First Nations

This book features the Stoney Nakoda First Nation language in context and in action. The book contains a collection of stories by Trent and Valentina Fox, with each teaching culminating in a learning section. To assist in nuances of the language, the book also includes audio components as web links. The Îethka Stoney Nakoda People are an integral part of the Treaty 7 group of Indigenous Nations in Southern Alberta. Their spoken language is part of the Dakota-Sioux linguistic group.

Educator Information
Recommended for ages 14 to 18.

Additional Information
144 pages | 6.00" x 9.00" | Paperback

First Nations culture is living, vibrant, and evolving, and generations of Indigenous kids have grown up with pop culture creeping inexorably into our lives. From gaming to social media, pirate radio to garage bands, Star Trek to D&D, and missed connections at the pow wow, Indigenous culture is so much more than how it’s usually portrayed. Indiginerds is here to celebrate those stories!

Featuring an all-Indigenous creative team, Indiginerds is an exhilarating anthology collecting 11 stories about Indigenous people balancing traditional ways of knowing with modern pop culture. Includes work by Alina Pete, PJ Underwood, Kameron White, Rhael McGregory, and many more.

Educator Information
Recommended for ages 12 to 18.

Full Creator Listing: Tate Allen, Ida Aronson, Jordanna George, Raven John, Nipinet Landsem, Rhael McGregor, Sam “Mushki” Medlock, Alina Pete, Wren Rios, PJ Underwood, Kameron White

Additional Information
120 pages | 6.62" x 10.25" | Paperback

“Canada rejected our applications for enrolment in the Qalipu First Nation. Initially, I was relieved by the rejection. I’d watched my hometown divide itself — are you Mi′kmaq or settler? Mi′kmaq or not Mi′kmaq enough?”

Centred around the Newfoundland Mi'kmaq experience in the wake of the controversial Qalipu First Nation enrolment process, Island wades through the fracture and mistrust that continues to linger in many communities. In this new collection, Douglas Walbourne-Gough expands upon issues of identity and history that he introduced in Crow Gulch, offering a deeply personal and equally beautiful exploration of Mi'kmaw and Newfoundland identity.

Walbourne-Gough’s narrative poems trace the formation of identity, not through status documentation, but through its deeper roots in childhood memories, family, spirituality, and dreams. Throughout this collection, he approaches life in fragments — snuggling into his nan’s sealskin snowsuit, learning Mi'kmaq from an app, or the myriad of complex emotions that come with receiving a status card — and watches them transform into pieces of an everlasting puzzle. Island reckons with an often-ignored, yet persistent, effect of colonialism — fractured identities.

Additional Information
80 pages | 5.50" x 8.50" | Paperback

The first book published in Tsuut’ina—a critically endangered language—in over a century!

With fewer than 150 speakers, Tsuut’ina is a critically endangered language. Isúh Áníi / As Grandmother Said brings together nine traditional narratives and historical accounts in the Tsuut’ina language, originally narrated by Elders Dátł’ìshí Ts’ìká Bessie Meguinis (1883–1987) and Ninàghá Tsìtł’á Willie Little Bear (1912–1989). At once an act of language preservation and a learning resource, each story is retold in Tsuut’ina by Dit’óní Didlíshí Dr. Bruce Starlight and is presented with English translations and a Tsuut’ina-to-English glossary.

The narratives included in this collection cover considerable ground, ranging from the creation of the world in the caring hands of Xàlítsa-tsii and his animal helpers, to accounts of separation, migration, and cross-cultural contact that mark major turning points in Tsuut’ina history, and to important cultural and ceremonial items and practices that the Tsuut’ina Nation maintains to this day.

These stories will be of lasting value to Tsuut’ina language learners and teachers, and will share the legacy of Elders Bessie Meguinis and Willie Little Bear with generations of Tsuut’ina to come.

Educator & Series Information
This book is part of the First Nation Language Readers series. With a mix of traditional and new stories, each First Nations Language Reader introduces an Indigenous language and demonstrates how each language is used today. 

Additional Information
186 pages | 5.50" x 8.50" | Paperback

A personal account of one man’s confrontation with colonization that illuminates the philosophy and values of a First Nation on the front lines of the fight against an extractive industry, colonial government, and threats to the life-giving Salish Sea.

It Stops Here is the profound story of the spiritual, cultural, and political resurgence of a nation taking action to reclaim their lands, waters, law, and food systems in the face of colonization. In deeply moving testimony, it recounts the intergenerational struggle of the Tsleil-Waututh Nation to overcome colonial harms and the powerful stance they have taken alongside allies and other Indigenous nations across Turtle Island against the development of the Trans Mountain Pipeline—a fossil fuel megaproject on their unceded territories.

In a firsthand account of the resurgence told by Rueben George, one of the most prominent leaders of the widespread opposition to the Trans Mountain Pipeline expansion, It Stops Here reveals extraordinary insights and revelations from someone who has devoted more than a decade of his life to fighting the project. Rueben shares stories about his family’s deep ancestral connections to their unceded lands and waters, which are today more commonly known as Vancouver, British Columbia and the Burrard Inlet. He discloses how, following the systematic cultural genocide enacted by the colonial state, key leaders of his community, such as his grandfather, Chief Dan George, always taught the younger generations to be proud of who they were and to remember the importance of their connection to the inlet.

Part memoir, part call to action, It Stops Here is a compelling appeal to prioritize the sacred over oil and extractive industries, while insisting that settler society honour Indigenous law and jurisdiction over unceded territories rather than exploiting lands and reducing them to their natural resources.

Additional Information
288 pages | 5.13" x 7.98" | 31 b+w images throughout | Paperback

A special abridged version of the award-winning book Orange Shirt Day: September 30th. Orange Shirt Day, observed annually on September 30th, is also known as the National Day for Truth and Reconciliation. It is an official day to honour Residential School Survivors and their families, and to remember the children who did not come home. What was initially envisioned as a way to keep the conversations going about all aspects of Residential Schools in Williams Lake and the Cariboo Region of British Columbia, Canada, has now expanded into a movement across Turtle Island and beyond. Orange Shirt Day: Every Child Matters aims to create champions who will walk a path of reconciliation and promote the message that 'Every Child Matters'. This version also explores a number of important topics including the historical, generational, and continual impacts of Residential Schools on Indigenous Peoples, the journey of the Orange Shirt Day movement, and how you can effectively participate in the National Day for Truth and Reconciliation. With end of chapter reflection questions and a series of student art submissions, readers are guided to explore how they, and others, view and participate in Residential School reconciliation.

Educator Information
Recommended for ages 12 to 17.

This book is available in English: Orange Shirt Day: Every Child Matters: Condensed Edition

Additional Information
112 pages | 8.46" x 10.97" | Paperback 

Les histoires traditionnelles autochtones sur le ciel et les constellations rencontrent la légende de Narnia dans cette série fantastique et épique destinée aux préadolescents, écrite par l’auteur primé David A. Robertson.

Morgan et Eli, deux jeunes Autochtones contraints de quitter leur famille et leur communauté, sont réunis dans un foyer d’accueil à Winnipeg, au Manitoba. Ils se sentent déconnectés de leur culture, mais aussi les uns des autres, et peinent à s’intégrer à l’école et dans leur nouvelle maison… jusqu’à ce qu’ils découvrent un endroit secret, muré dans une chambre mansardée et inachevée.

Un portail s’ouvre sur une autre réalité, Askí, les menant sur des terres gelées et arides, où ils rencontrent un Ochek (un pêcheur). Seul chasseur à subvenir aux besoins de sa communauté affamée, Misewa, l’Ochek accueille les enfants humains et leur enseigne les méthodes traditionnelles de survie.

Alors que le besoin de nourriture se fait cruellement sentir, ils s’embarquent pour une mission dangereuse. Accompagnés d’Arik, un écureuil insolent qu’ils ont surpris à voler sur la ligne de chasse, ils tentent de sauver Misewa avant que l’hiver ne vienne tout geler, y compris eux.

Educator & Series Information
Recommended for ages 10+.

This book is part of La saga Misewa.

This is the French translation of The Barren Grounds.

Additional Information
Paperback

From one of the country’s most celebrated new writers, a blistering collection of short fiction that is bracingly relevant, playfully irreverent, and absolutely unforgettable.

There’s a hole in the ozone layer. Are teenage girls to blame?

Floods and wildfires, toxic culture, billionaires in outer space, or a purse-related disaster while on mushrooms—in today’s hellscape world, there’s no shortage of things to worry about. Last Woman, the new collection of short fiction by award-winning author Carleigh Baker, wants you to know that you’re not alone. In these 13 brilliant new stories, Baker and her perfectly-drawn characters are here for you—in fact, they’re just as worried and weirded-out as everyone else.

A woman’s dream of poetic solitude turns out to be a recipe for loneliness. A retiree is convinced that his silence is the only thing that will prevent a deadly sinkhole. An emerging academic wakes up and chooses institutional violence. A young woman finds sisterhood in a strange fertility ritual, and an enigmatic empath is on a cleanse. Baker’s characters are both wildly misguided and a product of the misguided times in which we live. Through them we see our world askew and skewered—and, perhaps, we can begin to see it anew.

Carleigh Baker’s signature style is irreverent, but her heart is true—these stories delve into fear for the future, intergenerational misunderstandings, and the complexities of belonging with sharp wit and boundless empathy. With equal parts compassion and critique, she brings her clear-eyed attention to bear on our world, and the results are hilarious, heartbreaking, and startling in their freshness.

Reviews
“Carleigh Baker’s Last Woman is a knockout. These fifteen stories are probing contemplations on technology, the climate crisis, childhood, adulthood, parenthood, dreams, identity, creativity, and those staggering moments when the uncanny burbles up through the cracks of everyday experience. I gulped these pages in one sitting, but their insights will linger for years to come.”—Michael Christie, author of Greenwood
 
“Carleigh Baker’s Last Woman is a satirical, energetic look at our messed-up world. The stories in this collection ask original, surprising what-if questions, exploring disasters small and large, personal and public, and the past, present, and future of this planet—and beyond. I’m so impressed with Baker’s ability to craft such a range of voices, by turns funny and vulnerable and exuberant and idiosyncratic. These stories are inventive, a little weird, and very, very cool.”—Shashi Bhat, author of The Most Precious Substance on Earth

Additional Information
208 pages | 5.18" x 8.00" | Paperback

The award-winning Righting Canada's Wrongs series is now available in French for Immersion classrooms.

Canada’s residential school system for Indigenous children is now recognized as a grievous historic wrong committed against First Nations, Métis and Inuit peoples. Through historical photographs, documents and first-person narratives from people who survived residential schools, this book offers an account of the injustice of this period in Canadian history. It documents how official racism was confronted and finally acknowledged.

In 1857, the Gradual Civilization Act was passed in Canada with the aim of assimilating Indigenous people. In 1879, Prime Minister Sir John A. Macdonald commissioned a report that led to residential schools across Canada. First Nations and Inuit children were taken from their families and sent to residential schools where they were dressed in uniforms, their hair was cut, they were forbidden to speak their native language and they were often subjected to physical and psychological abuse. The schools were run by churches and funded by the federal government.

The last federally funded residential school closed in 1996. The horrors that many children endured at residential schools did not go away. It took decades for people to speak out, but with the support of the Assembly of First Nations and Inuit organizations, former residential school students took the federal government and the churches to court.

Their cases led to the Indian Residential Schools Settlement Agreement, the largest class-action settlement in Canadian history. In 2008, Prime Minister Harper formally apologized to former native residential school students for the atrocities they suffered and the role the government played in setting up the school system. The agreement included the Truth and Reconciliation Commission, which has worked to document the experience. More than five years after the TRC Report was released, there have been reports of unmarked graves of children being discovered at the site of former residential schools. This updated edition includes some of those findings and examines what has and what still has to be done in regards to the TRC Report’s Calls to Action.

Educator & Series Information
This French book is part of the series Redresser les torts du Canada (Righting Canada's Wrongs series).

Recommended for ages 13 to 18.

This book is available in English: Righting Canada's Wrongs: Residential Schools: The Devastating Impact on Canada's Indigenous Peoples and the Truth and Reconciliation Commission's Findings and Calls for Action

Additional Information
8.50" x 11.69" | 300 Photographs | Paperback 

In 1997 Ted Nolan won the Jack Adams Award for best coach in the NHL. But he wouldn’t work in pro hockey again for almost a decade. What happened?

Growing up on a First Nation reserve, young Ted Nolan built his own backyard hockey rink and wore skates many sizes too big. But poverty wasn’t his biggest challenge. Playing the game meant spending his life in two worlds: one in which he was loved and accepted and one where he was often told he didn’t belong.

Ted proved he had what it took, joining the Detroit Red Wings in 1978. But when his on-ice career ended, he discovered his true passion wasn’t playing; it was coaching. First with the Soo Greyhounds and then with the Buffalo Sabres, Ted produced astonishing results. After his initial year as head coach with the Sabres, the club was being called the “hardest working team in professional sports.” By his second, they had won their first Northeast Division title in sixteen years.

Yet, the Sabres failed to re-sign their much-loved, award-winning coach.

Life in Two Worlds chronicles those controversial years in Buffalo—and recounts how being shut out from the NHL left Ted frustrated, angry, and so vulnerable he almost destroyed his own life. It also tells of Ted’s inspiring recovery and his eventual return to a job he loved. But Life in Two Worlds is more than a story of succeeding against the odds. It’s an exploration of how a beloved sport can harbour subtle but devastating racism, of how a person can find purpose when opportunity and choice are stripped away, and of how focusing on what really matters can bring two worlds together.

Reviews
"Full of incredible insights into a tough life that Teddy’s perseverance turned into inspiration. It blew me away.”—Bryan Trottier, NHL Hall of Famer

“Ted’s beautiful memoir follows a trail of losses and the pain of getting well, and his stunning successes, lifting trophies, lifting lives. Ted was able to reach so many things, but his truth went beyond these things, and it’s the story of how he went beyond, to keep what was true in front of him that makes this book so enjoyable, and so important.”—Ron MacLean, CBC sportscaster and host of Hockey Night in Canada

“Ted Nolan’s story is truly remarkable. Ted persevered and overcame significant obstacles at a time when Indigenous people were not encouraged, applauded, or even wanted in elite hockey leagues. Ted broke barriers, battled racism, worked hard, and not only became an NHL player but also an elite junior, NHL, and international coach. Ted paved the way for many Indigenous youth to not only participate, but succeed in hockey arenas across North America and Europe as coaches and players.”—Phil Fontaine, former National Chief of the Assembly of First Nations

“Playing for Ted Nolan is one of my fondest memories. People called us “The Hardest Working Team in Hockey” and that doesn’t happen without a coach who can show each player their purpose and prove his belief in them. We all played beyond our own abilities for Ted. We led the NHL in penalty minutes and no team wanted to play us in our building. I respect Ted as a coach both on and off the ice, and this book gives a hint of why he inspires that in players and in people in general.”—Rob Ray, broadcaster and former NHLer

 “Teddy was my favourite coach, mentor and friend. I love Ted Nolan. This book gives a good sense of what makes him so special.”—Brad May, former NHLer, Stanley Cup winner, and AT&T SportsNet analyst

“My father was so proud of Ted; he understood what he was going through. A story of perseverance, Life in Two Worlds is a great read for any generation."—Neil Sasakamoose, son of Fred Sasakamoose, the NHL’s first Treaty Indigenous player and bestselling author of Call Me Indian

Additional Information
336 pages | 5.11" x 7.97" | 8-page colour insert | Paperback 

In this moving graphic novel, thirteen-year-old Reanna grieves the loss of her older sister. Can she find comfort through her family’s Ojibwe traditions?

It’s been a year since Reanna’s sister, Chelsea, went missing on her way home from school. Without any idea of what happened, Reanna and her family struggle to find closure.

Driven from their home by memories, Reanna’s mom moves to the big city. Left behind on the reserve, Reanna and her little brother go to live with their dad.

Reanna is hurt and angry that her mom has run away. She feels lonely, abandoned… but she is not alone. Lights turn on in empty rooms, and objects move without being touched.

There are little moons everywhere.

Reviews
"Little Moons has all the hallmarks of becoming a cherished companion for young hearts navigating the turbulent waters of grief and loss. This graphic novel not only offers solace but also illuminates the path toward healing. Little Moons gently guides readers through the darkest of nights, reminding them that even in moments of profound sadness, there is still light to be found."—Tasha Spillett, New York Times bestselling author 

Educator Information
Recommended for ages 12 to 18.

Subjects, Themes, and Big Ideas: Death, Grief, Siblings, Paranormal, Graphic Novels, Socail Justice, MMIWG2S, Prejudice and Racism, Social Emotional Learning, Aspects of Indigenous Cultures, Smudging, Powwow, Spirituality and Ceremony, Regalia, Traditional Art, Contemporary Setting, Strong Female Characters.

Fountas & Pinnell Z+

Additional Information
64 pages | 6.50" x 10.00" | Paperback

Originally from the community of Ekuanitshit (Mingan) in the Lower North Shore region of Quebec, Cousineau-Mollen was adopted at a very young age by an urban family as part of what is now known as the Sixties Scoop. Although Cousineau-Mollen did not grow up in an Indigenous community, her adoptive family maintained contact with her biological family, ensuring she remained connected to her culture and identity. Having faced adversity and rejection during her studies at Laval University due to her Indian Status, she has since worked to build and support community initiatives, through Aboriginal student associations and involvement in the Wolf Pack Street Patrol, for the Indigenous homeless people of Montreal. In The Liturgy of Savage No. 82, Cousineau-Mollen reclaims, honours, and makes space for herself and the rights of Indigenous women. A powerful and emotional poetry collection, The Liturgy of Savage No. 82 explores the realities facing Indigenous women in Canada and the emotional impact of homelessness, intergenerational trauma and systemic racism, all through a feminist lens as she considers the implications of femininity and identity in relation to the unceded land of her people.

Reviews
“Cousineau-Mollen’s poetry embodies resilience, and how the impact of colonization has affected Indigenous peoples, and First Nation women in particular.”—Shannon Webb-Campbell, Muskrat Magazine on Bréviaire du matricule 082 (Éditions Hannenorak, 2019)

"Originally published in French, Mollen’s Liturgy of Savage No. 82 is a deep and profound poetic exploration that examines themes such as colonization, residential schools, the Indian Act, feminism, and resistance. Mollen’s work is a reclaiming—through language and cultural resurgence—and requires recognition of both the oppressed and empowered experiences of an Indigenous woman in Canada. This edition also includes a glossary of language terms that invites the reader to experience even deeper understandings through the multidimensional expression of language. Cautions / Content Warnings: Some problematic language (e.g., “squaw”), and sexual content and themes." - Lori B., Indigenous Educator & Administrator, Indigenous Books for Schools

Educator Information
This book is included in the Indigenous Books for Schools database from the Association of Book Publishers of BC. It is recommended for Grades 10 to 12 for English Language Arts, Art, and Social Studies.

Content Warning: Sexual content and strong language.

Additional Information
72 pages | 5.50" x 8.00" | Paperback 

“We should not have to change to fit into society the world should adapt to embrace our uniqueness.” -- Chief Stacey Laforme

Chief Stacey Laforme breathes life into every poem and story he shares, drawing from his own experiences. Rich with the essence of his soul, the poems in this book capture the moments and emotions that have shaped him. His desire is for readers to not just read, but to truly feel the humour and pain intertwined in these poems. Much like in Living in the Tall Grass, this latest poetry collection invites non-Indigenous people to see through the eyes of Indigenous people with topics of peace and humanity, as well as grief, trauma ... and hope.

Reviews
"Thought provoking, healing meditations. Giima Laforme writes from his perspective as a son, father, husband, community leader, but most of all as a human being. He invites us to walk with him, and to see the world as he sees it. Not only is this an invitation we should accept, but it is also a beautiful and generous gift." — Kevin Hearn, musician

"Chief Stacey Laforme writes with the motive of love, and poetry is his instrument. When considering the unmarked graves at residential schools, Chief Laforme’s poem ‘Debwewin—Truth’ freezes you with the line, “She felt the shovels enter her body.” But as you will see, there is always hope. Chief has both the scalpel and the suture. He cuts, then he cures." —Ron MacLean, broadcaster

Additional Information
160 pages | 8.50" x 5.50" | Paperback | 3 b&w illustrations 

From bestselling true-crime author Peter Edwards and Governor General's Award-winning playwright Kevin Loring, two sons of Lytton, BC, the town that burned to the ground in 2021, comes a meditation on hometown―when hometown is gone.

Before it made global headlines as the small town that burned down during a record-breaking heat wave in June 2021, while briefly the hottest place on Earth, Lytton, British Columbia, had a curious past. Named for the author of the infamous line, “It was a dark and stormy night,” Lytton was also where Peter Edwards, organized-crime journalist and author of seventeen non-fiction books, spent his childhood. Although only about 500 people lived in Lytton, Peter liked to joke that he was only the second-best writer to come from his tiny hometown. His grade-school classmate’s nephew Kevin Loring, Nlaka’pamux from Lytton First Nation, had grown up to be a Governor General's Award-winning playwright.

The Nlaka’pamux called Lytton “The Centre of the World,” a view Buddhists would share in the late twentieth century, as they set up a temple just outside town. In modern times, many outsiders would seek shelter there, often people who just didn’t fit anywhere else and were hoping for a little anonymity in the mountains. You’ll meet a whole cast of them in this book.

A gold rush in 1858 saw conflict with a wave of Californians come to a head with the Canyon War at the junction of the mighty Fraser and Thompson rivers, one that would have changed the map of what was soon to become Canada had the locals lost. The Nlaka’pamux lost over thirty lives in that conflict, as did the American gold seekers. A century later, Lytton hadn’t changed much. It was always a place where the troubles of the world seemed to land, even if very few people knew where it was.

This book is the story of Lytton, told from a shared perspective, of an Indigenous playwright and the journalist son of a settler doctor who quietly but sternly pushed back against the divisions that existed between populations (Dr. Edwards gladly took a lot of salmon as payment for his services back in the 1960s). Portrayed with all the warmth, humour and sincerity of small-town life, the colourful little town that burned to the ground could be every town’s warning if we don’t take seriously what this unique place has to teach us.

Additional Information
376 pages | 6.00" x 9.00" | Hardcover 

The third edition of the iconic collection Making Space for Indigenous Feminism features feminist, queer and two-spirit voices from across generations and locations.

Feminism has much to offer Indigenous women, and all Indigenous Peoples, in their struggles against oppression. Indigenous feminists in the first edition fought for feminism to be considered a valid and essential intellectual and activist position. The second edition animated Indigenous feminisms through real-world applications. This third edition, curated by award-wining scholar Gina Starblanket, reflects and celebrates Indigenous feminism’s intergenerational longevity through the changing landscape of anti-colonial struggle and theory. Diverse contributors examine Indigenous feminism’s ongoing relevance to contemporary contexts and debates, including queer and two-spirit approaches to decolonization, gendered and sexualized violence, storytelling and narrative, digital and land-based presence, Black and Indigenous relationalities and more. This book bridges generations of powerful Indigenous feminist thinking to demonstrate the movement’s cruciality for today.

Reviews
“This collection is all feast, no fluff. It covers foundational elements of Indigenous feminism with depth and breadth and engages issues of national and international importance with considerable insight. Due to its readability and smart use of theory, this book is eminently teachable. I haven't highlighted this much in a long time.”— Margaret Robinson, Canada Research Chair in Reconciliation, Gender, and Identity

“This volume offers a view of the development and expansion of Indigenous feminisms as theory and praxis, reaffirming the validity of our respective Indigenous epistemologies to guide us into the future.”— Jennifer Nez Denetdale (Diné), University of New Mexico

“Multiplying are the calls for transformative healing issued by Indigenous feminism which is, at its core, about Indigenous sovereignty, solidarity, and liberatory justice for all. The diverse and incisive essays in Making Space for Indigenous Feminism (3rd ed) expose ongoing cis-heteropatriarchal settler colonialism, anti-Indigenous racism, and the erasure of gender and sexual diversity (including by Indigenous people ourselves), and their impacts upon minds, bodies, lived experiences, and relationships. Resistance and hope abound in the re-centring of (queer) Indigenous feminist futurisms: world-building that honours the self-determination of Indigenous women, girls, Two-Spirit, and trans folks, and promotes wellbeing for all of Creation.”— Chantal Fiola, author and associate professor, University of Manitoba

“This third edition continues to fulfill the promise of the title to make space for feminist interventions in Canadian Indigenous studies. Each author is committed to relational ethics and transformative praxis in addressing the most pressing issues that create epistemic and material injustices. From the heart rendering an intimate state-of-the-field assessment from pillars in the field, the politics of gender, policy, and violence manifested in Canada currently, to its latter chapters that open up new spaces by continuing to press for just Indigenous futures, of which decentering binaries of gender and sexuality is necessary, we see the importance of Indigenous feminist theorizing and praxis. Confronting gendered violence, heterosexism, disciplinary regimes, and colonialism with honesty and truth telling, Making Space generously offers us new paths to materialize a decolonial world.”— Mishuana Goeman, author of Mark My Words and Settler Aesthetics: Visualizing the Spectacle of Originary Moments in The New World

“Making Space for Indigenous Feminism provides us with powerful voices emerging from and incorporating past, present, and future. Each chapter continues to make space for the power of Indigenous feminisms, as women, femme, Queer, LGBTQS+ and Mad think together in a powerful analysis of our now. This latest edition of a classic, newly edited by Gina Starblanket, includes Elders and youth and brings us back to why Indigenous feminisms are the embodied, lived and felt knowledges that will inform our struggles going forward.”— Dian Million, University of Washington, American IndianStudies

Educator Information
Table of Contents
Extending Our Accounts of Indigenous Feminism—Joyce Green and Gina Starblanket

Section I: Home | Identity | Legacies
- Always Coming Home: Indigenous Identity, Indigenous Feminism, Scholarship and Life—Joyce Green
- Why Am I a Feminist?—Emma LaRocque
- Settler Colonialism in Canada: Making “Indian” Women Disappear—Mary Eberts, Shelagh Day, Sharon McIvor

Section II: Institutions | Representation | Resistance
- Red Ticket Women: Revisiting the Political Contributions of the Indian Rights for Indian Women’s Movement—Gina Starblanket
- Perpetual State of Violence: An Indigenous Feminist Anti-Oppression Inquiry into Missing and Murdered Indigenous Women and Girls—Robyn Bourgeois
- Gender Reveals that Matter: Cis-Heteropatriarchy, Settler Colonialism, and Child Welfare—Megan Scribe

Section III: Land | Relationality | Love
- Towards an Anti-Colonial Feminist Care Ethic—Eva Jewell
- Our Movements Need some Love as Well: Indigenous Land Defense and Relationality—Isabel Altamirano-Jimenez
- Mana Wahine and Mothering at the Loʻi: A Two-Spirit/Queer Analysis—Hōkūlani K. Aikau

Section IV: Decoloniality | Movement | Futurities
- Decolonization is a Queer Desire: Poetics, Politics, Negativity—Billy-Ray Belcourt
- Mad Indigenous Womanhood and the Psycho-Politics of Settler Colonialism—Cara Peacock
- On Black and Indigenous Relationality: A Conversation—Gina Starblanket, Robyn Maynard, Leanne Betasamosake Simpson
- Decolonization is Also Metaphorical: Indigenous Feminist and Queer-Two-Spirit Storywork Matters—Kelly Aguirre

Additional Information
320 pages | 6.00" x 9.00" | Paperback