Books

From the author of White Horse (“Twisty and electric.” —The New York Times Book Review) comes a terrifying and resonant novel about a woman who uses her unique gift to learn the truth about her sister’s death.

Olivia Becente was never supposed to have the gift. The ability to commune with the dead was the specialty of her sister, Naiche. But when Naiche dies unexpectedly and under strange circumstances, somehow Olivia suddenly can’t stop seeing and hearing from spirits.

A few years later, she’s the most in-demand paranormal investigator in Denver. She’s good at her job, but the loss of Naiche haunts her. That’s when she hears from the Brown Palace, a landmark Denver hotel. The owner can’t explain it, but every few years, a girl is found dead in room 904, no matter what room she checked into the night before. As Olivia tries to understand these disturbing deaths, the past and the present collide as Olivia’s investigation forces her to confront a mysterious and possibly dangerous cult, a vindictive journalist, betrayal by her friends, and shocking revelations about her sister’s secret life.

The Haunting of Room 904 is a paranormal thriller that is as edgy as it is heartfelt and simmers with intensity and longing. Erika T. Wurth lives up to her reputation as “a gritty new punkish outsider voice in American horror.”

Reviews
“The Haunting of Room 904 deftly mixes humor, scares, and the weight of personal and generational grief. The book is a heady, haunting, righteous, and spiritual exploration of our political mess through the lens of paranormal exploration and, sometimes even scarier, interpersonal relationships. You’ll want to follow Erika and her Olivia into any dark, creaky room.” —Paul Tremblay, New York Times bestselling author of Horror Movie and A Head Full of Ghosts

“The Haunting Of Room 904 is an electric terrifying journey into the world beyond the veil. Erika T. Wurth has created a mind bending tale of loss and love and the devastating cost of grief. You don't want to miss this!” —S. A. Cosby, author of All the Sinners Bleed and Razorblade Tears

Additional Information
320 pages | 6.12" x 9.25" | Hardcover 

Daring and vulnerable, this is the highly anticipated new collection from Griffin Poetry Prize winner Billy-Ray Belcourt.

In The Idea of An Entire Life, Belcourt delivers an intimate examination of twenty-first-century anguish, love, queerness, and political possibility. Through lyric verse, sonnets, fieldnotes, and fragments, the poems, sometimes heart-breaking, sometimes slyly humorous, are always finely crafted, putting to use the autobiographical and philosophical style that has come to define Belcourt’s body of work. By its close, the collection makes the urgent argument that we are each our own little statues of grief and awe.

Reviews
"To read Billy-Ray Belcourt’s The Idea of An Enitre Life is to experience genre as a place between landscapes, but also beyond them: horizon as 'line break,' infrastructure as 'wound,' 'an image of a forest someone else/was supposed to know by heart.' These poems are achingly beautiful. Belcourt writes what’s already broken, breaking in real-time, 'in order to repair it.' How this new form might arrive, 'miraculously' but also diligently, an act of recuperation and courage that’s on-going, 'meandering' but also (always) 'incomplete,' becomes what happens when we read."—Bhanu Kapil

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96 pages | 5.00" x 7.50" | Hardcover 

From global art superstar Kent Monkman and his long-time collaborator Gisèle Gordon, a transformational work of true stories and imagined history that will remake readers’ understanding of the land called North America.

For decades, the singular and provocative paintings by Cree artist Kent Monkman have featured a recurring character—an alter ego of sorts, a shape-shifting, time-travelling elemental being named Miss Chief Eagle Testickle. Though we have glimpsed her across the years in films and on countless canvases, it is finally time to hear her story, in her own words. And, in doing so, to hear the whole history of Turtle Island anew. The Memoirs of Miss Chief Eagle Testickle: A True and Exact Accounting of the History of Turtle Island is a genre-demolishing work of genius, the imagined history of a legendary figure through which profound truths emerge—a deeply Cree and gloriously queer understanding of our shared world, its past, its present, and its possibilities.

Volume One, which covers the period from the creation of the universe to the confederation of Canada, follows Miss Chief as she moves through time, from a complex lived experience of Cree cosmology to the arrival of European settlers, many of whom will be familiar to students of history. An open-hearted being, she tries to live among those settlers, and guide them to a deeper understanding of the interconnectedness of all beings and the world itself. As their numbers grow, though, so does conflict, and Miss Chief begins to understand that the challenges posed by the hordes of newly arrived Europeans will mean ever greater danger for her, her people, and, by extension, all of the world she cherishes.

Blending history, fiction, and memoir in bold new ways, The Memoirs of Miss Chief Eagle Testickle are unlike anything published before. And in their power to reshape our shared understanding, they promise to change the way we see everything that lies ahead.

Reviews
"Long a persona stalking the paintings of provocative Cree artist Kent Monkman, Miss Chief Eagle Testickle steps off the canvas to tell her own story—and that of the Indigenous peoples of Turtle Island—in a two volume collaboration with Gisèle Gordon. Lavishly illustrated with Monkman’s paintings, The Memoirs of Miss Chief Eagle Testickle is at once (and seamlessly) a unique story of an even more unique deity, an exposition of nêhiyaw (Cree) beliefs and a primer in nêhiyawêwin (Cree Language), and a deeply researched history of contact, colonization, and resurgence. A full-blown remediation of the politically-charged and erotic world of Monkman’s paintings, these books educate, inspire, entertain, and leave the reader breathless."—Steve Collis, 2024 VMI Betsy Warland Between Genres Award judge

Additional Information
264 pages | 6.51" x 9.99"" | Full-colour art throughout | Paperback 

Named after the Respecting Aboriginal Values and Environmental Needs (RAVEN) nonprofit organization, The RAVEN Essays is an anthology that celebrates a decade of prize-winning student essays. Since 2012, RAVEN has awarded an annual essay prize to honour students who champion the vital importance of Indigenous rights and self-determination, both in Canada and globally. The essays featured in this collection highlight exceptional student work while reflecting on the evolving relationship between Indigenous politics and academia. From issues like fishing rights and the Trans Mountain Pipeline to challenges of sexism and conservation policy, these essays capture a transformative period in Indigenous struggles, offering insights that resonate far beyond the Canadian settler state.

The anthology also includes contributions from prominent scholars such as Glen Coulthard, Dara Culhane, Michael Fabris, Sarah Hunt, and Heather Dorries. Five complementary essays explore various aspects of structural change, institutional constraints, and broader commitments to Indigenous knowledge within university settings. Aimed at readers in Indigenous law, environmental studies, anthropology, and geography, The RAVEN Essays is a book created by students for students, and by academics for the academy.

Together, the contributors reflect on the powerful formation and enactment of Indigenous law, environmental stewardship, place-based knowledge, pedagogy, and literacy – both within the academy and in the broader community, across land, water, and culture.

This collection celebrates emerging scholars in Indigenous studies, featuring student essays that explore Indigenous justice, ethics, and environmental justice, while highlighting a decade of collaboration with RAVEN, a legal defence organization.

Educator Information
Chapters

Educator Information
306 pages | 6.00" x 9.00" | 11 Illustrations | Paperback

Indigenomics in action-moving beyond Indian Act economics towards Indigenous economic sovereignty

In this groundbreaking new work, Carol Anne Hilton, author of the bestselling Indigenomics, explores the phenomenon of growing Indigenous economic power and sovereignty, achieved despite monumental historic injustices.

The Indigenous economy in Canada is on track to exceed $100 billion. Yet full Indigenous participation at the economic table is still fundamentally lacking, due in large part to the inherently colonial and racist policies of the Indian Act. Hilton deconstructs these systemic barriers and maps an ethical way forward based on radical inclusion and Indigenomics in action.

Coverage includes:

• The far-reaching social and moral consequences of Indian Act economics-a tool used to legislate away Indigenous rights and jurisdiction with the express purpose of erasing First Nations
• The true cost of maintaining the status quo, from perpetuating inequality and cycles of Indigenous poverty, to lost opportunities for value-creation in Indigenous and settler economies
• Twenty-five transformative trends driving Indigenous economic growth.

Required reading for Indigenous organizations, Nations, and allies; business leaders and investors; lawyers and policymakers; governments at all levels; and everyone interested in reconciliation, decolonization, and building a just, prosperous, and inclusive society.

Reviews
"Hilton's work reaffirms the significance of relationship economics. Her words clearly illustrate that Indigenomics is the path for the future. As we move through the portal of this time, knowing that pandemics change our world, let's walk through to a path of restorative economics, founded on land, spirit, and the reality of Mother Earth's wealth, which is our responsibility to acknowledge and respect. The time of Keynesian economic analysis has passed, along with the empire. The time of cooperation is here." -Winona LaDuke, executive director, Honor the Earth Carol Anne

"Hilton mounts a convincing case that the rigidity of the Indian Act has put the rest of Canada in a static status-quo headspace that sees Indigenous Peoples as taken care of; meaning they don't see how adept they are in their economic empowerment as they consistently score in the open net." -Bill Gallagher, resource strategist

"A dynamic pathway to equitable Indigenous economic liberation and advancement." -Ruth Mojeed Ramirez, Chief Equity Officer, The Inclusion Project

"A comprehensively insightful guide for advancing Indigenous economic growth and inclusion." -Vinod Rajasekaran, CEO, Future of Good

"An essential primer for those seeking to understand and celebrate the economic rebirth of Indigenous communities." -Ken Coates, professor emeritus, University of Saskatchewan

Educator Information
The Indigenous economy is surging, but full Indigenous economic participation is still lacking, thwarted by the colonial and racist policies of Canada’s Indian Act. The Rise of Indigenous Economic Power deconstructs these historic and systemic barriers and presents an ethical response based on Indigenomics in action.

Additional Information
264 pages | 6.00" x 9.00" | 5 b&w illustrations | Paperback 

A dynamic framework for the development of an Indigenous strategy that shares the engaging story of ii’taa’poh’to’p at the University of Calgary.

The University of Calgary’s Indigenous strategy, ii’taa’poh’to’p, lays the path for a journey of transformation and renewal for truth and reconciliation through ways of knowing, doing, connecting, and being.

The Story of ii’ taa’poh’to’p is the story of the creation of the University of Calgary’s Indigenous Strategy. The result of an enlightening process of relationship building and deep learning and listening, it required the intentional and careful creation of parallel paths for institutional and Indigenous frameworks to create the strategy. Authentic conversations occurred in the ethical space between the parallel paths, allowing for increased understanding of differences and similarities between cultures.

This book captures powerful and emotional stories that emphasize the importance of reconciliation and decolonizing organizations. It demonstrates that trusting relationships can be developed between Indigenous and non-Indigenous relatives and lays out a dynamic framework and approach for the development of an Indigenous strategy.

The Grandparents of ii’ taa’poh’to’p welcome readers to learn from their experience. They share insightful lessons about the importance of being relational; honouring ways of knowing and doing from other cultures; developing generational strategies that persist over time; understanding the impacts of fear; and making assumptions about people’s prior knowledge. They discuss how relationship building through deep listening across cultures is essential to the development of an Indigenous strategy. The Story of ii’ taa’poh’to’p is essential reading for all those interested in the development of an Indigenous strategy in the pursuit of truth and reconciliation.

Educator Information
About the Authors: The Grandparents of ii ’taa’poh’to’p are a collective of leaders from diverse cultural backgrounds and experiences who guided the development of the Indigenous strategy at the University of Calgary. 

Additional Information
176 pages | 6.00" x 9.00" | Paperback

The pelt of a dog named “Mutton” languished in a drawer at the Smithsonian for 150 years until it was discovered, almost accidentally, by an amateur archivist. This book tells Mutton's story and explores what it can teach us about Coast Salish Woolly Dogs and their cultural significance.

Until now, there has been very little written about the enigmatic Coast Salish Woolly Dog, or sqʷəmey̓ in the Hul'q'umi'num language. According to Indigenous Oral Histories of the Pacific Northwest, this small dog was bred for thousands of years for its woolly fibres, which were woven into traditional blankets, robes and regalia. Although the dogs were carefully protected by Coast Salish peoples, by the 1900s, the Woolly Dog had become so rare it is now considered extinct.

Co-authored with weavers, Knowledge Keepers, and Elders, The Teachings of Mutton interweaves perspectives from Musqueam, Squamish, Stó:lō, Suquamish, Cowichan, Katzie, Snuneymuxw, and Skokomish cultures with narratives of science, post-contact history, and the lasting and devastating impacts of colonization. Binding it all together is Mutton's story—a tale of research, reawakening, and resurgence.

Reviews
“What a compelling story, reflecting a way of life, practical knowledge, artistry and change in the Pacific Northwest! Mutton, the domesticated woolly dog, represents so much more than a museum collection or a source of weaving material. Generations of breeding, learning and sharing, caring and trading are mirrored in the discovery of his pelt in a drawer at the Smithsonian. Liz Hammond-Kaarremaa and her respected Salishan co-authors and Knowledge Keepers have brought Mutton into the present, and in doing so, have given us a new and unique perspective on the complex history of this region and on the meaning of Truth and Reconciliation. The book is clearly and thoughtfully written, and supplemented with excellent illustrations. It is a ‘must read’ for anyone wishing to know more about weaving arts, dog breeds, Indigenous cultures and/or history in northwestern North America.” — Nancy J. Turner, Distinguished Professor Emerita, University of Victoria

“Conscientious and accessible, The Teachings of Mutton weaves a charming and informative history, walking through the discovery of his pelt in a museum drawer to the modern science that reveals the shape of this dog’s life. Highlighting and correcting generations of non-Indigenous misinterpretation, the intertwined histories provided by Salish knowledge keepers reveal the nuanced Indigenous sciences of dog husbandry, spinning, weaving, and the cultural significance of Woolly Dogs while telling a lively story.” — Kathryn Bunn-Marcuse, PhD, curator of Northwest Native art and director of the Bill Holm Center for

Additional Information
264 pages | 8.00" x 10.00"

A young man is haunted by a mythological specter bent on stealing everything he loves in this unsettling horror from the author of Indian Burial Ground and Sisters of the Lost Nation.

For fear of summoning evil spirits, Native superstition says you should never, ever whistle at night.

Henry Hotard was on the verge of fame, gaining a following and traction with his eerie ghost-hunting videos. Then his dreams came to a screeching halt. Now, he's learning to navigate a new life in a wheelchair, back on the reservation where he grew up, relying on his grandparents’ care while he recovers.

And he’s being haunted.

His girlfriend, Jade, insists he just needs time to adjust to his new reality as a quadriplegic, that it’s his traumatized mind playing tricks on him, but Henry knows better. As the specter haunting him creeps closer each night, Henry battles to find a way to endure, to rid himself of the horror stalking him. Worried that this dread might plague him forever, he realizes the only way to exile his phantom is by confronting his troubled past and going back to the events that led to his injury.

It all started when he whistled at night....

Additional Information
368 pages | 6.26" x 9.27"  | Hardcover 

Acclaimed Nishnaabeg writer Leanne Betasamosake Simpson takes a revolutionary look at that most elemental force, water, and suggests a powerful path for the future.

A genre-bending exploration of that most elemental force-water-through Indigenous storytelling, personal memory, and the work of influential artists and writers.

For many years, Leanne Betasamosake Simpson took solace in skiing--in all kinds of weather, on all kinds of snow across all kinds of terrain, often following the trail beside a beloved creek near her home. Recently, as she skied on this path against the backdrop of uncertainty, environmental devastation, rising authoritarianism and ongoing social injustice, her mind turned to the water in the creek and an elemental question: What might it mean to truly listen to water? To know water? To exist with and alongside water?

So began a quest to understand her people's historical, cultural, and ongoing interactions with water in all its forms (ice, snow, rain, perspiration, breath). Pulling together these threads, Leanne began to see how a "Theory of Water" might suggest a radical rethinking of relationships between beings and forces in the world today. In this inventive work, Simpson draws on Nishnaabeg origin stories while artfully weaving the work of influential writers and artists alongside her personal memories and experience--and in doing so, reimagines water as a catalyst for radical transformation, capable of birthing a new world.

Theory of Water is a resonant exploration of an intricate, multi-layered relationship with the most abundant element on our planet--one that, as Simpson eloquently shows, is shaping our present even as it demands a radical rethinking of how we might achieve a just future.

Additional Information
224 pages | 5.50" x 8.25" | Hardcover

One young woman’s relentless quest to become the first Cherokee astronaut will irrevocably alter the fates of the people she loves most in this tour de force of a debut about ambition, belonging, and family.

My mother took my sister and me, and she drove through the night to a place she felt a claim to, a place on earth she thought we might be safe. I stopped asking questions. I picked little glass pieces from my sister’s hair. I watched the moon.

Steph Harper is on the run. When she was five, her mother fled an abusive husband—with Steph and her younger sister in tow—to Cherokee Nation, where she hoped they might finally belong. In response, Steph sets her sights as far away from Oklahoma as she can get, vowing that she will let nothing get in the way of pursuing the rigorous physical and academic training she knows she will need to be accepted by NASA, and ultimately, to go to the moon.

Spanning three decades and several continents, To the Moon and Back encompasses Steph’s turbulent journey, along with the multifaceted and intertwined lives of the three women closest to her: her sister Kayla, an artist who goes on to become an Indigenous social media influencer, and whose determination to appear good takes her life to unexpected places; Steph’s college girlfriend Della Owens, who strives to reclaim her identity as an adult after being removed from her Cherokee family through a challenge to the Indian Child Welfare Act; and Hannah, Steph and Kayla’s mother, who has held up her family’s tribal history as a beacon of inspiration to her children, all the while keeping her own past a secret.

In Steph’s certainty that only her ambition can save her, she will stretch her bonds with each of these women to the point of breaking, at once betraying their love and generosity, and forcing them to reconsider their own deepest desires in her shadow. Told through an intricately woven tapestry of narrative, To the Moon and Back is an astounding and expansive novel of mothers and daughters, love and sacrifice, alienation and heartbreak, terror and wonder. At its core, it is the story of the extraordinary lengths to which one woman will go to find space for herself.

Reviews
“A story of decisions; right, wrong and everything in between, To the Moon and Back explores love and ambition and all its complicated messiness. With characters so perfectly rendered that you’ll want to hug them or give them a shake, Eliana Rampage explores what it means to belong in this immersive and exciting debut.” — Amanda Peters, author of The Berry Pickers (winner of the Carnegie Medal for Excellence)

“A soaring masterpiece that mixes the terror, care, betrayal, and death-defying love of family with deliciously abject lesbian drama and the beautifully self-destructive doggedness of possessing a singular dream. Every character in this novel will stay with you forever. I love this book.” —Casey Plett, award-winning author of A Dream of a Woma—

“A John Irving-esque tragicomic saga… This author is as ambitious as her protagonist: There are three novels worth of material here, all good. The moon or bust!” —Kirkus Review (starred review)

Additional Information
448 pages | 6.00" x 9.00" | Paperback

In British Columbia, land acknowledgements often refer to “unceded territory.” Yet many people remain uncertain about the history behind these words or their implications for the future of the province.

Unceded reveals the BC government’s history of injustice toward First Nations, providing the context for understanding the province’s current reconciliation efforts, including modern treaty negotiations. Treaty commissioner George M. Abbott combines archival research with a former cabinet minister’s insider perspective on government to chronicle over 150 years of BC-Indigenous relations. Abbott’s account details how early government officials refused to negotiate treaties and instead coerced First Nations onto small and scattered reserves while granting settlers access to vast tracts of land. Despite sustained Indigenous resistance, the situation only worsened as non-Indigenous demands for land and natural resources increased in the decades that followed.

It was only after several Supreme Court decisions affirmed Indigenous land rights that BC sat down at the negotiating table. More recently, the province has taken notable steps toward reconciliation, concluding modern treaties and passing legislation that acknowledges Indigenous rights. As Abbott shows, overcoming the legacy of colonialism is no small task, but achieving justice is worth the effort it takes.

This book is for readers of BC history, those who follow provincial politics, or anyone invested in the future of British Columbia. It is essential reading for elected officials and policy makers and will also appeal to scholars and students of Canadian history, political science, and Indigenous-settler relations.

Reviews
"Unceded is an excellent account of the relationship between First Nation groups and the government of British Columbia. It is well-researched and enriched by interesting insights from George Abbott’s own involvement in more recent developments as a member of the provincial cabinet."— Jim Reynolds, author of Canada and Colonialism and former general counsel to the Musqueam First Nation

"I wish to thank George Abbott for his book about our colonial past. It is only with a better understanding of our history that we can have a better chance of creating a brighter future for First Nations in British Columbia."— From the foreword by the Honourable Steven Point, Grand Chief of the Stó:lō and BC’s first Indigenous Lieutenant-Governor

Additional Information
280 pages | 6.00" x 9.00" | Paperback 

About 90 percent of archaeological activity in North America is driven by private-sector development. In the process, archaeology is often used to undermine the interests of those whose material culture it allegedly seeks to preserve and interpret. Unearthing Forgotten Values explores the disrespectful and ultimately unethical nature of much commercial archaeology – or cultural resource management (CRM) – and proposes a praxis that puts Indigenous communities and their heritage first.

Based on lengthy experience working with and within Indigenous communities in British Columbia and around the world, Sean P. Connaughton discusses such thorny issues as the meaning of decolonization, Indigenous land rights and sovereignty, the commodification of heritage and corporatization of archaeology, and how the state continues to support projects that will exacerbate climate change. Weaving together real-life stories, fieldwork, scholarship, data, introspection, and an inquiry into human values, he promotes a more inclusive, equitable practice, illustrating the ways in which CRM can be infused with lessons drawn from Indigenous world views and ways of being.

Unearthing Forgotten Values is a rare study that charts a practical course for change. Professional archaeology will be the better for it.

This informative examination of private-sector archaeological practice in British Columbia will be invaluable to students and practising archaeologists. Its candid, topical approach will also appeal to a global audience of Indigenous and non-Indigenous social scientists who are involved in archaeology.

Reviews
"This book presents important points that should be considered by practising cultural resource management professionals, as well as suggestions for initiating change to help Indigenous peoples regain control over their heritage." — Dr. Joe Watkins, senior consultant, Archaeological and Cultural Education Consultants

Educator Information
Table of Contents
Preface

Introduction

1 Birth of an Anthropologist

2 Working in CRM, a Cautionary Tale

3 Industrial Archaeology

4 Indigenous Rights

5 A Matter of Values

6 Reimagining Archaeology

Conclusion

Notes; References; Index

Additional Information
222 pages | 6.00" x 9.00" | 4 b&w photos, 4 maps, 3 charts, 1 table | Paperback

Follow the beauty way to generate happiness and good relationships, fulfill your life purpose, manifest peace and abundance, and renew the planet.

Dhyani Ywahoo’s powerful, prophetic, and compassionate voice returns in this new expanded edition of the book that’s sold over 90K copies.

This beloved book has resonated with thousands of spiritual explorers and other readers wishing to ground their activities in harmony and well-being. In this expanded edition, Dhyani Ywahoo continues to be a guiding source of wisdom for all who walk the Beauty Way. As the twenty-seventh generation to carry the Ywahoo lineage of the Eastern Tsalagi/Cherokee Nation, she shares the precious oral teachings of her people that remain timely, powerful, and accessible.

Weaving together Buddhist and Native American traditions, Voices of Our Ancestors offers practical ways of transforming obstacles into happiness and good relationships, fulfilling our life purpose, manifesting peace and abundance, and renewing the planet. The Tsalagi worldview teaches us to infuse each moment with the three fundamental principles of intention, compassion, and doing good. We have the opportunity to let go of fear and aggression and begin to live a life of enlightened consciousness, with tools like:

• Meditations;
• Healing rituals;
• Instructions for working with crystals; and
• Teachings on how to practice generosity and harmony.

Our journey is enriched by Dhyani Ywahoo’s new reflections on the expansion of Native American communities in the United States and how they have cooperated to bring Indigenous voices into larger conversations about conflict resolution, the climate crisis, and the need for inclusion of underrepresented groups and individuals. With a voice that is powerful, prophetic, and compassionate, Dhyani Ywahoo calls on us to become peacekeepers in our hearts and in the world.

Reviews
“Venerable Dhyani Ywahoo embodies wisdom of the Native and Tibetan traditions. Hers is a lifetime spent generously sharing these sacred teachings with students all over the world. I celebrate this new edition of her book, which will hold these precious methods to walk in this world with wisdom and compassion now and for future generations.”—Lama Konchok Sonam, spiritual director of Drikung Meditation Center

“These wisdom teachings are profoundly life-changing for spiritual growth no matter your tradition. Venerable Dhyani Ywahoo is an exceptional spiritual leader and teacher, having forged her own way through traditional Cherokee and Vajrayana teachings. She compassionately embraces her students with her wisdom, offering unique and significant insights. Voices of Our Ancestors is a timeless work and as such it lends support and inspiration continually.”—Shan Watters, artist and author of Mothering the Divine

Additional Information
352 pages | 6.00" x 8.99" | Paperback 

A beautifully illustrated edition of Poet Laureate Joy Harjo’s poem “Washing My Mother’s Body,” which offers a way through grief when the loss appears unbearable.

As I wash my mother’s face, I tell her
how beautiful she is, how brave, how her beauty and bravery
live on in her grandchildren. Her face is relaxed, peaceful.
Her earth memory body has not left yet,
but when I see her the next day, embalmed and in the casket
in the funeral home, it will be gone.
Where does it go?

Through lyrical prose and evocative watercolor illustrations by award-winning Muscogee artist Dana Tiger, Washing My Mother’s Body explores the complexity of a daughter’s grief as she reflects on the joys and sorrows of her mother’s life. She lays her mother to rest in the landscape of her memory, honoring the hands that raised her, the body that protected her, and the legs that carried her mother through adversity.

Moving, comforting, and deeply emotional, Washing My Mother’s Body is a tender look at mother-daughter relationships, the complexity of grieving the loss of a parent, and the enduring love of those left behind.

Additional Information
80 pages | 5.79" x 7.81" | Hardcover 

A pocket-sized comic by Indigenous Voices winner Cole Pauls.

Llege zedle s_on nes_it'in (Tahltan for we see stars only at night ) is a surrealistic landscape of Tahltan shapes, culture and motifs. Originally created for the Nanaimo Art Gallery's group show "Gutters are Elastic" between July 15 to September 23, 2023, Pauls decided to expand the work into a full-length book.

Playing with the connection between land, regalia, performance and heritage, Pauls follows in the footsteps of Tiger Tateishi, Hironori Kikuchi and Michael Nicoll Yahgulanaas with his dreamlike narrative.

Educator Information
This work was created in the tradition of "silent" (wordless) comics and uses symbols, shapes, and motifs for the narrative.

Additional Information
80 pages | 4.25" x 6.25" | 80 b&w illustrations  | Paperback