Various Indigenous Contributors

In Keetsahnak / Our Murdered and Missing Indigenous Sisters, the tension between personal, political, and public action is brought home starkly as the contributors look at the roots of violence and how it diminishes life for all. Together, they create a model for anti-violence work from an Indigenous perspective. They acknowledge the destruction wrought by colonial violence, and also look at controversial topics such as lateral violence, challenges in working with “tradition,” and problematic notions involved in “helping.” Through stories of resilience, resistance, and activism, the editors give voice to powerful personal testimony and allow for the creation of knowledge. 

It’s in all of our best interests to take on gender violence as a core resurgence project, a core decolonization project, a core of Indigenous nation building, and as the backbone of any Indigenous mobilization. —Leanne Betasamosake Simpson

Contributors: Kim Anderson, Stella August, Tracy Bear, Christi Belcourt, Robyn Bourgeois, Rita Bouvier, Maria Campbell, Maya Ode’amik Chacaby, Downtown Eastside Power of Women Group, Susan Gingell, Michelle Good, Laura Harjo, Sarah Hunt, Robert Alexander Innes, Beverly Jacobs, Tanya Kappo, Tara Kappo, Lyla Kinoshameg, Helen Knott, Sandra Lamouche, Jo-Anne Lawless, Debra Leo, Kelsey T. Leonard, Ann-Marie Livingston, Brenda Macdougall, Sylvia Maracle, Jenell Navarro, Darlene R. Okemaysim-Sicotte, Pahan Pte San Win, Ramona Reece, Kimberly Robertson, Leanne Betasamosake Simpson, Beatrice Starr, Madeleine Kétéskwew Dion Stout, Waaseyaa’sin Christine Sy, Alex Wilson

Educator Information
Useful for these subject areas: Women's Studies, Indigenous History, Sociology, Gender Studies, Social Science: Violence in Society.

Additional Information
400 pages | 6.00" x 9.00"

In 1867, Canada’s federal government became responsible for the education of Indigenous peoples: Status Indians and some Métis would attend schools on reserves; non-Status Indians and some Métis would attend provincial schools. The chapters in this collection – some reflective, some piercing, all of them insightful – show that this system set the stage for decades of broken promises and misguided experiments that are only now being rectified in the spirit of truth and reconciliation. The contributors individually explore what must change in order to work toward reconciliation; collectively, they reveal the possibilities and challenges associated with incorporating Traditional Knowledge and Indigenous teaching and healing practices into school courses and programs.

Reviews
"This book provides innovative reflections on long-standing issues in Indigenous education in Canada and suggests possible pathways to address the educational debt that Canada owes Indigenous peoples. I recommend it to educators, students, and administrators, to anyone interested in learning about the history of residential schools, and to all readers who are interested in reconciliation and decolonisation." — Valentina de Riso, Nottingham Trent University, British Journal of Canadian Studies

"There is no doubting the importance of the subject tackled by this edited collection... In eleven highly diverse chapters, plus a substantial introduction by editor Sheila Carr-Stewart, this collection seeks to shed light on the mechanisms of educational exclusion and sound out the prospects for a different kind of education in the future." — Mark Fettes, Simon Fraser University, University of Toronto Quarterly

"Readers who are new to the topic, such as practicing teachers who wish to enhance their responsiveness to Indigenous students or undergraduate history majors, will gain accessible historical and policy context, alongside complex and nuanced representations of the challenges that pervade Indigenous education today." — Heather E. McGregor, Historical Studies in Education

"Knowing the Past, Facing the Future is critical reading for those invested in Indigenous education, as all Canadians ought to be. By confronting colonialism and racism as they intersect with reconciliation, the contributors of this collected work address the role and responsibility of education in decolonizing a society. I recommend this book be read by all educators."— Margaret Kovach, author of Indigenous Methodologies: Characteristics, Conversations, and Contexts

"New and seasoned readers to Indigenous education in Canada will value how the authors tackle old issues in new ways, uncover challenges that have been ignored, and present innovative possibilities that learn from the past for a much better future."— Jo-ann Archibald (Q’um Q’um Xiiem), co-editor of Decolonizing Research: Indigenous Storywork as Methodology

"This must-read collection of essays provides needed historic reflections on treaties and Indigenous peoples’ aspirations for education, and much needed insight, support, and research to address the reconciliation agenda and correct the longstanding educational debt owed Indigenous peoples."— Marie Battiste, author of Decolonizing Education: Nourishing the Learning Spirit

Educator Information
Contributors: Jonathan Anuik, Michael Cottrell, Karlee D. Fellner, Rosalind Hardie, Darryl Hunter, Harry Lafond, Solange Lalonde, Brooke Madden, Yvonne Poitras Pratt, Jane P. Preston, Larry Prochner, Noella Steinhauer

Additional Information
312 pages | 6.00" x 9.00" | Paperback

Listening to the Beat of Our Drum: Indigenous Parenting in a Contemporary Society is a collection of stories, inspired by a wealth of experiences across space and time from a kokum, an auntie, two-spirit parents, a Métis mother, a Tlinglit/Anishnabe Métis mother and an allied feminist mother. This book is born out of the need to share experiences and story. Storytelling is one of the most powerful forms of passing on teachings and values that we have in our Indigenous communities. This book weaves personal stories to explore mothering practices and examines historical contexts and underpinnings that contribute to contemporary parenting practices. We share our stories with the hope that it will resonate with readers whether they are in the classroom or in the community. Like our contributors, we are from all walks of life, sharing diverse perspectives about mothering whether it be as a mother, auntie, kokum or other adopted role.

Additional Information
125 pages | 5.80" x 8.90"

A powerful, moving anthology that celebrates the breadth of Native poets writing today.

Joy Harjo, the first Native poet to serve as U.S. Poet Laureate, has championed the voices of Native peoples past and present. Her signature laureate project gathers the work of contemporary Native poets into a national, fully digital map of story, sound, and space, celebrating their vital and unequivocal contributions to American poetry.

This companion anthology features each poem and poet from the project—including Natalie Diaz, Ray Young Bear, Craig Santos Perez, Sherwin Bitsui, and Layli Long Soldier, among others—to offer readers a chance to hold the wealth of poems in their hands. The chosen poems reflect on the theme of place and displacement and circle the touchpoints of visibility, persistence, resistance, and acknowledgment. Each poem showcases, as Joy Harjo writes in her stirring introduction, “that heritage is a living thing, and there can be no heritage without land and the relationships that outline our kinship.” In this country, poetry is rooted in the more than five hundred living indigenous nations. Living Nations, Living Words is a representative offering.

Additional Information
192 pages | 6.43" x 8.62"

A bold and breathtaking anthology of queer Indigenous speculative fiction, edited by the author of Jonny Appleseed.

This exciting and groundbreaking fiction collection showcases a number of new and emerging 2SQ (Two-Spirit and queer) Indigenous writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism's histories.

Here, readers will discover bioengineered AI rats, transplanted trees in space, the rise of a 2SQ resistance camp, a primer on how to survive Indigiqueerly, virtual reality applications, mother ships at sea, and the very bending of space-time continuums queered through NDN time. Love after the End demonstrates the imaginatively queer Two-Spirit futurisms we have all been dreaming of since 1492.

Contributors include Nathan Adler, Darcie Little Badger, Gabriel Castilloux Calderon, Adam Garnet Jones, Mari Kurisato, Kai Minosh Pyle, David Alexander Robertson, jaye simpson, and Nazbah Tom.

Reviews
"Many of the stories offer portraits of a dead Earth from which new life springs, and all are ultimately uplifting, hinting at a way forward through the darkness of the present. Drawing on deep wells of history and experience, these powerful stories are sure to impress." —Publishers Weekly

"The so-called end times feel so perilously close right now. With such a cacophony of anxiety, despair, and cynicism bearing down on us, it is sometimes easy to forget that Indigenous peoples have been here before, and we still remain to uphold our responsibilities to the world and to one another. Our stories guide us forward into an ever-uncertain future, just as they guide us back home. And as editor Joshua Whitehead affirms in the introduction, Love after the End is a book we need right now - and well beyond the now. The stories here are difficult, they're beautiful, they're hilarious and sad and frightening and hopeful. But more than all of that, they guide us back to ourselves and to our relations on a shimmering trail of song and stardust. The two-spirit visionaries in this collection remind us in so many ways that the world is a wounded relative in need of healing, and that to abandon her in this time of trial is to betray the sacred bonds of kinship that we were meant to carry with courage and compassion. I am grateful beyond words that this book is in the world, and grateful to the writers, artists, and editor for the gift of (re)imagining futures where Indigenous love, liberation, and laughter flourish far beyond the settler imaginary. —Daniel Heath Justice, author of Why Indigenous Literatures Matter

"Each of these smart, stunning, imaginative stories has not only fuelled my imagination but also filled my heart, reminding me how dramatically different it is to experience work written with absolute love. Reading Love after the End is like being handed a glass of fresh water in the middle of the desert." —Alicia Elliott, author of A Mind Spread Out on the Ground

Additional Information
192 pages | 5.80" x 9.00"

The third edition of the iconic collection Making Space for Indigenous Feminism features feminist, queer and two-spirit voices from across generations and locations.

Feminism has much to offer Indigenous women, and all Indigenous Peoples, in their struggles against oppression. Indigenous feminists in the first edition fought for feminism to be considered a valid and essential intellectual and activist position. The second edition animated Indigenous feminisms through real-world applications. This third edition, curated by award-wining scholar Gina Starblanket, reflects and celebrates Indigenous feminism’s intergenerational longevity through the changing landscape of anti-colonial struggle and theory. Diverse contributors examine Indigenous feminism’s ongoing relevance to contemporary contexts and debates, including queer and two-spirit approaches to decolonization, gendered and sexualized violence, storytelling and narrative, digital and land-based presence, Black and Indigenous relationalities and more. This book bridges generations of powerful Indigenous feminist thinking to demonstrate the movement’s cruciality for today.

Reviews
“This collection is all feast, no fluff. It covers foundational elements of Indigenous feminism with depth and breadth and engages issues of national and international importance with considerable insight. Due to its readability and smart use of theory, this book is eminently teachable. I haven't highlighted this much in a long time.”— Margaret Robinson, Canada Research Chair in Reconciliation, Gender, and Identity

“This volume offers a view of the development and expansion of Indigenous feminisms as theory and praxis, reaffirming the validity of our respective Indigenous epistemologies to guide us into the future.”— Jennifer Nez Denetdale (Diné), University of New Mexico

“Multiplying are the calls for transformative healing issued by Indigenous feminism which is, at its core, about Indigenous sovereignty, solidarity, and liberatory justice for all. The diverse and incisive essays in Making Space for Indigenous Feminism (3rd ed) expose ongoing cis-heteropatriarchal settler colonialism, anti-Indigenous racism, and the erasure of gender and sexual diversity (including by Indigenous people ourselves), and their impacts upon minds, bodies, lived experiences, and relationships. Resistance and hope abound in the re-centring of (queer) Indigenous feminist futurisms: world-building that honours the self-determination of Indigenous women, girls, Two-Spirit, and trans folks, and promotes wellbeing for all of Creation.”— Chantal Fiola, author and associate professor, University of Manitoba

“This third edition continues to fulfill the promise of the title to make space for feminist interventions in Canadian Indigenous studies. Each author is committed to relational ethics and transformative praxis in addressing the most pressing issues that create epistemic and material injustices. From the heart rendering an intimate state-of-the-field assessment from pillars in the field, the politics of gender, policy, and violence manifested in Canada currently, to its latter chapters that open up new spaces by continuing to press for just Indigenous futures, of which decentering binaries of gender and sexuality is necessary, we see the importance of Indigenous feminist theorizing and praxis. Confronting gendered violence, heterosexism, disciplinary regimes, and colonialism with honesty and truth telling, Making Space generously offers us new paths to materialize a decolonial world.”— Mishuana Goeman, author of Mark My Words and Settler Aesthetics: Visualizing the Spectacle of Originary Moments in The New World

“Making Space for Indigenous Feminism provides us with powerful voices emerging from and incorporating past, present, and future. Each chapter continues to make space for the power of Indigenous feminisms, as women, femme, Queer, LGBTQS+ and Mad think together in a powerful analysis of our now. This latest edition of a classic, newly edited by Gina Starblanket, includes Elders and youth and brings us back to why Indigenous feminisms are the embodied, lived and felt knowledges that will inform our struggles going forward.”— Dian Million, University of Washington, American IndianStudies

Educator Information
Table of Contents
Extending Our Accounts of Indigenous Feminism—Joyce Green and Gina Starblanket

Section I: Home | Identity | Legacies
- Always Coming Home: Indigenous Identity, Indigenous Feminism, Scholarship and Life—Joyce Green
- Why Am I a Feminist?—Emma LaRocque
- Settler Colonialism in Canada: Making “Indian” Women Disappear—Mary Eberts, Shelagh Day, Sharon McIvor

Section II: Institutions | Representation | Resistance
- Red Ticket Women: Revisiting the Political Contributions of the Indian Rights for Indian Women’s Movement—Gina Starblanket
- Perpetual State of Violence: An Indigenous Feminist Anti-Oppression Inquiry into Missing and Murdered Indigenous Women and Girls—Robyn Bourgeois
- Gender Reveals that Matter: Cis-Heteropatriarchy, Settler Colonialism, and Child Welfare—Megan Scribe

Section III: Land | Relationality | Love
- Towards an Anti-Colonial Feminist Care Ethic—Eva Jewell
- Our Movements Need some Love as Well: Indigenous Land Defense and Relationality—Isabel Altamirano-Jimenez
- Mana Wahine and Mothering at the Loʻi: A Two-Spirit/Queer Analysis—Hōkūlani K. Aikau

Section IV: Decoloniality | Movement | Futurities
- Decolonization is a Queer Desire: Poetics, Politics, Negativity—Billy-Ray Belcourt
- Mad Indigenous Womanhood and the Psycho-Politics of Settler Colonialism—Cara Peacock
- On Black and Indigenous Relationality: A Conversation—Gina Starblanket, Robyn Maynard, Leanne Betasamosake Simpson
- Decolonization is Also Metaphorical: Indigenous Feminist and Queer-Two-Spirit Storywork Matters—Kelly Aguirre

Additional Information
320 pages | 6.00" x 9.00" | Paperback

First Nations, Métis and Inuit artists, activists, educators and writers, youth and elders come together to envision Indigenous futures in Canada and around the world.

Discussing everything from language renewal to sci-fi, this collection is a powerful and important expression of imagination rooted in social critique, cultural experience, traditional knowledge, activism and the multifaceted experiences of Indigenous people on Turtle Island.

In Me Tomorrow: 
Darrel J. McLeod, Cree author from Treaty-8 territory in Northern Alberta, blends the four elements of the Indigenous cosmovision with the four directions of the medicine wheel to create a prayer for the power, strength and resilience of Indigenous peoples.

Autumn Peltier, Anishinaabe water-rights activist, tells the origin story of her present and future career in advocacy—and how the nine months she spent in her mother’s womb formed her first water teaching. When the water breaks, like snow melting in the spring, new life comes.

Lee Maracle, acclaimed Stó:lō Nation author and educator, reflects on cultural revival—imagining a future a century from now in which Indigenous people are more united than ever before.

Other essayists include Cyndy and Makwa Baskin, Norma Dunning, Shalan Joudry, Shelley Knott-Fife, Tracie Léost, Stephanie Peltier, Romeo Saganash, Drew Hayden Taylor and Raymond Yakeleya.

For readers who want to imagine the future, and to cultivate a better one, Me Tomorrow is a journey through the visions generously offered by a diverse group of Indigenous thinkers.

Additional Information
224 pages | 5.50" x 8.50" | Paperback

“Our identity, our sense of belonging, our understanding of being human, is all connected to our relationship with the land. And our relationship with these lands span millennia. Our grandfathers and grandmothers that came before us walked these same ridges, valleys, and trails. They fished the same lakes, streams, and rivers. They cherished memories carried in the pungent smell of the fall tundra, in wafts of spruce, cottonwood, and willow smoke. They ventured throughout these lands until their final rest. Our ancestors are literally part of this land. We are part of this land.” –Evon Peter

The North is changing at an unprecedented rate as industrial development and the climate crisis disrupt not only the environment but also long-standing relationships to the land and traditional means of livelihood. Memory and Landscape: Indigenous Responses to a Changing North explores the ways in which Indigenous peoples in the Arctic have adapted to challenging circumstances, including past cultural and environmental changes. In this beautifully illustrated volume, contributors document how Indigenous communities in Alaska, northern Canada, Greenland, and Siberia are seeking ways to maintain and strengthen their cultural identity while also embracing forces of disruption.

Indigenous and non-Indigenous contributors bring together oral history and scholarly research from disciplines such as linguistics, archaeology, and ethnohistory. With an emphasis on Indigenous place names, this volume illuminates how the land—and the memories that are inextricably tied to it—continue to define Indigenous identity. The perspectives presented here also serve to underscore the value of Indigenous knowledge and its essential place in future studies of the Arctic.

Contributions by Vinnie Baron, Hugh Brody, Kenneth Buck, Anna Bunce, Donald Butler, Michael A. Chenlov, Aron L. Crowell, Peter C. Dawson, Martha Dowsley, Robert Drozda, Gary Holton, Colleen Hughes, Peter Jacobs, Emily Kearney-Williams, Igor Krupnik, Apayo Moore, Murielle Nagy, Mark Nuttall, Evon Peter, Louann Rank, William E. Simeone, Felix St-Aubin, and Will Stolz.

Additional Information
448 pages | 8.00" x 10.00" | 172 Colour Illustrations | Paperback

Authenticity Note: This work contains contributions from Indigenous and non-Indigenous contributors. It is up to readers to determine if this is an authentic work for their purposes.

Featuring the voices of both new and acclaimed Indigenous writers and edited by bestselling Muscogee author Cynthia Leitich Smith, this collection of interconnected stories serves up laughter, love, Native pride, and the world’s best frybread.

The road to Sandy June's Legendary Frybread Drive-In slips through every rez and alongside every urban Native hangout. The menu offers a rotating feast, including traditional eats and tasty snacks. But Sandy June's serves up more than food: it hosts live music, movie nights, unexpected family reunions, love long lost, and love found again.

That big green-and-gold neon sign beckons to teens of every tribal Nation, often when they need it most.

Featuring stories and poems by: Kaua Mahoe Adams, Marcella Bell, Angeline Boulley, K. A. Cobell, A. J. Eversole, Jen Ferguson, Eric Gansworth, Byron Graves, Kate Hart, Christine Hartman Derr, Karina Iceberg, Cheryl Isaacs, Darcie Little Badger, David A. Robertson, Andrea L. Rogers, Cynthia Leitich Smith, and Brian Young.

Reviews
"There's a lot of warmth and gratitude to revel in...Various characters thread through each other’s stories, allowing many of the players more depth and nuance had they only been in one tale, and encouraging the readers to make the thematic connections in cultural identities that are both individually specific and community-wide." — Bulletin of the Center for Children’s Books

"17 Indigenous writers create a web of entertaining, intertwined stories in this uplifting and unusual anthology, ideal for the YA reader who longs for connection and authenticity. Themes of displacement and loneliness, as well as the importance of connection to family, friends, and tribe, permeate the entries, making the collection relevant and accessible for teen readers of any background. As Cheryl Isaacs says in "Heart Berry," "One way or another, Sandy June's never fail[s]." — Shelf Awareness

"The literary conceit that unifies these stories is a magical “NDN Country” frybread drive-in that serves up Native comfort food and wisdom, a “collective dream” where young people in need of connection or healing find themselves among an intertribal community of all ages...many stories mention historical events and all of them touch on family heritage, they also feel quite of-the-moment." — Horn Book Magazine

Educator Information
Recommended for ages 13+.

This collection of interconnected stories features voices of new and acclaimed Indigenous writers.

Additional Information
352 pages | 5.50" x 8.25" | Hardcover 

MOONSHOT: The Indigenous Comics Collection brings together dozens of creators from North America to contribute comic book stories showcasing the rich heritage and identity of indigenous storytelling. From traditional stories to exciting new visions of the future, this collection presents some of the finest comic book and graphic novel work on the continent.

Educator & Series Information
Inhabit Education Books is proud to distribute this important collection of Indigenous comic stories, originally published by Alternate History Comics. Moonshot has been published under Avani, an imprint featuring titles that extend beyond the Canadian North, giving readers the opportunity to explore cultures and stories from all over Canada and around the world.

Ages 12+

This is volume 1 in the series.

Additional Information
176 pages | 6.50" x 10.25" | colour illustrations

Native Explore - Learn from the Animals of the Salish Sea Colouring Book

Colour along as you learn about the significance of animals to the indigenous people of the Pacific Northwest.

This book takes a focus on the creatures that inhabit the area known as the Salish Sea in coastal British Columbia, gathering them together in a colouring book format of medium difficulty.

Features:

• Features the artwork and insights of over 20 indigenous artists.
• Includes fun animal facts.
• Printed in Canada using non-toxic, vegetable-based ink, and water-based coating.
• 24 pages; measures 8.5" x 11".