Haudenosaunee (Iroquois)

Words bawling…Melody howling…Fierce Voice rising

Iz has everything she's ever wanted: she’s found the foster home of her dreams and is attending the prestigious music school she moved heaven and earth to get into. But secrets from her past keep threatening to spill into the present, and Iz is sure that her newfound loved ones will abandon her if they learn of her terrible history.

Despite these fears, Iz does her best to settle into her new life. Hoping to give at-risk children the musical experiences she longed for when she was little, she joins with her classmates and Teo (the boy she sort of kissed and then ghosted all summer) to start a musical outreach program at the community centre she used to go to.

She isn’t quite prepared for the chaotic group of children she’s paired with. And she’s even less ready for Skye, an angry foster kid who challenges everything Iz holds dear, gets a little too close for comfort, and has her own terrible secret.

To help Skye, Iz must make a dreadful choice—a decision that could free them both from their demons or completely destroy everything Iz has fought so hard for. Is raising her voice worth the risk?

Fierce Voice is the sequel to the White Pine Award nominee Iz the Apocaylpse.

Educator & Series Information
Recommended for ages 12 to 18.

This book is part of The Métier Quartet series.

Additional Information
280 pages | 6.00" x 9.00" | Paperback

Homecoming is a poetry collection that reflects our human journey as we grow and learn, and author’s personal journey through childhood, marriage, divorce, parenthood, and parents’ old age, as well as the author’s quest to reclaim and celebrate her Native heritage. The poems in Homecoming are grouped according to the four directions of the Medicine Wheel: East for Beginnings, South for Innocence, West for Going Within, North for Elder and Wisdom, plus three poems for the Centre, the Great Mystery.

Educator & Series Information
This book is part of the Modern Indigenous Voices series.

Additional Information
88 pages | 5.50" x 8.50" | Paperback 

The award-winning Righting Canada's Wrongs series is now available in French for Immersion classrooms!

Starting in 1951, Indigenous children in Canada were taken by social welfare agencies from their families and placed in the care of non-Indigenous families. These children grew up without their birth families, cultural roots, and language. Many tried to run away and some died in the attempt. The taking of the children is known as the Sixties Scoop, though the policies and practices started before the 1960s and lasted long after. Today, Indigenous children are shockingly over-represented in the child welfare system across Canada.

Indigenous communities organized and fought back for their children. In 1985, an official government report condemned the practice.

In the 1990s, lawsuits were filed against the governments who had supported taking the children. In 2018 and 2019, Alberta, Saskatchewan and Manitoba apologized for their roles. In 2020, the Canadian government agreed to a settlement for survivors of the Scoop.

Through hundreds of photos and primary documents, readers meet many survivors of the Scoop. They learn how Indigenous communities fought back to save their children and won, and how Indigenous communities across Canada are working towards healing today.

Reviews
“The Sixties Scoop and the Stolen Lives of Indigenous Children embraces complexity in the history it tells, which is further enhanced by the inclusion of first-hand accounts from survivors of the Scoop. Their stories provide a plurality of experiences, adding additional nuance to the book… It is timely and well-researched, an excellent resource for teachers, librarians, and parents interested in educating young people about the harms these policies had – and continue to have – on Indigenous communities, as well as the continued overrepresentation of Indigenous children in care.” — Quill & Quire

Educator & Series Information
This French book is part of the series Redresser les torts du Canada (Righting Canada's Wrongs series).

Recommended for ages 13 to 18.

This book is available in English: Righting Canada's Wrongs: The Sixties Scoop and the Stolen Lives of Indigenous Children

Additional Information
8.50" x 11.69" | 300 Photographs | Paperback 

"Never let anything or anyone stop you from following where your Spirit says it belongs. . ."

Spirit exists in everything on Mother Earth. If we are open to it, Spirit may guide us through even the darkest of moments.

In this genre-defying blend of poetry and story, Ojibway and Mohawk Elder Dawn Smoke shares all that lives within her heart, mind, and soul. As a young girl confronted with the anger and pain of being scooped from her birth family, Dawn bravely discovers her truth and a path towards healing. She is unwavering in her honesty, a protector of Mother Earth, and a fierce advocate against the oppression of Indigenous people.

Reclaiming what was taken is not an easy feat, yet in doing so, Dawn illuminates the Spirit all around us. This striking memoir, told in spoken word, speaks to the devastating realities of colonization and radiates with the resilience found within culture and community.

Additional Information
120 pages | 5.50" x 8.00" | Paperback 

In this haunting sequel to her deliciously scary debut, Cheryl Isaacs (Mohawk) explores the sharp edges of lingering trauma and the bonds of love that heal us--for fans of She is a Haunting and Sawkill Girls!

Only weeks ago, Avery pulled her best friend, Key, from the deadly black water. The cycle from her family’s Kanyen’kehá:ka (Mohawk) stories is finally broken, the black water is now a harmless lake, and her problems are far from supernatural: All Avery wants is a normal summer with Key, her now-boyfriend.

The trauma, however, casts a long shadow over the town. Some victims never returned. Terrifying memories threaten to resurface, but Avery pushes them down. Who she’s really worried about is Key. The two are supposed to be closer than ever—so why does he feel so distant?

Wracked by anxiety, Avery begins to see a chilling reflection in every mirror, one that moves on its own—and she’s not the only one. With her family’s safety in the balance, Avery must decide: Run away to the safety of normal life with Key, or return to lake’s edge and face her reflection, before her home is subsumed by darkness once and for all….

Reviews
"A deeply rewarding sequel that’s equal parts uncanny and moving. Isaacs compellingly juxtaposes supernatural horrors with Avery’s journey to accept truer versions of herself and those close to her and keeps readers hooked with shocking twists." — Kirkus Reviews (starred review)

"Scary and satisfying... this thrilling sequel delves into a dark mirror world of supernatural threats that spur Avery to connect with her true self and trust her friends and family in new ways. " — Booklist

Educator & Series Information
Recommended for ages 13+

This book is the second book in the series The Unfinished.

Additional Information
336 pages | 5.50" x 8.25" | Hardcover 

Winter Count draws inspiration from the Plains First Nations practices of recording significant events each winter, a visual reminder that helps structure histories and traditions passed down to future generations. This handsome volume explores how winter has long shaped Indigenous, Canadian settler, and northern European art, uniting different cultural perspectives through such diverse topics as storytelling, effects of light, physical adaptation, and community and isolation.

Presenting a selection of works spanning from the early 19th century to the present day — including artists such as Kenojuak Ashevak, J.E.H. MacDonald, Claude Monet, Kent Monkman, Megan Musseau, and Jin-me Yoon — Winter Count features approximately 170 plates, along with illustrated essays by curators from the National Gallery of Canada. The result is a book that invites readers to see winter anew — not as a season to be endured, but as a source of invention, connection, and mutual respect across time and place.

Educator Information
Dual-language: English and French

Additional Information
304 pages | 9.00" x 12.00" | Paperback

Residential school life through the eyes of a child.

Enos Montour's Brown Tom's Schooldays, self-published in 1985, tells the story of a young boy's life at residential school. Drawn from Montour's first-hand experiences at Mount Elgin Indian Residential School between 1910 and 1915, the book is an ironic play on "the school novel," namely 1857's Tom Brown's Schooldays by Thomas Hughes.

An accomplished literary text and uncommon chronicle of federal Indian schooling in the early twentieth century, Brown Tom's Schooldays positions Brown Tom and his schoolmates as citizens of three worlds: the reserve, the "white man's world," and the school in between. It follows Tom leaving his family home, making friends, witnessing ill health and death, and enduring constant hunger.

Born at Six Nations of the Grand River in 1899, Montour earned degrees in Arts and Divinity at McGill University and served as a United Church minister for more than thirty years, honing his writing in newspapers and magazines and publishing two books of family history. Brown Tom's Schooldays reflects Montour's intelligence and skill as well as his love of history, parody, and literature.

This critical edition includes a foreword by the book's original editor, Elizabeth Graham, and an afterword by Montour's granddaughters, Mary Anderson and Margaret McKenzie. In her introduction, historian Mary Jane Logan McCallum documents Montour's life and work, details Brown Tom's Schooldays's publication history, and offers further insight into the operations of Mount Elgin. Entertaining and emotionally riveting, Montour's book opens a unique window into a key period in Canada's residential school history.

Reviews
"A fantastic read. People need more books like this, which are directly related to the TRC but are also a testament to the strength and creativity of Indigenous literature." — Crystal Fraser, University of Alberta

"Brown Tom's Schooldays is a literary artifact from the residential school era. In this fictionalized coming of age account, Enos Montour captures the youthful hopes, dreams, and disappointments of his real life upbringing at Mount Elgin, one of Canada's earliest and longest running residential schools. Unique in style, tone, and perspective, Schooldays is an important read for anyone interested in understanding the residential school system and for all of us who call the lower Great Lakes home." — Thomas Peace, Huron at Western University

Educator Information
This book is part of the First Voices, First Texts series.

Table of Contents

Foreword: On A Personal Note, The Making of Brown Tom’s Schooldays, 1982–1984 by Elizabeth Graham

Introduction: Enos Montour, Brown Tom, and “Ontario Indian” Literature by Mary Jane Logan McCallum

Brown Tom’s Schooldays by Enos Montour

Chapter 1: Salad Days

Chapter 2: Brown Tom Arrives

Chapter 3: Brown Tom's Three Worlds

Chapter 4: The Milling Herd

Chapter 5: Loaf 'n' Lard

Chapter 6: Brown Tom Makes a Deal

Chapter 7: Too Big for Santa Claus

Chapter 8: Brown Tom's Happy Days

Chapter 9: Trial By Fire

Chapter 10: Brown Tom "Has It Bad"

Chapter 11: Brown Tom Gets Religion

Chapter 12: The Roar of Mighty Waters

Chapter 13: Happy Hunting Ground for Noah

Chapter 14: War Clouds Over Mt. Elgin

Chapter 15: Brown Tom "Arrives"

Afterword by Mary Anderson and Margaret McKenzie

Appendix 1: Glossary of Idioms and References in Brown Tom’s Schooldays

Appendix 2: Bibliography of Works by Enos Montour

Endnotes

Bibliography

Additional Information
216 pages | 5.50" x 8.50" | 20 b&w illustrations, 3 maps | Paperback

The political life of Dene leader Georges Erasmus - a radical Native rights crusader widely regarded as one of the most important Indigenous leaders of the past fifty years.

For decades, Georges Erasmus led the fight for Indigenous rights. From the Berger Inquiry to the Canadian constitutional talks to the Oka Crisis, Georges was a significant figure in Canada's political landscape. In the 1990s, he led the Royal Commission on Aboriginal Peoples and afterward was chair and president of the Aboriginal Healing Foundation, around the time that Canada's residential school system became an ongoing frontpage story.

Georges's five-decade battle for Indigenous rights took him around the world and saw him sitting across the table from prime ministers and premiers. In the 1980s, when Georges was the National Chief of the Assembly of First Nations, he was referred to as the "Thirteenth Premier." This book tells the personal story of his life as a leading Indigenous figure, taking the reader inside some of Canada's biggest crises and challenges.

Awards

• 2025 Indigenous Voices Awards - Prose in English Award

Additional Information
320 pages | 6.00" x 9.00" | 57 b&w illustrations | Paperback 

i heard a crow before i was born.
i heard tsó:ka’we before i was born.

i heard a crow before i was born opens with a dream-memory that transforms into a stark, poetic reflection on the generational trauma faced by many Indigenous families. Jules Delorme was born to resentful and abusive parents, in a world in which he never felt he belonged. Yet, buoyed by the love shown to him by his tóta (grandmother) and his many animal protectors, Delorme gained the strength to reckon with his brutal childhood and create this transformative and evocative memoir.

Across chapters that tell of his troubled relationships, Delorme unwraps the pain at the centre of his own story: the residential schools and the aftershocks that continue to reverberate.

In this stunning testament to the power of storytelling — to help us grieve and help us survive — Delorme tells the story of his spirit walk as he embraces the contradictions of his identity. As he writes, “i heard a crow before i was born is a man looking back, and dreaming back, and seeing that life, in whatever form it takes, however harsh it might seem, is beautiful.”

Reviews
“Jules Delorme is an unconventional storyteller and writer. His exploration of self through the eyes of being ‘half white on the reserve and half Indian in the city’ speaks to his vast experience as a Kanien’kehá:ka man in Canada. Jules has lived and continues to live the life of a man who has leapt over every hurdle that life places in front of him. To be able to write of his life in the way that he has shows his determination. Thank you, Jules, for taking us all on your spirit walk.” — Norma Dunning, award-winning author of Tainna, July 2024

Additional Information
164 pages | 5.00" x 8.00" | Paperback 

Tom Wilson Tehoháhake is a modern Mohawk artist, Juno Award winner, best-selling author, and newly appointed member of the Order of Canada. In his 2017 memoir, Beautiful Scars, Wilson revealed the astonishing story of how he discovered he is Mohawk. In Mohawk Warriors, Hunters & Chiefs, Wilson further explores his identity through a stunning collection of paintings that explore what it means to be removed and reconnected with your cultural heritage.

Featuring over 35 full-colour images of Wilson’s work, from guitars decorated with iconography drawn from beadwork to multimedia reflections on his upbringing in Hamilton, Mohawk Warriors, Hunters & Chiefs explores how Wilson began painting when all he knew of his identity were hints and dreams, and how his art has developed and grown over the past few years. An interview on his artistic process with Ryan McMahon and essays by Wilson and curator David Liss round out Wilson’s stunning visual exploration of his Mohawk identity.

Additional Information
88 pages | 9.00" x 10.00" | Colour Images | Hardcover 

In her stunning debut, Cheryl Isaacs (Mohawk) pulls the reader into an unsettling tale of monsters, mystery, and secrets that refuse to stay submerged.

When small-town athlete Avery’s morning run leads her to a strange pond in the middle of the forest, she awakens a horror the townspeople of Crook’s Falls have long forgotten.

The black water has been waiting. Watching. Hungry for the souls it needs to survive.

Avery can smell the water, see it flooding everywhere; she thinks she's losing her mind. And as the black water haunts Avery—taking a new form each time—people in town begin to go missing.

Though Avery had heard whispers of monsters from her Kanien’kéha:ka (Mohawk) relatives, she has never really connected to her Indigenous culture or understood the stories. But the Elders she has distanced herself from now may have the answers she needs.

When Key, her best friend and longtime crush, is the next to disappear, Avery is faced with a choice: listen to the Kanien’kéha:ka and save the town but lose her friend forever…or listen to her heart and risk everything to get Key back.

An unmissable horror novel for readers who devoured Trang Thanh Tran’s She Is a Haunting or Claire Legrand’s Sawkill Girls!

Reviews"
Sharp prose and humorous banter permeate this stellar debut by Isaacs, who crafts an atmospheric mystery filled with intrigue and harrowing imagery that shimmers brilliantly amid the eerie setting." — Publishers Weekly (starred review)

"A harrowing work that combines suspense with a coming-of-age journey of cultural exploration." — Kirkus Reviews (starred review)

Educator & Series Information
Recommended for ages 13+

This book is the first book in the series The Unfinished.

Additional Information
336 pages | 5.50" x 8.25" | Hardcover  

There have been many things written about Canada’s violent siege of Kanehsatà:ke and Kahnawà:ke in the summer of 1990, but When the Pine Needles Fall: Indigenous Acts of Resistance is the first book from the perspective of Katsi’tsakwas Ellen Gabriel, who was the Kanien’kehá:ka (Mohawk) spokesperson during the siege. When the Pine Needles Fall, written in a conversational style by Gabriel with historian Sean Carleton, offers an intimate look at Gabriel’s life leading up to the 1990 siege, her experiences as spokesperson for her community, and her work since then as an Indigenous land defender, human rights activist, and feminist leader.

More than just the memoir of an extraordinary individual, When the Pine Needles Fall offers insight into Indigenous language, history, and philosophy, reflections on our relationship with the land, and calls to action against both colonialism and capitalism as we face the climate crisis. Gabriel’s hopes for a decolonial future make clear why protecting Indigenous homelands is vital not only for the survival of Indigenous peoples, but for all who live on this planet.

Awards

• 2025 Canadian Historical Association Indigenous History Book Prize
• 2025  Errol Sharpe Book Prize
• 2025 Wilson Institute Book Prize 

Reviews
“When the Pine Needles Fall is a profound treatise and manifesto chronicling Haudenosaunee resistance to land theft by one of the most important Land Defenders of our time. Gabriel’s work is the book on Indigenous resistance I’ve been waiting for my whole life. It is a must-read for anyone concerned with the continuation of life on this planet.”  — Leanne Betasamosake Simpson, co-author of “Rehearsals for Living”

“Katsi’tsakwas Ellen Gabriel’s words in When the Pine Needles Fall are gifts that serve as a beacon of light by igniting our hearts, minds, and spirits. Through her boundless wisdom grounded in healing work as a Land Defender on Turtle Island, she calls for fierce Indigenous resistance and radical global solidarity to put an end to root causes of oppression worldwide: capitalism, patriarchy, and settler colonialism. Gabriel reminds us that a more just, kind, and caring world—where all life is precious—is possible for the next seven generations, but only if we fight for it.” — Samir Shaheen-Hussain, MD, author of “Fighting for A Hand to Hold: Confronting Medical Colonialism against Indigenous Children in Canada”

“When the Pine Needles Fall is a remarkable and revelatory account of the 1990 siege of Kanehsatà:ke and Kahnawà:ke, when provincial, municipal, and national armed forces targeted these Mohawk communities. It is also one of the best first-hand accounts of Indigenous activism that I have ever read, relayed in moving and extraordinary form. An essential addition to contemporary First Nations history and the growing field of Indigenous Studies.” — Ned Blackhawk, Western Shoshone, author of “The Rediscovery of America: Native Peoples and the Unmaking of U.S. History”

“As a treatise on women and culture-based governance from a remarkable Haudenosaunee leader, When the Pine Needles Fall offers me hope and renewed energy. Through her life work, Ellen Gabriel demonstrates how to persevere, remain optimistic, and continue with creative and activist endeavours. The book effectively situates the ‘crisis’ within its centuries-long context, marking a tipping point for Canada while highlighting ongoing challenges. It also examines how mainstream narratives are constructed around Indigenous struggles, providing a comprehensive profile of Gabriel’s diverse contributions to Indigenous resistance and resurgence.” — Kim Anderson, author of“ Life Stages and Native Women: Memory, Teachings, and Story Medicine”

“Katsi’tsakwas Ellen Gabriel’s personal account of the 1990 siege of Kanehsatà:ke and Kahnawà:ke is a crucial contribution to our understanding of these dramatic events and of the political context of the time. Her lifetime dedication to the defence of Indigenous peoples and women’s rights is truly exemplary and constitutes an inspiration for generations to come.” — Bernard Duhaime, professor, Faculty of Political Science and Law, Université du Québec à Montréal

“In When the Pine Needles Fall, celebrated activist Katsi’tsakwas Ellen Gabriel gifts us with an expansive account of the 1990 siege of Kanehsatà:ke and Kahnawà:ke. This alone provides a captivating analysis of this seminal moment and its legacy within larger movements for Indigenous sovereignty on Turtle Island. But Gabriel, an artist, also paints the negative space, braiding her relationship to the land, Kanien’kehá:ka teachings, and the language with her tireless work against settler colonialism, extractive capitalism, and patriarchy. This essential book is an inspiring conversation reminding us that decolonization is world-building rooted in an ethics of relationality and care.” — Nazila Bettache, MD, MPH; assistant professor of medicine, Université de Montréal; social justice organizer and co-editor of “Reflections on Illness”

“I honour my sister whose words speak the truth. One of the most powerful quotes by Katsi’tsakwas is: ‘I’m a Kanien’kehá:ka woman who cares deeply about our land and I want a better future for the generations to come.’  Everything she speaks about in this book is directly connected to these words.” — Beverley Jacobs, CM, LLB, LLM, PhD; Kanien’kehá:ka, Bear Clan, Six Nations Grand River Territory; associate professor, Faculty of Law, University of Windsor

Additional Information
280 pages | 5.50" x 8.50" | Paperback

A mind-bending, gripping novel about Native life, motherhood and mental health that follows a young Mohawk woman who discovers that the picture-perfect life she always hoped for may have horrifying consequences

On the surface, Alice is exactly where she should be: She’s just given birth to a beautiful baby girl, Dawn; her charming husband, Steve is nothing but supportive; and they’ve recently moved into a new home in a wealthy neighborhood in Toronto. But Alice could not feel like more of an imposter. She isn’t connecting with Dawn, a struggle made even more difficult by the recent loss of her own mother, and every waking moment is spent hiding her despair from their white, watchful neighbors. Even when she does have a minute to herself, her perpetual self-doubt hinders the one vestige of her old life she has left: her goal of writing a modern retelling of the Haudenosaunee creation story.

At first, Alice is convinced her discomfort is of her own making. She has gotten everything she always dreamed of, after all. But then strange things start happening. She finds herself losing bits of time, hearing voices she can’t explain, and speaking with things that should not be talking back to her, all while her neighbors’ passive-aggressive behavior begins to morph into something far more threatening. Though Steve assures her this is all in her head, Alice cannot fight the feeling that something is very, very wrong, and that in her creation story lies the key to her and Dawn’s survival. . . . She just has to finish it before it’s too late.

Told in Alice’s raw and darkly funny voice, And Then She Fell is an urgent and unflinching look at inherited trauma, womanhood, denial, and false allyship, which speeds to an unpredictable—and surreal—climax.

Reviews
"Familiar and ethereal. Brutal and beautiful. And Then She Fell is the fulfilment of the promise of Alicia Elliott ‘s storytelling prowess. . . . A soundtrack for the gorgeous nightmare that is both motherhood and belonging in and of itself, stitched together by the depths only grief and love can hook together. The Naked Lunch meets Rosemary’s Baby . . . and shot together with the golden humour and philosophy of Haudenosaunee story like an intimate lifeline, And Then She Fell is remarkable, and a world unto itself. What an accomplishment. What a gift.” —Cherie Dimaline, author of The Marrow Thieves and VenCo

"Alice and her husband have woven a lattice pattern of silence and secrets that slowly implodes in this fierce, remarkable debut. Elliott’s meticulous prose is an agile portal through the narrator’s complex inner life, the tensions, and fractures that surface when the trappings of success hide the weight of intergenerational trauma, racism, sexism, and the unwieldy expectations of Motherhood. And Then She Fell saves us from devastation by the grace it shows its characters and, ultimately, by the strength of their connections." —Eden Robinson, author of Monkey Beach and the Trickster trilogy

"And Then She Fell is an incredible and indelible novel. It's full of wonder and surprise, full of life and heart. This book is a gift that breathes life into the reader. Alicia Elliott has given us a knockout—a book so good you can't put it down." —Morgan Talty, author of Night of the Living Rez

"And Then She Fell is an unblinking look at the complex and often terrifying journey of new motherhood and what we're told we should want, with moving insights into connecting with our ancestors and our own identity. Alicia Elliott is a powerful storyteller, and this book is both suspenseful and heartfelt, with haunting elements that linger long after the final page is turned." —Vanessa Lillie, author of Little Voices and Blood Sisters

Awards

• Indigenous Voices Award winner
• Amazon First Novel Award winner

Educator Information
Psychological fiction

Additional Information
352 pages | 6.00" x 9.00" | Hardcover

Krie Redsky is an extraordinary Indigenous child who has both a curse and blessing that allows him to walk between this world and the Spirit Realm. He is also at an age where he is learning to cope with the twists and turns of friendships, the awkwardness of first love, and the self-doubt that must be overcome following loss and betrayal. But, nurtured by Knowledge Keepers as “one who is without fear, and with the ability to cross realities,” he is soon recognized as an individual who can – and will – battle the terrifying ancient spirit stealers known as Bonewalkers. But is he strong enough for what is to come?

Additional Information
236 pages | 5.50" x 8.50" | Paperback

Journey to the depths of the Arctic and beyond in this unique collection of stories from the award-winning volumes of Moonshot: The Indigenous Comics Collection.

Burning Cold is a captivating volume of Indigenous graphic stories written by acclaimed authors Sean and Rachel Qitsualik-Tinsley and Richard Van Camp. Time travel on the back of a wolverine, swim with shapeshifters beneath the ice, and travel through the skies with aliens. From traditional stories to reimagined futures, this collection showcases some of the finest comic book and graphic novel work from the North.

Educator Information
Recommended for Young Adults.

Additional Information
100 pages | 6.50" x 10.25" | Colour Illustrations | Paperback