Books

A multi-generational story of loss, war, community, survival, perseverance, and renewal.

Joe Pete and her cousin Simon will find more than they anticipated buried beneath the snow as they search for her missing father. Their journey will unlock the ancestors and spirits embedded in the present who call back to a past marked by war and kinship, by conflict and wisdom that continue to contour their trajectory towards the future.

Additional Information
300 pages | 5.50" x 8.50" | Paperback 

A residential school survivor finds his way back to his language and culture through his family’s traditional stories.

When reflecting on forces that have shaped his life, Solomon Ratt says his education was interrupted by his schooling. Torn from his family at the age of six, Ratt was placed into the residential school system—a harsh, institutional world, operated in a language he could not yet understand, far from the love and comfort of home and family. In kâ-pî-isi-kiskisiyân / The Way I Remember, Ratt reflects on these memories and the life-long challenges he endured through his telling of âcimisowin—autobiographical stories—and also traditional tales.

Written over the course of several decades, Ratt describes his life before, during, and after residential school. In many ways, these stories reflect the experience of thousands of other Indigenous children across Canada, but Ratt’s stories also stand apart in a significant way: he managed to retain his mother language of Cree by returning home to his parents each summer despite the destruction wrought by colonialism.

Ratt then shifts from the âcimisowina (personal, autobiographical stories) to âcathôhkîwina, (sacred stories) the more formal and commonly recognized style of traditional Cree literature, to illustrate how, in a world uninterrupted by colonialism and its agenda of genocide, these traditional stories would have formed the winter curriculum of a Cree child’s education.

Presented in Cree Th-dialect Standard Roman Orthography, syllabics, and English, Ratt’s reminiscences of residential school escapades almost always end with a close call and a smile. Even when his memories are dark, Ratt’s particularly Cree sense of humour shines, making kâ-pî-isi-kiskisiyân /The Way I Remember an important and unique memoir that emphasizes and celebrates Solomon Ratt’s perseverance and life after residential school.

Reviews
"Sol is an international treasure the whole world should enjoy." —Buffy Sainte-Marie

"The Way I Remember is inarguably the most important book yet to be published for the preservation of the Cree language and an understanding of the importance of the oral tradition to Cree culture and education." —Jesse Archibald-Barber, First Nations University of Canada

"As he looks back over his life journey reclaiming, breathing new and old life back into our beautiful language, Solomon credits the late Reverend Edward Ahenekew for helping me "to put the pieces together." kista meena dear Solomon, ekosi aytotumawiyak. This is an important book because you have also put pieces together for us so that we can have a good journey. Kinahnaskomtin." —Maria Campbell, author of Halfbreed

"A gift to future generations...Full of humour and resilience in equal measure, these Cree/English stories offer us a glimpse into a world as it was, and future that could be" —Chelsea Vowel, author of Indigenous Writes

Educator & Series Information
Presented in Cree Th-dialect Standard Roman Orthography, syllabics, and English.

This book is part of the Our Own Words series.

Additional Information
264 pages | 6.00" x 9.00" | Paperback

An unflinching reimagining of Legacy: Trauma, Story, and Indigenous Healing for young adults.

Written specifically for young adults, reluctant readers, and literacy learners, Killing the Wittigo explains the traumatic effects of colonization on Indigenous people and communities and how trauma alters an individual’s brain, body, and behavior. It explores how learned patterns of behavior — the ways people adapt to trauma to survive — are passed down within family systems, thereby affecting the functioning of entire communities. The book foregrounds Indigenous resilience through song lyrics and as-told-to stories by young people who have started their own journeys of decolonization, healing, and change. It also details the transformative work being done in urban and on-reserve communities through community-led projects and Indigenous-run institutions and community agencies. These stories offer concrete examples of the ways in which Indigenous peoples and communities are capable of healing in small and big ways — and they challenge readers to consider what the dominant society must do to create systemic change. Full of bold graphics and illustration, Killing the Wittigo is a much-needed resource for Indigenous kids and the people who love them and work with them.

Educator Information
Recommended for ages 12 to 17.

The adult version of this book can be found here: Legacy: Trauma, Story, and Indigenous Healing

Additional Information
160 pages | 5.50" x 8.50" | Paperback

The 25th anniversary of a historically significant collection, presented in Cree and English.

kôhkominawak otâcimowiniwâwa / Our Grandmothers’ Lives is a collection of reminiscences and personal stories from the daily lives of seven Cree women over the past century, presented here in Cree and English. Recorded in their own language, these women share their memories of their lives and the history of their peoples, describing activities such as household chores, snaring rabbits and picking berries, going to school, marriage, bearing and raising children, and providing insights into the traditional teachings of a society in which the practical and spiritual are never far apart.

Reviews
"[T]hese ... are good stories to share ... and are absolute treasures." —Chelsea Vowel, author of Buffalo is the New Buffalo 

Educator & Series Information
This book is part of the Our Own Words series.

Presented in Cree and English.

Additional Information
418 pages | 6.00" x 9.00" | Paperback

A Quebec bestseller based on the life of Michel Jean's great-grandmother that delivers an empathetic portrait of drastic change in an Innu community.

Kukum recounts the story of Almanda Siméon, an orphan raised by her aunt and uncle, who falls in love with a young Innu man despite their cultural differences and goes on to share her life with the Pekuakami Innu community. They accept her as one of their own: Almanda learns their language, how to live a nomadic existence, and begins to break down the barriers imposed on Indigenous women. Unfolding over the course of a century, the novel details the end of traditional ways of life for the Innu, as Almanda and her family face the loss of their land and confinement to reserves, and the enduring violence of residential schools.

Kukum intimately expresses the importance of Innu ancestral values and the need for freedom nomadic peoples feel to this day.

Educator Information
Translated by Susan Ouriou.

Additional Information
224 pages | 5.50" x 8.50" | Paperback

Hopeful, irreverent, and deeply moving, Winona LaDuke’s Last Standing Woman chronicles the stories and struggles of an Anishinaabe community across seven generations.

Born at the turn of the 21st century, The Storyteller, also known as Ishkwegaabawiikwe (Last Standing Woman), carries her people’s past within her memories. The White Earth Anishinaabe people have lived on the same land since time immemorial. Among the towering white pines and rolling hills, each generation is born, lives out their lives, and is buried.

The arrival of European missionaries changes the community forever. Piece by piece, government policies rob the people of their land. Missionaries and Indian agents work to outlaw ceremonies the Anishinaabeg have practised for centuries. Grave-robbing anthropologists dig up ancestors and whisk them away to museums as artifacts. Logging operations destroy traditional sources of food, pushing the White Earth people to the brink of starvation.

Battling addiction, violence, and corruption, each member of White Earth must find their own path of resistance as they struggle to reclaim stewardship of their land, bring their ancestors home, and stay connected to their culture and to each other.

In this highly anticipated 25th anniversary edition of her debut novel, Winona LaDuke weaves a nonlinear narrative of struggle and triumph, resistance and resilience, spanning seven generations from the 1800s to the early 2000s.

Reviews
"Humor and compassion are ever present, and at its best, Last Standing Woman is a dignified and powerful retelling of one reservation's struggle for survival."— Booklist, quote from review of previous edition

"Rooted in LaDuke's own Anishinaabe heritage, the novel skillfully intertwines social history, oral myth and character study in ways reminiscent of Leslie Marmon Silko and Louise Erdrich." — Publishers Weekly, quote from review of previous edition

"LaDuke's characters are as vital and fully realized as any in a Louise Erdrich novel...Recommended for both public and academic libraries." — Library Journal, quote from review of previous edition

"The Anishinaabe culture leaps off the page and you can practically smell the fry bread cooking on the stove and hear the drums beating in the distance."— Book Snob, quote from review of previous edition

Additional Information
360 pages | 5.50" x 8.50" | Paperback | 25th Anniversary Edition

— Je m'appelle Jared.
— Trickster. Tu sens encore la foudre.

Jared, 16 ans, a un solide problème d'alcool, une blonde non binaire vraiment politisée et la mère la plus terrifiante de la planète. Il a aussi le don de se mettre dans le trouble, entre son trafic de biscuits au pot, ses fréquents blackouts et sa grande gueule. Et ça, c'est sans compter les loutres cannibales, les hommes-gorilles, les lucioles philosophes et les soupçons de sa grand-mère, convaincue qu'il n'est pas un être humain, mais le fils de Wee'git, l'esprit qui tourmente sa famille depuis des générations.

Bestseller finaliste au prix Giller, Le fils du Trickster dose savamment l'apparition d'un fantastique issu de mythes autochtones ancestraux, nous faisant douter de la santé mentale de ses personnages, mais jamais de leur vérité.

Educator & Series Information
This book is part of the Trickster Trilogy.

Translated from English by Marie Frankland. 

Note: This novel contains mature subject matter, such as drug use and depictions of sex and violence.

This book is available in English: Son of a Trickster

Additional Information
416 Pages 

From acclaimed filmmaker, artist and activist Marjorie Beaucage comes a poetic memoir that reflects on seven decades of living and seeking justice as a Two Spirit Michif woman. Poems, poetic observations and thoughtful meanderings comprise this inspirational journal-memoir-poetry collection from a woman who has dedicated her life and her talent to creating social change. Unfolding the wisdom gained from experience, leave some for the birds: movements for justice offers guidance for younger activists following the author's trailblazing footsteps.

Reviews
"I have long admired Margie's tenacious ability to persevere in spite of the obstacles placed in front of her. She continues to challenge the status quo and hangs onto what is right and just. She awakens, supports and lifts the many voices who struggle to be heard. Her voice dives deep into the depth of unknown and bewildering waters. Yet, she bubbles to the surface, takes a breath and howls with a universal plea to pay attention to the injuries imposed on the land and its people. I am honored to walk with her."--Louise B. Halfe - Sky Dancer, author of The Crooked Good.

Additional Information
211 pages | 6.00" x 9.00" | 7 Illustrations | Paperback

Bringing the Legends home

Legends of the Capilano updates E. Pauline Johnson’s 1911 classic Legends of Vancouver, restoring Johnson’s intended title for the first time. This new edition celebrates the storytelling abilities of Johnson’s Skwxwú7mesh (Squamish) collaborators, Joe and Mary Capilano, and supplements the original fifteen legends with five additional stories narrated solely or in part by Mary Capilano, highlighting her previously overlooked contributions to the book.

Alongside photographs and biographical entries for E. Pauline Johnson, Joe Capilano, and Mary Capilano, editor Alix Shield provides a detailed publishing history of Legends since its first appearance in 1911. Interviews with literary scholar Rick Monture (Mohawk) and archaeologist Rudy Reimer (Skwxwú7mesh) further considers the legacy of Legends in both scholars’ home communities. Compiled in consultation with the Mathias family, the direct descendants of Joe and Mary Capilano and members of the Skwxwú7mesh Nation, this edition reframes, reconnects, and reclaims the stewardship of these stories.

Reviews
"Shield has skilfully opened up a new avenue to the past with potentially wide-ranging appeal both to scholars and students and to general readers."— Jean Barman

Educator Information
This book is part of the First Voices, First Texts series.

Additional Information
256 pages | 5.50" x 8.50" | Paperback

Eight years in the making, Lha yudit’ih (We Always Find a Way) is a community oral history of Tsilhqot’in Nation v. British Columbia, the first case in Canada to result in a declaration of Aboriginal Rights and Title to a specific piece of land. Told from the perspective of the Plaintiff, Chief Roger William, joined by fifty Xeni Gwet’ins, Tŝilhqot’ins, and allies, this book encompasses ancient stories of creation, modern stories of genocide through smallpox and residential school, and stories of resistance including the Tŝilhqot’in War, direct actions against logging and mining, and the twenty-five-year battle in Canadian courts to win recognition of what Tŝilhqot’ins never gave up and have always known. “We are the land,” as Chief Roger says. After the violence of colonialism, he understands the court case as “bringing our sight back.” This book witnesses the power of that vision, its continuity with the Tŝilhqot’in world before the arrival of colonizers two centuries ago, and its potential for a future of freedom and self-determination for the Tŝilhqot’in People.

Additional Information
480 pages | 6.49" x 9.48" | 32 page colour photograph insert and black and white photos and illustrations and maps throughout | Paperback

In this poignant display of the resilience of language, culture, and community in the face of the profound changes brought by settlers, Kluane First Nation Elders share stories from their lives, knowledge of their traditional territory (A si Keyi, "my grandfather's country"), and insights on the building of their self-governing First Nation.

With generosity, diligence and deep commitment to their community, Elders from Lhu'aan Man Keyi (Kluane First Nation) recorded oral histories about their lives in the southwest Yukon. They shared wisdom, stories and songs passed down from grandparents, aunties and uncles, in Dan k'e (Southern Tutchone, Kluane dialect) and English. This years-long project arose from the Elders' desire for their children and future generations to know the foundations of language, culture, skills and beliefs that will keep them proud, healthy and strong. The Elders speak of life before the Alaska Highway, when their grandparents drew on thousands of years of traditional knowledge to live on the land through seasonal rounds of hunting and gathering; the dark years after the building of the Alaska Highway, when children were taken away to residential schools and hunting grounds were removed to form the Kluane Game Preserve and National Park; and the decades since, when the community worked through the Yukon land claims process to establish today's self-governing First Nation.

Inclusivity is a key community value. The Elders' stories are accompanied by the voices of youth and citizens of all ages, along with a history of the Kluane region. The book is beautifully illustrated with Elders' photographs, historical images and art work, and photos showing breathtaking views of Kluane mountains, lakes, sites, trails, and activities in the community today. With passionate and deeply informed voices, this is a stirring portrait created by a community that has shown resilience through massive changes and remains dedicated to preserving their culture, language and lands for the generations to come.

Awards

• 2024 Indigenous History Book Prize 

Educator Information
Some of the wisdom, stories, and songs are in Dan k'e (Southern Tutchone, Kluane dialect).

Additional Information
384 pages | 11.25" x 9.00"| 150 colour and b&w photos | Hardcover 

For six weeks in 2012–13, Attawapiskat chief Theresa Spence undertook a high-profile ceremonial fast to advocate for improved Canadian-Indigenous relations. Life against States of Emergency responds to the central question she asked the Canadian public to consider: What does it mean to be in a treaty relationship today? This incisive research weaves together community-engaged research, Attawapiskat lived experiences, discourse analysis, ecofeminist and Indigenous studies scholarship, art, activism, and storytelling to advance a transformative, future-oriented approach to treaty relations. By centring community voices, Life against States of Emergency seeks to cultivate democratic dialogue about environmental justice.

Reviews
"Wiebe’s book is rich, thoughtful, and wise. It centres Indigenous realities and theories, allowing readers to understand how the past informs the present, why representation matters, and how to move collectively toward an environmentally just future."— Jocelyn Thorpe, director of the Centre for Creative Writing and Oral Culture at the University of Manitoba

Additional Information
312 pages | 6.00" x 9.00" | 19 b&w photos, 1 map | Paperback

In an era in which "resistance" has become tokenized, popular Indigenous author Kaitlin Curtice reclaims it as a basic human calling. Resistance is for every human who longs to see their neighbors' holistic flourishing. We each have a role to play in the world right where we are, and our everyday acts of resistance hold us all together.

Curtice shows that we can learn to practice embodied ways of belonging and connection to ourselves and one another through everyday practices, such as getting more in touch with our bodies, resting, and remembering our ancestors. She explores four "realms of resistance"--the personal, the communal, the ancestral, and the integral--and shows how these realms overlap and why all are needed for our liberation. Readers will be empowered to seek wholeness in whatever spheres of influence they inhabit.

Reviews
"Readers will find abundant wisdom in this accessible guide."--Publishers Weekly

"Curtice is a fresh and intelligent voice."--Library Journal

Educator Information
Table of Contents

Introduction
Part 1: The Personal Realm
1. What Is Resistance?
2. Art as Resistance
3. Presence as Resistance
4. Embodiment as Resistance
5. Radical Self-Love as Resistance

Part 2: The Communal Realm
6. Childcare as Resistance
7. Ethical Practices as Resistance
8. Solidarity Work as Resistance
9. Protecting the Land as Resistance
10. Kinship as Resistance

Part 3: The Ancestral Realm
11. Decolonizing as Resistance
12. Generosity as Resistance
13. Intergenerational Healing as Resistance
14. Liminality as Resistance
15. Facing History as Resistance

Part 4: The Integral Realm
16. Integration as Resistance
17. Interspiritual Relationship as Resistance
18. Prayer as Resistance
19. Dreaming as Resistance
20. Lifelong Resistance

Includes Acknowledgements, Notes, and an Author Bio at the end of the work.

Additional Information
208 pages | 5.50" x 8.50" | Hardcover

Maggie Lou's grandpa doesn't call her Firefox for nothing. She's always finding ways to make life more interesting - even if this means getting into big trouble.

"Keep taking up space," Maggie Lou's mother says. You're only making room for the girls behind you."

When her grandfather Moshôm finally agrees to teach her how to box, she decides that the rank odors, endless drills and teasing won't stop her from wearing a tutu to the gym. Joining her father's construction crew uncovers a surprising talent - besides learning how to use a broom - and a great source of scrap wood to build a canine hotel for her dogs. And when she turns thirteen, she figures out an ingenious way to make some smokin' good camouflage to wear on her first deer hunt, where she joins a long family tradition.

Through it all she is surrounded by her big extended gumbo soup of a family, pestered by annoying younger siblings, and gently guided by her strong female relatives - her mother, her kokhom and her ultra-cool cousin Jayda. "Keep taking up space," Maggie's mother says. "You're only making room for the girls behind you."

A heroine for today, Maggie Lou discovers that with hard work and perseverance she can gain valuable new skills, without losing one iota of her irrepressible spirit.

Reviews
"Métis author Bowes weaves cultural elements, including Northern Michif words, into this charming story that skillfully captures sweetly hilarious and loving everyday moments. Black-and-white illustrations enhance the text. An amusing story showcasing Métis humor at its finest." - Kirkus, STARRED REVEIW

Educator & Series Information
Recommended for ages 9 to 12.

This is the first book in the Maggie Lou series.

Key Text Features: author's note, biographical note, glossary, chapters, dialogue, epigraph, illustrations.

Includes some Northern Michif words and a glossary.

Additional Information
220 pages | 5.00" x 7.50" | b&w illustrations | Paperback

A diverse group of seven writers comes together to create seven tender scenes about their hopes for the future.

The Many Mothers Collective came together during the pandemic, hoping to make sense of the world they found themselves in. What evolved was their need to not only focus on the present moment, but on the world they will leave behind for their children and grandchildren, and for seven generations to come. In seven scenes for the stage, the members of the collective explore the past, where they come from, and the future, where they are going, with a deep sense of hopefulness rooted in resistance.

Additional Information
70 pages | 5.00" x 8.00" | Paperback