Books

In the third book of her brilliant and captivating Trickster Trilogy, Eden Robinson delivers an explosive, surprising and satisfying resolution.

All Jared Martin had ever wanted was to be normal, which was already hard enough when he had to cope with Maggie, his hard-partying, gun-toting, literal witch of a mother, Indigenous teen life and his own addictions. When he wakes up naked, dangerously dehydrated and confused in the basement of his mom's old house in Kitimat, some of the people he loves--the ones who don't see the magic he attracts--just think he fell off the wagon after a tough year of sobriety. The truth for Jared is so much worse.

He finally knows for sure that he is the only one of his bio dad Wee'git's 535 children who is a Trickster too, a shapeshifter with a free pass to other dimensions. Sarah, his ex, is happy he's a magical being, but everyone else he loves is either pissed with him, or in mortal danger from the dark forces he's accidentally unleashed, or both. The scariest of those dark forces is his Aunt Georgina, a maniacal ogress hungry for his power, who has sent her posse of flesh-eating coy-wolves to track him down.

Even though his mother resents like hell that Jared has taken after his dad, she is also determined that no one is going to hurt her son. For Maggie it's simple--Kill or be killed, bucko. Soon Jared is at the centre of an all-out war--a horrifying place to be for the universe's sweetest Trickster, whose first instinct is not mischief and mind games but to make the world a kinder, safer, place.

Educator & Series Information
This is the third book in Eden Robinson's Trickster Trilogy. 

Additional Information
320 pages | 5.18" x 7.99" | Paperback

This book for students examines a child welfare policy in Canada that began in 1951 in which Indigenous children were taken from their homes and put into the care of non-Indigenous families. These children grew up without their birth families, cultural roots and language. Many tried to run away and some died in the attempt. The taking of the children became known as the Sixties Scoop. The term “Sixties Scoop” makes explicit reference to the 1960s, but the policies and practices started before the 1960s and lasted long after. Today, Indigenous children are over-represented in the Child Welfare System across Canada in shocking numbers.

Indigenous communities got organized and fought back for their children. In 1985, the Kimelman Report was released, condemning the practice of adopting Indigenous children into non-Indigenous families and for taking so many children out of their communities.

In the 1990s, lawsuits were filed against the governments who had supported taking the children. In 2018 and 2019, Alberta, Saskatchewan and Manitoba apologized for their roles in supporting the adoption programs. In 2020, the Canadian government agreed to a settlement for survivors of the Scoop.

Through hundreds of photos and primary documents, readers will meet many survivors of the Scoop. They’ll also learn how Indigenous communities fought back to save their children and won, and how Indigenous communities across Canada are working towards healing today.

Educator & Series Information
This book is part of the Righting Canada's Wrongs series.

Recommended for ages 13 to 18.

This book is available in French: La rafle des années 1960: et enfance volée aux jeunes Autochtones.

Additional Information
104 pages | 9.01" x 11.02" | 300 Photographs | Hardcover 

A powerful, often funny, always inspiring memoir from a beloved comedian, professional orator, actor, entertainer, gone all too soon.

Candy Palmater loved to connect with people. She lived for the stage, her effervescent presence on television and radio ignited and inspired audiences, touching them with her warm, often spicy humour as well as her positive message about love and kindness. And she always believed that it is never too late to pursue our dreams and that we should never allow others to negatively influence our life’s desires.

Candy described herself as a queer Mi’kmaw lawyer-turned-comic raised by bikers in rural New Brunswick and on the surface, she met with enormous success – on leaving government and the practice of law, she started a career as a stand-up comedian, which led to starring in five successful seasons of her own national TV show, hosting many radio shows and co-guest hosting CTV’s The Social, and landing a recurring role on a hot new sitcom in her fifties. But she is the first to tell you she made all kinds of mistakes and experienced all kinds of failure along the way. Running Down a Dream is Candy’s story, in her own words, of the highs, the lows, the moments of doubt, the turning points when she listened to her gut and tuned out all the people saying no. It’s also a tribute to her family and the love that always bolstered her, despite their own hard times. She shares her stories to inspire us to embrace our failures and to believe in ourselves. And most importantly, Running Down a Dream is a call to love ourselves for who we are.

The world lost Candy in late 2021, and yet she left us with this gift -- a memoir and a message that will inspire us for years to come.

Additional Information
304 pages | 6.00" x 9.00" | Hardcover

A beautiful and moving collection of poems and stories from the author of the #1 bestselling memoir From the Ashes.

Fans of Jesse Thistle’s extraordinary debut From the Ashes have already had the pleasure of reading his poetry, which is sprinkled throughout this bestselling memoir. In Scars and Stars, he digs deeper into the poetic form, which is especially close to his heart.

Charting his own history, the stories of people from his past, the burning intensity of new and unexpected love, the complex legacies of family and community, and the beauty of parenthood, this collection is a profound mediation that expands his engagement with the ideas and experiences that have shaped his body of work thus far.

Throughout the collection, prose pieces complement the poems, and to bring readers into Jesse’s life with greater intimacy than ever before. The result is an unforgettable furthering of his singular story, one that is sure to delight his many readers, but also serve as a perfect entry point for those new to the work of one of our most thrilling and honest writers.

Additional Information
184 pages | 5.00" x 7.50" | Hardcover

Scratching River braids the voices of mother, brother, sister, ancestor, and river to create a story about environmental, personal, and collective healing.

This memoir revolves around a search for home for the author’s older brother, who is both autistic and schizophrenic, and an unexpected emotional journey that led to acceptance, understanding and, ultimately, reconciliation. Michelle Porter brings together the oral history of a Métis ancestor, studies of river morphology, and news clippings about abuse her older brother endured at a rural Alberta group home to tell a tale about love, survival, and hope. This book is a voice in your ear, urging you to explore your own braided histories and relationships.

Reviews
"Michelle Porter’s Scratching River is a stunning and ruminative poetic work of creative non-fiction that moves across time, geography, Métis history, and kinship. Porter honours her Métis family and ancestors through past, present, and future poetics. The interwoven narratives wrap around Porter’s mother, Porter’s own story as a daughter and sister, and her relationship with her older brother, who was diagnosed as schizophrenic and autistic, and abused in a rural Alberta group home. Scratching River illustrates the powerful journey of reconciliation, as Porter’s family reconnects amongst their ongoing movement, and relocation to find their way back to the river they share." — "Shannon Webb-Campbell, author of Lunar Tides and I Am a Body of Land"

Additional Information
184 pages | 5.25" x 8.00" | Paperback

Serpent River Resurgence tells the story of how the Serpent River Anishinaabek confronted the persistent forces of settler colonialism and the effects of uranium mining at Elliot Lake, Ontario. Drawing on extensive archival sources, oral histories, and newspaper articles, Lianne C. Leddy examines the environmental and political power relationships that affected her homeland in the Cold War period.

Focusing on Indigenous-settler relations, the environmental and health consequences of the uranium industry, and the importance of traditional uses of land and what happens when they are compromised, Serpent River Resurgence explores how settler colonialism and Anishinaabe resistance remained potent forces in Indigenous communities throughout the second half of the twentieth century.

Reviews
"Lianne C. Leddy’s book Serpent River Resurgence is a welcome addition to the conversation on mining and development in and around the Elliot Lake area. This is a must-read for any person wanting to engage in reconciliation and to understand that First Nations people have been on the frontlines of resource development and have suffered the consequences. This is a timely message for all in the era of reconciliation, and a reminder that First Nations communities have not always been properly consulted or made aware of the consequences, and have been at the whim of the Federal government. We must be reminded of our past relationships, and how we got to this point, and we need to hear the truth. This book brings to light some of the truths; it is a welcome addition to the conversation on reconciliation."— Chief Brent (Nodini’inini) Bissaillion, Chief of the Serpent River First Nation

"For anyone seeking to understand twentieth-century colonialism in Canada, this book offers a compelling on-the-ground story of resource extraction in Anishinaabek homelands. Lianne C. Leddy has done a superb job of tying together uranium demands for American weapons of war, mining boomtown development, and the rich history and culture of the Serpent River people. It is an antidote to settler narratives of progress and a vision of resilient people, land, and future."— Kim Anderson, Canada Research Chair in Indigenous Relationships and Associate Professor of Family Relations and Applied Nutrition, University of Guelph

"Serpent River Resurgence is a powerful community-based history of resilience and reclamation. Filling a critical gap in Indigenous history, Lianne C. Leddy demonstrates the impact of the global dynamics of settler colonialism during the Cold War while centring an impressive story of Indigenous resurgence."— Allan Downey, Nak'azdli Whut’en First Nation and Associate Professor of History and Indigenous Studies, McMaster University

"Of bicultural parentage, Leddy situates herself within this story as a member of both sides – Anishinaabe and Canadian. As an Indigenous environmental historian, Leddy explicates the enduring structures of settler colonialism, demonstrating that they are still in force today. To identify those structures, she adroitly deploys the words of her elders, countering their historic exclusion by inserting storytelling into her analysis, while critically approaching and analyzing bureaucratic reports and newspaper articles. A welcome and timely piece of scholarship."— Alan Ojiig Corbiere, Bne Doodem, Canada Research Chair, Indigenous History of North America, York University

"A brilliant analysis of uranium mining in Ontario which centres the lived experiences of Indigenous communities, particularly the Serpent River First Nation. Leddy explores deep-rooted Anishinaabe connections to a particular place, situating these conflicts within global processes of Cold War colonialism. Leddy argues that stories have been the foundation of Indigenous resurgence, and the stories she tells are compelling indeed."— Nancy Langston, Distinguished Professor of Environmental History, Michigan Technological University

Educator Information
Subjects: History / History of Science & Technology; History / Indigenous History; Indigenous Studies / Indigenous History; History / Canadian History; Environmental Studies

Table of Contents

Introduction

1. The Serpent River Anishinaabek before 1950

2. Carving a “Jewel in the Wilderness”: The Establishment of Elliot Lake

3. “It took all the trees”: The Cutler Acid Plant and Its Toxic Legacy

4. “We weren’t supposed to use that water at all!”: Uranium Mining and the
Serpent River

5. “Oooh yes, we all went up to Elliot to protest”: Resilience and Resistance at
Serpent River First Nation

Conclusion

Notes

Bibliography

Additional Information
248 pages | 6.00" x 9.00" | Paperback

Serpents and Other Spiritual Beings is the second book in a series by renowned Ojibwe storyteller Bomgiizhik Isaac Murdoch, following on The Trail of Nenaboozhoo and Other Creation Stories (2019). Serpents and Other Spiritual Beings is a collection of traditional Ojibwe/Anishinaabe stories transliterated directly from Murdoch's oral storytelling. Part history, legend, and mythology, these are stories of tradition, magic and transformation, morality and object lessons, involving powerful spirit-beings in serpent form. The stories appear in both English and Anishinaabemowin, with translations by Patricia BigGeorge. Murdoch's traditional-style Ojibwe artwork provides beautiful illustrations throughout.

Reviews
"'When the Thunderbirds and Serpents fight, they feed off each other, you know great medicine gets cast across the land. We get our life from that.' So writes storyteller Isaac Murdoch as he shares his Elders' stories about tunnels beneath the earth, rich laws, philosophies, teachings, power from up there, down there, and all around us, until we too hear the thunders as they bring us into the world of wahkotowin, all our relations. How privileged and blessed we are to be able to read the Ahtyokaywina of our people."--Maria Campbell, author of Halfbreed

"Gather around, for here are oral stories transcribed so they retain the flavour of a narrative spoken aloud, and translated into Anishinaabemowin; perfect for language-learners. I love the way these stories infuse the spirit world into an every-day context, these are not dusty old legends, but a living way of seeing the world around us in the here and now."--Nathan Niigan Noodin Adler, author of Ghost Lake

Educator & Series Information
Dual-Language: English and Anishinaabemowin.

Anishinaabemowin translation by Patricia BigGeorge, who is an Anishinaabemowin speaker and translator.

This book is Vol. 2 in the Ojibwe History Series.

Additional Information
100 pages | 5.50" x 8.50" | 20 illustrations | Paperback 

Part memoir, part cultural history, these memories of seven aunts holding home and family together tell a crucial, often overlooked story of women of the twentieth century.

They were German and English, Anishinaabe and French, born in the north woods and Midwestern farm country. They moved again and again, and they fought for each other when men turned mean, when money ran out, when babies—and there were so many—added more trouble but even more love. These are the aunties: Faye, who lived in California, and Lila, who lived just down the street; Doreen, who took on the bullies taunting her “mixed-blood” brothers and sisters; Gloria, who raised six children (no thanks to all of her “stupid husbands”); Betty, who left a marriage of indenture to a misogynistic southerner to find love and acceptance with a Norwegian logger; and Carol and Diane, who broke the warped molds of their own upbringing.

From the fabric of these women’s lives, Staci Lola Drouillard stitches a colorful quilt, its brightly patterned pieces as different as her aunties, yet alike in their warmth and spirit and resilience, their persistence in speaking for their generation. Seven Aunts is an inspired patchwork of memoir and reminiscence, poetry, testimony, love letters, and family lore. 

In this multifaceted, unconventional portrait, Drouillard summons ways of life largely lost to history, even as the possibilities created by these women live on. Unfolding against a personal view of the settler invasion of the Midwest by men who farmed and logged, fished and hunted and mined, it reveals the true heart and soul of that history: the lives of the women who held together family, home, and community—women who defied expectations and overwhelming odds to make a place in the world for the next generation.

Reviews
"Seven Aunts is a celebration of the women in Staci Lola Drouillard’s family who struggled to escape a daunting legacy with unsung courage, humor, and unbreakable love for family. Far more than a family history, Seven Aunts is an honor song that reveals the everyday heroism of these women’s lives."—Diane Wilson, author of The Seed Keeper

"Seven Aunts gives us a unique and privileged insight to the intimate lives and history of a blended Indigenous and immigrant family in northern Minnesota. Staci Lola Drouillard has written with honesty and truth about ‘the treacherous beauty of life’ in a family rich in characters, in love and loss, all with great humor. Anaïs Nin wrote that reaching deep into the personal becomes universal. Seven Aunts is exactly that. It speaks to us of the universal love of family, the reality of historic social challenges, and the strength of the unbreakable bonds of knowing."—Hazel Belvo

Additional Information
320 pages | 5.50" x 8.50" | 7 b&w illustrations | Paperback 

In Shapeshifters, Délani Valin explores the cost of finding the perfect mask. Through a lens of urban Métis experience and neurodivergence, Valin takes on a series of personas as an act of empathy as resistance. Some personas are capitalist mascots like the Starbucks siren, Barbie and the Michelin Man, who confide the hopes and frustrations that lay hidden behind their relentless public enthusiasm. Others include psychiatric diagnoses like hypochondria, autism and depression, and unlikely archetypes such as a woman who becomes a land mass by ending the quest to shrink herself. In more confessional poems, the pressure to find relief from otherness often leads to magical thinking: portals, flight, telepathy and incantations all become metaphors for survival. Shapeshifters maps ways in which an individual can attempt to fit into a world that is inhospitable to them, and makes a case to shift the shape of that world.

Additional Information
112 pages | 5.50" x 8.00" | Paperback

A young Indigenous girl searching for a sense of home finds strength and courage in her gifts, her deepening connection to the land, and her own cultural awakening in this moving coming-of-age story.

The last thing that twelve-year old Misko wants to do is to move away from the city to spend time on the rez with her grandmother. And yet she feels strangely compelled to go, drawn by a pull that she feels in her dreams. Maybe she can finally find out what happened to her mother, who mysteriously disappeared when Misko was four years old.

Misko’s relationship to the rez shifts when she encounters a spirited horse named Mishtadim. But Mishtadim is being violently broken by the rancher next door and his son Thomas. Misko and Thomas clash at first, only to find themselves drawn together by the wild horse. As Misko slowly discovers her unique bond with Mishtadim, she feels a sense of belonging and comes to understand the beauty of the world all around her.

She Holds Up the Stars is a powerful story of reconciliation and the interwoven threads that tie us to family, to the land, and to our own sense of self.

Educator Information
Recommended for ages 10 to 14.

Additional Information
192 pages | 5.50" x 7.50" | Paperback

This blood-chilling debut set in New Mexico’s Navajo Nation is equal parts gripping crime thriller, supernatural horror, and poignant portrayal of coming of age on the reservation.

Rita Todacheene is a forensic photographer working for the Albuquerque police force. Her excellent photography skills have cracked many cases—she is almost supernaturally good at capturing details. In fact, Rita has been hiding a secret: she sees the ghosts of crime victims who point her toward the clues that other investigators overlook.

As a lone portal back to the living for traumatized spirits, Rita is terrorized by nagging ghosts who won’t let her sleep and who sabotage her personal life. Her taboo and psychologically harrowing ability was what drove her away from the Navajo reservation, where she was raised by her grandmother. It has isolated her from friends and gotten her in trouble with the law.

And now it might be what gets her killed.

When Rita is sent to photograph the scene of a supposed suicide on a highway overpass, the furious, discombobulated ghost of the victim—who insists she was murdered—latches onto Rita, forcing her on a quest for revenge against her killers, and Rita finds herself in the crosshairs of one of Albuquerque’s most dangerous cartels. Written in sparkling, gruesome prose, Shutter is an explosive debut from one of crime fiction's most powerful new voices.

Reviews
“Shutter is utterly unputdownable. It is a haunting thriller, written with exquisite suspense, and filled to the brim with beautiful writing, through the lens of cameras and memory—an ode to photography, written across the landscapes of the Navajo Nation and cityscapes of New Mexico, about what it means to witness and capture death, be captured by it, told unflinchingly by an author who knows what she is doing on every page. It is fun, and funny, and chilling. This is a story that won’t let you go long after you finish, and you won’t want it to end even as you can’t stop reading to find out how it does.”—Tommy Orange, author of There There

“Get ready for the next wave of Indigenous thrillers! Shutter is a soulful and mesmerizing exploration of the paranormal, set against the backdrop of New Mexico and the Navajo Nation. Written in tough, edgy prose, this book grabs you by the shoulders and refuses to let you leave. Ramona Emerson is a welcome new voice in Native literature.” —David Heska Wanbli Weiden, author of Winter Counts

“Beautiful, imaginative prose with a sharp edge. Shutter is a powerful and supernatural debut. I've never seen a better rendering of gifts and power. This work understands the spirit world and how it does not relent until we bear witness. Ramona Emerson is a badass, propulsive, exacting and true storyteller.”—Terese Mailhot, author of Heart Berries

“Emerson’s striking debut follows a Navajo police photographer almost literally to hell and back . . . A whodunit upstaged at every point by the unforgettably febrile intensity of the heroine’s first-person narrative.”—Kirkus Reviews

Educator & Series Information
This book is part of the A Rita Todacheene Novel series.

Additional Information
312 pages | 6.21" x 9.27" | Hardcover

Arctic ice is a daily consideration for people living above the Arctic circle. Ice is key to successful hunts, ease of travel, and the health of wildlife. This book features sweeping landscape photography of Arctic sea ice in all its forms, accompanied by anecdotes from community members across the North. From traditional stories of what lurks under the ice to harrowing tales of hunters on the ice and traditional knowledge about ice safety and conditions, this book presents the beauty, complexity, and unique challenges of living daily in an ever-evolving icy landscape.

Educator Information
Foreword by Sheila Watt-Cloutier

Additional Information
72 pages | 11.00" x 8.00" | Colour photographs | Hardcover 

From the 1960s through the 1980s the Canadian Children's Aid Society engaged in a large-scale program of removing First Nations children from their families and communities and adopting them out to non-Indigenous families. This systemic abduction of untold thousands of children came to be known as the Sixties Scoop. The lasting disruption from the loss of family and culture is only now starting to be spoken of publicly, as are stories of strength and survivance.

In Silence to Strength: Writings and Reflections on the 60s Scoop, editor Christine Miskonoodinkwe Smith gathers together contributions from twenty Sixties Scoop survivors from across the territories of Canada. This anthology includes poems, stories and personal essays from contributors such as Alice McKay, D.B. McLeod, David Montgomery, Doreen Parenteau, Tylor Pennock, Terry Swan, Lisa Wilder, and many more. Courageous writings and reflections that prove there is strength in telling a story, and power in ending the silence of the past.

Reviews
"This is an excellent collection and I recommend it to all who are interested in learning the truth about Indigenous Peoples by reading what they have written, not what has been written about them by non-Indigenous writers. The striking cover art is by George Littlechild, also a survivor of the Sixties Scoop." - MariJo Moore

Additional Information
140 pages | 5.50" x 8.50" | Paperback

Slow Scrape enacts a poetics of relation and action to counter the settler colonial violences of erasure, extraction, and dispossession. Drawing on documentary poetics, concrete-based installations, event scores, and other texts, the book cites memory, Cree and Alutiiq languages, and embodiment as modes of relational being and knowing. In the words of Layli Long Soldier, Slow Scrape presents “an expansive and undulating meditation on time, relations, origin, and colonization."

Includes an introduction by Layli Long Soldier as well as a dialogue between Lukin Linklater and editor for the first edition, Michael Nardone.

Additional Information
112 pages | 5.50" x 8.50" | Paperback

Drawing from studies with pre- and in-service teachers in Quebec, Smallest Circles First looks at how teacher agency engages with the educational calls to action from Canada’s Truth and Reconciliation Commission. Using drama education and theatre, Smallest Circles First explores how the classroom can be used as a liminal educational site to participate in reconciliatory praxis.

Smallest Circles First presents several arts-based educational research examples that illustrate how the arts provide a space for students, teachers, and communities to explore and learn about reconciliation praxis and responsibilities. By implementing arts-based counter-narratives set against settler Canadian history and geography, Smallest Circles First considers the implications of systemic racism, colonization, and political, social, and economic ramifications of governmental policies. Tangible examples from the book showcase how teachers and students can use the arts to learn specifically about their responsibilities in engaging with Canada’s Truth and Reconciliation Commission, in addition to how this work can still meet curricular learning outcomes.

Reviews
"A contribution to the fields of education and performing arts, Smallest Circles First is an excellent example of what can be done and what needs to be done in regards to building a shared future for all Canadians. Readers will feel empathic and identified with these narratives; not just the narratives of the author but also with the narratives of the participants in the research." — Maria del Carmen Rodriguez de France, Assistant Professor of Indigenous Education, University of Victoria

"The research and writing found in Smallest Circles First advances the calls to action in the TRC – in ways that allow space for exploration and in ways that do not insist that there is one ‘true’ way to do the work of reconciliation. This book is as much about hope as it is deep and instructive." — Michele Sorensen, Assistant Professor in the Faculty of Social Work, University of Regina

"Carter’s book provides insightful ways of engaging respectfully and meaningfully with Indigenous topics through drama-based approaches. She describes the work in a way that is thoughtful, ethical, and well grounded. The case studies in Smallest Circles First are diverse and dynamic, and they come together in ways that allow the reader to see the cohesive nature of the book." — George Belliveau, Professor and Head of Language and Literacy Education, University of British Columbia

"Smallest Circles First is a must for any artist or educator, providing research-based evidence of the role theatre can play in healing and reconciliation; her reframing of risk as the grounds for creative rupture is an important corrective to the risk-avoidant perspectives that dominate research and education." — Sheila Christie, Associate Professor of English and Drama, Cape Breton University

Educator Information
Table of Contents

Foreword by Tom Dearhouse

1.Starting with the Smallest Circles First
Teacher Agency, Canada’s Truth and Reconciliation Commission, and the Arts Curriculum
Language, Culture, and Religion in Quebec Education
Are the Arts the Answer?
Vignettes
About This Book

2. Walk a Mile in Someone Else’s Shoes: Situating Theories and Methods
Identity, Subjectivity, and Posthumanism
Arts-Based Educational Research (ABER)
Narrative Inquiry
Vignettes and Constant Comparison for Data Analysis
Making Sense of the Data, Saturation, and Validity

3. We Start Here: Narratives, Vignettes, and Analysis
Narratives
Monologue: I’m Still Canadian, Dad!
Appropriation and Embodiment
Centring Oneself within a Community of Practice
Discussion

4. Weaving Together Understandings across Vignettes
Theme 1: Risk and Learning as Rupture
Theme 2: Belonging
Theme 3: Counter-narratives

5. Full circle
Unfolding’s
Towards an Instructional Model for Belonging and Becoming by Learning through/with Drama

Learning Responsibilities
New Directions: Learning beyond the arts
Coming full Circle

Appendices
Appendix 1: Sing the Brave Song: This Isn’t Over!
Appendix 2: Reconciliation!
Appendix 3: Monologue: I’m Still Canadian, Dad!

Glossary
References

Additional Information
186 pages | 6.00" x 9.00" | Paperback