Drew Hayden Taylor

An uproariously funny and sharply inquisitive play from one of Canada’s leading Indigenous playwrights, Sir John A: Acts of a Gentrified Ojibway Rebellion explores the possibility of reconciliation between Peoples and urgently questions past and contemporary forms of Canadian colonialism. Taylor’s twenty-seventh play, Sir John A’s characters include Canada’s infamous first Prime Minister, red-nosed and pompous, full of patriarchal contempt for those “strange and perplexing Indians,” and his contemporary accusers: two Ojibway men and a soul-searching white woman. 

Bobby Rabbit, Sir John A’s irked, Anishinaabe main character, in a fit of anger and revenge, convinces his friend Hugh to accompany him on a “sojourn of justice”: to dig up Sir John A. Macdonald’s bones and hold them for ransom. Decades before, a medicine pouch belonging to Bobby’s grandfather was taken away by the staff of the residential school where he was detained. The precious object was sent to a British Museum exhibition room for conservation – and now Bobby wants it repatriated. Along the way the pair pick up Anya, a young, bright, and opinionated woman fleeing a bad breakup, with conflicting ideas about Sir John A’s place in Canadian history. Not to be left out of the argument, Canada’s first Prime Minister, broadcasting live from nineteenth-century Ottawa, shows up with opinions of his own. 

Sir John A: Acts of a Gentrified Ojibway Rebellion is a powerful satire, a creative debate about the past violences of colonial racism and the as yet untested potentiality of restoring harmony between Peoples in Canada. A contemporary classic by Taylor!

Educator Information
Recommended in the Canadian Indigenous Books for Schools 2019-2020 resource list for grades 10 to 12 for Drama and English Language Arts.

Additional Information
128 pages | 5.50" x 8.50"

Someday is a powerful play by award-winning playwright Drew Hayden Taylor. The story in Someday, though told through fictional characters and full of Taylor's distinctive wit and humour, is based on the real-life tragedies suffered by many Native Canadian families.

Anne Wabung's daughter was taken away by children's aid workers when the girl was only a toddler. It is Christmastime 35 years later, and Anne's yearning to see her now-grown daughter is stronger than ever.

When the family is finally reunited, however, the dreams of neither women are fulfilled.

The setting for the play is a fictional Ojibway community, but could be any reserve in Canada, where thousands of Native children were removed from their families in what is known among Native people as the "scoop-up" of the 1950s and 1960s. Someday is an entertaining, humourous, and spirited play that packs an intense emotional wallop.

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142 pages | 5.50" x 8.50" | Paperback 

A forgotten Haudenosaunee social song beams into the cosmos like a homing beacon for interstellar visitors. A computer learns to feel sadness and grief from the history of atrocities committed against First Nations. A young Native man discovers the secret to time travel in ancient petroglyphs. Drawing inspiration from science fiction legends like Arthur C. Clarke, Isaac Asimov and Ray Bradbury, Drew Hayden Taylor frames classic science-fiction tropes in an Aboriginal perspective.

The nine stories in this collection span all traditional topics of science fiction--from peaceful aliens to hostile invaders; from space travel to time travel; from government conspiracies to connections across generations. Yet Taylor's First Nations perspective draws fresh parallels, likening the cultural implications of alien contact to those of the arrival of Europeans in the Americas, or highlighting the impossibility of remaining a "good Native" in such an unnatural situation as a space mission.

Infused with Native stories and variously mysterious, magical and humorous, Take Us to Your Chief is the perfect mesh of nostalgically 1950s-esque science fiction with modern First Nations discourse.

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160 pages | 6.00" x 9.00"

The Baby Blues is Drew Hayden Taylor’s highly wrought farce of patrimony in a stifling, politically correct, post-colonial milieu of “fancy dancers” of every stripe on the powwow trail. In juxtaposing three generations of careless wandering hedonists, progenitors of a string of offspring from their six-night stands, with their erstwhile naïve women partners who are always left holding the bag, the “big questions” of heritage, family, cultural context and personal identity are ruthlessly stripped of their conventional meanings and become so much useless, embarrassing roadkill on the highway of life.

Cast of 3 women and 3 men.

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96 pages | 5.50" x 8.50" | Paperback

The Best of Funny, You Don't Look Like One, first published by Theytus Books in 1998, has been a perennial bestseller. Drew Hayden Taylor's wit, humour and insightful commentaries have garnered legions of fanss and resulted in four Funny You Don't Look Like One books over the years. Infused with a trickster spirit and an ability to traverse the sometimes seemingly deep divide between the Native and non-Native worlds, Taylor is a sly commentator, often with tongue planted firmly in cheek.

Educator Information
This resource is also available in French: C'est fou comme t'as pas l'air d'en être un!

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352 pages | 6.00" x 9.00"

In this collection of two plays about the process of children becoming adults, Drew Hayden Taylor works his delightfully comic and bitter-sweet magic on the denials, misunderstandings and preconceptions which persist between Native and Colonial culture in North America.

In “The Boy in the Treehouse,” Simon, the son of an Ojibway mother and a British father, climbs into his half-finished tree house on the vision-quest his books say is necessary forhim to reclaim his mother’s culture. “It’s a Native thing,” he informs his incredulous father (who tells him he’d never heard of such a thing from his wife): “Only boys do it. It’s part of becoming a man.” Of course, what with the threats of the police, the temptation of the barbeque next door, and the distractions of a persistent neighbourhood girl, Simon probably wouldn’t recognize a vision if he fell overit.

“Girl Who Loved Her Horses” is the Native name for the strange and quiet Danielle from the non-status community across the tracks, imbued with the mysterious power to draw the horse “every human being on the planet wanted but could never have.” She is and remains an enigma to the people of the reservation, but the power of her spirit remains strong. Years later, a huge image of her horse reappears, covering an entire side of a building in a blighted urban landscape of beggars and broken dreams. The eyes of her stallion, which once gleamed exhilaration and freedom, now glare with defiance and anger. Danielle has clearly been forced to grow up.

With these two plays, Taylor rediscovers an issue long forgotten in our “post-historical” age: the nature of, and the necessity for, these rites of passage in all cultures.

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160 pages | 5.50" x 8.50" | Paperback

The Buz’Gem Blues is the third play in Drew Hayden Taylor’s ongoing zany, outrageous, often farcical examination of both Native and non-Native stereotypes in what is to become what he calls his “Blues Quartet.”

Marianne has talked her mother, Martha, into attending an Elders conference with her, where she is to be used as a resource person, even though Martha doesn’t believe she has anything to offer anyone. Held in a college setting, the keynote paper of the conference is a dissertation on “the courting, love, and sexual habits of contemporary First Nations people as perceived by Western Society,” delivered by none other than a “Professor Savage.” Just to keep the caricatures in balance, Savage’s nemesis throughout the action is a young Native man, replete with dark sunglasses and a Mountie coat, who goes by the name “The Warrior Who Never Sleeps.”

The Buz’Gem Blues is not a play about clichés with which we have become so familiar that we recognize them as stereotypes instantly, but rather about how our ritualized and institutionalized systems of maintaining and policing those clichés prevent us from recognizing our common humanity within each other.

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128 pages | 5.50" x 8.50" | Paperback

In these two one-act plays, Drew Taylor delves into the past and speculates about the future as he examines the dilemmas facing young Native Canadians today.

Toronto at Dreamer's Rock is a moving portrayal of a teenage boy who is torn between the traditions of his people, which he only vaguely understands, and the lure of modern life. His magical encounters with two members of his tribe - one from 400 years in the past and one from the future - make him aware of how little he has thought about what it means to be an Indian.

Education is Our Right borrows from the familiar story of Charles Dickens' A Christmas Carol, but in this version the spirits of Education Past, Present and Future attempt to show the Minister of Indian Affairs the error of his ways.

Drew Taylor combines humour, passion, spirituality, and tough realism to create a hopeful vision of the future that will appeal especially to young adult readers. Both plays have toured extensively to schools in Ontario and Quebec.

An Ojibway from the Curve Lake First Nations in Ontario, Drew Hayden Taylor has worn many hats in his literary career, from performing stand-up comedy at the Kennedy Center to being Artistic Director of Canada’s premiere Native theatre company, Native Earth Performing Arts.

He has been an award-winning playwright, a journalist/columnist, short-story writer, novelist, television scriptwriter, and has worked on over 17 documentaries exploring the Native experience.

This comedy by the author of Toronto at Dreamer's Rock and Education Is Our Right is about love, family, and what to do with too much beer. Set on a reserve, it follows the plight of Martha, a church-going, teetotaling woman who finds herself stuck with 143 cases of beer after a church fundraiser fails. She decides to bootleg the beer, to the horror of her son Andrew, nicknamed Blue, who is a special constable on the reserve.

Meanwhile, Andrew has fallen for a young woman he thinks is his cousin, and his sister Marianne is bored with her "Indian Yuppie" husband and finds herself attracted to a handsome dancer at the powwow.

The pace is fast and vigorous in this romantic situation comedy.

Reviews
"It's sole purpose is to make us laugh and it succeeds... It should be no surprise that this is a comedy of character and situations. Herein lies the strength of Taylor's writing. He has vividly created some of the characters. We know from the first moment that we are going to be entertained. Taylor has invited us into his home an offered us a glimpse of Reserve life through a uniquely comic eye."— The Canadian Journal of Native Studies.

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94 pages | 5.00" x 8.00"

A mesmerizing blend of vampire thriller and coming-of-age story -- now available as a graphic novel.

Newcomers to the Otter Lake native reserve don't go unnoticed for long. So it's no surprise that 16-year-old Tiffany's curiosity is piqued when her father rents out her room to a complete stranger.

But little do Tiffany, her father, or even her insightful Granny Ruth suspect the truth about their guest. The mysterious Pierre L'Errant has a dreadful secret. After centuries roaming Europe as a brooding vampire, he has returned home to reclaim his Native roots before facing the rising sun and certain death. Meanwhile, Tiffany is deeply troubled -- she doubts her boyfriend is being faithful, has escalating disputes with her father, and her estranged mother is starting a new life with somebody else.

Fed up and heartsick, Tiffany threatens drastic measures and flees into the bush. There, in the midnight woods, a chilling encounter with L'Errant changes everything as Pierre introduces Tiffany to her proud Native heritage. For Pierre, though, destiny is fixed at sunrise.

In this stunning graphic version of the award-winning novel, artist Mike Wyatt brings a brilliant story to visual life.

Educator Information
Recommended Grades: 8-12

Additional Information
112 pages | 6.00" x 9.00"

A sleepy native reservation. A troubled teen girl. A vampire returns home.

Nothing ever happens on the Otter Lake reservation. But when 16-year-old Tiffany discovers her father is renting out her room, she's deeply upset. Sure, their guest is polite and keeps to himself. But he''s also a little creepy.

Little do Tiffany, her father or even her astute Granny Ruth suspect the truth. The mysterious Pierre L'Errant is actually a vampire, returning to his tribal home after centuries spent in Europe. But Tiffany has other things on her mind: her new boyfriend is acting weird, disputes with her father are escalating, and her estranged mother is starting a new life with somebody else.

Fed up and heartsick, Tiffany threatens drastic measures and flees into the bush. There, in the midnight woods, a chilling encounter with L'Errant changes everything... for both of them.

A mesmerizing blend of Gothic thriller and modern coming-of-age novel, The Night Wanderer is unlike any other vampire story.

Reviews
"One of Quill and Quire's Books of the Year 2007: "Shivers and chills in an Anishinabe setting... refreshingly smart humour." — Patty Lawlor, Quill and Quire, December 2007

"Teens who devour vampire fiction will enjoy this unusual slant on the oft-told legend." — Jan Chapman, VOYA, June 2008

Educator Information
Recommended Ages: 12-18.

Grades 10-12 BC English First Peoples resource for units on Identity, Place-Conscious Learning, and Relationships.

This book is available in French: Le rôdeur de nuit

Additional Information
218 pages | 5.00" x 7.25"