Speculative Fiction

A historical epic about a girl from a remote Tongan island who becomes her people's queen.

Talking corpses, poetic parrots, and a fan that wafts the breath of life—this is the world young Kōrero finds herself thrust into when a mysterious visitor lands on her island, a place so remote its inhabitants have forgotten the word for stranger. Her people are desperate and on the brink of starvation, and the wayward stranger offers them an impossible choice: they can remain in the only home they’ve ever known and await the uncertainty to come, or Kōrero can join him and venture into unfamiliar waters, guided by only the night sky and his assurance of a bountiful future in the Kingdom of Tonga. What Kōrero and her people don’t know is that the promised refuge is no utopia—instead, Tonga is an empire at war and on the verge of collapse, a place where brains are regularly liberated from skulls and souls get trapped in coconuts with some frequency.

The perils of Tonga are compounded by a royal feud: loyalties are shifting, graves are being opened, and everyone lives in fear of a jellyfish tattoo. Here, survival can rest on a perfectly performed dance or the acceptance of a cup of kava. Together, the stranger and Kōrero embark upon an epic voyage—one that will deliver them either to salvation or to the depths of the Pacific.

Evoking the grandeur of Wolf Hall and the splendor of Shōgun, the Pulitzer Prize–winning novelist Adam Johnson conjures oral history, restores the natural world, and locates what’s best in humanity. Toweringly ambitious and breathtakingly immersive, The Wayfinder is an instant, timeless classic.

Reviews
“A powerful and original epic . . . Deadly politics, tragic romance and dangerous sea journeys keep the drama at a spirited boil.”—The New York Times

“[An] epic-scale historical adventure from Pulitzer Prize winner Adam Johnson . . . Johnson paints a rich tale of nature, politics, and tradition . . . It's a unique, spellbinding saga that drew us into an elaborate world.”—Apple's Best of the Month

“Expansive in scope, historically detailed, and totally enthralling . . . Johnson's monumental research into the history, legacy, and imprint of the Polynesian culture is evident in the meticulous detail of his narrative—which is about much more than his characters, whose vibrancy demands acknowledgement, and his gorgeous landscape descriptions . . . Part bildungsroman, part historical exploration, this novel is a study of the many islands in the South Pacific, their power struggles, abuses of power, and the perseverance to survive.”—Booklist (starred review)

"Epic historical fiction with a twist of magical realism, The Wayfinder follows a Tongan royal family facing political upheaval and a community on a distant island facing starvation. It is a dual timeline with multiple viewpoints that makes you feel totally immersed in the story." — Goodreads Review, Shannon

Additional Information
736 pages | 6.00" x 9.00" | Hardcover 

When Gellhorn, a notable poet, begins a university residency in a “dynamic metropolis” and stays at the illustrious Máximo College, he finds himself scandalized, and for little known reason. Scrutiny by his new academic neighbours is the least of his worries, as he learns of the existence of Aaron Schnell, his physical pseudo-twin, and an actor and film “double.”

The Chair shares fragments from the oeuvre of Thomas Claque, a recently deceased author who contrived the tale of the pseudo-twins. The Chair’s scholarship leads him to the real Máximo College, where he revives those characters and scenarios, before travelling to a smaller prairie town where he reimagines one of Claque’s risqué getaways. There he meets a young woman doing her creative thesis on the double in literature.

Petra, a police clerk in an entirely different prairie city, receives a photograph of a missing person and recognizes a passenger from her weekday commute. Non-routine surveillance draws her deeper into his world until a global pandemic abruptly stalls her progress. Her romantic prospect soon leads to a greater mystery punctuated by the words, TULPA MEA CULPA, although its uncanny truth will be ultimately less provocative than serial coverage in the Prairie Pulse. Tulpa Mea Culpa is a literary tour-de-force and solidifies Morse as one of Canada’s most exciting writers today, and proves why he is a two-time Governor General Award nominee.

Educator & Series Information
This is the first book in the Tulpa series.

Additional Information
600 pages | 9.00" x 6.00" | Paperback

A Native American first contact story and gripping thriller from the New York Times bestselling author of Robopocalypse

"Thrilling and personal... an important addition to the landscape of science fiction."—Pierce Brown, #1 New York Times bestselling author of Red Rising

"Hole in the Sky is mind-bending… indigenous knowledge collides with science fiction in a thrilling page-turner."—Sterlin Harjo, filmmaker and writer of Reservation Dogs

On the Great Plains of Oklahoma, in the heart of the Cherokee Nation, a strange atmospheric disturbance is noticed by Jim Hardgray, a down-on-his-luck single father trying to reconnect with his teenage daughter, Tawny. At NASA’s headquarters in Houston, Texas, astrophysicist Dr. Mikayla Johnson observes an interaction with the Voyager 1 spacecraft on the far side of the solar system, and she concludes that something enormous and unidentified is heading directly for Earth. And in an undisclosed bunker somewhere in the United States, an American threat forecaster known only as the Man Downstairs intercepts a cryptic communication and sends a message directly to the president and highest-ranking military brass: “First contact imminent.”

Daniel H. Wilson’s Hole in the Sky is a riveting thriller in the most creative tradition of extraterrestrial fiction. Drawing on Wilson’s unique background as both a threat forecaster for the United States Air Force and a Cherokee Nation citizen, this propulsive novel asks probing questions about nonhuman intelligence, the Western mindset, and humans’ understanding of reality.

Reviews
“Incredible... Hole in the Sky is not only a thrilling, brilliant page-turner, its pages also turned me into the kind of reader I always want to be—deeply involved and curious about the world and the story unfolding before me, as if by magic—the kind of reader who can’t stop reading, who dreads the book coming to an end even while I can’t stop making my way toward it, who goes back and starts all over to figure out how it was done. Here we have a highly original premise about alien contact—no small feat unto itself—which also manages to seamlessly fold in Indigenous lives and knowledge. Every character here is alive, and there are so many stunning sentences I had to stop underlining. The story is killer. I love it. Run don’t walk to read this book.”—Tommy Orange, New York Times bestselling author of There There and Wandering Stars

“Hands down one of the best books I’ve read in a couple of years. Daniel H. Wilson has crafted a technotradish ride into the future in the most harrowing and engaging ways imaginable. Tightly tuned, sharply researched, and warm in all the best ways, you’ll want to clear your schedule because this is a sit-down-and-read-the-whole-thing-right-now kind of book. Bravo, Mr. Wilson!”—Theodore C. Van Alst Jr., bestselling co-editor of the Never Whistle At Night series

“This book doesn’t whisper. It roars from the edges of space, memory, and grief. Hole in the Sky is Indigenous sci-fi at its rawest: part cosmic threat, part broken father-daughter elegy, part fever dream of classified government failures. The humanity here is bruised, sharp-tongued, and holding on. And the fear? It’s in the blood. This one gets under your skin and stays there.”—Shane Hawk, bestselling co-editor of the Never Whistle at Night series

Additional Information
288 pages | 6.35" x 9.54" | Hardcover 

An epic quest fantasy debut that is the Tlingit indigenous response to The Lord of the Rings

When Elān trapped a salmon-stealing raven in his cupboard, he never expected it would hold the key to saving his people from the shapeshifting Koosh invaders plaguing their shores. In exchange for its freedom, the raven offers a secret that can save Elān’s home: the Koosh have lost one of their most powerful weapons, and only the raven knows where it is.

Elān is tasked with captaining a canoe crewed by an unlikely team including a human bear-cousin, a massive wolf, and the endlessly vulgar raven. To retrieve the weapon, they will face stormy seas, cannibal giants and a changing world. But Elān is a storyteller, not a warrior.

As their world continues to fall to the Koosh, and alliances are challenged and broken, Elān must choose his role in his own epic story.

Reviews
“Goodness, it’s so exciting when epic fantasy tropes are done well, when they feel fresh and unexpected. I am always so thankful for writers who can breathe new life into the genre elements we love the most, and Russell has done exactly that here.” —Reactor

“Storytelling at its purest, harkening back to times spent around a fire to listen to a master of their craft weave an engrossing tale… A thoroughly enjoyable, unique, and long overdue voice in modern fantasy.” —Karin Lowachee, author of The Crowns of Ishia trilogy

Additional Information
400 pages | 5.56" x 8.68" | Hardcover 

An ambitious, world-envisioning work of Indigenous futurism.

Since 2015—through a proliferation of forms including sculpture, regalia, film, photography, poetry, painting, and installation—acclaimed multimedia artist Cannupa Hanska Luger has been weaving together strands of a new myth. Collectively referred to as Future Ancestral Technologies, this sprawling series of interrelated works seeks to reimagine Indigenous life and culture in a postcolonial world where space exploration has reduced and reconfigured the earth’s population.

Part graphic novel, part art book, SURVIVA: A Future Ancestral Field Guide offers readers a view beneath, beyond, and between the lines of Luger's ever-expanding artistic universe. In this ecstatically hybrid work, Luger transforms a 1970s military survival guide through poetic redaction, speculative fiction, and iterative line drawing—deftly surfacing and disrupting the colonial subconscious that haunts this vexed source text. An epic and timely meditation on planetary life in the midst of transformation, SURVIVA boldly presents an earth-based, demilitarized futuredream that foregrounds Indigenous knowledge as critical to humanity’s survival

SURVIVA is the first title from Aora Books, a publishing imprint dedicated to exploring transformational thought and culture that transcends borders, disciplines, and traditions. Rooted in an ethos of polyvocality and planetary consciousness, Aora publishes works that forge bold connections across time, place, ideas, and beings often seen as separate.

Reviews
"SURVIVA offers Indigenous wisdom for a shared future built on ancestral knowledge in radical relation. This is a survival guide like none other." —Candice Hopkins, curator of the Forge Project 

"SURVIVA boldly reimagines our conceptions of time and history, challenging our collective narratives and pushing us to rethink the art of survival through a lens of transformation."—Hank Willis Thomas, artist and cofounder of For Freedoms

"Cannupa Hanska Luger has created a wondrous book of survivance, a story to carry in pocket and study at every opportunity. At once a dystopia (earth is near destroyed) and a postcolonial fantasy (the colonizers abandon the planet for good), SURVIVA is a work of artistic brilliance that draws our attention to the simultaneity of ruins and futures. Rich with dreampower and evocation, these pages illustrate the mysteries of space-time, the dissolution of boundaries, and the relational universe described by Indigenous quantum mechanics. Read carefully, SURVIVA has the power to bend time itself, lifting us from past and present into futures innumerable."—Philip J. Deloria, Leverett Saltonstall Professor of History at Harvard University and author of Playing Indian

Additional Information 
162 pages | 5.44" x 8.31" | original line drawings & ecopoetic fragments - reminiscent of 1970s diy photocopy culture | Paperback 

When a young girl goes missing, the ghosts of the past collide with her family’s secrets in a mesmerizing Native American Southern Gothic

When six-year-old Laurel Taylor vanishes without a trace, her family is left shattered, struggling to navigate the darkness of grief and unanswered questions. As their search turns to despair, Laurel’s older sister, Nadine, begins experiencing nightmares that blur the line between dream and reality, and she becomes convinced that Laurel’s disappearance could be connected to other family tragedies. Guided by her elders, Nadine sets out to uncover whether laying the ghosts to rest is the key to finding her sister and healing her fractured family.

Carson Faust captivates in this chilling literary debut that confronts the specter of colonization and the generational scars it leaves on Native American families. Steeped in Indigenous folklore and drawing from the author’s own family history, If the Dead Belong Here examines what it means to be haunted—both by the supernatural and by terrors of our own making. Faust crafts a powerful, kaleidoscopic tale about the complicated legacies of violence that shape our present, the importance of honoring our past, and the resilience of a family—and a people—determined to heal from old wounds.

Reviews
“If the Dead Belong Here is a thunderclap of a novel—fierce, lyrical, and unrelentingly intimate. Carson Faust writes across time, bloodline, and grief with mythic authority and needlepoint precision. This is a story about hauntings both literal and inherited, a child gone missing, and the women who carry everything that came before. Faust doesn’t just bend form—he breaks it open. Because what needs to be carried here won’t fit inside a neat arc or a clean ending. This book doesn’t offer closure—it offers witness: to generational grief, to girls who vanish and those who are left to search, to the slow violence of silence, to the ways history seeps into the body and stays. What it asks in return is that you stay too.”—Morgan Talty, national bestselling author of Night of the Living Rez

“Carson Faust’s powerful debut novel swept me away with its glorious prose, compelling characters, and compassionate heart. Faust’s story charts a course of horror and loss, with moments so terrifying I had to turn on an extra light to keep reading. Yet the structural refrain that underpins this wonder of a book always returns to love. I gladly surrendered to the ferocious brilliance of this multi-generational tale, admiring the courage of young Nadine who is a ‘student to the dead.’ What lingers is the thought that perhaps we all are . . .”—Mona Susan Power, author of A Council of Dolls

“If the Dead Belong Here reminds us to listen to the songs of the night and hold our loved ones close. Intergenerational grief and loss run through the story’s DNA, but this is also a novel about intergenerational wisdom, strength, and endurance. It’ll captivate you, scare you, and—if you let it—might offer more than a little healing. In this shimmering, heart-filled debut, Carson Faust establishes himself as a rare and special voice.”—Kelli Jo Ford, author of Crooked Hallelujah

"If The Dead Belong Here offers a riveting mystery and beautifully complex characters who linger long after reading. Expect a steady-handed untangling of intergenerational trauma. Expect prose that is both haunted and thrumming with life. With this hypnotic, humid, love-wrought saga, Carson Faust debuts as a literary force."—Monica Brashears, author of House of Cotton

“A terrifying, heartfelt debut about communal responsibility, about what we owe to each other and our dead loved ones. The Crowe sisters leap off the page with their wisdom and candor, and the novel’s formal experiments radiate with brilliance. Faust teaches us that there are hauntings that can save us, if we’re brave enough to listen.”—Alejandro Heredia, author of Loca

Additional Information
400 pages | 6.33" x 9.33" | 1 family tree | Hardcover 

A young man is haunted by a mythological specter bent on stealing everything he loves in this unsettling horror from the author of Indian Burial Ground and Sisters of the Lost Nation.

For fear of summoning evil spirits, Native superstition says you should never, ever whistle at night.

Henry Hotard was on the verge of fame, gaining a following and traction with his eerie ghost-hunting videos. Then his dreams came to a screeching halt. Now, he's learning to navigate a new life in a wheelchair, back on the reservation where he grew up, relying on his grandparents’ care while he recovers.

And he’s being haunted.

His girlfriend, Jade, insists he just needs time to adjust to his new reality as a quadriplegic, that it’s his traumatized mind playing tricks on him, but Henry knows better. As the specter haunting him creeps closer each night, Henry battles to find a way to endure, to rid himself of the horror stalking him. Worried that this dread might plague him forever, he realizes the only way to exile his phantom is by confronting his troubled past and going back to the events that led to his injury.

It all started when he whistled at night....

Additional Information
368 pages | 6.26" x 9.27"  | Hardcover 

This new collection of horror short fiction weaves together contemporary Arctic settings with ancient monsters and mysterious beings that have been said to stalk the tundra for centuries.

Featuring authors from across the Canadian Arctic, this new volume of Taaqtumi—an Inuktitut word that means “In the Dark”—reveals just how horrifying the dark can be.

Featuring new fiction from award-winning authors Aviaq Johnston, Rachel and Sean Qitsualik-Tinsley and Jamesie Fournier, as well as new voices in the genre, this collection is perfect for any horror lover.

Educator & Series Information
Includes stories from Indigenous authors across the Canadian Arctic.

This book is part of the Taaqtumi series.

Additional Information
184 pages | 6.00" x 9.00" | b&w illustrations | Paperback

From adventures in Indigenous futurism to tales of first love, the stories and poems of Beyond the Glittering World proclaim and celebrate a rising generation of Native American storytellers.

Beyond the Glittering World brings together twenty emerging and established Native women writers and writers of marginalized genders, including Moniquill Blackgoose, Heid E. Erdrich, A.J. Eversole, Chelesa Hicks, and D. Daye Hunter. Immersing readers in worlds as varied as their authors, this collection presents an array of singular voices at their genre-bending, boundary-breaking, devastating, and joyous best.

Reviews
"An evocative compilation of voices pondering Indigenous futures and the shape of Indigenous love. Beyond the Glittering World holds a healthy dose of gender-bending, genre-challenging, future-hoping might. This anthology is a welcome addition to the field of Indigenous anthologies.”—DEBORAH JACKSON TAFFA, Whiskey Tender

Additional Information
240 pages | 5.25" x 8.00" | Paperback

Utilizing intricately blended visual and written imagery, Arctic Dreams and Nightmares takes the reader on an Arctic journey interpreted through the mythological and contemporary world of an Inuit artist and author. Containing twenty short stories with accompanying pen ink drawings, it is the first publication to exclusively feature the writing and artwork of Alootook Ipellie. At the time of its original publication in 1993, Arctic Dreams and Nightmares was one of the few books to be written by an Inuk in Canada, and became a landmark in the emerging discipline of Inuit literature.

Additional Information
160 pages | 8.75" x 9.25" | Paperback

Times have been tough for twelve-year-old Junior, his mom, and especially for his younger brother Dino. When his dad makes a surprise visit late one night, Junior is desperate to make him part of their family again. The only problem is Dad drowned eight years ago.

And bringing back the dead always comes at a cost…

Reviews
"Jones’s neat little horror novella balances an energetic narrative with larger explorations of the inescapable burdens of family ties...Wonderfully refreshing and not to be missed."—Publishers Weekly

"Mapping the Interior is thus a masterful critique of time, place, and memory in (post/de)colonial contexts that surfaces questions urgent for Native literature, horror fiction, and American history."—World Literature Today

Additional Information
112 pages | 5.25" x 8.25" | Paperback

For readers of N.K. Jemisin and Rebecca Roanhorse, a fast-paced, anti-colonial action-adventure fantasy that explores twisted power dynamics and the effects of settler colonialism

After the murder of T’Rayles’s adopted son, the infamous warrior and daughter of the Indigenous Ibinnas returns to the colonized city of Seventhblade, ready to tear the streets asunder in search of her son’s killer. T’Rayles must lean into the dangerous power of her inherited sword and ally herself with questionable forces, including the Broken Fangs, an alliance her mother founded, now fallen into greed and corruption, and the immortal Elraiche, a powerful and manipulative deity exiled from a faraway land. Navigating the power shifts in a colonized city on the edge and contending with a deadly new power emerging from within, T’Rayles must risk everything to find the answers, and the justice, she so desperately desires.

Loaded with complex characters and intricately staged action, and set in a fragmented, fascinating world of dangerous magics and cryptic gods, Seventhblade is a masterful new fantasy adventure from a bright, emerging Indigenous voice.

Reviews
“Tonia [Laird] is a powerhouse.” — Katherena Vermette, award-winning author of The Break and The Strangers

“Tonia Laird tells a gripping story of grief, magic, and revenge while exploring the impact of generational trauma on a colonized people. At times brutal, nuanced, and compassionate, Laird writes with confidence and gives us a fantastic hero in T’Rayles.” — Trick Weekes, author of The Palace Job

“At its core, Seventhblade is a story of a mother’s love, her need for justice, and the discovery of her roots. Drawing on her Indigenous heritage, Tonia Laird weaves the tale of T’Rayles, a half-soul with a mysterious past, set in a world where gods roam freely. Deftly written with intricate worldbuilding and vivid characters, Seventhblade is fantasy at its finest ... and I need a sequel!” — Allison Pang, writer of the Abby Sinclair urban fantasy series

Additional Information
376 pages | 5.50" x 8.50" | Paperback 

Felix Babimoosay is his most recent name, and it seems better than any other name he’s been offered. He journeys ever forward across a sharp landscape of flat plains, stung by insects, wind, and thirst. Unable to remember his past, he doggedly walks alone through the decaying world until he is pursued by a threatening man claiming a bounty on Felix’s head. Felix’s irritation spurs a slow memory of the days he left behind, until he stumbles into a corrupted town and a city of talking crows that push him to move beyond his lost memories.

Sparse and dreamy, Griffin Bjerke-Clarke’s debut novel explores memory, identity, trauma, and healing through a timeless journey. Métis storytelling methods and elements of horror infuse He Who Would Walk the Earth, an anti-colonial western that powerfully evokes a mood reminiscent of twentieth-century classics like Waiting for Godot. This book unsettles as much as it stokes, dystopian in Felix’s apathy yet optimistic in the way he addresses challenges along his listless way. In the end, Felix must learn from his earnest mistakes as he begins to understand that agency requires collaborating with those around him.

Reviews
“He Who Would Walk the Earth is an anti-imperialist adventure that explores the strange and beautiful gifts of becoming who we are-and how we exist-in our individual and collective power. Bjerke-Clarke deftly blends western and fantasy genres in this innovative debut novel where relationality shapes reality.” - Tiffany Morris 

“A walker journeys through a dystopian and mythically violent fairytale, where time and space are elastic and other-than-humans are central, to learn the lesson shared with him that ‘it doesn’t have to be this way.’ Partly a condemnation of the terrible costs of war and capitalism, Griffin Bjerke-Clarke reminds us, despite it all, we need to have hope.” - Deanna Redder 

Additional Information
160 pages | 5.50" x 8.50" | Paperback 

Join or die! New York Times best-selling author Stephen Graham Jones and artist Davide Gianfelice are back in action for the next chapter of their heart-pounding historical sci-fi slasher Earthdivers!

A team of time-traveling Indigenous survivors had one goal: save the world from an American apocalypse by sending one of their own on a suicide trip to kill Christopher Columbus and course-correct world history.

Mission accomplished? Maybe not. Blood is still soaking into the sands of San Salvador as Tad’s friends suffer the consequences of his actions—and their own slippery moral rationalizations—620 years in the future. Faced with a choice to watch the world crumble or double down on their cause, the path is clear for Seminole two-spirit Emily: it's personal now, and there’s no better time and place to take another stab at America than Philadelphia, 1776.

But where violence just failed them, she has a new plan: pass as a man, infiltrate the Founding Fathers, and use only wit and words to carve out a better future in the Declaration of Independence. No need to cut throats this time…right?

The next chapter of the critically acclaimed sci-fi epic is here in Earthdivers Vol. 3.

Series Information
This is the third book in the Earthdivers series, preceded by Earthdivers, Vol. 1: Kill Columbus and Earthdivers, Vol. 2: Ice Age.

Additional Information
208 pages | 6.69" x 10.25" | Paperback

From the author of White Horse (“Twisty and electric.” —The New York Times Book Review) comes a terrifying and resonant novel about a woman who uses her unique gift to learn the truth about her sister’s death.

Olivia Becente was never supposed to have the gift. The ability to commune with the dead was the specialty of her sister, Naiche. But when Naiche dies unexpectedly and under strange circumstances, somehow Olivia suddenly can’t stop seeing and hearing from spirits.

A few years later, she’s the most in-demand paranormal investigator in Denver. She’s good at her job, but the loss of Naiche haunts her. That’s when she hears from the Brown Palace, a landmark Denver hotel. The owner can’t explain it, but every few years, a girl is found dead in room 904, no matter what room she checked into the night before. As Olivia tries to understand these disturbing deaths, the past and the present collide as Olivia’s investigation forces her to confront a mysterious and possibly dangerous cult, a vindictive journalist, betrayal by her friends, and shocking revelations about her sister’s secret life.

The Haunting of Room 904 is a paranormal thriller that is as edgy as it is heartfelt and simmers with intensity and longing. Erika T. Wurth lives up to her reputation as “a gritty new punkish outsider voice in American horror.”

Reviews
“The Haunting of Room 904 deftly mixes humor, scares, and the weight of personal and generational grief. The book is a heady, haunting, righteous, and spiritual exploration of our political mess through the lens of paranormal exploration and, sometimes even scarier, interpersonal relationships. You’ll want to follow Erika and her Olivia into any dark, creaky room.” —Paul Tremblay, New York Times bestselling author of Horror Movie and A Head Full of Ghosts

“The Haunting Of Room 904 is an electric terrifying journey into the world beyond the veil. Erika T. Wurth has created a mind bending tale of loss and love and the devastating cost of grief. You don't want to miss this!” —S. A. Cosby, author of All the Sinners Bleed and Razorblade Tears

Additional Information
320 pages | 6.12" x 9.25" | Hardcover 

This thrilling romantasy about king’s Blade, Keera, and her epic quest to avenge her lover, save her people, and bring down a tyrant king is the final installment of Melissa Blair’s highly acclaimed series. The Halfling Saga showcases BIPOC and queer representation, love, passion, betrayal, magic, and great battles of the sword and the soul.

“Your land is not the one you take; it is the one you die for.”

Keera has tried to keep her final promise to Brenna, the partner she was forced to kill to save a kingdom—but that promise has led to the most difficult struggles of her life. She’s been at war with her worst self while battling King Damien for the freedom of the Halflings, and she’s lost too many along the way. But when she finally breaks the last seal, unleashing the Fae magic that’s been hidden away for hundreds of years, the conflict seems to be turning in the Halflings’ favor.

Meanwhile, Keera’s discovery of a staggering secret about her lover and the kidnapping of one of her closest allies threatens to tip her back into darkness, but she has no time to rest. Opening the kingdom’s magical seals has transformed Keera in ways even the wisest Fae elders could not have anticipated, and the return of an evil thought long vanquished throws their rescue plans into chaos. And with the kingdom’s Halfling population suddenly posing a risk to the crown, the land is plunged into violence as the king begins a new blood purge. Keera and her allies must gather an army to meet Damien’s forces in a final confrontation of epic—and tragic—proportions.

The stunning conclusion of BookTok sensation Melissa Blair’s epically romantic series will leave readers breathless as Keera fights for her land, her people, and the promise of a better world.

Reviews
"[F]illed with high-stakes action, choices, and consequences... Romantasy fans should add this series to their reading list." —Library Journal

Educator & Series Information
Young adult/new adult fantasy series recommended for ages 18+.

This is the final book in The Halfing Saga.

Additional Information
432 pages | 6.00" x 9.00" | Paperback

Sascha Stronach’s queer, Maori-inspired Endsong trilogy reopens on a city in flames, where a magic-wielding pirate crew uncovers an age-old fight between the gods that threatens their world.

The steel city of Radovan is consumed by fire between. Stranded in its harbor is the crew of the Kopek, the survivors of a bioterror attack overseas. But they bear scars: their captain, Sibbi, has gone missing; Yat, their newest Weaver, is fighting for control of her own mind; and their Weaving powers are in a badly weakened state.

To disable the technology that prevents the group from escaping, Sen and Kiada must plot their way through the ruins of the foreign capital, which is patrolled by a hostile militia, using wits alone. But to navigate through Radovan, Kiada will have to rely on her own history with the city—one she shares with a band of misfits dubbed Fort Tomorrow and their leader, Ari, a charismatic thief.

Ari may hold the key not only to saving Radovan from complete annihilation, but the history of their world, which will come into play as the gods begin to unleash destruction on humanity and one another.

Educator & Series Information
This book is part of The Endsong series.

Additional Information
336 pages | 6.00" x 9.00" | Paperback

After the death of her estranged father, artist Rita struggles with grief and regret. There was so much she wanted to ask him – about his childhood, their family, and the Mi'kmaq language and culture from which Rita feels disconnected. But when Rita's girlfriend Molly forges an artist's residency application on her behalf, winning Rita a week to paint at an isolated cabin, Rita is both furious and intrigued. The residency is located where her father grew up.

On the first night at the cabin, Rita wakes to strange sounds. Was that a body being dragged through the woods? When she questions the locals about the cabin's history, they are suspicious and unhelpful. Ignoring her unease, Rita gives in to dark visions that emanate from the forest's lake and the surrounding swamp. She feels its pull, channelling that energy into art like she's never painted before. But the uncanny visions become more insistent, more intrusive, and Rita discovers that in the swamp's decay the end of one life is sometimes the beginning of another.

Reviews
"Green Fuse Burning is an impressively vigorous fiction debut from a truly dynamic storyteller. Tiffany Morris has laid out a concise and creepy tale that mesmerizes as it weaves through several realms, from the tangible to the spiritual. I was captivated by the looming mystery and the striking imagery that carried me like a current to the story's monumental resolution. This book is a must-read in new speculative fiction!" - Waubgeshig Rice, author of Moon of the Turning Leaves

"Morris quietly dazzles and disquiets in this weird horror novella . . . Poetic and grotesque imagery drives the novella's horror, with fluid narration fostering a sense of disconnect and dread . . . This is a subtle and refreshing twist on the cabin in the woods trope." - Publishers Weekly starred review

"A verdant alienation seeps through every page as Morris reimagines the possibilities of decay, a desperate isolation scouring the mind to reveal a torrid, seething strangeness beneath, the inevitable reckoning gathering its strength below the calm surface of the pond." - Andrew F. Sullivan, author of The Marigold and The Handyman Method

Additional Information
112 pages | 6.12" x 9.03" | Paperback

From the bestselling author of Empire of Wild, a wickedly subversive, deliciously imaginative, deeply feminist novel of contemporary witches on the rise—a book that only the supremely gifted storyteller Cherie Dimaline could write.

Lucky St. James, orphaned daughter of a bad-ass Métis good-times girl, is barely hanging on to her nowhere life when she finds out that she and her grandmother, Stella, are about to be evicted from their apartment. One night, dejectedly doing laundry in the building's dank basement, Lucky feels an irresistible something calling her. Crawling through a hidden hole in the wall, she finds a tarnished silver spoon depicting a storybook hag over letters that spell out S-A-L-E-M—a spoon whose otherwordly energy soon connects her to a teeming network of witches who have been anxiously waiting for her.

Chief among them is Salem-born Meena Good, finder of a matching spoon. Under the wing of the international headhunting firm VenCo, devoted to placing exceptional women in influential jobs, Meena has been collecting these spoons, and the witches who found them, in order to former a magic circle that will restore women to their rightful power.

But now, with only one more spoon to find, a roguish and deadly witch-hunter has Meena's coven in his sights. As the clock ticks toward a now-or-never deadline, Meena sends Lucky and her grandmother on a dangerous, sometimes hilarious, road trip in search of the seventh spoon. It ends in the darkly magical city of New Orleans and a final confrontation that will either usher in a new beginning or force witches to remain underground forever.

Reviews
“Bring magic back into your life with the compulsively readable VenCo, a thundering, fantastical road trip with the wily Lucky St. James, her unpredictable grandmother, the witches they are trying to unite and the man who wants to end them all.” —Eden Robinson

“Once I opened VenCo, I was propelled through an entire night of charmed reading. Cherie Dimaline creates a world utterly fantastical, yet real. VenCo is funny, tense and cracking with a dark, divine energy.” —Louise Erdrich, New York Times bestselling author of The Sentence
 
“Crackling with magic, mystery, adventure, and intrigue, VenCo is a captivating tribute to the bonds of families we are born into and the ones that we create, and a delightful testament to the power of all womankind.” —Nikki Erlick, New York Times bestselling author of The Measure

“Spellbinding and utterly original, VenCo shows the power women can wield when we join forces.”  —Kirsten Miller, author of The Change

"A gripping, witchy romp of a novel. It's impossible not to fall in love with Stella and Lucky." —BuzzFeed

"Fast, fun, full of charms. . . . A propulsive read full of intriguing detail, this novel is well-written, engaging and, more than anything, enjoyable. The reader will feel genuine affection for Dimaline’s irreverent, badass witches as they battle for the future of their family and the future of the world, one and the same in Dimaline’s inclusive vision." —Kirkus Reviews

Additional Information
400 pages | 5.20" x 8.00" | Paperback

A young Native girl's hunt for answers about the women mysteriously disappearing from her tribe's reservation leads her to delve into the myths and stories of her people, all while being haunted herself, in this atmospheric and stunningly poignant debut.

Anna Horn is always looking over her shoulder. For the bullies who torment her, for the entitled visitors at the reservation’s casino…and for the nameless, disembodied entity that stalks her every step—an ancient tribal myth come-to-life, one that’s intent on devouring her whole.

With strange and sinister happenings occurring around the casino, Anna starts to suspect that not all the horrors on the reservation are old. As girls begin to go missing and the tribe scrambles to find answers, Anna struggles with her place on the rez, desperately searching for the key she’s sure lies in the legends of her tribe’s past.

When Anna’s own little sister also disappears, she’ll do anything to bring Grace home. But the demons plaguing the reservation—both ancient and new—are strong, and sometimes, it’s the stories that never get told that are the most important.

Part gripping thriller and part mythological horror, author Nick Medina spins an incisive and timely novel of life as an outcast, the cost of forgetting tradition, and the courage it takes to become who you were always meant to be.

Reviews
"Sisters of the Lost Nation weaves Native folklore with truths that we feel in our bones to create a story that is as beautiful as it is sad, as powerful as it is frightening, as familiar as it is otherworldly."—Alma Katsu, author of The Fervor and The Hunger

"Sisters of the Lost Nation is a dark and excruciatingly timely debut about the very real horror of Native girls going missing. Medina’s decisive authorial voice and unforgettable characters make for an incredibly powerful read."—Alexis Henderson, author of The Year of the Witching

Additional Information
368 pages | 5.22" x 7.97" | Paperback

A man lunges in front of a car. An elderly woman silently drowns herself. A corpse sits up in its coffin and speaks. On this reservation, not all is what it seems, in this new spine-chilling mythological horror from the author of Sisters of the Lost Nation.

All Noemi Broussard wanted was a fresh start. With a new boyfriend who actually treats her right and a plan to move from the reservation she grew up on—just like her beloved Uncle Louie before her—things are finally looking up for Noemi. Until the news of her boyfriend’s apparent suicide brings her world crumbling down.

But the facts about Roddy’s death just don’t add up, and Noemi isn’t the only one who suspects that something menacing might be lurking within their tribal lands.

After over a decade away, Uncle Louie has returned to the reservation, bringing with him a past full of secrets, horror, and what might be the key to determining Roddy’s true cause of death. Together, Noemi and Louie set out to find answers...but as they get closer to the truth, Noemi begins to wonder whether it might be best for some secrets to remain buried.

Reviews
"Nick Medina blends myth and reality, supernatural danger and ordinary human menace into a story that will pull your heartstrings even as it shreds your nerves. Like the alligators lurking in its pages, Indian Burial Ground will swallow you whole."—Ana Reyes, New York Times bestselling author of The House in the Pines

"You may arrive at Indian Burial Ground because of author Nick Medina's incredible debut, Sisters of the Lost Nation, or his exceptional story in the bestselling Never Whistle at Night anthology, or perhaps he's a new-to-you author, and now you have the pleasure of reading both of these, but the important thing is you have arrived at an exceptional new novel that lingers long after the last page is turned. From two compelling points of view decades apart, Medina has crafted a story of generational trauma and mythical fears, with deep roots in Native history and modern life, that's part supernatural horror, part mystery, but perhaps most importantly, a story of hope in the darkness." —Vanessa Lillie, USA Today bestselling author of Blood Sisters

"Indian Burial Ground is wonderfully creepy and relentlessly dark. Part adventure narrative, part supernatural horror story, and part eerie mystery, this novel slithers under your skin and makes you wish you knew less with every step it brings you closer to the truth. Nick Medina is waiting in the dark to whisper in your ear about dead things, about the tamahka, about blood and Native mythology. You should let him."—Gabino Iglesias, author of The Devil Takes You Home

"An intense family drama set on the (fictional) Rez where the threat of the mysterious Takoda Vampire makes for a gripping—and creepy!—read. Nick Medina is an Indigenous writer to watch."—Erika T. Wurth, author of White Horse

"Nick Medina’s Indian Burial Ground is an expertly-paced novel, chock-full of Native lore and spine-chilling suspense. When the horror hits, it hits hard."—Jimmy Juliano, author of Dead Eleven

Additional Information
384 pages | 6.19" x 9.30" | Hardcover 

The interwoven destinies of the people of Meridian will finally be determined in this stunning conclusion to New York Times bestselling author Rebecca Roanhorse’s Between Earth and Sky trilogy.

Even the sea cannot stay calm before the storm. —Teek saying

Serapio, avatar of the Crow God Reborn and the newly crowned Carrion King, rules Tova. But his enemies gather both on distant shores and within his own city as the matrons of the clans scheme to destroy him. And deep in the alleys of the Maw, a new prophecy is whispered, this one from the Coyote God. It promises Serapio certain doom if its terrible dictates are not fulfilled.

Meanwhile, Xiala is thrust back amongst her people as war comes first to the island of Teek. With their way of life and their magic under threat, she is their last best hope. But the sea won’t talk to her the way it used to, and doubts riddle her mind. She will have to sacrifice the things that matter most to unleash her powers and become the queen they were promised.

And in the far northern wastelands, Naranpa, avatar of the Sun God, seeks a way to save Tova from the visions of fire that engulf her dreams. But another presence has begun stalking her nightmares, and the Jaguar God is on the hunt.

Nominated for the Nebula, Lambda, Locus, and Hugo Awards, winner of the Alex Award from the American Library Association and the Ignyte Award from Fiyah magazine, the Between Earth and Sky trilogy is amongst our most lauded modern fantasy series from The New York Times, Los Angeles Times, and USA TODAY bestselling author Rebecca Roanhorse.

Reviews
“Rebecca Roanhorse… [is one] of the Indigenous novelists reshaping North American science fiction, horror and fantasy — genres in which Native writers have long been overlooked.”— The New York Times

Educator & Series Information
This is the third book in the Between Earth and Sky Series.

Additional Information
608 pages | 6.00" x 9.00" | Hardcover

The thrilling third entry in the high fantasy saga that started with BookTok sensation A Broken Blade.

A new king is on the throne and the rebellion lies in ruins. Keera spends her days drinking and her nights avoiding the strange dreams that have haunted her since she returned from the capital.

Keera’s family in Myrelinth won’t let her go without a fight. With new intelligence about the magical seals left behind by Keera’s ancient kin, the Light Fae, she rallies to face her demons and unleash the formidable powers she inherited from her people. But a shocking truth is hiding in plain sight, one with the power to unravel the entire rebellion...

The pivotal third installment in the Halfling Saga will upend everything Keera thought she knew about her enemies . . . and her allies.

Reviews
"Gripping and fierce. This is much-needed fantasy with its fangs honed sharp by the power of resistance. Melissa Blair has built a tremendous world."—Chloe Gong, #1 New York Times bestselling author of These Violent Delights

Educator & Series Information
Young adult/new adult fantasy series recommended for ages 18+.

The third entry in the Halfling Saga, the epic tale of a deadly assassin with a mysterious past, set in a lush fantasy world of Mortals, Elves, Halflings, and Fae, A Vicious Game is perfect for readers who enjoyed the A Court of Thorns and Roses series and other romantic fantasy books, especially those seeking LGBTQ+ romance or BIPOC representation.

Additional Information
448 pages | 6.00" x 9.00" | Paperback

Krie Redsky is an extraordinary Indigenous child who has both a curse and blessing that allows him to walk between this world and the Spirit Realm. He is also at an age where he is learning to cope with the twists and turns of friendships, the awkwardness of first love, and the self-doubt that must be overcome following loss and betrayal. But, nurtured by Knowledge Keepers as “one who is without fear, and with the ability to cross realities,” he is soon recognized as an individual who can – and will – battle the terrifying ancient spirit stealers known as Bonewalkers. But is he strong enough for what is to come?

Additional Information
236 pages | 5.50" x 8.50" | Paperback

Guest artists Riccardo Burchielli (DMZ), Patricio Delpeche, and Emily Schnall join Stephen Graham Jones—New York Times best-selling author of The Only Good Indians and My Heart Is a Chainsaw—for a mission to the Ice Age exploring America’s pre-Columbian past!

When Martin and Tawny’s children disappeared, the couple barreled into the desert to track them down at any cost. Instead, they ran afoul of another group of rovers who claimed to be saving the world by traveling through a cave portal to the year 1492 to prevent the creation of America—an idea that defied belief until the grieving parents were lured into the cave and vanished in time and space.

Now alone, Tawny must adapt to the wild marshlands of prehistoric Florida, circa 20,000 BC, and the breathtaking and bloodthirsty megafauna are the least of her problems when she’s caught in a war between a community of native Paleo-Indians and an occupying Solutrean force. Tawny’s odds of survival are in free fall, but she’s a mother on a mission…and she’s holding on to hope that the cave brought her here for a family reunion.

In the tradition of Saga, the next chapter of the critically acclaimed sci-fi epic is here in Earthdivers Vol. 2.

Series Information
This is the second book in the Earthdivers series.  

Additional Information
104 pages | 6.62" x 10.18" | Paperback

'These are troubling times. The world is a dangerous place,' the voice of the Chairman said. 'I can continue to assure you of this: within the Wall you are perfectly safe.'

Christine could not sleep, she could not wake, she could not think. She stared, half-blind, at the cold screen of her smartphone. She was told the Agency was keeping them safe from the dangers outside, an outside world she would never see.

She never imagined questioning what she was told, what she was allowed to know, what she was permitted to think. She never even thought there were questions to ask.

The enclave was the only world she knew, the world outside was not safe. Staying or leaving was not a choice she had the power to make. But then Christine dared start thinking . . . and from that moment, danger was everywhere.

In our turbulent times, Claire G. Coleman's Enclave is a powerful dystopian allegory that confronts the ugly realities of racism, homophobia, surveillance, greed and privilege and the self-destructive distortions that occur when we ignore our shared humanity.

Reviews
'A brilliant, engrossing, necessary read' - Courier Mail

'If you liked Margaret Atwood's The Handmaid's Tale or Charlotte Woods' The Natural Way of Things, this one is clearly for you' - Sydney Morning Herald

'Coleman offers an urgent critique of bigotry and, implicitly, of colonialism, writing with conviction about the ways technology can be misused by those in power, but also how it might be deployed for good. Indeed, despite its dystopian tenor, Enclave is ultimately a hopeful novel, and one which suggests it is far from futile to aspire to a better future' -Manjimup-Bridgetown Times 

Additional Information
320 pages | 6.00" x 9.25"

The New York Times–bestselling author of The Only Good Indians and My Heart Is a Chainsaw makes his comics debut with this time-hopping horror thriller about far-future Indigenous outcasts on a mission to kill Christopher Columbus.

The year is 2112, and it’s the apocalypse exactly as expected: rivers receding, oceans rising, civilization crumbling. Humanity has given up hope, except for a group of Indigenous outcasts who have discovered a time travel portal in a cave in the desert and figured out where everything took a turn for the worst: America.

Convinced that the only way to save the world is to rewrite its past, they send one of their own—a reluctant linguist named Tad—on a bloody, one-way mission to 1492 to kill Christopher Columbus before he reaches the so-called New World. But there are steep costs to disrupting the timeline, and taking down an icon isn’t an easy task for an academic with no tactical training and only a wavering moral compass to guide him. As the horror of the task ahead unfolds and Tad’s commitment is tested, his actions could trigger a devastating new fate for his friends and the future.

Join Stephen Graham Jones and artist Davide Gianfelice for Earthdivers, Vol. 1 (collecting Earthdivers issues #1-6), the beginning of an unforgettable ongoing sci-fi slasher spanning centuries of America’s Colonial past to explore the staggering forces of history and the individual choices we make to survive it.

Reviews
"Earthdivers is why I read comics–a timely concept told boldly; a strong debut by Stephen Graham Jones who proves a voice to watch with something to say; and career work by Davide Gianfelice, a veteran artist who was already light years ahead of his peers." –Pornsak Pichetshote, author of The Good Asian

“A time-twisting trip you don't want to miss! Myths, mayhem and history-altering murders ahoy!” –Cavan Scott, author of Dead Seas

“Earthdivers feels fresh, compelling, and bold…It’s a comic that stands head and shoulders apart from the rest of the pack on the shelves. Don’t wait for the trade – this is an urgent comic that begs to be read.” –Comic Watch

“Stephen Graham Jones enters the comics scene with a dense but fascinating and well-paced comic with a tasty dash of political commentary, as every great science fiction story should have. The visuals from Davide Gianfelice and Joana Lafuente are well-directed and stunningly detailed, making for a wholly immersive reading experience.” –Monkeys Fighting Robots

Series Information
This is the first book in the Earthdivers series.

Additional Information
176 pages | 6.69" x 10.19" | Paperback

Erika T. Wurth's White Horse is a gritty, vibrant debut novel about an Indigenous woman who must face her past when she discovers a bracelet haunted by her mother’s spirit.

Some people are haunted in more ways than one.

Kari James, Urban Native, is a fan of heavy metal, ripped jeans, Stephen King novels, and dive bars. She spends most of her time at her favorite spot in Denver, the White Horse. When her cousin Debby finds an old family bracelet that once belonged to Kari’s mother, it inadvertently calls up both her mother’s ghost and a monstrous entity, and her willful ignorance about her past is no longer sustainable…

Haunted by visions of her mother and hunted by this mysterious creature, Kari must search for what happened to her mother all those years ago. Her father, permanently disabled from a car crash, can’t help her. Her Auntie Squeaker seems to know something but isn’t eager to give it all up at once. Debby’s anxious to help, but her controlling husband keeps getting in the way. Kari’s journey toward a truth long denied by both her family and law enforcement forces her to confront her dysfunctional relationships, thoughts about a friend she lost in childhood, and her desire for the one thing she’s always wanted but could never have.

Reviews
“It’s metal to the end, it’s Denver to the core, it’s Native without trying, there’s ghosts, there’s blood, there’s roller coasters, and there’s about a thousand cigarettes smoked. What else can you ask for in a novel?” —Stephen Graham Jones, author of The Only Good Indians

"This ghost story is a perfect example of new wave horror that will also satisfy fans of classic Stephen King." —Silvia Moreno-Garcia, author of The Daughter of Doctor Moreau and Mexican Gothic

Additional Information
320 pages | 5.48" x 8.25" | Paperback

A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un-settled?” Featuring stories by:

Norris Black • Amber Blaeser-Wardzala • Phoenix Boudreau • Cherie Dimaline • Carson Faust • Kelli Jo Ford • Kate Hart • Shane Hawk • Brandon Hobson • Darcie Little Badger • Conley Lyons • Nick Medina • Tiffany Morris • Tommy Orange • Mona Susan Power • Marcie R. Rendon • Waubgeshig Rice • Rebecca Roanhorse • Andrea L. Rogers • Morgan Talty • D.H. Trujillo • Theodore C. Van Alst Jr. • Richard Van Camp • David Heska Wanbli Weiden • Royce Young Wolf • Mathilda Zeller

Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home.

These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

Reviews
“All combined, these powerful pages use fantastical elements to create very human characters who suffer very real horrors, like oppression, poverty, abuse, mental illness and the erasure of long-existing cultures and traditions. This volume is a must for any library collection and will be devoured by speculative fiction fans who enjoy a sprinkle of social commentary within their scary books.” —Booklist

“Never Whistle at Night is all I’ve ever wanted in an Indigenous horror anthology. From doubles, to Empty People, to story theft, to zombies, this anthology explores the horror that lives in colonial violence, generational love and trauma, and our everyday lives. It’s a joy to see such a diverse representation of experience, background, and style in this carefully curated and terrifying collection.”—Jessica Johns, author of Bad Cree

“Story to story, Never Whistle at Night never failed to surprise, delight, and shock me. I’m a big fan of stories that make you feel like you’re standing at the edge of a cliff with a stranger’s fingers on the tip of your spine—and this anthology has that ungoverned, go-for-broke aesthetic that I love.”—Nick Cutter, author of Little Heaven

“An extensive collection of Indigenous stories ranging from the humorous to the terrifying, this anthology is a must-read for everyone. Your new favorite author is absolutely in this book.”—Amina Akhtar, author of Kismet

“Melodious, haunting, and visceral, Never Whistle at Night enchants from the very start with fiery confidence and merciless ghosts. These are stories that dig their fingers inside you and carve something truly special. An absolute must-read.”—Hailey Piper, Bram Stoker Award-winning author of Queen of Teeth

"Can you draw power from the spirit of a story? If the twenty-six tales in the essential Never Whistle at Night anthology are any indication, the answer is an emphatic yes. The title itself provides its own warning, but I'll go one step further: Never read this collection of spine-chilling stories alone at night. You just might not make it to morning."—Clay McLeod Chapman, author of Ghost Eaters

Additional Information
416 pages | 5.19" x 8.00" | Paperback

Twelve years after the lights go out . . .
An epic journey to a forgotten homeland

The hotly anticipated sequel to the bestselling novel Moon of the Crusted Snow

It's been over a decade since a mysterious cataclysm caused a permanent blackout that toppled infrastructure and thrust the world into anarchy. Evan Whitesky led his community in remote northern Ontario off the rez and into the bush, where they've been living off the land, rekindling their Anishinaabe traditions in total isolation from the outside world. As new generations are born, and others come of age in the world after everything, Evan’s people are in some ways stronger than ever. But resources in and around their new settlement are beginning to dry up, and the elders warn that they cannot afford to stay indefinitely.

Evan and his fifteen-year-old daughter, Nangohns, are elected to lead a small scouting party on a months-long trip to their traditional home on the north shore of Lake Huron—to seek new beginnings, and discover what kind of life—and what dangers—still exist in the lands to the south.

Moon of the Turning Leaves is Waubgeshig Rice’s exhilarating return to the world first explored in the phenomenal breakout bestseller Moon of the Crusted Snow: a brooding story of survival, resilience, Indigenous identity, and rebirth.

Reviews
"An epic journey into the future, powerfully haunting." —Silvia Moreno-Garcia, bestselling author of Mexican Gothic

“Tense, atmospheric, and ultimately hopeful, Rice masterfully delivers an unsettling, page-turning sequel." —Eden Robinson, author of Son of a Trickster

“It felt like an eternity waiting for Waubgeshig to write the sequel to Moon of the Crusted Snow and it was worth it. As we as a species ponder our own survival, this talented author walks his courageous characters through an odyssey towards hope. At times heart-racing and at times heart wrenching, Moon of the Turning Leaves allows us all to turn the page and find out what’s next in an uncertain future.” —Catherine Hernandez, award-winning author and screenwriter of Scarborough the novel and film

“[Moon of the Turning Leaves] is by turns beautiful and inspiring and bleak and violent. In other words, the perfect dystopian read. Let's hope Waubgeshig Rice doesn't make us wait too long for the next visit to this captivating world.” —Alma Katsu, author of The Fervor and The Hunger

"Novels, when brilliantly written, are passports to another place, another world. Moon of the Turning Leaves takes us to a First Nations community beset by an unbelievable fate that’s managed to survive when much of the world hasn't. Rice has given us a meaningful journey, and people to cheer for. I was in this story." —Drew Hayden Taylor, author of Motorcycles and Sweetgrass and Cold

“Waubgeshig Rice's stories are good medicine. Moon of the Turning Leaves is a restorative balm for my spirit.” —Angeline Boulley, New York Times bestselling author of Firekeeper's Daughter and Warrior Girl Unearthed

"Rice quite brilliantly weaves this sequel to Moon of the Crusted Snow such that the ongoing journey of those wonderfully drawn characters carries on seamlessly. Moon of the Turning Leaves stands on its own while simultaneously carrying the heart of the original story. Suspenseful and gripping, the great anticipation for this next installment is borne out by this artful storytelling." —Michelle Good, award-winning author of Five Little Indians and Truth Telling

Additional Information
312 pages | 5.50" x 8.25" | Paperback

A chilling horror novel about a young Indigenous woman haunted by the oppressive legacies of colonization.

Dawn hasn't spoken to her brother, Cody, since he was sent to prison for a violent crime seven years ago. Now living in a shiny new Toronto condo, Dawn is haunted by uncanny occurrences, including cryptic messages from her dead mother, that have followed her most of her life. When the life Dawn thought she wanted implodes, she is forced to return to her childhood home and the prairie city that hold so much pain for her and her fractured family.

Cody is unexpectedly released from prison with a mysterious new friend by his side, who seems to be the charismatic leader of a dangerous supernatural network. Trying to uncover their plans, Dawn follows increasingly sinister leads until the lines between this world and the next, now and then, and right and wrong begin to blur and dissolve.

What unfolds is an eerie, incisive, and at times darkly funny horror novel about a young Indigenous woman reckoning with trauma and violence, loss and reclamation in an unsettling world where spirit realms entwine with the living-and where it is humans who carry out the truly monstrous acts.

Reviews
"Well written, creepy, frustrating, and puzzling. There may be violence in this novel, but there's nothing ordinary about it." — Drew Hayden Taylor, author of Take Us to Your Chief

"What a book! It's utterly enthralling and unsettling to your bones. A wonderful haunt that creeps into your psyche in the best possible way. I feel like I know Dawn, which only makes the story creepier. A tremendous debut, and I can't wait to read more."— Jesse Wente, author of Unreconciled: Family, Truth, and Indigenous Resistance

"An Ordinary Violence by Adriana Chartrand is a compelling read that rockets off the page. From the first chapter, I was hooked and gleefully followed Dawn as she moved around the spaces she used to call home to figure out her new reality. The writing is poetic, truthful, and you can tell that Adriana has written a story from her heart. This book will be sure to surprise its readers!" — Francine Cunningham, author of God Isn't Here Today

"An Ordinary Violence is surely a gripping and haunting novel, one that will hold you from the first word to the last, but what makes it so potent and memorable is the way Adriana Chartrand tells this story with such grace and humility. There is horror, and then there is horror-An Ordinary Violence has both. This is an unforgettable novel." — Morgan Talty, author of Night of the Living Rez

"Adriana Chartrand's An Ordinary Violence is a hallucinatory slow-burn chiller, sharply observed and heartfelt in its depiction of family ties that bind like strips of wet rawhide. Dawn returns to her hometown to find it is in the grip of something uncanny and malevolent. As she visits old friends and familiar places, she grapples with ghosts from the past and demons on the rise to save her struggling father, her wayward brother, and herself. With this fresh and fearsome look at the contemporary Indigenous experience, Chartrand emerges at the forefront of our newest literary voices." — David Demchuk, author of The Bone Mother and RED X

"An Ordinary Violence is a gripping debut novel that bewilders in the best way possible. Adriana Chartrand sparks a fire on the first page that steadily burns into a tremendous literary spectacle that transcends genre. I was riveted by the story and thoroughly impressed by the writing. This novel will stay with me for a long time." — Waubgeshig Rice, author of Moon of the Turning Leaves

"An unsettling, lyrical, slow-burn of a novel that combines the best elements of atmosphere and horror. Weaving together a history of violence with spirituality and the supernatural, Chartrand has achieved something special here, a cacophony of style and genre that displays the immeasurable potential of Indigenous storytelling." — David A. Robertson, author of The Theory of Crows

Additional Information
256 pages | 5.25" x 8.00"| Paperback

The long-awaited, profoundly moving, and unforgettable new novel from PEN Award–winning Native American author Mona Susan Power, spanning three generations of Yanktonai Dakota women from the 19th century to the present day.

From the mid-century metropolis of Chicago to the windswept ancestral lands of the Dakota people, to the bleak and brutal Indian boarding schools, A Council of Dolls is the story of three women, told in part through the stories of the dolls they carried….

Sissy, born 1961: Sissy’s relationship with her beautiful and volatile mother is difficult, even dangerous, but her life is also filled with beautiful things, including a new Christmas present, a doll called Ethel. Ethel whispers advice and kindness in Sissy’s ear, and in one especially terrifying moment, maybe even saves Sissy’s life.

Lillian, born 1925: Born in her ancestral lands in a time of terrible change, Lillian clings to her sister, Blanche, and her doll, Mae. When the sisters are forced to attend an “Indian school” far from their home, Blanche refuses to be cowed by the school’s abusive nuns. But when tragedy strikes the sisters, the doll Mae finds her way to defend the girls.

Cora, born 1888: Though she was born into the brutal legacy of the “Indian Wars,” Cora isn’t afraid of the white men who remove her to a school across the country to be “civilized.” When teachers burn her beloved buckskin and beaded doll Winona, Cora discovers that the spirit of Winona may not be entirely lost…

A modern masterpiece, A Council of Dolls is gorgeous, quietly devastating, and ultimately hopeful, shining a light on the echoing damage wrought by Indian boarding schools, and the historical massacres of Indigenous people. With stunning prose, Mona Susan Power weaves a spell of love and healing that comes alive on the page.

Reviews
“A Council of Dolls reached out, grabbed me and did not let go. Power’s ability to make language sing, cry, scream, and laugh illuminates this heartstopper of a book that shines a light into the dark corners of America’s history. I wanted the generational journey I was taking with these unforgettable characters—and their dolls—to never end. Read it--and be healed." — Marie Myung-Ok Lee, author of The Evening Hero

“A Council of Dolls absorbs through the skin, enters the bone, and disperses through the psyche—it perfectly captures the internal roots of the Native experience. Through the lives of three Dakota women, we grapple with the emotional, psychological, and spiritual toll on Indigenous peoples enduring an often brutal system and, moreover, how strength, healing, and love reverberate down each passing generation to dispense hope and resiliency. I cannot more highly recommend Power’s newest masterpiece.” — Oscar Hokeah, PEN/Hemingway award-winning author of Calling for a Blanket Dance

"Mona Susan Power’s new novel is an honor song to the love and strength of Native families and our stories, to our brilliant selves. I couldn’t have known how much I needed the wisdom and offerings of these pages." — Kelli Jo Ford, author of Crooked Hallelujah

“This tender and magical novel will stay with me for a long time. Mona Susan Power writes with dazzling empathy. The result is a heart-rending and many-layered narrative, a captivating story which is also a thrilling testimonial to the power of stories.” — Margot Livesey, author of The Boy in the Field

"A resplendent novel about the spirited lives of three inspiring women who endure significant change and hardship. Each story so deeply compelling I wanted to read quickly but was magnetized by the transformative power of each voice. A mighty, dazzling whirlwind of storytelling. These stories lift from the page. Prepare to stay up all night. A Council of Dolls is mesmerizing. Take a deep breath! Mona Susan Power can peer into darkness and transform it." — Debra Magpie Earling — Debra Magpie Earling

“A work of exquisite beauty and courageous truth-telling, and an unforgettable homage to ancestral suffering and strength.”
— Sheila O’Connor, author of Evidence of V

“A talent like Susan Power comes along once in a lifetime, and lucky for us she's arrived. Here is a debut so stunning, so extraordinary in its depth and passion, you will swear there's a miracle on every page.” — Alice Hoffman, on The Grass Dancer

"This book is well-written. It includes elements of historical fiction and a bit of real life horror. The role of the dolls in these women's lives was the most thought-provoking aspect of the novel. It added a bit of a fantasy element to the story. I wondered what the author's intention was. The dolls seem to be symbolic in addition to invisible friends for the girls. They were also silent, supposedly inanimate witnesses to what the young women experienced. The parts of the story told from the dolls' POV were especially intriguing. I enjoyed the section about how the Shirley Temple doll was made, and the doll was presented as self-aware. The author wove mystery and symbolism around the dolls without being blatant. She left readers room to make their own interpretations. I really enjoyed and appreciated that. The book is also full of interesting philosophical statements." - Claudia, Goodreads Review 

Additional Information
304 pages | 6.00" x 9.00" | Hardcover 

An intimate yet wide-sweeping story of a marine biologist working to save ocean ecosystems from climate change.

With the world’s oceans ravaged by climate change, Émeraude, a young marine biologist, works to preserve aquatic ecosystems by recreating them for zoos. When her work earns her a spot aboard a research vessel with an extended mission in the Arctic, it is the inescapable draw of the ocean that will save her when the world she leaves behind is irrevocably changed.

Stories of Émeraude’s ancestors — a young sailor abandoned at birth, a conjuror who mixes potions for her neighbours, a violent young man who hides in the woods to escape an even more violent war, and a talented young singer born to a mother who cannot speak — weave their way through her intimate reflections on a modest life, unknowingly shaped by those who came before.

Reviews
"Aquariums is a luminous, touching and comforting book, written with great clarity. In other words, a healing read. It can be read in a single sitting, and picked up again when one’s soul needs soothing." — Solaris

"J.D. Kurtness stands out on the indigenous literary scene for her unique style, inspired by dystopian and apocalyptic writing. In Aquariums, the author delivers a fragmented novel of filiation, mixing the different (non-)stories of a lineage and of the same generation, like an aquarium housing an ecosystem, to an apocalyptic end forcing a reset of the planetary population. Kurtness’s aesthetic is characterised by a holistic cosmic writing in which a sort of Glissant’s Tout-Monde is formed: the narratives of ancestors and the living communicate with the perceived and existing elements. This cosmic writing is conveyed through the fragmentary form, which is more organic than functional, the use of nature-related metaphors, that are tied to the life story of a whale, and the hybridity of the novel, which mixes the genres of life writing and dystopia. Although the author is Ilnu, the dimension of autochthony is not central to Aquariums. It is partially present in the discourse and the constellation of characters, but is not actively addressed." - Abstract from Dystopie, Fragmentation et Filiation dans Aquariums de J.D. Kurtness by Jody Danard

"This is a small book on a huge theme, set in various places and eras, featuring different perspectives. It could be confusing, but it works – so much so that I sometimes wished Kurtness had picked up some of her loose threads and developed the stories of Émeraude’s ancestors instead of returning to her protagonist’s journey. I want to know more about the scarred sailor, the blind shark, and the travelling whale. She dips her toe into the fantastical or the romantic and then pulls back, back to the science of a dying world. Aquariums is an inventive book on a grim not-so-distant future. In the end, Kurtness chooses to believe in the resilience of humanity. Like her ancestors before her, Émeraude will fight for her people’s future." - Roxane Hudon, Montreal Review of Books

Educator Information
Translated from French to English by Pablo Strauss 

Additional Information
176 pages | 5.00" x 7.00" | Paperback

In this first-ever anthology of Indigenous science fiction, Grace Dillon collects some of the finest examples of the craft with contributions by Native American, Canadian First Nations, Aboriginal Australian, and New Zealand Maori authors. The collection includes seminal authors such as Gerald Vizenor and Eden Robinson, historically important contributions often categorized as “magical realism” by authors like Leslie Marmon Silko and Sherman Alexie, and authors more recognizable to science fiction fans like William Sanders and Stephen Graham Jones. Dillon’s engaging introduction situates the pieces in the larger context of science fiction and its conventions.

Additional Information
272 pages | 6.00" x 9.00"

The BookTok sensation from debut author Melissa Blair—now with exclusive bonus content!

My body is made of scars,
some were done to me,
but most I did to myself.

Keera is a killer. As the King's Blade, she is the most talented spy in the kingdom. And the king’s favored assassin. When a mysterious figure moves against the Crown, Keera is called upon to hunt down the so-called Shadow. She tracks her target into the magical lands of the Fae, but Faeland is not what it seems . . . and neither is the Shadow. Keera is shocked by what she learns, and can't help but wonder who her enemy truly is: the King that destroyed her people or the Shadow that threatens the peace?

As she searches for answers, Keera is haunted by a promise she made long ago, one that will test her in every way. To keep her word, Keera must not only save herself, but an entire kingdom.

Fans of fast-paced high fantasy such as A Court of Thorns and Roses series, The Inadequate Heir, and From Blood and Ash author Jennifer L. Armentrout, will enjoy the fierce female characters, sapphic representation, and fantasy romance of A Broken Blade.

Reviews
"Gripping and fierce. This is much-needed fantasy with its fangs honed sharp by the power of resistance. Melissa Blair has built a tremendous world."—Chloe Gong, #1 New York Times bestselling author of These Violent Delights

Educator & Series Information
Young adult/new adult fantasy series recommended for ages 18+.

This book is the first title in the Halfing Saga.

Additional Information
448 pages | 6.00" x 9.00" | Paperback

The highly anticipated second installment of the new adult fantasy saga that took BookTok by storm picks up where A Broken Blade left off…

To the kingdom, Keera is the king’s Blade, his most feared and trusted spy and assassin. But in the shadows, she works with Prince Killian and his Shadow—the dark, brooding Fae, Riven, who sets her blood on fire. Together, they plot to kill a tyrant king.

In Myrelinth, the lush, secret city of trees, Fae, Elves, and Halflings like Keera live in harmony. But Keera cannot escape her past: her crimes against her own people have followed her all the way to the Faeland. There is a traitor in their midst, and Keera is the top suspect.

Keera finds comfort in the allies that have become her family. She swore she would never open her heart again after a loss she barely survived. But she will soon find she has more to lose than she ever imagined . . .

Perfect for fans of Sarah J. Maas’s Throne of Glass series, A Shadow Crown is a tour-de-force high fantasy novel with stunning world building and a slow burn enemies to lovers romance. Readers seeking more LGBTQ+ and BIPOC representation in the fantasy realm will fall in love with the unforgettable cast of characters introduced in A Broken Blade, whose sagas are only beginning…

Reviews
"The second installment in Melissa Blair’s Halfling Saga will undoubtedly take BookTok by storm all over again with its political intrigue and plotting.” —Paste Magazine

“If you’re a particular fan of spies in fantasy realms—like our beloved Inej in Six of Crows—then The Halfling Saga should be your next read.” —The Everygirl

Educator & Series Information
Young adult/new adult fantasy series recommended for ages 18+.

This book is the second title in the Halfing Saga.

Additional Information
480 pages | 6.00" x 9.00" | Paperback

A young Indigenous woman enters a colonizer-run dragon academy—and quickly finds herself at odds with the “approved” way of doing things—in the first book of this brilliant new fantasy series.

The remote island of Masquapaug has not seen a dragon in many generations—until fifteen-year-old Anequs finds a dragon’s egg and bonds with its hatchling. Her people are delighted, for all remember the tales of the days when dragons lived among them and danced away the storms of autumn, enabling the people to thrive. To them, Anequs is revered as Nampeshiweisit—a person in a unique relationship with a dragon.

Unfortunately for Anequs, the Anglish conquerors of her land have different opinions. They have a very specific idea of how a dragon should be raised, and who should be doing the raising—and Anequs does not meet any of their requirements. Only with great reluctance do they allow Anequs to enroll in a proper Anglish dragon school on the mainland. If she cannot succeed there, her dragon will be killed.

For a girl with no formal schooling, a non-Anglish upbringing, and a very different understanding of the history of her land, challenges abound—both socially and academically. But Anequs is smart, determined, and resolved to learn what she needs to help her dragon, even if it means teaching herself. The one thing she refuses to do, however, is become the meek Anglish miss that everyone expects.

Anequs and her dragon may be coming of age, but they’re also coming to power, and that brings an important realization: the world needs changing—and they might just be the ones to do it.

Reviews
“A thorough delight . . . To Shape a Dragon’s Breath reveals a world that is complex and political through deft, thoughtfully drawn characters who, like their world, are complicated and believable. I love Anequs!”—K. Eason, author of How Rory Thorne Destroyed the Multiverse

“Imagine a world full of dragons where a newborn chooses you to be its caregiver. Imagine you have to go to a special school to learn how to train it. Imagine that almost no one at the school wants you there. This is how the well-written, compelling tale of To Shape a Dragon’s Breath begins, and once underway it doesn’t let you go.”—New York Times bestselling author Terry Brooks

Educator & Series Information
This is the first book in the Nampeshiweisit series.

Additional Information
528 pages | 5.48" x 8.25" | Paperback

Exploring the intricacies of power, culture and emotion when a non-Indigenous person moves to an Indigenous community as an educator, Jennifer Manuel casts a spell as captivating and perceptive as in her bestselling novel The Heaviness of Things That Float.

When new teacher Molleigh Royston moves to Tawakin—a remote Nuu-chah-nulth community in the Pacific Northwest—she arrives with good intentions. However, as she struggles to understand and help her students, doubts begin to accumulate—including doubts about her own motivations. Things escalate when three students start behaving strangely and Molleigh makes a serious cultural transgression, triggering a series of disturbing events in the village. Giant boulders are placed in front of Molleigh’s house, furniture moves mysteriously and flowers erupt in flame.

The Morning Bell Brings the Broken Hearted is a captivating story about the complexity of hope and the limits of good intent, offering a grave look at how the education system fails remote Indigenous communities, leaving Indigenous students, with all their brilliance and resilience, in the hands of transient educators.

Additional Information
272 pages | 6.00" x 9.00" | Paperback

Return to The Meridian with New York Times bestselling author Rebecca Roanhorse’s sequel to the most critically hailed epic fantasy of 2020 Black Sun—finalist for the Hugo, Nebula, Lambda, and Locus awards.

There are no tides more treacherous than those of the heart. —Teek saying

The great city of Tova is shattered. The sun is held within the smothering grip of the Crow God’s eclipse, but a comet that marks the death of a ruler and heralds the rise of a new order is imminent.

The Meridian: a land where magic has been codified and the worship of gods suppressed. How do you live when legends come to life, and the faith you had is rewarded?

As sea captain Xiala is swept up in the chaos and currents of change, she finds an unexpected ally in the former Priest of Knives. For the Clan Matriarchs of Tova, tense alliances form as far-flung enemies gather and the war in the heavens is reflected upon the earth.

And for Serapio and Naranpa, both now living avatars, the struggle for free will and personhood in the face of destiny rages. How will Serapio stay human when he is steeped in prophecy and surrounded by those who desire only his power? Is there a future for Naranpa in a transformed Tova without her total destruction?

Welcome back to the fantasy series of the decade in Fevered Star—book two of Between Earth and Sky.

Reviews
“Rebecca Roanhorse… [is one] of the Indigenous novelists reshaping North American science fiction, horror and fantasy — genres in which Native writers have long been overlooked.”— The New York Times

Educator & Series Information
This is the second book in the Between Earth and Sky Series.

Additional Information
416 pages | 6.00" x 9.00" | Paperback

Dear grandmother, I am writing this song, over and over again, for you. I am a stranger in this place, he tauhou ahau, reintroducing myself to your land.

Tauhou is an inventive exploration of Indigenous families, womanhood, and alternate post-colonial realities by Kotuku Titihuia Nuttall, a writer of Maori and Coast Salish descent. This innovative hybrid novel envisions a shared past between two Indigenous cultures, set on reimagined versions of Vancouver Island and Aotearoa New Zealand that sit side by side in the ocean.

Each chapter is a fable, an autobiographical memory, a poem. A monster guards cultural objects in a museum, a woman uncovers her own grave, another woman remembers her estranged father. On rainforest beaches and grassy dunes, sisters and cousins contend with the ghosts of the past - all the way back to when the first foreign ships arrived on their shores.

In a testament to the resilience of Indigenous women, the two sides of this family, Coast Salish and Maori, must work together in understanding and forgiveness to heal that which has been forced upon them by colonialism. Tauhou is an ardent search for answers, for ways to live with truth. It is a longing for home, to return to the land and sea.

Reviews
"Tauhou is a search for answers, of finding ways to live with the truth. Some of the stories are like fables, others like poetry, and all are a sheer joy to read. A longing for home resonates, a gift for those of us searching for our island also."— Kete Books

"This one's for the lovers of language, lean prose-poetry you can dip in and out of and think about for hours. Best read beside a large body of water."— Woman Magazine

"Brilliantly written in the best of Maori and Coast Salish practices of story, Tauhou is teeming with possibility, love, and dreaming otherwise." — Leanne Betasamosake Simpson, author of Noopiming: The Cure for White Ladies

"Kotuku Titihuia Nuttall takes threads made from all the colours of the Indigenous experience and crosses them over oceans, cultures, and time." — Tayi Tibble, author of Poukahangatus and Rangikura

"Kotuku Titihuia Nuttall's Tauhou is a brilliant example of what language can do when forged with intentional hands and a fantastic mind. Nuttall's work binds words in a way that doesn't hold too tightly but steadfastly contains the many Ancestors present in Nuttall's life and work, weaving together a tapestry of nuance and witnessing. Masterful dialogue and rich scenes move emotions like the currents around Aotearoa and the Salish Seas, a beautiful display of lyricism that loudly proclaims that Kotuku Titihuia Nuttall belongs in the crescendo of rising voices in CanLit. Tauhou is not a collection to miss!" — jaye simpson, author of it was never going to be okay

"The stories in this collection move like the waves of the ocean that divide Vancouver Island and Aotearoa. Once you emerge from Tauhou's narrative depths, you'll miss its imagination, its rhythms, its heart." — Alicia Elliott, author of A Mind Spread Out on the Ground

Educator Information
Includes a SENĆOŦEN glossary, a Te Reo Māori glossary, an Author's Notes and Acknowledgements.

Curriculum Connections: Indigenous Studies 

Additional Information
224 pages | 5.00" x 7.75" | Hardcover

In this gripping, horror-laced debut, a young Cree woman’s dreams lead her on a perilous journey of self-discovery that ultimately forces her to confront the toll of a legacy of violence on her family, her community and the land they call home.

Mackenzie, a Cree millennial, wakes up in her one-bedroom Vancouver apartment clutching a pine bough she had been holding in her dream just moments earlier. When she blinks, it disappears. But she can still smell the sharp pine scent in the air, the nearest pine tree a thousand kilometres away in the far reaches of Treaty 8.

Mackenzie continues to accidentally bring back items from her dreams, dreams that are eerily similar to real memories of her older sister and Kokum before their untimely deaths. As Mackenzie’s life spirals into a living nightmare—crows are following her around and she’s getting texts from her dead sister on the other side—it becomes clear that these dreams have terrifying, real-life consequences. Desperate for help, Mackenzie returns to her mother, sister, cousin, and aunties in her small Alberta hometown. Together, they try to uncover what is haunting Mackenzie before something irrevocable happens to anyone else around her.

Haunting, fierce, an ode to female relations and the strength found in kinship, Bad Cree is a gripping, arresting debut by an unforgettable voice.

Reviews
"With creeps that are ever-creepy and love flowing like beer at a bush party, Bad Cree is a book about the power of dreams, home and family. It reads like a tribute to the ones who came before us Lee Maracle, Jeanette Armstrong, Eden Robinson. This book is tough iskwew in flannel shirts with long unbrushed hair, just looking good. It’s tea rings on Formica tables, cigarette smoke wafting through windows, and an eerie magical realism that only belongs to the bush. Full of Auntie power, Jessica Johns is really coming into her own immense storytelling ways." — Katherena Vermette, author of The Break and The Strangers

"Bad Cree is a masterwork of creeping tension. Wry, moody and subversive, Johns explores the power of connections, both the harm and the healing, with characters rich and warm, tangled in each other, to the land and to the supernatural. Couldn't put it down." — Eden Robinson, author of the Trickster trilogy

Additional Information
304 pages | 6.00" x 9.00" | Paperback

From the bestselling author of Empire of Wild, a wickedly subversive, deliciously imaginative, deeply feminist novel of contemporary witches on the rise—a book that only the supremely gifted storyteller Cherie Dimaline could write.

Lucky St. James, orphaned daughter of a bad-ass Métis good-times girl, is barely hanging on to her nowhere life when she finds out that she and her grandmother, Stella, are about to be evicted from their apartment. Bad to worse in a heartbeat. Then one night, doing laundry in the building's dank basement, Lucky feels an irresistible something calling to her. Crawling through a hidden hole in the wall, she finds a tarnished silver spoon depicting a story-book hag over letters that spell out S-A-L-E-M.
 
Which alerts Salem-born Meena Good, finder of a matching spoon, to Lucky's existence. One of the most powerful witches in North America, Meena has been called to bring together seven special witches and seven special spoons—infused with magic and scattered to the four directions more than a century ago—to form a magic circle that will restore women to their rightful power. Under the wing of the international headhunting firm VenCo, devoted to placing exceptional women in roles where they can influence business, politics and the arts, Meena has spent years searching out witches hiding in plain sight wherever women gather: suburban book clubs, Mommy & Me groups, temp agencies. Lucky and her spoon are number six.
 
With only one more spoon to find, a very powerful adversary has Meena's coven in his sights—Jay Christos, a roguish and deadly witch-hunter as old as witchcraft itself. As the clock ticks toward a now-or-never deadline, Meena sends Lucky and her grandmother on a dangerous, sometimes hilarious, road trip through the United States in search of the seventh spoon. The trail leads them at last to the darkly magical city of New Orleans, where Lucky's final showdown with Jay Christos will determine whether the coven will be completed, ushering in a new beginning, or whether witches will be forced to remain forever underground.

Reviews
“Bring magic back into your life with the compulsively readable VenCo, a thundering, fantastical road trip with the wily Lucky St. James, her unpredictable grandmother, the witches they are trying to unite and the man who wants to end them all.” —Eden Robinson

“Once I opened VenCo, I was propelled through an entire night of charmed reading. Cherie Dimaline creates a world utterly fantastical, yet real. VenCo is funny, tense and cracking with a dark, divine energy.” —Louise Erdrich, New York Times bestselling author of The Sentence
 
“Crackling with magic, mystery, adventure, and intrigue, VenCo is a captivating tribute to the bonds of families we are born into and the ones that we create, and a delightful testament to the power of all womankind.” —Nikki Erlick, New York Times bestselling author of The Measure

“Spellbinding and utterly original, VenCo shows the power women can wield when we join forces.”  —Kirsten Miller, author of The Change

"A gripping, witchy romp of a novel. It's impossible not to fall in love with Stella and Lucky." —BuzzFeed

"Fast, fun, full of charms. . . . A propulsive read full of intriguing detail, this novel is well-written, engaging and, more than anything, enjoyable. The reader will feel genuine affection for Dimaline’s irreverent, badass witches as they battle for the future of their family and the future of the world, one and the same in Dimaline’s inclusive vision." —Kirkus Reviews

Additional Information
400 pages | 6.00" x 9.00" | Hardcover

Wapke—meaning “tomorrow” in the Atikamekw language—is Quebec’s first collection of science fiction short stories by Indigenous writers. Fourteen authors from various nations and different backgrounds project us into the future through their moving, poetic, worrying, and sometimes fantastical tales, addressing current social, political, and environmental themes. From time travelling Indigenous warriors to rebellious language and knowledge keepers, from Big Trees in a lake to a human sausage factory, from living on the land to living in cyberspace, these stories provide a trans-Indigenous colonial critique. The brainchild of Michel Jean, Wapke can be read on different levels: as pure entertainment for sci-fi fans or as a stimulant to serious reflection. It offers an often-captivating social commentary that reveals how Indigenous people view the future as well as a hope that change will come.

Educator Information
This book is available in French: Wapke

Additional Information
160 pages | 5.00" x 8.00" | Paperback

Celeste, a card sharp with a need for justice, takes on the role of advocatus diaboli, to defend her sister Mariel, accused of murdering a Virtue, a member of the ruling class of this mining town, in a new world of dark fantasy from the New York Times bestselling author of Black Sun, Rebecca Roanhorse.

The year is 1883 and the mining town of Goetia is booming as prospectors from near and far come to mine the powerful new element Divinity from the high mountains of Colorado with the help of the pariahs of society known as the Fallen. The Fallen are the descendants of demonkind living amongst the Virtues, the winners in an ancient war, with the descendants of both sides choosing to live alongside Abaddon’s mountain in this tale of the mythological West from the bestselling mastermind Rebecca Roanhorse.

Reviews
“Rebecca Roanhorse… [is one] of the Indigenous novelists reshaping North American science fiction, horror and fantasy — genres in which Native writers have long been overlooked.” — The New York Times

“Readers are in for intricate world-building, engrossing adventure and stunning backdrops.” — The Washington Post

"The pages turn themselves. A beautifully crafted setting with complex character dynamics and layers of political intrigue? Perfection. Mark your calendars, this is the next big thing." — Kirkus, starred review

Additional Information
208 pages | 5.00" x 7.00" | Hardcover

Erika T. Wurth's White Horse is a gritty, vibrant debut novel about an Indigenous woman who must face her past when she discovers a bracelet haunted by her mother’s spirit.

Some people are haunted in more ways than one.

Kari James, Urban Native, is a fan of heavy metal, ripped jeans, Stephen King novels, and dive bars. She spends most of her time at her favorite spot in Denver, the White Horse. When her cousin Debby finds an old family bracelet that once belonged to Kari’s mother, it inadvertently calls up both her mother’s ghost and a monstrous entity, and her willful ignorance about her past is no longer sustainable…

Haunted by visions of her mother and hunted by this mysterious creature, Kari must search for what happened to her mother all those years ago. Her father, permanently disabled from a car crash, can’t help her. Her Auntie Squeaker seems to know something but isn’t eager to give it all up at once. Debby’s anxious to help, but her controlling husband keeps getting in the way. Kari’s journey toward a truth long denied by both her family and law enforcement forces her to confront her dysfunctional relationships, thoughts about a friend she lost in childhood, and her desire for the one thing she’s always wanted but could never have.

Reviews
“It’s metal to the end, it’s Denver to the core, it’s Native without trying, there’s ghosts, there’s blood, there’s roller coasters, and there’s about a thousand cigarettes smoked. What else can you ask for in a novel?” —Stephen Graham Jones, author of The Only Good Indians

"This ghost story is a perfect example of new wave horror that will also satisfy fans of classic Stephen King." —Silvia Moreno-Garcia, author of The Daughter of Doctor Moreau and Mexican Gothic

Additional Information
320 pages | 6.55" x 9.55" | Hardcover

Magodiz (Anishinabemowin, Algonquin dialect): a person who refuses allegiance to, resists, or rises in arms against the government or ruler of their country.

Everything that was green and good is gone, scorched away by a war that no one living remembers. The small surviving human population scavenges to get by; they cannot read or write and lack the tools or knowledge to rebuild. The only ones with any power are the mindless Enforcers, controlled by the Madjideye, a faceless, formless spiritual entity that has infiltrated the world to subjugate the human population.

A'tugwewinu is the last survivor of the Andwanikadjigan. On the run from the Madjideye with her lover, Bel, a descendant of the Warrior Nation, they seek to share what the world has forgotten: stories. In Pasakamate, both Shkitagen, the firekeeper of his generation, and his life's heart, Nitawesi, whose hands mend bones and cure sickness, attempt to find a home where they can raise children in peace without fear of slavers or rising waters. In Zhong yang, Riordan wheels around just fine, leading xir gang of misfits in hopes of surviving until the next meal. However, Elite Enforcer H-09761 (Yun Seo, who was abducted as a child, then tortured and brainwashed into servitude) is determined to arrest Riordan for theft of resources and will stop at nothing to bring xir to the Madjideye. In a ruined world, six people collide, discovering family and foes, navigating friendship and love, and reclaiming the sacredness of the gifts they carry.

With themes of resistance, of ceremony as the conduit between realms, of transcending gender, Magodiz is a powerful and visionary reclamation that Two-Spirit people always have and always will be vital to the cultural and spiritual legacy of their communities.

Additional Information
304 pages | 6.00" x 9.00" | Paperback

“The Net” features a girl and her mother, known only as the mother and the daughter, who arrive at their secluded cabin on a frozen lake to find their fishing net has been attacked, a massive hole ripped through the middle. After the net has been mended and the night’s catch eaten, the daughter sits awake playing with a bit of leftover netting string. When she was a girl, her grandmother taught her to make string figures—just as her mother had taught her—a game played by Inuit for generations, but a game not to be taken lightly . . . as the daughter plays late into the night, and the mother sleeps, other monstrous forces are soon awakened from beneath the frozen lake.

In “Before Dawn” a young boy runs out onto the tundra to play with his new friend by his side, venturing far beyond his mother’s rule that he not stray past the inuksuk on the horizon. The boy’s friend beckons him farther and farther, and the farther they get from home, the more the friend seems to change . . . and shift . . . until he is no longer human at all. Horrified, the boy listens to the creature’s proposition: return home before dawn, or be lost forever to the other side . . .

Complemented by colour illustrations from illustrator Toma Feizo Gas, The Other Ones is a fresh take on modern horror by an exciting new Inuit voice.

Educator Information
Short stories.

Additional Information
50 pages | 6.75" x 8.75" | Hardcover

Gideon the Ninth meets Black Sun in this queer, Māori-inspired debut fantasy about a police officer who is murdered, brought back to life with a mysterious new power, and tasked with protecting her city from an insidious evil threatening to destroy it.

The port city of Hainak is alive: its buildings, its fashion, even its weapons. But, after a devastating war and a sweeping biotech revolution, all its inhabitants want is peace, no one more so than Yat Jyn-Hok a reformed-thief-turned-cop who patrols the streets at night.

Yat has recently been demoted on the force due to “lifestyle choices” after being caught at a gay club. She’s barely holding it together, haunted by memories of a lover who vanished and voices that float in and out of her head like radio signals. When she stumbles across a dead body on her patrol, two fellow officers gruesomely murder her and dump her into the harbor. Unfortunately for them, she wakes up.

Resurrected by an ancient power, she finds herself with the new ability to manipulate life force. Quickly falling in with the pirate crew who has found her, she must race against time to stop a plague from being unleashed by the evil that has taken root in Hainak.

Reviews
"A wonderful queer noir fever dream."—Tamsyn Muir, internationally bestselling author of Gideon the Ninth

"Fiercely queer. A strange and wondrous re-imagining of noir that takes its cues from biopunk and SE Asian mythos to create something wholly different. There's real imagination at work here—I loved it."—Rebecca Roanhorse, New York Times bestselling author of Trail of Lightning and Black Sun

"The Dawnhounds packs hard-hitting, mind-bending weirdness into a story that’s still touching and human. If you’re looking for gritty queer spec fic that isn’t unrelentingly grim, you’ve found it.”—Casey Lucas, award-winning author of Into the Mire

Educator & Series Information
This book is part of The Endsong series.

Additional Information
352 pages | 6.00" x 9.00" | Paperback

From the author of the YA-crossover hit The Marrow Thieves, a propulsive, stunning and sensuous novel inspired by the traditional Métis story of the Rogarou--a werewolf-like creature that haunts the roads and woods of Métis communities. A messed-up, grown-up, Little Red Riding Hood.

Broken-hearted Joan has been searching for her husband, Victor, for almost a year--ever since he went missing on the night they had their first serious argument. One terrible, hungover morning in a Walmart parking lot in a little town near Georgian Bay, she is drawn to a revival tent where the local Métis have been flocking to hear a charismatic preacher named Eugene Wolff. By the time she staggers into the tent, the service is over. But as she is about to leave, she hears an unmistakable voice.

She turns, and there Victor is. The same face, the same eyes, the same hands. But his hair is short and he's wearing a suit and he doesn't recognize her at all. No, he insists, she's the one suffering a delusion: he's the Reverend Wolff and his only mission is to bring his people to Jesus. Except that, as Joan soon discovers, that's not all the enigmatic Wolff is doing.

With only the help of Ajean, a foul-mouthed euchre shark with a knowledge of the old ways, and her odd, Johnny-Cash-loving, 12-year-old nephew Zeus, Joan has to find a way to remind the Reverend Wolff of who he really is. If he really is Victor. Her life, and the life of everyone she loves, depends upon it.

Reviews
“Empire of Wild will not let you go. Mix werewolves unlike you’ve ever read before with the mythos-expanding struggles of American Gods and blend with Cherie Dimaline’s newest heroine, the complex and wonderful Joan of Arcand, and the result is inventive, engrossing, poetic and thrilling. Empire is Dimaline’s most accomplished book yet.” —Eden Robinson, author of Monkey Beach and the Trickster trilogy

“Cherie Dimaline has written a wondrous and deeply felt novel about hypocrisy, power imbalance and the strange, dangerous space between reality and belief. Dimaline is one of the most honest and fearless writers of her generation, and Empire of Wild is an honest and fearless book.” —Omar El Akkad, author of American War

“A magical, electric novel that merges our modern urban world with the mythology of an uncolonized landscape. Dimaline’s descriptions are vivid and sordid and so, so alive. She creates a whole world of hope and hatred in the figure of a hot man in a ’79 Impala, and then takes you into the woods where a wolf dressed in a fine suit threatens to swallow you whole in disturbingly erudite language. The wonders of Indigenous values and their struggle to survive against insidious Western ideology and culture are framed in a wild adventure that cements Dimaline’s talents as a magical realist provocatrice.” —Heather O’Neill, author of The Lonely Hearts Hotel

“Empire of Wild is doing everything I love in a contemporary novel and more. It is tough, funny, beautiful, honest and propulsive—all the while telling a story that needs to be told by a person who needs to be telling it. The book feels like now, and we need more stories from Native communities to feel that way. She knows this community and this community will know she knows it when they read her, but it will resonate with so many more. Cherie Dimaline is a voice that feels both inevitable and necessary.” —Tommy Orange, author of There There

Educator Information
This book is available in French: Rougarou

Additional Information
320 pages | 5.14" x 7.99" | Paperback