Books

Over the past fifty years, Canada's Indigenous Affairs department (now two departments with more than 30 federal co-delivery partners) has mushroomed into a "super-province" delivering birth-to-death programs and services to First Nations, Inuit and Métis people. This vast entity has jurisdictional reach over 90-percent of Canada's landscape, and an annual budget of some $20-billion. Yet Indigenous people have no means to hold this "super-province" accountable to them. Not a single person in this entity has been elected by Indigenous people to represent their interests. Not one. When it comes to federal Indigenous policy, ordinary Indigenous people in Canada are voiceless and powerless.

In Let the People Speak: Oppression in a Time of Reconciliation, author and journalist Sheilla Jones raises an important question: are the well-documented social inequities in Indigenous communities--high levels of poverty, suicide, incarceration, children in care, family violence--the symptoms of this long-standing, institutionalized powerlessness? If so, the solution lies in empowerment. And the means of empowerment is already embedded in the historic treaties. Jones argues that there can be meaningful reconciliation only when ordinary Indigenous Canadians are finally empowered to make their voices heard, and ordinary non-Indigenous Canadians can join with them to advance a shared future.

Educator Information
Includes a foreword from Sheila North. Sheila is from the Bunibonibee Cree Nation and is the former Grand Chief of the Manitoba Keewatinowi Okimakanak (MKO), and former Chief Communications Officer for the Assembly of Manitoba Chiefs. She is a former Gemini-nominated CBC journalist, former CTV journalist and documentarist.

Additional Information
256 pages | 6.00" x 9.00"

Eating sustainable seafood is about opening your mind (and fridge) to a vast array of fish and shellfish that you might not have considered before - and the Pacific Coast is blessed with an abundance of wild species. With Lure, readers embark on a wild Pacific adventure and discover the benefits of healthy oils and rich nutrients that seafood delivers. This stunning cookbook, authored by chef and seafood advocate Ned Bell, features simple techniques and straightforward sustainability guidelines around Pacific species as well as 80 delicious recipes to make at home. You'll find tacos, fish burgers, chowders, and sandwiches- the types of dishes that fill bellies, soothe souls and get happy dinner table conversation flowing on a weekday night - as well as elegant (albeit still simple-to-execute) dinner party options, such as crudo, ceviche, and caviar butter.

Reviews
“Ned’s first cookbook Lure features a set of sustainable seafood recipes that are accessible, well considered and, most importantly, delicious.” – Michael Cimarusti, Michelin-starred chef of Providence

“Ned Bell is one of that laudable cadre of young chefs who has taken the trouble to learn not only the names of his farmers but also his fishers.  If, like me, you’re committed to sustaining the health of the oceans, you’ll grab this book that shows you how to cook all the responsibly-harvested gifts of the sea.” – Tom Douglas, American executive chef, restaurateur, author, and radio talk show host.

“I’m going to go out on a limb and suggest that Lure is the most important cookbook of the year, if not the decade.” – Tim Pawsey, Hired Belly

“Lure is at once a cookbook, coffee table showpiece, and educational manual. With straightforward recipes and a digestible approach to ocean sustainability, Lure is a beautiful and accessible guide for the conscientious cook.” – NUVO Magazine

“It should come as no surprise that Lure, his first cookbook, co-written with ace writer Valerie Howes, is just wonderful too. It’s a beauty of book—bright, full of gorgeous imagery and laid out in an attractive easy-to-understand style” – BC Living

Additional Information
304 pages | 9.14" x 9.99"

At a time when the Métis are becoming increasingly visible on Canada’s political scene, Métis Politics and Governance in Canada offers a novel and practical guide to understand who the Métis are, how they govern themselves, and the challenges they face on the path to self-government.

The Métis have always been a political people. With the culmination of the North-West Resistance in 1885 and the hanging of their spiritual and political leader, Louis Riel, the Métis continued to take political action to give life to Riel’s vision of a self-governing Métis Nation in Canada.

Drawing on interviews with elders, leaders, and community members, Kelly Saunders and Janique Dubois reveal how the Métis have adapted their governance structures in accordance with their way of life as a distinct, rights-bearing Indigenous people. They look to the Métis language – Michif – to identify Métis principles of governance that emerged during the fur trade and that continue to shape Métis governance structures. Both then and now, the Métis continue to negotiate their place alongside federal and provincial partners in Confederation.

As Canada engages in nation-to-nation relationships to advance reconciliation, this book provides timely insight into the Métis Nation’s ongoing struggle to remain a free and self-governing Indigenous people.

This book will appeal to anyone interested in the Métis Nation and Indigenous self-government, including scholars in Political Science, Indigenous Studies, and Public Policy as well as government officials and the general public.

Reviews
"Métis Politics and Governance in Canada explores an aspect of Métis existence in Canada that has been neglected for far too long: the workings of contemporary Métis political organizations at the provincial and national levels. It is a must-read for anyone interested in Métis political organizing, leadership, representation, and the values inherent in Métis political activity." - Joe Sawchuk, co-author of From New Peoples to New Nations: Aspects of Métis History and Identity from the Eighteenth to the Twenty-First Centuries

"Unlike other academic works that simply look at the Métis Nation’s self-government as frozen in time and tied to 1869/70 or 1885, this book compellingly tells the “rest of the story” up to the present day. Uniquely, it also looks to the Métis Nation’s own language – Michif – to identify and understand key principles of Métis governance that continue to today. This book is essential reading for those who want to better understand the current state of Métis Nation self-government in Canada." - Jason Madden, co-managing partner of Pape Salter Teillet LLP

Additional Information
220 pages | 5.50" x 8.50"

Master Tłı̨chǫ storyteller and bestselling author Richard Van Camp captures the shifting and magical nature of the North in this stunning collection of short stories.

The characters of Moccasin Square Gardens inhabit Denendeh, the land of the people north of the sixtieth parallel. These stories are filled with in-laws, outlaws and common-laws. Get ready for illegal wrestling moves (“The Camel Clutch”), pinky promises, a doctored casino, extraterrestrials or “Sky People,” love, lust, and prayers for peace. 

While this is Van Camp’s most hilarious short story collection, it’s also haunted by the lurking presence of the Wheetago, human-devouring monsters of legend that have returned due to global warming and the greed of humanity. The stories in Moccasin Square Gardens show that medicine power always comes with a price. 

To counteract this darkness, Van Camp weaves a funny and loving portrayal of the Tłı̨chǫ Dene and other communities of the North, drawing from oral history techniques to perfectly capture the character and texture of everyday small-town life. “Moccasin Square Gardens” is the nickname of a dance hall in the town of Fort Smith that serves as a meeting place for a small but diverse community. In the same way, the collection functions as a meeting place for an assortment of characters, from shamans and time-travelling goddess warriors to pop-culture-obsessed pencil pushers, to con artists, archivists and men who just need to grow up, all seeking some form of connection.

Educator Information
Recommended in the Canadian Indigenous Books for Schools 2019-2020 resource list as being useful for grades 11 and 12 for these subjects: English Language Arts, Media Studies, Social Studies.

Includes mature language, sexual references, gory violence, and content related to sexual abuse and trauma.

Additional Information
160 pages | 5.50" x 8.50"

Nakón-i'a wo! Beginning Nakoda is a language resource designed to help revitalize and document Nakoda, now spoken in Manitoba and Saskatchewan.

Written for beginning learners of Nakoda (also known as Assiniboine), this workbook, arranged thematically, provides a Nakoda/English lexicon, a vocabulary, a table of kinship terms, a glossary of linguistic terminology, and exercises to do after each lesson.

This book was made possible with the assistance of Elders and Language Keepers of the Nakoda Nation: Armand McArthur and Wilma Kennedy, Main Consultants; with additional contributions by Pete Bigstone, Leona Kroscamp, Freda O'Watch, and Ken Armstrong.

Educator & Series Information
Recommended for Grades 7+

Part of the Indigenous Languages for Beginners series.

Additional Information
304 pages | 8.50" x 11.00" | Black and white illustrations throughout

Take your therapeutic practice with children, youth, and families out into nature.

The number of children, youth, and families seeking help for a wide range of mental health concerns is growing at an alarming rate, and many struggle to thrive despite well-intentioned interventions from skilled helpers. Unplugging from technology and reconnecting with the web of life is a powerful antidote to the highly technological and fast-paced realities of so many.

Nature-Based Therapy addresses this underlying disconnection between humans and their ecological home, exploring theories and therapeutic practices undertaken with children, youth, and families, including:

• Developing sensory awareness of outer and inner landscapes
• Navigating risk in play
• Case examples with a diverse range of settings, intentions, and interventions.

Nature-Based Therapy is for counselors, therapists, youth and social workers, educators, and parents working in educational and therapeutic settings who want to take their practice beyond the office walls and into the powerful terrain of the wild, partnering with nature as a co-facilitator to create lasting change.

Additional Information
304 pages | 6.00" x 9.00"

In the follow-up to his Griffin Poetry Prize-winning collection, This Wound is a World, Billy-Ray Belcourt aims more of an anthropological eye at the contours of NDN and queer social worlds to spot much that is left unsaid when we look only to the mainstream media. In this genre-bending work, Belcourt employs poetry, poetics, prose, and textual art to illuminate the rogue possibilities bubbling up everywhere NDNs are.

Part One examines the rhythms of everyday life, which include the terrible beauty of the reserve, the afterlives of history, and the grammar of anal sex. Part Two experiments with form and practice, putting to use, for example, a mode of documentary poetics that unearths the logics that make and unmake texts like Treaty 8.

NDN Coping Mechanisms: Notes from the Field emerges out of a form of auto/ethnographic sensibility that is at turns campy and playful, jarring and candid, displaying, once again, the writer’s extraordinary craft, guile, audacity, and the sheer dexterity of his imagination.

Awards

• 2019 Stephan G. Stephansson Award for Poetry Winner
  

Reviews
"This brilliant book is endlessly giving, lingering in tight spaces within the forms of loneliness, showing us their contours. These poems do the necessary work of negotiating with the heart-killing present from which we imagine and make Indigenous futures. Every line feels like a possible way out of despair.” — Elissa Washuta, author of My Body Is a Book of Rules

“‘I believe I exist. / To live, one can be neither / more nor less hungry than that.’ How grateful I am that Billy-Ray Belcourt and these poems believe in themselves enough to exist. With prodigious clarity, this work moves swiftly amongst theory and prose, longing and lyric, questioning and coping, ‘not dying’ and ‘obsessively apologizing to the moon for all that she has to witness.’ It is not hyperbole to say these poems are brilliant. And so brilliantly, searingly, they live.” — TC Tolbert, author of Gephyromania

“NDN Coping Mechanisms is a haunting book that dreams a new world — a ‘holy place filled with NDN girls, hair wet with utopia’ — as it simultaneously excoriates the world that ‘is a wound’ and the historic and present modalities of violence against Indigenous peoples under Canadian settler colonialism. Belcourt considers the genocidal nation-state, queerness, and the limits and potential of representation, often through a poetic/scholarly lineage that includes Leanne Betasamosake Simpson, Saidiya Hartman, Anne Boyer, José Esteban Muñoz, Christina Sharpe, and Gwen Benaway, among others. This is the beautiful achievement of NDN Coping Mechanisms: Belcourt conjures a sovereign literary space that refuses white sovereignty and is always already in relation to the ideas of the foremost decolonial poets and thinkers of Turtle Island.” — Mercedes Eng, author of Prison Industrial Complex Explodes

Additional Information
112 pages | 6.00" x 8.00"

Labrador Innu cultural and environmental activist Tshaukuesh Elizabeth Penashue is well-known both within and far beyond the Innu Nation. The recipient of a National Aboriginal Achievement Award and an honorary doctorate from Memorial University, she has been a subject of documentary films, books, and numerous articles. She led the Innu campaign against NATO’s low-level flying and bomb testing on Innu land during the 1980s and ’90s, and was a key respondent in a landmark legal case in which the judge held that the Innu had the “colour of right” to occupy the Canadian Forces base in Goose Bay, Labrador. Over the past twenty years she has led walks and canoe trips in nutshimit, “on the land,” to teach people about Innu culture and knowledge.

Nitinikiau Innusi: I Keep the Land Alive began as a diary written in Innu-aimun, in which Tshaukuesh recorded day-to-day experiences, court appearances, and interviews with reporters. Tshaukuesh has always had a strong sense of the importance of documenting what was happening to the Innu and their land. She also found keeping a diary therapeutic, and her writing evolved from brief notes into a detailed account of her own life and reflections on Innu land, culture, politics, and history.

Beautifully illustrated, this work contains numerous images by professional photographers and journalists as well as archival photographs and others from Tshaukuesh’s own collection.

Additional Information
288 pages | 6.00" x 8.50" | 128 colour illustrations | 1 map | bibliography

“Let's be honest: Who hasn't fantasized about shooting someone in the face with a hunting rifle?”

One day, a thirteen-year-old girl decides to startle a classmate. Instead, she accidentally kills him.

And she likes it.

Over the years, she begins experimenting with murder. Her victims are, of course, people that deserve it: a careless driver, a CEO of an energy corporation that is destroying the planet, a rapist. Every crime scene is flawless — untraceable and made to look like an accident or suicide. But, as she sleepwalks through her day job and lives in a crummy apartment, one thing becomes increasingly clear: she needs more.

Because nothing compares to the thrill of violent retribution.

Awards

• The French version of this book won the Indigenous Voices Award for French Prose in 2018.

Reviews
"Kurtness writes smoothly … Readers into passive-aggressive fantasies will best appreciate this one."— Publishers Weekly

"This chiseled writing, this extraordinary character and this particular humour may seduce the most difficult reader." — Le Devoir

"A softly creepy look into a sociopath starting with her thoughts as a 12-year-old. Narrated in a non-linear fashion, she starts with an incident from her past and her philosophy of who deserves to be punished. She’s out for revenge on wrongdoers who bully or disrupt the environment. She grew up with loving parents and a nice home but this is how she is wired. I’m not sure how I feel about the ending but I can see how she evolved to commit that last act." — Audrey Huang, Belmont Books

Educator Information
Translated by Pablo Strauss, who has translated many works of Quebec fiction into English. He grew up in Victoria, B.C., and has lived in Quebec City for fifteen years.

Additional Information
160 pages | 5.00" x 7.00" | Paperback

On Active Grounds considers the themes of agency and time through the burgeoning, interdisciplinary field of the environmental humanities. Fourteen essays and a photo album cover topics such as environmental practices and history, temporal literacy, graphic novels, ecocinema, ecomusicology, animal studies, Indigeneity, wolf reintroduction, environmental history, green conservatism, and social-ecological systems change. The book also speaks to the growing concern regarding environmental issues in the aftermath of the 2015 Paris Climate Conference (COP21) and the election of Donald Trump in the United States. This collection is organized as a written and visual appeal to issues such as time (how much is left?) and agency (who is active? what can be done? what does and does not work?). It describes problems and suggests solutions. On Active Grounds is unique in its explicit and twinned emphasis on time and agency in the context of the Environmental Humanities and a requisite interdisciplinarity.

Educator Information
Useful for these course/subject areas: Cultural Studies, Film & Media, Environmental Studies, Indigenous Studies, Environmental Humanities.

Table of Contents
Permissions
List of Figures, Photographs, and Tables
Introduction: EcocriticalAgency in Time | Mario Trono and Robert Boschman

I. Eco-Temporal Literacies
1 “The clock’s wound up”: Critical Reading Practices in the Time of Social Acceleration and Ecological Collapse | Paul Huebener
2 A Better Distribution Deal: Ecocinematic Viewing and Montagist Reply | Mario Trono
3 “Allô, ici la terre”: Agency in Ecological Music Composition, Performance, and Listening | Sabine Feisst
4 The Environmental Vampire: Terror, Time, and Territory after 9/11 | Robert Boschman

II. Timelines and Indigeneity
5 "We are key players...": Creating Indigenous Engagement and Community Control at Blackfoot Heritage Sites in Time | Geneviève Susemihl
6 Mapping a Bleak Time: The Mining Legacy of Navajo Nation | Lea Rekow

Photo Essay
Agency and Time on Active Grounds: A Memoir of Bruno Latour and Gaïa Global Circus | Robert Boschman

III. Animal Agents and Human-NonhumanInteractions
7 The Gaze of Predators, Fleshly Worlds, and the Redefinition of the Human | Karla Armbruster
8 Anim-oils: Wild Animals in Petro-Cultural Landscapes | Pamela Banting
9 Reacting to Wolves: The Historical Construction of Identity and Value | Morgan Zedalis and Sean Gould

IV. Systems Change in Time
10 Declarations of Interdependence: Unexpected Human-Animal Conflict and Bhutanese Nonlinear Policy | Randy Schroeder and Kent Schroeder
11 Future Environmental Action in Canada: The German Energiewende as a Model of Public Agency | Mishka Lysack
12 Culture as Vector: (Re)Locating Agency in Social-Ecological Systems Change | Nancy Doubleday

Additional Information
296 pages | 6.00" x 9.00"

Text Content Note: Includes some Indigenous content.

Francine Cunningham lives with constant reminders that she doesn't fit the desired expectations of the world: she is a white-passing, city-raised Indigenous woman with mental illness who has lost her mother. In her debut poetry collection ON/ME, Cunningham explores, with keen attention and poise, what it means to be forced to exist within the margins. Cunningham does not hold back: she holds a lens to residential schools, intergenerational trauma, Indigenous Peoples forcibly sent to sanatoriums, systemic racism and mental illness, and translates these topics into lived experiences that are nuanced, emotional, funny and heartbreaking all at once. ON/ME is an encyclopedia of Cunningham, who shares some of her most sacred moments with the hope to spark a conversation that needs to be had.

Educator Information
Recommended in the Canadian Indigenous Books for Schools 2020/2021 resource list for grades 8 to 12 in the areas of English Language Arts and Social Studies.

Caution: mature subject matter.

Additional Information
96 pages | 8.00" x 5.50"

“The most profound truth in the universe is this: that we are all one drum and we need each other.” —Richard Wagamese, One Drum

A posthumous volume of stories and ceremonies -- and a fitting tribute to Richard Wagamese's spiritual and literacy legacy. 

Fans of Richard Wagamese’s writing will be heartened by the news that the bestselling author left behind a manuscript he’d been working on until shortly before his death in 2017. One Drum welcomes readers to unite in ceremony to heal themselves and bring harmony to their lives and communities.

In One Drum, Wagamese wrote, “I am not a shaman. Nor am I an elder, a pipe carrier, or a celebrated traditionalist. I am merely one who has trudged the same path many of this human family has—the path of the seeker, called forward by a yearning I have not always understood.”

One Drum draws from the foundational teachings of Ojibway tradition, the Grandfather Teachings. Focusing specifically on the lessons of humility, respect and courage, the volume contains simple ceremonies that anyone anywhere can do, alone or in a group, to foster harmony and connection. Wagamese believed that there is a shaman in each of us, and we are all teachers and in the world of the spirit there is no right way or wrong way.

Writing of neglect, abuse and loss of identity, Wagamese recalled living on the street, going to jail, drinking too much, feeling rootless and afraid, and then the feeling of hope he gained from connecting with the spiritual ways of his people. He expressed the belief that ceremony has the power to unify and to heal for people of all backgrounds. “When that happens,” he wrote, “we truly become one song and one drum beating together in a common purpose—and we are on the path to being healed.”

Additional Information
160 pages | 5.50" x 8.00"

Oneida is an endangered Iroquoian language spoken fluently by fewer than 250 people. This is the first comprehensive dictionary of the Oneida language as used in Ontario, where most of the surviving speakers reside.

The dictionary contains both Oneida-English and English-Oneida sections. The Oneida-English portion includes some 6000 entries, presenting lexical bases, particles and grammatical morphemes. Each entry for a base shows several forms; illustrates inflection, meaning and use; and gives details regarding pronunciation and cultural significance. The English-Oneida entries direct the reader to the relevant base in the Oneida-English section, where technical information is provided. Completing the volume is a set of appendices that organizes Oneida words into thematic categories.

The Iroquoian languages have an unusually complex word structure, in which lexical bases are surrounded by layers of prefixes and suffixes. This dictionary presents and explains that structure in the clearest possible terms. A work of enormous precision and care, it incorporates many innovative ideas and shows a deep understanding of the nature of the Oneida language.

Reviews
"The format of the entries and the amount of information provided is impressive indeed. The system of cross-references connects entries to one another in a web of lexical relationships that brilliantly displays the nature of the Oneida lexicon – these entries are treasure-troves!" Hanni Woodbury, author of A Reference Grammar of the Onondaga Language

Additional Information
1410 pages | 6.70" x 10.00"

Orca Origins is a nonfiction series for middle readers that explores cultural traditions around the world. This guide helps educators use the Orca Origins series to build an inquiry-based unit plan that focuses on the diverse traditions from different cultural celebrations around the world and teaches students tolerance. This is done with a variety of dynamic learning activities, handouts and graphic organizers to support students’ learning. The guide includes introductions to six Orca Origins titles: Birthdays, Chinese New Year, Christmas, Diwali, Passover, and Ramadan.

Key Points:

• In the current climate of divisiveness, it is now more important than ever to encourage multicultural understanding -- this guide shows educators how to do that in the classroom.
• Tasha Henry is an experienced educator who holds a Master of Education in Language, Culture, and Teaching.
• Themes include inquiry-based learning, responsive teaching, multicultural education, teaching to diversity.

Additional Information
48 pages | 11.00" x 8.50"

How two centuries of Indigenous resistance created the movement proclaiming “Water is life”.

In 2016, a small protest encampment at the Standing Rock Reservation in North Dakota, initially established to block construction of the Dakota Access oil pipeline, grew to be the largest Indigenous protest movement in the twenty-first century. Water Protectors knew this battle for native sovereignty had already been fought many times before, and that, even after the encampment was gone, their anticolonial struggle would continue. In Our History Is the Future, Nick Estes traces traditions of Indigenous resistance that led to the #NoDAPL movement. Our History Is the Future is at once a work of history, a manifesto, and an intergenerational story of resistance.

Reviews
“Embedded in the centuries-long struggle for Indigenous liberation resides our best hope for a safe and just future for everyone on this planet. Few events embody that truth as clearly as the resistance at Standing Rock, and the many deep currents that converged there. In this powerful blend of personal and historical narrative, Nick Estes skillfully weaves together transformative stories of resistance from these front lines, never losing sight of their enormous stakes. A major contribution.”—Naomi Klein, author of This Changes Everything

“In Our History Is the Future historian Nick Estes tells a spellbinding story of the 10 month Indigenous resistance at Standing Rock in 2016, animating the lives and characters of the leaders and organizers, emphasizing the powerful leadership of the women. Alone this would be a brilliant analysis of one of the most significant social movements of this century. But embedded in the story and inseparable from it is the centuries-long history of the Oceti Sakowin’ resistance to United States’ genocidal wars and colonial institutions. And woven into these entwined stories of Indigenous resistance is the true history of the United States as a colonialist state and a global history of European colonialism. This book is a jewel—history and analysis that reads like the best poetry—certain to be a classic work as well as a study guide for continued and accelerated resistance.”—Roxanne Dunbar Ortiz, author of An Indigenous Peoples’ History of the United States

“When state violence against peaceful protest at Standing Rock became part of the national consciousness, many noticed Native people for the first time—again. Our History Is the Future is necessary reading, documenting how Native resistance is met with settler erasure: an outcome shaped by land, resources, and the juggernaut of capitalism. Estes has written a powerful history of Seven Fires resolve that demonstrates how Standing Rock is the outcome of history and the beginning of the future.”—Louise Erdrich, author of the National Book Award winner The Round House

“A touching and necessary manifesto and history featuring firsthand accounts of the recent Indigenous uprising against powerful oil companies … With an urgent voice, Estes reminds us that the greed of private corporations must never be allowed to endanger the health of the majority. An important read about Indigenous protesters fighting to protect their ancestral land and uphold their historic values of clean land and water for all humans.” —Kirkus

“Our History Is the Future is a game-changer. In addition to providing a thorough and cogent history of the long tradition of Indigenous resistance, it is also a personal memoir and homage to the Oceti Sakowin; an entreaty to all their relations that demands the ‘emancipation of the earth.’ Estes continues in the legacy of his ancestors, from Black Elk to Vine Deloria, he turns Indigenous history right-side up as a story of self-defense against settler invasion. In so doing, he is careful and judicious in his telling, working seamlessly across eras, movements, and scholarly literatures, to forge a collective vision for liberation that takes prophecy and revolutionary theory seriously. The book will be an instant classic and go-to text for students and educators working to understand the ‘structure’ undergirding the ‘event’ of the Dakota Access Pipeline. This is what history as Ghost Dance looks like.”—Sandy Grande, author of Red Pedagogy: Native American Social and Political Thought

“Nick Estes is a forceful writer whose work reflects the defiant spirit of the #NoDAPL movement. Our History Is the Future braids together strands of history, theory, manifesto and memoir into a unique and compelling whole that will provoke activists, scholars and readers alike to think deeper, consider broader possibilities and mobilize for action on stolen land.”—Julian Brave Noisecat, 350.org

Additional Information
320 pages | 5.50" x 8.25"