Michelle Poirier Brown

Michelle Poirier Brown is an internationally published poet and performer, currently living in Lekwungen territory (Victoria, BC). She is nêhiyaw-iskwêw and a citizen of the Métis Nation. Her poem “Wake” won PRISM international’s Earle Birney Prize in 2019. The song cycle, "The Length of a Day” (Jeffrey Ryan, composer), premiered in 2021. Her work has appeared in Arc, CV2, The Greensboro Review, Grain, Emrys Journal, Vallum, and several anthologies. A feminist activist, Michelle won a landmark human rights case establishing reasonable accommodation in the workplace for breastfeeding women. Retired from careers as a speech writer, conflict analyst, and federal treaty negotiator, she now writes full-time, enjoys the produce of her permaculture garden, and has taken up birdwatching.

Authentic Canadian Content
Authentic Indigenous Text
You Might Be Sorry You Read This
$19.99
Quantity:
Format: Paperback
Text Content Territories: Indigenous Canadian; Métis;
Grade Levels: University/College;
ISBN / Barcode: 9781772126037

Synopsis:

You Might Be Sorry You Read This is a stunning debut, revealing how breaking silences and reconciling identity can refine anger into something both useful and beautiful. A poetic memoir that looks unflinchingly at childhood trauma (both incestuous rape and surviving exposure in extreme cold), it also tells the story of coming to terms with a hidden Indigenous identity when the poet discovered her Métis heritage at age 38. This collection is a journey of pain, belonging, hope, and resilience. The confessional poems are polished yet unpretentious, often edgy but humorous; they explore trauma yet prioritize the poet’s story. Honouring the complexities of Indigenous identity and the raw experiences of womanhood, mental illness, and queer selfhood, these narratives carry weight. They tell us “You need / only be the simple / expression of the divine / intent / that is your life.” There is a lifetime in these poems.

Reviews
"Michelle Poirier Brown’s first collection of poetry is accomplished and gripping. In her five-decade story, perceptions, denial, emotional embroilments and poignant tenderness are peeled back and examined. As the narrative builds, we encounter the sheer alchemical power of poetry. This is rare. You Might Be Sorry You Read This will change you." — Betsy Warland, Bloodroot—Tracing the Untelling of Motherloss

“One of the functions of poetry is to make you uncomfortable.” This epigraph, by Pádraig Ó Tuama, begins Michelle Poirier Brown’s debut collection—a collection that intends, unapologetically, to discomfort the reader. With unflinching precision and the exactness of a fine poet’s eye, Poirier Brown challenges her readers to encounter not only her childhood trauma but, ultimately, the power of her self—her late-discovered Métis identity, her navigation of PTSD, her unwillingness to settle for less than the truth. In the final poem, “Self-Portrait of the Poet,” she concludes, “go ahead. look. / Look as long as you like.” Invitation or command, it’s a hard look Poirier Brown offers. It may make readers uncomfortable. But they won’t be sorry.” —Laura Apol, author of A Fine Yellow Dust

Educator Information
Keywords / Themes: Identity, Trauma, Pain, Resilience, Family, Métis, Indigenous.

Table of Contents

1 The Father I Had
3 God Was a Baby
4 A Child’s Book of Holy Services
6 Her Breath on My Face
8 Other Side of the Glass
10 Effect on Her Throat
11 The House on Strathnaver Avenue
15 Mothers Who Know
16 The Thing About Snow
22 Photograph
23 Under the Covers
25 The Girls I Grew Up With Are Everywhere
27 Short Change
28 After the Test
29 Walk on the Left-Hand Side
30 5:53 PM
32 A Perspective on Women
33 Collard Greens
34 Lasts
36 I’m Allowed to Have Whatever Kind of Father I Want
38 Intimacy
39 On the Porch
41 At Times, My Teeth Chatter
about face
46 What It’s Like to Have My Face
47 Understanding My Face
52 Wake
54 A Fragile Defiance
55 Smoke
57 Winnipeg Trip
59 Commitment
61 Two Mornings, 2018
63 Boxed
64 Those I Call Friends
66 Duck Ugly
67 Beneficiaries of a Genocide
69 Slow
70 Sometimes You Learn Things Quite Late in the Game
72 Something Purple
75 what it is like to be this extreme and appear normal
78 The Other Grandmother
80 Self-Portrait of the Poet
83 addendum
87 poetic statement
90 acknowledgements

Additional Information
104 pages | 6.00" x 9.00" | Paperback

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2595 McCullough Rd
Nanaimo, BC, Canada, V9S 4M9

Phone: (250) 758-4287

Email: contact@strongnations.com

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