, Andrew W. Mellon Professor of Systematic Theology and Africana Studies at Yale University Divinity School

"Some years ago, I was told that Indigenous contributions to biblical scholarship would, at best, be superficial. The real work, after all, had already been done by European scholars. Reading the Bible on Turtle Island justifies my contention that this was not so. T. Christopher Hoklotubbe and Daniel Zacharias unpack Indigenous understandings of the biblical narrative for us in profoundly earthy and culturally complex ways. For the first time ever, many Indigenous people have read themselves into the biblical story and, together with the authors, have answered Lamin Sanneh's 2003 question, 'Whose religion is Christianity?' 'It's ours,' they have said!"— Terry LeBlanc, director emeritus and elder in residence of NAIITS: An Indigenous Learning Community

"Reading the Bible on Turtle Island introduces us to the riches of Indigenous interpretation of Scripture and invites us to gather around the council fire and learn from the ongoing discussion Indigenous disciples of Jesus are having about how to 'seek Creator in the Good Medicine Way of Jesus.' T. Christopher Hoklotubbe and H. Daniel Zacharias not only create a dialogue between biblical scholarship, Indigenous history and wisdom, and ongoing debates about how to relate the gospel to culture, they do so in a way that is simultaneously accessible, deeply moving, gracious enough to create room for disagreement and ongoing debate, and occasionally laugh-out-loud funny. Yet the book also offers a challenge, that the path to the healing of the nations and the Western church includes learning from Indigenous disciples who bear witness to the good word of Creator-made-flesh."— Michael J. Rhodes, author of Just Discipleship and lecturer in Old Testament at Carey Baptist College

"How we read ourselves into the Bible shapes the theology we develop. This book offers all Christians another reading, a reading that takes our stories seriously and provides an opportunity to develop an Indigenous theology rather than simply reconciling ourselves to a theology rooted in European priorities." — Patty Krawec, author of Becoming Kin: An Indigenous Call to Unforgetting the Past and Reimagining Our Future and Bad Indians Book Club: Reading at the Edge of a Thousand Worlds

Additional Information
240 pages | 6.00" x 9.00" | Paperback

For thousands of years, Inuit practiced the traditional art of tattooing. Created the ancient way, with bone needles and caribou sinew soaked in seal oil, sod, or soot, these tattoos were an important tradition for many Inuit women, symbols etched on their skin that connected them to their families and communities. But with the rise of missionaries and residential schools in the North, the tradition of tattooing was almost lost. In 2005, when Angela Hovak Johnston heard that the last Inuk woman tattooed in the old way had died, she set out to tattoo herself in tribute to this ancient custom and learn how to tattoo others. What was at first a personal quest became a project to bring the art of traditional tattooing back to Inuit women across Nunavut, starting with Johnston’s home community of Kugluktuk. Collected in this beautiful book are moving photos and stories from more than two dozen women who participated in Johnston’s project. Together, these women have united to bring to life an ancient tradition, reawakening their ancestors’ lines and sharing this knowledge with future generations.

Awards

• 2018 NorthWords Book Prize Winner 

Reviews
"This gorgeous photographic essay on the Inuit Tattoo Revitalization Project is a deeply personal and affirming work about learning and preserving traditions-and reclaiming what residential schools tried to destroy."-School Library Journal

Additional Information
72 pages | 10.00" x 10.00" | Paperback 

A celebration and in-depth exploration of Canada’s West Coast through an Indigenous and immigrant lens, Reconciling weaves together personal tales and tough histories for guiding steps toward true understanding.

A personal and historical story of identity, place, and belonging from a Musqueam-Chinese Elder caught between cultures.

It’s taken most of Larry Grant’s long life for his extraordinary heritage to be appreciated. He was born in a hop field outside Vancouver in 1936, the son of a Musqueam cultural leader and an immigrant from a village in Guangdong, China. In 1940, when the Indian agent discovered that their mother had married a non-status man, Larry and his two siblings were stripped of their status, suddenly labeled “bastard children.” With one stroke of the pen, they were no longer recognized as Indigenous.

In Reconciling, Larry tells the story of his life, including his thoughts on reconciliation and the path forward for First Nations and Canada. His life echoes the barely known story of Vancouver — and most cities in the Americas, from Cusco to Mexico City, from New York to Toronto. It combines Indigenous traditions with key events of the last two centuries, including Chinese immigration and the Head Tax, the ravages of residential schools, and now Indigenous revival and the accompanying change in worldview. Each chapter takes the form of a series of conversations between Larry and writer Scott Steedman and is built around one pivotal geographical place and its themes, including the Musqueam reserve, Chinatown, the site of the Mission Residential School, the Vancouver docks, and the University of British Columbia.

When Larry talks about reconciliation, he uses the verb reconciling, an ongoing, unfinished process we’re all going through, Indigenous and settler, immigrant and Canadian-born. “I have been reconciling my whole life, with my inner self,” he explains. “To not belong was forced upon me by the colonial society that surrounded me. But reconciling with myself is part of all that.”

Reviews
“Musqueam Elder Larry Grant’s intimate eyewitness accounts of huge changes in the region’s landscape and its evolving relationship with his people are a must-read for people who want to join Canada’s journey towards reconciliation.” — Paul Yee, author of Saltwater City

“Conversing with the ideal listener, the inquisitive, sensitive journalist Scott Steedman, Larry Grant speaks unflinchingly of his dual heritages and how, for most of his life, he had to suppress one or another or both. Steedman presents Grant’s spoken prose with pristine clarity, and so governmental crimes and real-estate wrongs are laid bare, and unbearable is our outrage, but necessary is our courage to rectify and reconcile.” — George Elliott Clarke, author of Where Beauty Survived: An Africadian Memoir

“Larry Grant’s conversational memoir is a poignant and honest recollection of identity politics as well as a meditation on bearing witness and surviving ecological and cultural displacement. His wise words invite you to reflect on how all of us can better reconcile with the past, present, and future and how we can never escape the fact that everything in this world is connected.” — Donna Seto, author of Chinatown Vancouver: An Illustrated History

Additional Information
232 pages | 5.50" x 8.50" | 16 black and white halftones; bibliography; table of contents | Paperback

A powerful anthology uniting the voices of Indigenous women, Elders, grassroots community activists, artists, academics, and family members affected by the tragedy of Missing and Murdered Indigenous Women, Girls, and Two-Spirit people from across Turtle Island.

In 2010, Métis artist Jaime Black-Morsette created the REDress Project—an art installation consisting of placing red dresses in public spaces as a call for justice for Missing and Murdered Indigenous Women, Girls, and Two-Spirit people (MMIWG2S). Symbolizing both absence and presence, the red dresses ignite a reclamation of voice and place for MMIWG2S. Fifteen years later, the symbol of the empty red dress endures as families continue to call for action.

In this anthology, Jaime Black-Morsette shares her own intimate stories and memories of the REDress Project along with the voices of Indigenous women, Elders, grassroots community activists, artists, academics, and family members affected by this tragedy. Together they use the power of their collective voice to not only call for justice for MMIWG2S, but honour Indigenous women as keepers and protectors of land, culture, and community across Turtle Island.

Reviews
“REDress is a must-read for anyone who seeks to truly understand the hearts of those most impacted by MMIWG2S. For allies and interested citizens, this anthology shows how Canada emboldened and fostered a society to inflict genocide against Indigenous women, girls, and Two-Spirited and transgendered relatives.”—Sheila North, Former Grand Chief, Creator of hashtag #MMIW, Mother and Kookom

“REDress is a love offering to MMIWG2S and those who are intimately impacted by this epidemic.”—Cathy Mattes, curator, writer, and Associate Professor in History of Art at the University of Winnipeg

"This is a moving look at how women in indigenous communities are using art and activism to keep the the issue at the forefront, despite the lack of progress in solving or preventing the crimes.... A content warning signals that the book contains language concerning violence against women. I’d offer this to activist artists or anyone interested in justice for indigenous communities, in high school and up." - Youth Services Book Review - Stephanie Tournas, Retired librarian, Cambridge, MA 

Educator Information
Content Warning: This book's content deals with violence against Indigenous women, girls, and Two-Spirit people; genocide; death; intergenerational trauma; suicide; and residential schools. 

Big Ideas: Diverse and Inclusive Representation: Identity; Land-Based or Place-Based Learning; Social-Emotional Learning: Death, Grief, Bereavement; Social-Emotional Learning: Self Expression, Creative Writing, Art; Social Justice: Citizenship and Social Responsibility; Social Justice: Impacts of Colonization and Colonialism; Social Justice: MMIWG2S; Social Justice: Prejudice and Racism.

Edited by: Jaime Black-Morsette

Contributions by: KC Adams, Mackenzie Anderson Linklater, Marjorie Beaucage, Christi Belcourt, Judy Da Silva,  Karine Duhamel, Deantha Edmunds, Cambria Harris, Jaimie Isaac, Casey Koyczan, Crystal Lepscier, Lee-Ann Martin, Diane Maytwayashing, Cathy Merrick, Sherry Farrell Racette, Gladys Radek, Zoey Roy, Jennifer Lee Smith, and Patti Beardy.

Additional Information
168 pages | 7.00" x 10.00" | Paperback