No one knows how a suit of samurai armour ended up in the Fort Smith museum. When a mysterious stranger turns up to claim it, Sonny, a young Tłı̨chǫ Dene boy, is eager to help.

Shinobu has travelled to Fort Smith, NWT, to reclaim his grandfather’s samurai sword and armour. But when he discovers that the sword was lost in a poker game, he must confront the man known as Benny the Bank. Along the way, Shinobu must rely on unlikely heroes—Sonny, his grandmother, and a visitor from the spirit world. Together, they face Benny and his men, including the giant they call Flinch.

Will Shinobu be able to regain the lost sword and, with it, his family’s honour? Can Sonny and his grandmother help Shinobu while keeping the peace in their community?

Now in full colour, this new edition includes additional background information and cultural context. Learn about the real-life inspiration behind the story and the intersections between Indigenous and Japanese Canadian experiences during the Second World War.

Educator & Series Information
This work is part of the Debwe Series, which is created in the spirit of the Anishinaabe concept debwe (to speak the truth), The Debwe Series is a collection of exceptional Indigenous writings from across Canada.

This book is part of the The Spirit of Denendeh series.

The publisher recommends this title for ages 15 to 18.

Additional Information
56 pages | 6.50" x 10.00" | 2nd Edition | Paperback

A Little Plains Cree Book for Children contains useful noun categories, phrases, and some basic rules for the Plains Cree language. Following the themes of the Saskatchewan Curriculum Guide for Kindergarten to Grade 12 on Aboriginal Languages, the content focuses on terms familiar to the First Nations Cree people of Saskatchewan. This book should also be supplemented by total physical response (TPR) methods, in addition to teaching materials such as songs, games, and flash cards. Our hope is to encourage a basic understanding of the language so that learners are able to converse with Plains Cree speakers. The best path to fluency in the Plains Cree language is immersion, but learning one word at a time is a good place to start!

Educator Information
Recommended for ages 5+

A teaching guide can be found here: nēhiyawēwin awāsi-masinahikanis: A Little Plains Cree Book for Children—Teaching Guide

Find a colouring book here: A Little Plains Cree Colouring Book: Plains Cree People

Additional Information
96 pages | 8.50" x 11.00" | Paperback

An urgent first novel about breaching the prisons we live inside from one of Canada’s most daring literary talents.

An unnamed narrator abandons his unfinished thesis and returns to northern Alberta in search of what eludes him: the shape of the novel he yearns to write, an autobiography of his rural hometown, the answers to existential questions about family, love, and happiness.

What ensues is a series of conversations, connections, and disconnections that reveals the texture of life in a town literature has left unexplored, where the friction between possibility and constraint provides an insistent background score.

Whether he’s meeting with an auntie distraught over the imprisonment of her grandson, engaging in rez gossip with his cousin at a pow wow, or lingering in bed with a married man after a hotel room hookup, the narrator makes space for those in his orbit to divulge their private joys and miseries, testing the theory that storytelling can make us feel less lonely.

Populated by characters as alive and vast as the boreal forest, and culminating in a breathtaking crescendo, A Minor Chorus is a novel about how deeply entangled the sayable and unsayable can become—and about how ordinary life, when pressed, can produce hauntingly beautiful music.

Reviews
"No one breaks your heart as elegantly as Billy-Ray Belcourt. Innovative, intimate, and meticulous, A Minor Chorus is a thoughtful riot of intersections and juxtapositions, a congregation of keenly observed laments gently vivisecting the small, Northern Alberta community at its core."—Eden Robinson, author of Son of a Trickster

"The literary child of Rachel Cusk’s Outline trilogy and James Baldwin’s Giovanni’s Room, this novel builds on both, and is yet still something so new. It has the guts to centre Indigenous queer life as worthy of serious intellectual and artistic inquiry—which, of course, it always has been. We will be reading and re-reading and learning from A Minor Chorus for decades to come."—Alicia Elliott, author of A Mind Spread Out on the Ground

"An absolutely dazzling confluence of big ideas and raw emotions, told in Billy-Ray Belcourt’s singular poetic voice. A Minor Chorus is about loving, questioning, and fighting for your life, and it’s as compelling a debut novel as I’ve read in years."—Jami Attenberg, author of I Came All This Way to Meet You

"A truly exceptional novel about how the disregarded sometimes live the most remarkable lives, and how storytelling will redeem us somehow, make us less lonely. A Minor Chorus is like a song that’s over too soon; I want to play it on repeat, to memorize the words so that I can sing them to myself."—Katherena Vermette, author of The Strangers

Additional Information
192 pages | 5.20" x 7.78" | Hardcover

After his parents are brutally murdered, Ahiahia is raised by his grandmother in a camp surrounded by enemies. His grandmother knows that eventually the camp will turn on Ahiahia, just as it did his parents, so she chants a protection chant over the clothing that she lovingly sews for him, over the amulet and necklace she gives him, even over the dog that is his companion. When he is attacked, Ahiahia must use his agility, hunting skills, and the protection imparted by his grandmother to stay alive. This traditional story is retold by Kugaaruk Elder Levi Illuitok, and illustrated in a comic book style by Nate Wells, giving life to an ancient story for new generations to enjoy.

Educator Information
Recommended for ages 12+

This traditional story is retold by Kugaaruk Elder Levi Illuitok, and illustrated in a comic book style by Nate Wells, giving life to an ancient story for new generations to enjoy.

Mature content (death, fighting).

Additional Information
36 pages | 7.00" x 10.50" | Hardcover 

An intimate yet wide-sweeping story of a marine biologist working to save ocean ecosystems from climate change.

With the world’s oceans ravaged by climate change, Émeraude, a young marine biologist, works to preserve aquatic ecosystems by recreating them for zoos. When her work earns her a spot aboard a research vessel with an extended mission in the Arctic, it is the inescapable draw of the ocean that will save her when the world she leaves behind is irrevocably changed.

Stories of Émeraude’s ancestors — a young sailor abandoned at birth, a conjuror who mixes potions for her neighbours, a violent young man who hides in the woods to escape an even more violent war, and a talented young singer born to a mother who cannot speak — weave their way through her intimate reflections on a modest life, unknowingly shaped by those who came before.

Reviews
"Aquariums is a luminous, touching and comforting book, written with great clarity. In other words, a healing read. It can be read in a single sitting, and picked up again when one’s soul needs soothing." — Solaris

"J.D. Kurtness stands out on the indigenous literary scene for her unique style, inspired by dystopian and apocalyptic writing. In Aquariums, the author delivers a fragmented novel of filiation, mixing the different (non-)stories of a lineage and of the same generation, like an aquarium housing an ecosystem, to an apocalyptic end forcing a reset of the planetary population. Kurtness’s aesthetic is characterised by a holistic cosmic writing in which a sort of Glissant’s Tout-Monde is formed: the narratives of ancestors and the living communicate with the perceived and existing elements. This cosmic writing is conveyed through the fragmentary form, which is more organic than functional, the use of nature-related metaphors, that are tied to the life story of a whale, and the hybridity of the novel, which mixes the genres of life writing and dystopia. Although the author is Ilnu, the dimension of autochthony is not central to Aquariums. It is partially present in the discourse and the constellation of characters, but is not actively addressed." - Abstract from Dystopie, Fragmentation et Filiation dans Aquariums de J.D. Kurtness by Jody Danard

"This is a small book on a huge theme, set in various places and eras, featuring different perspectives. It could be confusing, but it works – so much so that I sometimes wished Kurtness had picked up some of her loose threads and developed the stories of Émeraude’s ancestors instead of returning to her protagonist’s journey. I want to know more about the scarred sailor, the blind shark, and the travelling whale. She dips her toe into the fantastical or the romantic and then pulls back, back to the science of a dying world. Aquariums is an inventive book on a grim not-so-distant future. In the end, Kurtness chooses to believe in the resilience of humanity. Like her ancestors before her, Émeraude will fight for her people’s future." - Roxane Hudon, Montreal Review of Books

Educator Information
Translated from French to English by Pablo Strauss 

Additional Information
176 pages | 5.00" x 7.00" | Paperback

In this new edition of her powerful debut, Plains Cree writer and National Poet Laureate Louise B. Halfe - Sky Dancer reckons with personal history within cultural genocide.

Employing Indigenous spirituality, black comedy, and the memories of her own childhood as healing arts, celebrated poet Louise B. Halfe - Sky Dancer finds an irrepressible source of strength and dignity in her people. Bear Bones and Feathers offers moving portraits of Halfe's grandmother (a medicine woman whose life straddled old and new worlds), her parents (both trapped in a cycle of jealousy and abuse), and the people whose pain she witnessed on the reserve and at residential school.

Originally published by Coteau Books in 1994, Bear Bones and Feathers won the Milton Acorn People's Poet Award, and was a finalist for the Spirit of Saskatchewan Award, the Pat Lowther Award, and the Gerald Lampert Award.

Reviews
"With gentleness, old woman's humour, and a good red willow switch, Louise chases out the shadowy images that haunt our lives. She makes good medicine, she sings a beautiful song."— Maria Campbell, author of Halfbreed

Additional Information
144 pages | 5.75" x 8.50" | Paperback

We find our way forward by going back.

The invented history of the Western world is crumbling fast, Anishinaabe writer Patty Krawec says, but we can still honor the bonds between us. Settlers dominated and divided, but Indigenous peoples won't just send them all "home."

Weaving her own story with the story of her ancestors and with the broader themes of creation, replacement, and disappearance, Krawec helps readers see settler colonialism through the eyes of an Indigenous writer. Settler colonialism tried to force us into one particular way of living, but the old ways of kinship can help us imagine a different future. Krawec asks, What would it look like to remember that we are all related? How might we become better relatives to the land, to one another, and to Indigenous movements for solidarity? Braiding together historical, scientific, and cultural analysis, Indigenous ways of knowing, and the vivid threads of communal memory, Krawec crafts a stunning, forceful call to "unforget" our history.

This remarkable sojourn through Native and settler history, myth, identity, and spirituality helps us retrace our steps and pick up what was lost along the way: chances to honor rather than violate treaties, to see the land as a relative rather than a resource, and to unravel the history we have been taught.

Additional Information
224 pages | 5.81" x 8.53" | Hardcover

Blood follows a Two-Spirit Indigenous person as they navigate urbanity, queerness, and a kaleidoscope of dreams, memory, and kinship.

Conceived in the same world as their acclaimed debut, Bones, Tyler Pennock's Blood centres around a protagonist who at first has difficulty knowing the difference between connection and pain, and we move with them as they explore what it means to want. Pennock weaves longing, intimacy, and Anishinaabe relationalities to recentre and rethink their speaker's relationship to the living--never forgetting non-human kin.

This book is a look at how deep history is represented in the everyday; it also tries to answer how one person can challenge the impacts of that history. It is a reminder that Indigenous people carry the impacts of colonial history and wrestle with them constantly. Blood explores the relationships between spring and winter, ice and water, static things and things beginning to move, and what emerges in the thaw.

Reviews
"Pennock's Blood shines on the parts of the self that defy the ruthlessness of empire. By turns inward to the still and sobering power of language, and again outward to the echoes of 'leaves and wind,' a music as sensitive as it is revelatory ushers us into his unique measure of aliveness. The poet here is engaged and unafraid to look long." — Canisia Lubrin, author of The Dyzgraphxst

Additional Information
104 pages | 5.75" x 8.50" | Paperback

A new commemorative edition of Theodore Fontaine's powerful, groundbreaking memoir of survival and healing after years of residential school abuse.

Originally published in 2010, Broken Circle: The Dark Legacy of Indian Residential Schools chronicles the impact of Theodore Fontaine’s harrowing experiences at Fort Alexander and Assiniboia Indian Residential Schools, including psychological, emotional, and sexual abuse; disconnection from his language and culture; and the loss of his family and community. Told as remembrances infused with insights gained through his long healing process, Fontaine goes beyond the details of the abuse that he suffered to relate a unique understanding of why most residential school survivors have post-traumatic stress disorders and why succeeding generations of Indigenous children suffer from this dark chapter in history. With a new foreword by Andrew Woolford, professor of sociology and criminology at the University of Manitoba, this commemorative edition will continue to serve as a powerful testament to survival, self-discovery, and healing.

Reviews
"Broken Circle is a life story of Mr. Fontaine and he said it like it was; 'his personal story affirms the tragedy that occurred during this era and the impacts it has on our Indigenous people today'. Mr. Fontaine's humbleness and care for his people was remarkable and no words will ever express what he meant to his people on Turtle Island." —Chief Derrick Henderson, Sagkeeng First Nation

“Theodore Fontaine has written a testimony that should be mandatory reading for everyone out there who has ever wondered, 'Why can’t Aboriginal people just get over Residential Schools?' Mr. Fontaine’s life story is filled with astonishing and brutal chapters, but, through it all, time, healing, crying, writing, friends and family, and love—sweet love—have all graced their way into the man, father, son, brother, husband, and child of wonder Theodore has always deserved to be. What a humbling work to read. I’m grateful he wrote it and had the courage to share it. Mahsi cho." —Richard Van Camp, Tłįchǫ author of The Lesser Blessed and Moccasin Square Gardens

Additional Information
224 pages | 5.50" x 8.50" | 2nd Edition | Paperback

In the literary tradition of The Outsiders comes a coming-of-age novel about teen boys and Indigenous gangs.

Sixteen-year-old Josh is no stranger to gang life. His dad, the leader of the Warriors, a gang on their reserve, is in jail, and Josh’s older brother has taken charge.

Josh’s mom has made it clear the Warriors and their violence aren’t welcome in her home — Josh’s dad and brother included. She wants Josh to focus on graduating high school. Josh is unsure whether gang life is for him — that is until gang violence arrives on his doorstep.

Turning to the Warriors, Josh, now known as “Creeboy,” starts down the path to becoming a full gang member — cutting himself off from his friends, family and community outside the gang.

It’s harder than ever for Creeboy to envision a different future for himself. Will anything change his mind?

Educator Information
Interest ages 13 to 18.

Written for reluctant readers.

Fry Reading Level: 2.0

Recommended in the Canadian Indigenous Books for Schools resource collection for grades 9 to 12 for English Language Arts.

Content Warning: References death and violence. 

Additional Information
128 pages | 5.51" x 8.50" | Paperback

A collaboration exploring the importance of the Ojibway-Anishinabe worldview, use of ceremony, and language in living a good life, attaining true reconciliation, and resisting the notions of indigenization and colonialization inherent in Western institutions.

Indigenization within the academy and the idea of truth and reconciliation within Canada have been seen as the remedy to correct the relationship between Indigenous Peoples and Canadian society. While honourable, these actions are difficult to achieve given the Western nature of institutions in Canada and the collective memory of its citizens, and the burden of proof has always been the responsibility of Anishinabeg.

Authors Makwa Ogimaa (Jerry Fontaine) and Ka-pi-ta-aht (Don McCaskill) tell their di-bah-ji-mo-wi-nan (Stories of personal experience) to provide insight into the cultural, political, social, and academic events of the past fifty years of Ojibway-Anishinabe resistance in Canada. They suggest that Ojibway-Anishinabe i-zhi-chi-gay-win zhigo kayn-dah-so-win (Ways of doing and knowing) can provide an alternative way of living and thriving in the world. This distinctive worldview — as well as Ojibway-Anishinabe values, language, and ceremonial practices — can provide an alternative to Western political and academic institutions and peel away the layers of colonialism, violence, and injustice, speaking truth and leading to true reconciliation.

Reviews
"Fontaine and McCaskill write in a way our own Indigenous People can understand and feel; their passion is tangible." — Graham Hingangaroa Smith, Distinguished Professor, Massey University - NZ

"There are multiple ways to inhabit our deepest principles. There are also many ways to honor land and our elders by embodying the teachings of both. Here is life found in kindness, loving, and truth. How do we access healing and how do we share this healing with others? Reading this book is one way. Tears of gratitude are for you both, Jerry Fontaine and Don McCaskill. Mahalo nui no ko ?ike nahenahe. Thank you for this mutual emergence shaped as much by friendship as it is by ?ike kupuna - elder knowledge. What is within these pages are ceremonial gifts offered to all who will take the time to connect with what is inevitable about our collective evolution." — Manulani Aluli Meyer, University of Hawai‘i

Additional Information
328 pages | 6.00" x 9.00" | Paperback

A family tries to learn from the mistakes of past generations in this whirlwind memoir from a wholly original new voice.

The Caetanos move into a doomed house in the highway village of Happyland before an inevitable divorce pulls Cody’s parents in separate directions. His mom, Mindimooye, having discovered her Anishinaabe birth family and Sixties Scoop origin story, embarks on a series of fraught relationships and fresh starts. His dad, O Touro, a Portuguese immigrant and drifter, falls back into “big do, little think” behaviour, despite his best intentions.

Left alone at the house in Happyland, Cody and his siblings must fend for themselves, even as the pipes burst and the lights go out. His protective big sister, Kris, finds inventive ways to put food on the table, and his stoic big brother, Julian, facilitates his regular escapes into the world of video games. As life yanks them from one temporary solution to the next, they steal moments of joy and resist buckling under “baddie” temptations aplenty.

Capturing the chaos and wonder of a precarious childhood, Cody Caetano delivers a fever dream coming-of-age garnished with a slang all his own. Half-Bads in White Regalia is an unforgettable debut that unspools a tangled family history with warmth, humour, and deep generosity.

Awards

• 2023 Indigenous Voices Awards Winner: Published Prose in English

Reviews
“Memoirs are a difficult alchemy of testimony and confession, scene-making and character-building. They have to soften the hard things and show the way through at every turn—or at least they should—and that’s what Cody Caetano does in Half-Bads in White Regalia. No one gets off easy, but everyone is drawn with unflinching love and respect. Nothing seems wholly remarkable, yet everything is turned to see its beauty. Poetry permeates this prose, poetry and this wholly unique voice and style that somehow made me laugh and cry often, and in the oddest places. Read it. You won’t regret it. Telling you.”—Katherena Vermette, author of The Strangers
 
“A brilliant and devastating debut. This book hurtles towards difficult understandings about love and violence and family. At times I didn’t know whether I should laugh or cry, but Caetano fills each moment with such character and humanity that it’s impossible not to fall in love.” —Jordan Abel, author of NISHGA

Additional Information
280 pages | 5.62" x 8.25" | Paperback

Indig-Enough is a rhyming story that captures the author's journey in navigating and embracing her indigeneity, honouring her roots, and walking tall towards the future. This book can help guide young people in the exploration and the awareness of identity and intersectionality which can sometimes make it difficult to fit in and find their place.

Educator Information
Recommended by publisher for grades 3 to 7.

Additional Information
16 Pages 

In this harrowing survival story, Brian Koonoo takes off on a hunting trip in Canada’s Arctic. After his snowmobile breaks down, his GPS loses signal, and his camping fuel runs low, he is left alone to survive for seven days. Inuunira is an Inuktitut term that means "how I'm alive," and this account shows exactly how Brian managed to stay alive. He experiences close encounters with planes, blizzards, and hunger, all while much of his gear is lost. Walking 60 kilometres in search of safety, he uses the knowledge his father and Elders taught him—modern and traditional means of navigation, finding water, making shelters, and keeping his spirits up—to continue on. With photos, illustrations, and diagrams throughout, readers are sure to be inspired by this story of strong will and hope.

Additional Information
37 pages | 6.75" x 9.50" | Hardcover 

Shawna Davis invites the reader to explore each of the four seasons through her beautiful words and lush, unforgettable, beaded illustrations.

We begin in Gwooyim (Spring) when the Majagalee, the Sim Algyax word for “flower,” are just beginning to sprout. We then move on to Sint (Summer) when Grandmother Sun stays in the sky a bit longer. Next there is Xwsit (Fall), just as Summer begins to get sleepy, and Maadim (Winter) where the snow has fallen and the freezer is full.

This is a story of nature, its importance to our lives, and why it must be cared for and respected.

Toonasa Jordana Luggi’s lovely, rich, and nearly tactile photographs are the perfect complement to Shawna’s hand-beaded artwork and wonderful, hand-cut paper backgrounds.

Includes Pronunciation Guides.

Reviews
“...simple, evocative poetry is culturally specific, rooted in a deep love of the land and the people around her but it’s also relatable to readers of different backgrounds. The lyrical verse in Majagalee makes it an ideal read-aloud book.... Majagalee is an elevated concept book. It introduces readers to the seasons, the plants and animals of the Northwest Coast, Sim Algyax, Indigenous art, and the importance of all these things to Gitksan culture. Despite its apparent simplicity, Majagalee is a complex and brilliantly constructed book. It will appeal to Indigenous and non-Indigenous readers alike, and for teachers and parents, it serves as an outstanding example of a book that demonstrates the ongoing presence and beauty of Indigenous cultures in what is now known as Canada..” – Quill & Quire, starred review

Educator Information
Juvenile Fiction. This picture book explores the four seasons on the northwest coast of what is currently British Columbia from a Gitksan perspective.

Additional information
Pages: 40 

The boundary- and genre-bending non-fiction collection from the Giller-longlisted, GG-shortlisted and Canada Reads– winning author of Jonny Appleseed.

“The land and its elements are my aunties calling me home, into that centre point which is a nowhere, by which I mean a place that English has no words for, is an everywhere, is a bingo hall, is a fourth plane, is an ocean.”

Making Love with the Land is a startling, challenging, uncompromising look at what it means to live as an Indigenous person “in the rupture” between identities. In these ten unique, heart-piercing non-fiction pieces, award-winning writer Joshua Whitehead illuminates the com­plex moment we’re living through now, in which Indigenous and non-Indigenous peoples are navigating new and old ideas about “the land.” He asks: What is our relationship and responsi­bility towards it? And how has the land shaped ideas, histories, words, our very bodies?

Intellectually thrilling and emotionally captivat­ing, this book is a love song for the world—and for the library of stories to be found where body meets land, waiting to be unearthed and summoned into word.

Reviews
"[Making Love With the Land] defies categorization . . . mov[ing] between genres and languages in a series of essays that open up a whole new window on the meaning of Canadian literature.” —Maclean’s

“Joshua Whitehead is one of those rare writers: he can turn his hand to any form and make it his own. . . . Making Love with the Land is a series of essays with a fluidity, as you might expect from Whitehead, between form and subject.” —Toronto Star

“Defiantly artful . . . alert to so much of the beauty and theterror of the world . . . While reading, I was entirely overcomewith gratitude . . . A truly dazzling feat of heart, analysis,and sentence-making.” —Billy-Ray Belcourt, author of A History of My Brief Body

“In this essay collection, Joshua Whitehead pushes at the possibilities of form, and the results are consistently a mix of the revelatory and the sublime. A chiaroscuro of self-questioning directed inward as a way to go outward—affectionate, resolute, playful, and wise. Brilliant lessons learned are on offer here, but more as an invitation to re-experience what you might not know you know.” —Alexander Chee, author of How to Write an Autobiographical Novel: Essays

“In his latest “wonderwork,” Whitehead continues his signature and significant mission to undo colonial notions of genre, pushing the boundaries of memoir and cultural commentary into a wholly new, otherworldly terrain. Here, he makes love with body, kin, queerness, and music, demonstrating how making love isn’t just an act of pleasure, but also one of grief, pain and sometimes even solitude. A voice to listen to, learn from, cherish.” —Vivek Shraya, Author of People Change and I’m Afraid of Men

Additional Information
240 pages | 5.19" x 7.98" | Paperback

Many Indigenous cultures on Turtle Island recognize the Medicine Wheel as a sacred symbol. The Medicine Wheel has four equal areas; black, white, red and yellow. These areas represent the four directions, four seasons, four elements, four stages of life and four sacred plants. The Medicine Wheel represents unity and balance between all things, including living a healthy life mentally, spiritually, emotionally, and physically. By understanding the teachings of the Medicine Wheel we can gain a deeper understanding of our holistic health.

Through a careful selection of teachings, followed by interactive activities, the Medicine Wheel Workbook: Finding Your Healthy Balance will encourage children to live well and find their healthy balance. This workbook can be used as a teacher resource in your classroom or by parents teaching their children at home. Lessons and activities may be photocopied to use within your classroom or home.

Educator Information
Publisher recommends this work for grades 2 to 7.  Activities are adaptable.

This book is available in French: Cahier d'exercices la roue medicinale: Trouve un equilibre sain

Additional Information
74+ pages | 8.50" x 11.00"

Three kookums, a man named Crow, two best friends, and a drug dealer . . . twelve-year-old Hunter may be getting out of Red Rock sooner than he hoped.

For Hunter Frank, the summer of ’79 begins with his mother returning home only to collect the last two months’ welfare cheques, leaving her three “fucking half-breeds” to fend for themselves. When his older sister escapes their northern BC town and his brother goes to fight forest fires, Hunter is on his own, with occasional care coming from a trio of elders—his kookums—and companionship from his two best friends.

It’s been a good summer for the young entrepreneur, but the cash in the purple Crown Royal bag hidden in his mattress still isn’t enough to fund his escape from his monstrous mother and the town of Red Rock. As the Labour Day weekend arrives, so does a new friend with old wisdom and a business opportunity that might be just a boy at the crossroads needs. My Indian Summer is the story of a journey to understanding that some villains are also victims, and that while reconciliation may not be possible, survival is.

Reviews
"He breathes life into his characters at their first mention and draws you into the gossamer web of his vibrant storytelling, from which there is no escape other than to read a story through to its end." -Darrel J. McLeod

Additional Information
240 pages | 5.50" x 8.50" | Paperback 

A first-hand account of a Swampy Cree boy’s experiences growing up in the Saskatchewan River Delta, one of the world’s largest inland deltas and one of North America’s most important ecosystems.

Depicting an Indigenous lifestyle that existed in Northern Saskatchewan way past the Fur Trade era, Ken Carriere shares his first-hand account of experiences as a young boy helping his father trapping, fishing, and hunting in the Saskatchewan River Delta.

Opimōtēwina wīna kapagamawāt Wītigōwa / Journeys of The One to Strike the Wetigo contains interviews with elders, stories, personal photographs, and poetry, along with some original Swampy Cree translations.

Creating a vivid portrait of what it was like to live off the land, Carriere also reveals how hydro-electric dams and other Western endeavours have impacted the livelihoods of so many Northern communities.

Reviews
"Wow! This is an excellent resource for those engaged in, or interested in, land-based education. It gives a wonderful, engaging account of living on the land in the past and, to some extent, in the present day. It's also a good resource for N-dialect speakers." —Solomon Ratt, author of The Way I Remember and Beginning Cree

Additional Information
328 pages | 5.00" x 8.00" | Paperback

Anishinaabe culture and storytelling meet Alice in Wonderland in this coming-of-age graphic novel that explores Indigenous and gender issues through a fresh yet familiar looking glass.

Aimée, a non-binary Anishinaabe middle-schooler, is on a class trip to offer gifts to Paayehnsag, the water spirits known to protect the land. While stories are told about the water spirits and the threat of the land being taken over for development, Aimée zones out, distracting themselves from the bullying and isolation they’ve experienced since expressing their non-binary identity. When Aimée accidentally wanders off, they are transported to an alternate dimension populated by traditional Anishinaabe figures in a story inspired by Alice in Wonderland.

To gain the way back home, Aimée is called on to help Trickster by hunting down dark water spirits with guidance from Paayehnsag. On their journey, Aimée faces off with the land-grabbing Queen and her robotic guards and fights the dark water spirits against increasingly stacked odds. Illustrated by KC Oster with a modern take on their own Ojibwe style and cultural representation, Rabbit Chase is a story of self-discovery, community, and finding one’s place in the world.

Reviews
“A unique creative product that provides just enough footing for curious readers to explore further on their own. The palette plays a significant role here, with the brown and sepia tones of the real world replaced with dreamy jewel and inky hues, and silhouettes are used particularly effectively, creating an otherworldliness that walks the line between whimsy and menace. The blend of fantasy, gender identity, and supernatural creatures will likely please fans of Ostertag’s THE WITCH BOY.” — The Bulletin of the Center for Children’s Books

“The recognizable highlights of Lewis Carroll’s surreal adventure make for an excellent way into what will be unfamiliar cultural ground for many young readers. Even as this engages with several significant and timely social issues (race, gender, bullying) in an accessible way, it also opens a window to seldom explored tribal cultures.” — Booklist

“A moving graphic novel that touches on identity and cultural legacy, and representation that is sure to impact young readers.” — School Library Journal

Educator Information
Recommended for ages 8 to 12.

Includes some Ojibwe language. Translations in the book by Aarin Dokum.

Aarin Migiziins (Little Eagle) Dokum ndizhinikaas, Wiikwemkoosing, Wiikwemkoong ndo njibaa. (My name is Aarin Dokum and my Nishinaabe noozwin/Anishinaabe name is Migiziins. I am from Wikwemkoosing, Wikwemikong Ontario, Canada.)

Aarin was raised by his fluent Nishinaabemwin speaking family and community. He left home at an early age to live in Moosonee, Ontario, Canada and spent three years as a restaurant cook in an isolated Cree community. After a short return home to Wikwemikong, he moved to Lansing, Michigan where he has been living ever since. He shares Anishinaabemwin as a language consultant through Nokomis Cultural Heritage Center. He is grateful for fluent elders and active givers of what he considers the most important part of any culture—language.

Additional Information
120 pages | 7.00" x 10.00" | Paperback

A powerful, often funny, always inspiring memoir from a beloved comedian, professional orator, actor, entertainer, gone all too soon.

Candy Palmater loved to connect with people. She lived for the stage, her effervescent presence on television and radio ignited and inspired audiences, touching them with her warm, often spicy humour as well as her positive message about love and kindness. And she always believed that it is never too late to pursue our dreams and that we should never allow others to negatively influence our life’s desires.

Candy described herself as a queer Mi’kmaw lawyer-turned-comic raised by bikers in rural New Brunswick and on the surface, she met with enormous success – on leaving government and the practice of law, she started a career as a stand-up comedian, which led to starring in five successful seasons of her own national TV show, hosting many radio shows and co-guest hosting CTV’s The Social, and landing a recurring role on a hot new sitcom in her fifties. But she is the first to tell you she made all kinds of mistakes and experienced all kinds of failure along the way. Running Down a Dream is Candy’s story, in her own words, of the highs, the lows, the moments of doubt, the turning points when she listened to her gut and tuned out all the people saying no. It’s also a tribute to her family and the love that always bolstered her, despite their own hard times. She shares her stories to inspire us to embrace our failures and to believe in ourselves. And most importantly, Running Down a Dream is a call to love ourselves for who we are.

The world lost Candy in late 2021, and yet she left us with this gift -- a memoir and a message that will inspire us for years to come.

Additional Information
304 pages | 6.00" x 9.00" | Hardcover

Serpents and Other Spiritual Beings is the second book in a series by renowned Ojibwe storyteller Bomgiizhik Isaac Murdoch, following on The Trail of Nenaboozhoo and Other Creation Stories (2019). Serpents and Other Spiritual Beings is a collection of traditional Ojibwe/Anishinaabe stories transliterated directly from Murdoch's oral storytelling. Part history, legend, and mythology, these are stories of tradition, magic and transformation, morality and object lessons, involving powerful spirit-beings in serpent form. The stories appear in both English and Anishinaabemowin, with translations by Patricia BigGeorge. Murdoch's traditional-style Ojibwe artwork provides beautiful illustrations throughout.

Reviews
"'When the Thunderbirds and Serpents fight, they feed off each other, you know great medicine gets cast across the land. We get our life from that.' So writes storyteller Isaac Murdoch as he shares his Elders' stories about tunnels beneath the earth, rich laws, philosophies, teachings, power from up there, down there, and all around us, until we too hear the thunders as they bring us into the world of wahkotowin, all our relations. How privileged and blessed we are to be able to read the Ahtyokaywina of our people."--Maria Campbell, author of Halfbreed

"Gather around, for here are oral stories transcribed so they retain the flavour of a narrative spoken aloud, and translated into Anishinaabemowin; perfect for language-learners. I love the way these stories infuse the spirit world into an every-day context, these are not dusty old legends, but a living way of seeing the world around us in the here and now."--Nathan Niigan Noodin Adler, author of Ghost Lake

Educator & Series Information
Dual-Language: English and Anishinaabemowin.

Anishinaabemowin translation by Patricia BigGeorge, who is an Anishinaabemowin speaker and translator.

This book is Vol. 2 in the Ojibwe History Series.

Additional Information
100 pages | 5.50" x 8.50" | 20 illustrations | Paperback 

A young Indigenous girl searching for a sense of home finds strength and courage in her gifts, her deepening connection to the land, and her own cultural awakening in this moving coming-of-age story.

The last thing that twelve-year old Misko wants to do is to move away from the city to spend time on the rez with her grandmother. And yet she feels strangely compelled to go, drawn by a pull that she feels in her dreams. Maybe she can finally find out what happened to her mother, who mysteriously disappeared when Misko was four years old.

Misko’s relationship to the rez shifts when she encounters a spirited horse named Mishtadim. But Mishtadim is being violently broken by the rancher next door and his son Thomas. Misko and Thomas clash at first, only to find themselves drawn together by the wild horse. As Misko slowly discovers her unique bond with Mishtadim, she feels a sense of belonging and comes to understand the beauty of the world all around her.

She Holds Up the Stars is a powerful story of reconciliation and the interwoven threads that tie us to family, to the land, and to our own sense of self.

Educator Information
Recommended for ages 10 to 14.

Additional Information
192 pages | 5.50" x 7.50" | Paperback

From the 1960s through the 1980s the Canadian Children's Aid Society engaged in a large-scale program of removing First Nations children from their families and communities and adopting them out to non-Indigenous families. This systemic abduction of untold thousands of children came to be known as the Sixties Scoop. The lasting disruption from the loss of family and culture is only now starting to be spoken of publicly, as are stories of strength and survivance.

In Silence to Strength: Writings and Reflections on the 60s Scoop, editor Christine Miskonoodinkwe Smith gathers together contributions from twenty Sixties Scoop survivors from across the territories of Canada. This anthology includes poems, stories and personal essays from contributors such as Alice McKay, D.B. McLeod, David Montgomery, Doreen Parenteau, Tylor Pennock, Terry Swan, Lisa Wilder, and many more. Courageous writings and reflections that prove there is strength in telling a story, and power in ending the silence of the past.

Reviews
"This is an excellent collection and I recommend it to all who are interested in learning the truth about Indigenous Peoples by reading what they have written, not what has been written about them by non-Indigenous writers. The striking cover art is by George Littlechild, also a survivor of the Sixties Scoop." - MariJo Moore

Additional Information
140 pages | 5.50" x 8.50" | Paperback

In this faithful retelling of a traditional story from the Kugaaruk region, told by Elder Levi Illuitok, a father must save his infant child from an amajurjuk, an ogress known to steal children. When the ogress takes advantage of the child’s mother being blind to trick her into giving away her child, the child’s father embarks on a quest to save his infant from certain death.

Educator Information
Recommended for ages 9 to 12.

Additional Information
28 pages | 8.00" x 9.50" | Paperback

Windy Lake First Nation is hosting the annual Trappers Festival, and the four Mighty Muskrats are excited about the sled-dog races and the chance to visit with family and friends from far and wide. But during the Teen Sled Race, the lead dog is the victim of a frightening accident that may be more than it seems.

Between mysterious strangers seen lurking by the trail and a loud group of animal rights protestors, the Muskrats have a lot of suspects. Despite the chill of winter, the case is heating up for Sam, Otter, Atim, and Chickadee!

Educator & Series Information
This book is part of the fun and adventurous A Mighty Muskrat Mystery Series. This series puts an Indigenous spin on the classic Hardy Boys and Three Investigators books. 

Recommended for ages 9-12.

Additional Information
232 pages | 5.25" x 7.50" | Paperback

I don’t recall seeing books when I was a little boy. But the old people, they grew up listening to stories. And so, every night, when the old people were done their evening prayers, they would sit and they would tell us stories too.

At the time of the spring thaw, the Rocky Cree fill their canoes with furs, eager to trade with the new visitors in mistiwāsahak (Hudson Bay). But not all of the new visitors are welcome.

When the canoes return home to the shores of the misinipī river, the Rocky Cree begin to collapse one by one, drenched in sweat and slowly slipping into delirium. Kākakiw struggles to help the sick as more and more people pass into the spirit world. Exhausted physically, emotionally, and spiritually, he seeks guidance through prayer.

Hope finally comes with a visitor in the night: one of the Little People, small beings who are just like us. If Kākakiw can journey to their home, he will be given the medicine his people need. All he has to do is paddle through a cliff of solid bedrock to get there.

To save his people from certain death, Kākakiw must overcome doubt to follow the traditional teachings of the Asiniskaw Īthiniwak and trust in the gift of the Little People.

In this illustrated short story for all ages, celebrated Rocky Cree storyteller William Dumas shares a teaching about hope in the face of adversity. This book is a companion story to The Six Seasons of the Asiniskaw Īthiniwak series.

Reviews
"A tale rich with warmth and wonder that not only documents traditions but carries them on." — David A. Robertson, author The Barren Grounds

Educator & Series Information
Recommended for ages 9 to 11.

Reading Level: Lexile® Framework for Reading: 870L

This book is a companion story to The Six Seasons of the Asiniskaw Īthiniwak series. This series is about the Asiniskaw Īthiniwak (Rocky Cree) of Northern Manitoba. Corresponding to the six seasons of sīkwan (spring), nīpin (summer), takwakin (fall), mikiskow (freeze-up), pipon (winter), and mithoskamin (break-up), the books explore the language, culture, knowledge, territory, and history of the 17th century Rocky Cree people through story and images. The groundbreaking series centres Indigenous ways of knowing and includes insights from a wide range of disciplines—cross-cultural education, history, archaeology, anthropology, linguistics, literature, oral culture and storytelling, experiential and community-based learning, and art.

Contains some Cree language/words, and a glossary of them.

Additional Information
48 pages | 6.00" x 9.00" | Hardcover

The Missing Caribou Hide is a story that passes through the years in Tłı̨chǫ history. It tells of times when people lived a simpler life built around the fur trade, hard work and helping one another. It tells of times when relationships with animals and our environment were stronger than they are today.

In this story, a young girl who lives with her grandmother, wishes to own a sled so that she can go sliding like the other children in her community. However, her grandmother needs her to help with chores around the home. The young girl has developed a friendship with Tatsǫ̀ (Raven), Į̀hk'aa (Canada Jay), Nǫ̀mba (Weasel) and Nǫge (Fox). Because of her kindness, the four animal friends decide to help her out.

Included in this book is the use of Tłı̨chǫ language as well as Tłı̨chǫ legends told about these animals from the traditional stories of community elders. It has been edited and translated by the community members themselves.

Reviews
“This book is a reminder of Tlicho and their relationship and connections to their environment and the animals they share their lands with. These stories are important teachings to the cultural history of the Dene People. Not only should the book be in every classroom, but every Canadian should also read these stories to help understand Indigenous peoples and their culture. "The Missing Caribou Hide" can help bridge the gap between not only Tlicho parent and child, but also help connect Indigenous and non-indigenous Canadians alike." — Paul Andrew, Order of the Northwest Territories

Educator Information
Recommended for children.

Included in this book is the use of Tlicho language as well as Tlicho stories told about these animals from the traditonal stories of community elders.  It has been edited and translated by the community members themselves.  A pronunciation guide is found at the back of the book.

Includes a Christmas story.

Additional Information

48 pages | 8.50" x 11.00" | Paperback

“The Net” features a girl and her mother, known only as the mother and the daughter, who arrive at their secluded cabin on a frozen lake to find their fishing net has been attacked, a massive hole ripped through the middle. After the net has been mended and the night’s catch eaten, the daughter sits awake playing with a bit of leftover netting string. When she was a girl, her grandmother taught her to make string figures—just as her mother had taught her—a game played by Inuit for generations, but a game not to be taken lightly . . . as the daughter plays late into the night, and the mother sleeps, other monstrous forces are soon awakened from beneath the frozen lake.

In “Before Dawn” a young boy runs out onto the tundra to play with his new friend by his side, venturing far beyond his mother’s rule that he not stray past the inuksuk on the horizon. The boy’s friend beckons him farther and farther, and the farther they get from home, the more the friend seems to change . . . and shift . . . until he is no longer human at all. Horrified, the boy listens to the creature’s proposition: return home before dawn, or be lost forever to the other side . . .

Complemented by colour illustrations from illustrator Toma Feizo Gas, The Other Ones is a fresh take on modern horror by an exciting new Inuit voice.

Educator Information
Short stories.

Additional Information
50 pages | 6.75" x 8.75" | Hardcover

Award-winning Indigenous author Harold R. Johnson discusses the promise and potential of storytelling.

Approached by an ecumenical society representing many faiths, from Judeo-Christians to fellow members of First Nations, Harold R. Johnson agreed to host a group who wanted to hear him speak about the power of storytelling. This book is the outcome of that gathering. In The Power of Story, Johnson explains the role of storytelling in every aspect of human life, from personal identity to history and the social contracts that structure our societies, and illustrates how we can direct its potential to re-create and reform not only our own lives, but the life we share. Companionable, clear-eyed, and, above all, optimistic, Johnson’s message is both a dire warning and a direct invitation to each of us to imagine and create, together, the world we want to live in.

Reviews
"Recently in conversation with a friend I remarked that the whole world is a story. Harold Johnson fills that phrase with profound meaning in The Power of Story as he takes ancient figures and modernizes their storied wit and role in creating the worlds we perceive and the boundaries we need. Harold blessed us one last time with a profound conversation on the role of story in every aspect of our lives."—Michelle Good, author of Five Little Indians

“The Power of Story begins where all great stories begin: around a fire. Harold Johnson gives us a seat at the fire to listen and take into ourselves some spellbinding, bracing, and provocative stories told with a view to healing and transforming. As Harold writes ‘It’s starting to get darker now, and a bright fire will help.’ The Power of Story is that bright fire. And it will help. His final book is a balm for our times.”—Shelagh Rogers

Additional Information
192 pages | 5.00" x 8.00" | Paperback

It's a race against time to save Eli, in this third book in the award-winning, Narnia-inspired Indigenous middle-grade fantasy series. 

After discovering a near-lifeless Eli at the base of the Great Tree, Morgan knows she doesn't have much time to save him. And it will mean asking for help — from friends old and new. Racing against the clock, and with Arik and Emily at her side, Morgan sets off to follow the trail away from the Great Tree to find Eli's soul before it's too late. As they journey deep into the northern woods, a place they've been warned never to enter, they face new challenges and life-threatening attacks from strange and horrifying creatures. But a surprise ally comes to their aid, and Morgan finds the strength to focus on what's most important: saving her brother's life. 

Reviews
"Girl power is front and center in the latest Misewa adventure . . . there's a lot of urgencies, a lot of action, a lot of emotion as events include satisfying reunions and heartbreaking loss." —Common Sense Media

"As readers, we were able to learn a lot about Cree culture in a way that's not achievable through textbooks . . . these books would be a great addition to any classroom library." —The Suburban

Educator & Series Information
Recommended for ages 10+

This is Book 3 in the Misewa Saga. Narnia meets traditional Indigenous stories of the sky and constellations in this epic middle-grade fantasy series from award-winning author David Robertson.

Additional Information
256 pages | 5.50" x 8.19" | Paperback 

In this complex and emotionally resonant novel about a Métis girl living on the Canadian prairies, debut author Jen Ferguson serves up a powerful story about rage, secrets, and all the spectrums that make up a person—and the sweetness that can still live alongside the bitterest truth.

Lou has enough confusion in front of her this summer. She’ll be working in her family’s ice-cream shack with her newly ex-boyfriend—whose kisses never made her feel desire, only discomfort—and her former best friend, King, who is back in their Canadian prairie town after disappearing three years ago without a word.

But when she gets a letter from her biological father—a man she hoped would stay behind bars for the rest of his life—Lou immediately knows that she cannot meet him, no matter how much he insists.

While King’s friendship makes Lou feel safer and warmer than she would have thought possible, when her family’s business comes under threat, she soon realizes that she can’t ignore her father forever.

Reviews
"Debut author Ferguson, who is Métis and White, touches on intergenerational family suffering at the hands of the state, mental health, substance abuse, racism, sexual harassment and assault, and missing and murdered Indigenous women—all with nuance and care. Heart-rending and healing; a winning blend that will leave readers satisfied."— Kirkus Reviews (starred review)

"Young adult readers can relate to the struggles Lou is facing as she navigates her transition from high school to college, and also use them as a conversation starter about race, identity, sexuality, dating, and friendship." — Horn Book (starred review)

"In a layered first-person portrayal of a young Indigenous woman navigating the edge of adulthood, Ferguson (who is Métis and white) tackles necessary issues—of identity and sexuality alongside colonialism, generational trauma, racism, physical and sexual assault, and substance reliance—through well-wrought, complicated characterizations and prose that sings with poetry." — Publishers Weekly (starred review)

"Ferguson’s frank and powerful debut opens readers’ eyes to the multiplicity of daily traumas faced by people of color, especially Indigenous women and girls. Ferguson, herself Michif/Métis and white, boldly writes on many challenging topics, including racism, physical violence, sexual identity, sexual assault, and teen alcohol use. Lou is complex, smart, and honest, and a narrator readers will trust, love, and learn from as she works to repair friendships and gain security for her treasured family." — Booklist (starred review)

Educator Information
Recommended for ages 13+

This book is part of the Heartdrum imprint centers a wide range of intertribal voices, visions, and stories while welcoming all young readers, with an emphasis on the present and future of Indian Country and on the strength of young Native heroes. In partnership with We Need Diverse Books.

Content Warnings for The Summer of Bitter and Sweet: discussion of sexual assault, instances of racism, instances of physical assault, instances of intimate partner abuse, discussions of drug use, discussions of under-aged alcohol use, instances of arson.

Additional Information
384 pages | 5.31" x 8.00" | Paperback

A poignant and evocative novel about the bonds of family and the gifts offered by the land.

When a troubled father and his estranged teenage daughter head out onto the land in search of the family trapline, they find their way back to themselves, and to each other.

Deep in the night, Matthew paces the house, unable to rest. Though his sixteen-year-old daughter, Holly, lies sleeping on the other side of the bedroom door, she is light years away from him. How can he bridge the gap between them when he can’t shake the emptiness he feels inside? Holly knows her father is drifting further from her; what she doesn’t understand is why. Could it be her fault that he seems intent on throwing everything away, including their relationship?

Following a devastating tragedy, Matthew and Holly head out onto the land in search of a long-lost cabin on the family trapline, miles from the Cree community they once called home. But each of them is searching for something more than a place. Matthew hopes to reconnect with the father he has just lost; Holly goes with him because she knows the father she is afraid of losing won’t be able to walk away.

When things go wrong during the journey, they find they have only each other to turn to for support. What happens to father and daughter on the land will test them, and eventually heal them, in ways they never thought possible.

Reviews
“Robertson shines in A Theory of Crows, a multilayered story of love, loss, healing and ultimately belonging. A family on the brink of shattering finds its way through ancient teachings of infinite connection and the roots of truth in the earth’s living memory.” — Michelle Good, author of Five Little Indians, winner of CBC Canada Reads

“In weaving together themes of identity, belonging, grief and land, The Theory of Crows is a novel that approaches rapture.” — Yann Martel, author of The High Mountains of Portugal and Life of Pi

“A brilliantly empathetic story that is both gentle and fierce.” — Thea Lim, author of An Ocean of Minutes

Additional Information
320 pages | 6.00" x 9.00" | Paperback

From epic ventures into mythic and fantastical tales to the everyday trials of getting the laundry done, NShannacappo’s debut poetry collection follows many journeys through darkness to hope, healing and heroism. Pure and hauntingly beautiful turns of phrase sound out in the voices of angels, monsters and demons, mythic characters, and the sometimes wry, sometimes grieving voice of a man once broken in heart, spirit, and mind. Through the Eyes of Asunder begins and ends with hope, and takes the reader through sorrow and sadness to bright moments of happiness and love.

Reviews
“Neal Shannacappo is a spiritual thinker. The poetry and life’s perspectives he shares in this collation remind us of the unconditional love and support one can access through the Creator-given learning ways we as human beings are blessed to be born with. Read his words! Feed them to your heart, digest them spiritually and you will benefit from the medicine intended in every word and stanza.”—Albert Dumont, 2021–2022 Poet Laureate for Ottawa and author of Sitting by the Rapids.

“Reading this book, it felt many times like I had stumbled upon a shoebox filled with letters not sent and journals put away for safekeeping. You feel like you shouldn’t pry, but you just can’t help yourself. It was a wonderful read.”—John Brady McDonald, author of KITOTAM

Additional Information
143 pages | 6.00" x 9.00" | 6 illustrations | Paperback

The poems in Trailer Park Shakes are direct and vernacular, rooted in community--a working-class Métis voice rarely heard from.

These poems, while dreamlike and playful, bear unflinching witness to the workings of injustice--how violence is channeled through institutions and refracted intimately between people, becoming intertwined with the full range of human experience, including care and love. Trailer Park Shakes is a book that seems to want to hold everything--an entire cross-section of lived experience--written by a poet whose courage, attention, and capacity to trace contradiction inspire trust in her words' embrace. Dion-Glowa's poems are quietly philosophical, with a heartfelt, self-possessed politic.

Reviews
"Dion-Glowa's voice crackles with frank, startling insight." — Sachiko Murakami, author of Render

"As I read this work, I was taken back, time and again, to those days when I was a young street poet who had so much to say at a time where it felt like no one was listening. There are many times when sentiment needs to be expressed in the most bold and unapologetic way it can, and the brashness and frank delivery found in this work is the hallmark of a collection that should and will rattle your cage and shine a light where it is needed. These are not exploitative poems, nor are they the Victim Impact Statement of a wounded spirit. This collection is the chronicle of an eyewitness to reality, without compromise." — John Brady McDonald, Nehiyawak-Metis poet and artist, author of Kitotam

Additional Information
96 pages | 5.75" x 8.50" | Paperback

In this final installation of the Overhead Series, Lucy Hemphill once again transports the reader with intimate revelations on identity by exploring both her personal and ancestral relationship to the forest and the quiet sentinels that root together everything. Hemphill’s prose is extraordinary in its combination of self-awareness yet unselfconscious honesty and skillful restraint, creating a sense of connection under the tangle of foliage and limb that ever-reach skyward. Masterfully illustrated by artist Michael Joyal, his evocative dendrological drawings contribute to the overall sensory and transcendent experience.

Reviews
"Lucy Hemphill has done a marvellous thing. Her book is a passkey that opens a door into the forest of her childhood. Her voice is gentle but direct, the author tells us the story of trees, their gift and our loss if we are not careful. Enhanced with Michael Joyal’s rich illustrations, Hemphill uses her Indigenous language to teach us that trees are our ancestors, living spirits, and as such we are to honour them." – Mary Barnes

Educator & Series Information
This book is part of the Overhead Series.

Additional Information
96 pages | 8.50" x 5.50" | 20 illustrations | Fiction

A heart-rending true story about racism and reconciliation.

Divided by a beautiful valley and 150 years of racism, the town of Rossburn and the Waywayseecappo Indian reserve have been neighbours nearly as long as Canada has been a country. Their story reflects much of what has gone wrong in relations between Indigenous Peoples and non-Indigenous Canadians. It also offers, in the end, an uncommon measure of hope.

Valley of the Birdtail is about how two communities became separate and unequal—and what it means for the rest of us. In Rossburn, once settled by Ukrainian immigrants who fled poverty and persecution, family income is near the national average and more than a third of adults have graduated from university. In Waywayseecappo, the average family lives below the national poverty line and less than a third of adults have graduated from high school, with many haunted by their time in residential schools.

This book follows multiple generations of two families, one white and one Indigenous, and weaves their lives into the larger story of Canada. It is a story of villains and heroes, irony and idealism, racism and reconciliation. Valley of the Birdtail has the ambition to change the way we think about our past and show a path to a better future.

Reviews
"Meticulously researched and written with compassion, Valley of the Birdtail draws two parallel lines hopelessly distant, and then shows us a pathway through which they can come together. It’s a work of trauma, of broken relationships, of how we perceive one another, but ultimately, it’s a story of possibility and healing." — David A. Robertson, author of Black Water: Family, Legacy, and Blood Memory

"This is a magnificent book. It’s a new history of Canada, as lived in two communities—Rossburn and Waywayseecappo—who shared the same valley but never lived the same reality. I am haunted by what I learned and touched by the hope that these communities can teach us all how to live together in peace and justice. A truly extraordinary achievement: peeling back the layers of the history, searching through the records, but never once losing the characters, the detail, the grit of lives lived. I'm just so impressed." — Michael Ignatieff, author of On Consolation: Finding Solace in Dark Times

Additional Information
384 pages | 6.00" x 9.00" | Hardcover

With Cole barely clinging to life, Eva fearlessly takes the lead to investigate Mihko’s diabolical experiments. But where’s Brady?

After finding out Mihko reinstated the Reckoner Initiative in Breakdown, Cole and Eva confronted Mihko head-on. But when Eva stumbles across a secret laboratory, she finds her worst nightmares come to life. After a vicious battle with Mihko’s newest test subject leaves Cole close to death, Eva is forced to continue their investigation without him. With Brady missing and Cole in recovery, Eva is on her own.

What new terrors has Mihko created? Can they be stopped? And can Eva find Brady before it’s too late?

Awards

• Manuela Dias Book Design and Illustration Awards, Graphic Novel 2023 Winner

Educator & Series Information
Recommended for ages 15 to 18.

This graphic novel series, The Reckoner Rises, is a continuation of The Reckoner trilogy.  This is the first volume in the series.

Subjects / Themes: Indigenous, Science Fiction, Mental Illness, Superheroes

Additional Information
80 pages | 6.50" x 10.00" | Paperback

The story of an overlooked group of cultural visionaries

The “Micmac Indian Craftsmen” of Elsipogtog (then known as Big Cove) rose to national prominence in the early 1960s. At their peak, they were featured in print media from coast to coast, their work was included in books and exhibitions — including at Expo 67 — and their designs were featured on prints, silkscreened notecards, jewelry, tapestries, and even English porcelain.

Primarily self-taught and deeply rooted in their community, they were among the first modern Indigenous artists in Atlantic Canada. Inspired by traditional Wabanaki stories, they produced an eclectic range of handmade objects that were sophisticated, profound, and eloquent.

By 1966, the withdrawal of government support compromised the Craftsmen's resources, production soon ceased, and their work faded from memory. Now, for the first time, the story of this groundbreaking co-operative and their art is told in full. Accompanying a major exhibition at the Beaverbrook Art Gallery opening in 2022, Wabanaki Modern features essays on the history of this vibrant art workshop, archival photographs of the artisans, and stunning full-colour images of their art.

Wla atukuaqn na ujit ta'nik mu ewi'tamuki'k tetuji kelulkɨpp ta'n teli amaliteka'tijik

Wla “Mi'kmewaqq L'nue'k amaliteka'tijik” tlo'ltijik Elsipogtog (amskweseweyekk i'tlui'tasikɨpp Big Cove) poqji wuli nenupnikk wla amaliteka'tijik 1960ekk. Je wekaw wutlukowaqnmuwow ika'tasikɨpp wikatikniktuk aqq ne'yo'tasikɨpp ta'n pukwelk ta'n wen nmitew — je wekaw Expo 67 — aqq ta'n koqoey kisi napui'kmi'tipp tampasɨk koqoey eweketu'tij stike' l'taqnewi'kasik, napui'kn misekn, wi'katikne'ji'jk, meko'tikl kuntal, kaqapitkl l'taqa'teke'l, aqq wekaw akalasie'we'k eptaqnk. Nekmow na kekina'masultijik aqq melki knukwi'tij ta'n tett telayawultijik, nekmow na amskewsewa'jewaqq l'nu'k tel nenujik ujit ta'n teli amaliteka'tijik ujit Atlantic Canada. Pema'lkwi'titl a'tukuaqnn ta'n sa'qewe'l, ta'n wejiaqel a'tukuaqnn Wabanaki, l'tu'tipp kaqasi milamu'k koqowey toqo eweketu'titl wutpitnual tetuji moqɨtekl, ma'muntekl, aqq weltekl.

Wekaw 1966ekk, kpno'l pun apoqnmuapni wla amaliteka'tikete'jɨk jel kaqnma'tijik ta'n koqoey nuta'tipp, amuj pana pun lukutipnikk, aqq tel awantasuwalutki'k. Nike', amskwesewey, wla a'tukuaqn tetuji msɨki'kɨpp wla wut lukewaqnmuwow etel kaqi a'tukwasikk. Wije'tew meski'k neya'tmk Beaverbrook Art Gallery pana'siktetew 2022al, Wabanaki Modern na pema'toql wikikaqnn ujit ta'n pemiaqɨpp wla tetuji wulamu'kɨpp kisitaqnne'l telukutijik, maskutekl sa'qewe'l napuikasikl toqo nemu'jik etl-lukutijik wla lukewinu'k, aqq sikte wultek aqq welamu'k ta'n koqoey kisitu'tij.

L'histoire d'un groupe de visionnaires culturels ignorés

Un groupe d'artisans mi'kmaw d'Elsipogtog (autrefois Big Cove) au Nouveau-Brunswick se fit connaître à travers le Canada au début des années 1960. À l'apogée de leur renommée, les Micmac Indian Craftsmen firent l'objet d'articles dans des publications d'un océan à l'autre. Leur travail figura dans des livres et des expositions — dont Expo 67 à Montréal — et leurs œuvres graphiques furent reproduites sous forme de gravures et de sérigraphies, et elles ornèrent de la papeterie, des bijoux, des tapisseries et même de la porcelaine anglaise.

En grande partie autodidactes et solidement enracinés dans leur communauté, les Micmac Indian Craftsmen furent parmi les premiers artistes autochtones modernes au Canada atlantique. En s'inspirant de récits traditionnels wabanakis, ils fabriquaient à la main une gamme variée d'objets raffinés, évocateurs et porteurs d'un sens profond.

En 1966, toutefois, le gouvernement retira son soutien. Les Craftsmen perdirent leur financement, la production cessa peu après et leur œuvre finit par être oubliée. Une nouvelle publication relate maintenant, pour la première fois, l'histoire complète de cette coopérative innovatrice et de ses réalisations. Publié dans le cadre d'une grande exposition qui a lieu à la Galerie d'art Beaverbrook en 2022, Wabanaki Moderne comprend des textes sur l'histoire de cet atelier dynamique, des photographies d'archives des artisans et de superbes illustrations couleur de leurs œuvres.

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Delivered in three languages: English, Mi'kmaw, and French

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228 pages | 10.00" x 10.00" | Paperback | 96 Colour Reproductions and Photos, 26 Black and White Illustrations and Archival Photos 

Pinesiw Iskwew, Thunder Woman, Dr. Marlyn Cook, member of Misipawistik Cree Nation is the author of Walking the Red Road for Healing. This book is based on her life and journey as a Cree Woman, Pipe Carrier, Sundancer, Sweat Lodge Keeper, and medical doctor (graduate MD 1987). She believes the approach for healing must be holistic and that our Traditional Healers work alongside physicians in our Indigenous communities. Dr. Marlyn Cook shares her own experiences of colonialism and how this affected her, her family and her community. Through her reflections of her Indigenous Knowledge, her Traditional Teachings of Ceremonies and Medicines, she acknowledges the resilience of communities in their healing and provides ways to heal. Dr. Cook’s intention in this powerful book is to bring us together in Truth and Reconciliation. This book will resonate with health, social, and justice prac

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Keywords / Themes: Adult Education, Health & Healing, Traditional Teachings, Indigenous Knowledge, Truth and Reconciliation.

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Pages: 200 | Paperback

A “kunik” is a traditional Inuit greeting, often given to loved ones, in which a person places their nose on another’s cheek and breathes them in. Where the Sea Kuniks the Land extends that gesture of love to the Arctic landscape, in a suite of poems that celebrates the interconnectedness of people and place, past and present.

The importance of land, culture, and identity play key roles in these poems, and the collection will move readers to think deeply about colonization, intergenerational trauma, and grief.

This collection paints beautiful pictures of Arctic landscapes, love stories, and growth. It will take readers on a journey through the seasons, from fierce snowstorms to a warm field of Labrador tea flowers.

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80 pages | 7.00" x 9.25" | Paperback