Inuit

It seemed as though nothing could stop Jordin Tootoo on the ice. The captain of Canada's Under-18, a fan favorite on the World Junior squad, and a WHL top prospect who could intimidate both goalies and enforcers, he was always a leader. And when Tootoo was drafted by Nashville in 2000 and made the Predators out of camp in 2003, he became a leader in another way: the first player of Inuk descent to suit up in the NHL. The stress of competition in the world's top hockey league, the travel, the media, the homesickness—and the added pressure to hold one's head high as a role model not only for the young people of his hometown of Rankin Inlet but for the culture that had given him the strength and the opportunities to succeed—would have been more than enough to challenge any rookie. But Tootoo faced something far more difficult: the loss of his brother in the year between his draft and his first shift for the Predators. Though he played through it, the tragedy took its inevitable toll. In 2010, Tootoo checked himself into rehab for alcohol addiction. It seemed a promising career had ended too soon. But that's not the way Tootoo saw it and not the way it would end. As heir to a cultural legacy that included alcohol, despair, and suicide, Tootoo could also draw on a heritage that could help sustain him even thousands of miles away from Nunavut. And in a community haunted by the same hopelessness and substance abuse that so affected Tootoo's life, it is not just his skill and fearlessness on the ice that have made him a hero, but the courage of his honesty to himself and to the world around him that he needed to rely on others to sustain him through his toughest challenge. All the Way tells the story of someone who has traveled far from home to realize a dream, someone who has known glory and cheering crowds, but also the demons of despair. It is the searing, honest tale of a young man who has risen to every challenge and nearly fallen short in the toughest game of all, while finding a way to draw strength from his community and heritage, and giving back to it as well.

Additional Information
240 pages | 5.25" x 8.23"

Traditionally, Inuit do not call each other by their given names. Instead, they refer to each other using a system of kinship and family terms, known as tuqurausiit (turk-thlo-raw-seet). Calling each other by kinship terms is a way to show respect and foster closeness within families. Children were named after their elders and ancestors, ensuring a long and healthy life.

As more and more Inuit refer to each other by their English first names, rather than their traditional kinship terms, the tradition of tuqurausiit is slowly disappearing. This book presents interviews with four Inuit elders from Baffin Region, Nunavut, about how names were chosen, the importance of using kinship terms, and how the practice of tuqurausiit has changed over the years. Inuit Kinship and Naming Customs helps to preserve the knowledge of this tradition for younger generations, both Inuit and non-Inuit.

Additional Information

Residential Schools, With the Words and Images of Survivors, A National History honours the survivors, the former students, who attended residential schools. Designed for the general reader this accessible, 112-page history offers a first-person perspective of the residential school system in Canada, as it shares the memories of more than 70 survivors from across Canada as well as 125 archival and contemporary images (65 black & white photographs, 51 colour, some never before published).

This essential volume written by award-winning author Larry Loyie (Cree), a survivor of St. Bernard Mission residential school in Grouard, AB, and co-authored by Constance Brissenden and Wayne K. Spear (Mohawk), reflects the ongoing commitment of this team to express the truths about residential school experiences and to honour the survivors whose voices are shared in this book.

Along with the voices, readers will be engaged by the evocative, archival photographs provided by the Shingwauk Residential Schools Centre with the assistance of curator Krista McCracken. The book begins with the moving introduction by Larry Loyie, and moves to seven chapters that explore the purpose of this school system; cultures and traditions; leaving home; life at school the half-day system; the dark side of the schools; friendship and laughter coping with a new life; changing world–the healing begins; and an afterword. A detailed, full colour map showing residential schools, timeline with key dates, glossary, and a helpful index (including names of survivors and schools) make this vital resource a must-have for secondary, college, and universities, libraries, and the general reader.

Reviews
"A broad and comprehensive review of the history of First Nations, Métis, and Inuit peoples in Canada told from the perspective of First Peoples in a very accessible way. Any educator, regardless of personal background or heritage, would find this timely resource very useful in any classroom." — Gary Fenn and Domenic Bellissimo, executive assistants, Ontario Secondary School Teachers’ Federation

"Written with a gentle hand, this book describes a history that few Canadians understand or even know about. From the first page, those in search of the truth are engaged in a journey of learning, as they come to understand the true battle of Aboriginal peoples to preserve their cultures and pride. This story is a true account of resiliency and human spirit." — Tracy Zweifel, executive director, Sagitawa Friendship Society, Alberta

Awards

- 2016 Winner of Golden Oak award in Ontario's Forest of Reading program

Educator Information
This must-have resource includes a detailed, full-colour map showing residential schools, a timeline with key dates, and a glossary.

Recommended for grades 7-12, but would still be useful for adults and college/university courses studying residential schools and Indigenous history.

This book has been evaluated and approved by ERAC (Educational Resource Acquisition Consortium, British Columbia).

Additional Information
112 pages | 10.43" x 8.26"

Caribou Skin Clothing of the Iglulik Inuit outlines the various steps involved in the creation of traditional Inuit caribou skin clothing, namely the hunt, preparation, and sewing.

In addition to diagrams and practical instructions, this book is filled with historical information and insights from Elders of the Iglulik region.

Meticulously researched by former Arctic resident and anthropologist Sylvie Pharand, this book can be used as a practical guide to creating caribou skin clothing, as well as a general-interest text for those interested in traditional skin clothing.

The iglu, a traditional winter shelter built in the Arctic for centuries, is a vital part of Inuit culture. The qamutiik, a traditional sled used for hunting, is an essential tool whose versatility and dependability have allowed it to endure over time.

In How to Build an Iglu & a Qamutiik, Solomon Awa provides thorough how-to instructions on building iglus and qamutiiks, along with general background information on their construction and importance to survival. Complete with detailed, clear illustrations, this valuable resource will teach readers to build these structures that are so central to Inuit culture and tradition.

Educator Information
Delivered in a dual-language format of English and Ikutitut.

Additional Information
32 pages | 9.00" x 7.00" | b&w illustrations, colour photographs

In this adventurous novel—set in the ancient Arctic, but narrated for modern readers by an inquisitive and entertaining contemporary narrator—a young, wandering Inuit hunter named Kannujaq happens upon a camp in grave peril. The inhabitants of the camp are Tunit, a race of ancient Inuit ancestors known for their shyness and meekness. The tranquility of this Tunit camp has been shaken by a group of murderous, pale, bearded strangers who have arrived on a huge boat shaped like a loon.

Unbeknownst to Kannujaq, he has stumbled upon a battle between the Tunit and a group of Viking warriors!

As the camp prepares to defend itself against the approaching newcomers, Kannujaq and a Tunit shaman boy named Siku discover that the Vikings may have motivations other than murder and warfare at the heart of their quest.

This lush historical fiction is steeped in Inuit traditional knowledge and concepts of ancient Inuit magic. The unique time and place brought to life in this exciting novel will delight young fans of historical and fantastical fiction alike.

Educator Information
Recommended for ages 12+

Additional Information
120 pages | 6.00" x 9.00"

First Nations, Inuit, and Métis music in Canada is dynamic and diverse, reflecting continuities with earlier traditions and innovative approaches to creating new musical sounds. Aboriginal Music in Contemporary Canada narrates a story of resistance and renewal, struggle and success, as indigenous musicians in Canada negotiate who they are and who they want to be. Comprised of essays, interviews, and personal reflections by Aboriginal and non-Aboriginal musicians and scholars alike, the collection highlights themes of innovation, teaching and transmission, and cultural interaction. Individual chapters discuss musical genres ranging from popular styles including country and pop to nation-specific and intertribal practices such as powwows, as well as hybrid performances that incorporate music with theatre and dance. As a whole, this collection demonstrates how music is a powerful tool for articulating the social challenges faced by Aboriginal communities and an effective way to affirm indigenous strength and pride. Juxtaposing scholarly study with artistic practice, Aboriginal Music in Contemporary Canada celebrates and critically engages Canada's vibrant Aboriginal music scene. Contributors include Véronique Audet (Université de Montreal), Columpa C. Bobb (Tsleil Waututh and Nlaka'pamux, Manitoba Theatre for Young People), Sadie Buck (Haudenosaunee), Annette Chrétien (Métis), Marie Clements (Métis/Dene), Walter Denny Jr. (Mi'kmaw), Gabriel Desrosiers (Ojibwa, University of Minnesota, Morris), Beverley Diamond (Memorial University), Jimmy Dick (Cree), Byron Dueck (Royal Northern College of Music), Klisala Harrison (University of Helsinki), Donna Lariviere (Algonquin), Charity Marsh (University of Regina), Sophie Merasty (Dene and Cree), Garry Oker (Dane-zaa), Marcia Ostashewski (Cape Breton University), Mary Piercey (Memorial University), Amber Ridington (Memorial University), Dylan Robinson (Stó:lo, University of Toronto), Christopher Scales (Michigan State University), Gilles Sioui (Wendat), Gordon E. Smith (Queen's University), Beverly Souliere (Algonquin), Janice Esther Tulk (Memorial University), Florent Vollant (Innu) and Russell Wallace (Lil'wat).

Additional Information
520 pages | 6.14" x 9.25"

Authenticity Note: While the editors of this book are not Indigenous, the majority of contributors are Indigenous; therefore, this book has received the Authentic Indigenous Text label.

This anthology of Aboriginal writings from Manitoba takes readers back through the millennia and forward to the present day, painting a dynamic picture of a territory interconnected through words, ideas, and experiences. A rich collection of stories, poetry, nonfiction, and speeches, it features:
- Historical writings, from important figures.
- Vibrant literary writing by eminent Aboriginal writers.
- Nonfiction and political writing from contemporary Aboriginal leaders.
- Local storytellers and keepers of knowledge from far-reaching Manitoba communities.
- New, vibrant voices that express the modern Aboriginal experiences.
- Anishinaabe, Cree, Dene, Inuit, Métis, and Sioux writers from Manitoba.

Educator & Series Information
Created in the spirit of the Anishinaabe concept debwe (to speak the truth), The Debwe Series is a collection of exceptional Aboriginal writing from across Canada. Manitowapow, a one-of-a-kind anthology, is the first book in The Debwe Series. Manitowapow is the traditional name that became Manitoba, a word that describes the sounds of beauty and power that created the province.

Recommended for grades 11 and 12, university students, and adults.

Additional Information
416 pages | 6.00" x 9.00"

Framed by the historic 2005 signing of the Labrador Inuit Land Claim Agreement and the creation of Nunatsiavut, the first Inuit self-government, Settlement, Subsistence, and Change Among the Labrador Inuit is a history of land and resource use by the Labrador Inuit. It examines in detail the way of life and cultural survival of this unique indigenous population, including household structure, the social economy and organization of wild food production, forced relocations and land claims, subsistence and settlement patterns, and contemporary issues around climate change, urban planning, and self-government. Comprised of twelve essays, this volume represents the first significant publication on the Labrador Inuit in more than thirty years.

One of the most terrifying creatures to be found in traditional Inuit stories is the nanurluk, a massive bear the size of an iceberg that lives under the sea ice. Its monstrous size and ice-covered fur make it an almost impenetrable foe. But when a lone hunter spots the breathing hole of the nanurluk on the sea ice near his iglu, he quickly uses his quick thinking and excellent hunting skills to hatch a plan to outsmart the deadly bear.

Jose Angutingunrik, a gifted storyteller and respected elder from Kugaaruk, Nunavut, brings to life a story of the great nanurluk that has been told in the Kugaaruk region for generations.

Educator Information
Recommended for ages 7 to 9.

This resource is also available in hardcover: The Giant Bear

This resource is also available in Inuktitut: The Giant Bear (Inuktitut Version)

This resource is also available in French: L'ours géant: un Conte inuit

Additional Information
32 pages | 8.00" x 10.00" | Paperback

A gorgeous retrospective on the transformation of Inuit art in the 20th century, mirroring the vast and poignant cultural changes in the North.

In response to a rapidly changing Arctic environment, Inuit have had to cope with the transition from a traditional lifestyle to the disturbing realities of globalization and climate change. Inuit art in the latter half of the 20th century reflects the reciprocal stimulus of contact with Euro-Canadians and embodies the evolution of a modern Inuit aesthetic that springs from an ancient cultural context, creating an exciting new hybridized art form. Inuit Modern: Art from the Samuel and Esther Sarick Collection situates modern Inuit art within a larger framework that reinterprets the Canadian Arctic.

Essays by leading Canadian scholars in the field including Ingo Hessel, Robert McGhee, Christine Laloude, Heather Igloliorte, Dorothy Eber and Bernadette Driscoll Engelstad examine the social, political and cultural transformation through the dynamic lens of colonial influence and agency. Inuit Modern also features interviews with David Ruben Piqtoukun and Zacharias Kunuk.

Reviews
"The work of Inuit artists has continually evolved in response to the industrialized, bureaucratic culture encroaching from the south. Inuit Modern, an opulent new coffee-table book, displays the astonishing results. The 175 pieces beautifully reproduced here span the last century." — Georgia Straight

"This book is full of treasures from one of the world's most comprehensive collections of Inuit art. With more than 175 works by Inuit artists, the reader is taken on a journey of the Inuit aesthetic as it evolves from its from traditional roots to a more contemporary and globalized art form." — Globe & Mail Top 100 for 2010

Additional Information
256 pages | 10.00" x 11.10"

Sometimes even shamans get cranky. That was baby Wolverine’s misfortune — to be cursed by an out-of-sorts shaman frustrated by his own baby daughter’s incessant crying. Not only has shaman Paaliaq forbidden the future marriage of Wolverine to Breath, Paaliaq’s beautiful but teary baby girl, he has cursed Wolverine, banishing him when he becomes a young man. And even when a contrite Paaliaq later revokes the curse, the shaman’s even crankier magic animal will not. Now Wolverine finds himself stranded on a barren island, locked in a life-or-death struggle to return to his home, his family and a very special young girl.

Michael Kusugak, consummate storyteller and bestselling author, conjures up an Inuit tale of adventure, perseverance and first-time love shot through with humanity and humour. This is a story perfect for its pre-teen and ’tween audience, where even the strong and the mighty have bad days, the bully gets his due and a dream can come true.

Author's Note: "I was thinking The Curse Of The Shaman, A Marble Island Story would make a wonderful book for those studying Inuit in social studies programs."

Reviews
"Wonderful! I loved every minute of it. Native story-telling at its best."— Tomson Highway, author of Fox on the Ice and Dragonfly Kites

Additional Information
168 pages | 5.50" x 8.25"

Colouring It Forward is honoured to have collaborated with Cree Elder John Sinclair in the design of this day planner that is dedicated to fostering Truth and Reconciliation. They are also grateful to Ashley Barclay for her artwork, to Crystal Fraser and Sara Komarnisky for allowing us to share some of their recommended Acts of Reconciliation.

Would you like to learn more about Indigenous issues, and culture to participate more fully in reconciliation?

This day planner offers you:

- Answers to questions about culture, issues and spirituality by Cree elder John Sinclair

- suggested ReconciliActions

- important Indigenous dates to observe

- update on the TRC's 94 Calls to Action: where the government is at with implementing the Calls to Action

- 3 colouring images by Metis artist Ashley Barclay

- 365 undated pages to record your meetings, your daily gratitude and your reconciliation plans!

- Each day planner sold will provide a donation to Piitoayis Family School