Jonina Kirton
Jónina Kirton is a Métis/Icelandic poet and author who lives and works in Vancouver. She graduated from Simon Fraser University's Writer's Studio in 2007 and attended the Emerging Aboriginal Writer's Residency at the Banff Centre in 2008. Actively involved with the Aboriginal Writers Collective - West Coast, she coordinated the first National Indigenous Writers Conference in Vancouver 2013.
In 2015, Kirton joined the editorial board of Room Magazine. Kirton's work has been featured in numerous anthologies and literary journals, including Ricepaper's Asian & Aboriginal issue, V6A: Writing from Vancouver's Downtown Eastside, Other Tongues: Mixed Race Women Speak Out, Pagan Edge, First Nations Drum, Toronto Quarterly, and Quills Canadian Poetry Magazine. She won first prize and two honorable mentions in the 2013 Royal City Literary Arts Society's Write On! Contest and was a finalist in the 2013 Burnaby Writers' Society Writing Contest. page as bone - ink as blood was published to wide critical acclaim in 2015. Her second book, An Honest Woman, was a Finalist for the 2018 Dorothy Livesay Poetry Prize.
Books (3)
Synopsis:
An Honest Woman by Jonina Kirton confronts us with beauty and ugliness in the wholesome riot that is sex, love, and marriage. From the perspective of a mixed-race woman, Kirton engages with Simone de Beauvoir and Donald Trump to unravel the norms of femininity and sexuality that continue to adhere today.
Kirton recalls her own upbringing, during which she was told to find a good husband who would “make an honest woman” out of her. Exploring the lives of many women, including her mother, her contemporaries, and well-known sex-crime stories such as the case of Elisabeth Fritzl, Kirton mines the personal to loosen the grip of patriarchal and colonial impositions.
An Honest Woman explores the many ways the female body is shaped by questions that have been too political to ask: What happens when a woman decides to take her sexuality into her own hands, dismissing cultural norms and the expectations of her parents? How is a young woman’s sexuality influenced when she is perceived as an “exotic” other? Can a woman reconnect with her Indigenous community by choosing Indigenous lovers?
Daring and tender in their honesty and wisdom, these poems challenge the perception of women’s bodies as glamorous and marketable commodities and imagine an embodied female experience that accommodates the role of creativity and a nurturing relationship with the land.
Reviews
“Jonina Kirton is courageously honest about her life experiences as a female of Indigenous and immigrant ancestry. Many poems resonate deeply, as we identify with her personal quest to figure out who she is, and the unacceptable things done to her. Her raw honesty is unsettling and uncomfortable, because it can be our truth too. Her poems depict devaluation and dehumanization, grieving, lessons learned. Her poems offer important insights as to why there are thousands of missing and murdered Indigenous women.” — Senator Lillian E. Dyck
“When writing from the voice of between, writer and reader have no place to hide. Assumptions and camouflage fall away. Murdered, missing, and violated women and girl voices have been silenced. The story lethally repeats. Kirton picks over how she was raised familially and culturally like a crime scene. Too, she affirms, ‘I have been here forever and I will rise again and again.’ Tough, eloquent, revelatory, these poems are the very ones we are desperately in need of.” — Betsy Warland, author of Oscar of Between: A Memoir of Identity and Ideas
“I’m sure people have been looking at me strangely every time I gasp, but I can’t glance away from the page for even a second to notice. Some of the poems end sharply, with a punch; some deliberately leave me searching for the next line; others show the repetition of heartbreaking cycles of violence and oppression, but offer a portrayal of resilience, too.” — All Lit Up!
Educator Information
This book would be useful for Women's Studies, Creative Writing, English Language Arts, Poetry, and English courses. Recommended for grades 11-12 and university-college students.
Please be advised, this book contains explicit sexual references and references to sexual and physical abuse.
Additional Information
104 pages | 6.00" x 9.00"
Synopsis:
Death, desire, and divination are the threads running through Jonina Kirton's debut collection of poems and lyric prose. Delicate and dark, the pieces are like whispers in the night - a haunted, quiet telling of truths the mind has locked away but the body remembers. Loosely autobiographical, these are the weavings of a wagon-goddess who ventures into the double-world existence as a mixed-race woman. In her struggle for footing in this in-between space, she moves from the disco days oftrance dance to contemplations in her dream kitchen as a mother and wife.
With this collection, Kirton adds her voice to the call for the kind of fierce honesty referred to by Muriel Rukeyser when she asked, What would happen if one woman told the truth about her life? The world would split open. Kirton tells her truth with gentleness and patience, splitting the world open one line at a time.
Synopsis:
Standing in a River of Time merges poetry and lyrical memoir on a journey exposing the intergenerational effects of colonization on a Métis family. Kirton does not shy away from hard realities, meeting them head on, but always treating them with respect and the love stemming from a lifetime of spiritual healing and decades of sobriety. This collection unravels painful memories and a mixed-blood woman’s journey towards wholeness. The Ancestors whisper to Kirton throughout, asking her to heal, to bring them home, so that within these stories of redemption and loss the dead walk with us, their presence felt as the story unfurls in unexpected ways. Kirton does not offer false hope, nor does she push us towards answers we are not yet ready for. Instead, she gestures towards the many healing modalities she has explored as she discovers that the path to reconciliation is not only a long and winding road, but also that it begins with those closest to us.
Additional Information
192 pages | 6.00" x 9.00" | Paperback