LeAnne Howe

LeAnne Howe (Choctaw Nation of Oklahoma) is a poet, fiction writer, playwright, and filmmaker. Her most recent book, Choctalking on Other Realities, won the inaugural 2014 MLA Prize for Studies in Native American Literatures, Cultures, and Languages. She is the Eidson Distinguished Professor in American Literature in English at the University of Georgia, Athens.

Authentic Indigenous Text
Savage Conversations
$23.95
Quantity:
Format: Paperback
Text Content Territories: Indigenous American; Native American; Sioux; Dakota;
Grade Levels: 12; University/College;
ISBN / Barcode: 9781566895316

Synopsis:

May 1875: Mary Todd Lincoln is addicted to opiates and tried in a Chicago court on charges of insanity. Entered into evidence is Ms. Lincoln’s claim that every night a Savage Indian enters her bedroom and slashes her face and scalp. She is swiftly committed to Bellevue Place Sanitarium. Her hauntings may be a reminder that in 1862, President Lincoln ordered the hanging of thirty-eight Dakotas in the largest mass execution in United States history. No one has ever linked the two events—until now. Savage Conversations is a daring account of a former first lady and the ghosts that tormented her for the contradictions and crimes on which this nation is founded.

Reviews
"In Savage Conversations, LeAnne Howe experiments with the form of verse drama to tell the history of the Dakhóta resistance to colonization and the mythos surrounding the Lincoln presidency of that same period. The setting is the asylum to which Mary Todd Lincoln was involuntarily committed ten years after the death of her husband. The characters are the First Lady, whose racism against Native Americans is well-documented, the “Savage Indian” she claims to see and be tortured by nightly, and a rope. The story is a reckoning of hauntings and unprosecuted crimes, an attempt at imagining some way to live with an unbearable history of human rights abuses and genocide." - Kathryn Nuernberger, Kenyon Review

“In May of 1875, Mary Todd Lincoln is confined to an insane asylum. There, she is haunted by a ‘Savage Indian’ who scalps her nightly and sews her eyes open. In Howe's telling, the specter haunting the widowed First Lady is one of the thirty-eight Dakota men, hanged in 1862 by her husband in the largest mass execution in American history. In reading this, I was blown away. Unmoored. Sent spiraling adrift on gusts of wind.” —Rachel S, Harvard Book Store

“Part fever dream, part extended meditation on madness, Howe’s Savage Conversations is a bracing commentary on the nature of guilt and grief.”—Historical Novel Society

Savage Conversations takes place somewhere in between its sources, between sanity and madness, between then and now, between the living and the dead. It pushes past the limitations of textual sources for telling indigenous history and accounts of insanity.”—Barrelhouse Reviews

“LeAnne Howe’s words are to savor, contemplate, and horrify. Savage Conversations explodes with the stench of guilt and insanity that undergirds the American story, whispered through a personal, familial, national, and supernatural drama revelatory in every sense. Howe’s uncanny images will long haunt readers, just as the Dakota 38 linger in land and memory, both offering a testament to the violent entanglements of past and present.” —Philip J. Deloria

Savage Conversations invokes our own racial conflict and probes America’s psyche, its struggle to reconcile its colonialist values, indeed its white supremacy, with its multi-ethnic cultures and populations. . . . Through the masterly dramatic management of Mrs. Lincoln’s disturbing and chilling obsessions, Howe shows that there is no escape from the yesterday’s paradigms of power without a true reckoning with the injustices that set the stage for our troubled social landscape.”—On the Seawall

“Howe’s book powerfully contributes to our understanding and re-thinking of a moment in time that we are still grappling with today. In the wake of recent movements to remove Confederate monuments as we work to present the truths of history, Howe’s book directs our attention to a violent event that has not been adequately acknowledged. Through experimental form, Howe refracts a moment of history that readers simply cannot forget, that they will inevitably carry with them long after reading the last page.” —The Carolina Quarterly

Educator Information
Experimental verse drama.

Additional Information
144 pages | 5.00" x 7.50" 

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