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Talking to the Diaspora
Format: Paperback
Text Content Territories: First Nations;

In a career that has spanned more than a quarter century, Lee Maracle has earned the reputation as one of Canada's most ardent and celebrated writers. Talking to the Diaspora, Maracle's second book of poetry, is at once personal and profound. From the revolutionary "Where Is that Odd Dandelion-Looking-Flower" to the tender poem "Salmon Dance," from the biting "Language" to the elegiac "Boy in the Archives," these poems embody the fearless passion and spirited wit for which Lee Maracle is beloved and revered.

Reviews
"Lee Maracle is one of our greatest gifts. Always smart, smooth and full of sly smiles, Maracle's latest, Talking to the Diaspora is a beautiful collection of thoughtful, rhythmic gems. Poetry is so lucky to have her back again.—Katherena Vermette, Governor General Award winning author of North End Love Songs

"The book’s unconventional and striking design, which alternates between black text on white and white text on a black background, lets us know that Talking to the Diaspora is not like other collections of poetry. The unnumbered pages contain full-page images of textured stone surfaces and grassland that serve as a reminder of the transitory nature of our words and songs... Talking to the Diaspora is a full, varied and energetic collection that ranges over a lifetime's worth of experience and engagement with the world. Here, Lee Maracle generously gives us a vision of the holistic, complex and fluid relationships between her peoples' history, their traumas, memories, bodies, songs, spirits, dreams and lives. Talking to the Diaspora is a rallying cry from a poet who draws from a "from a pool of ancient meaning" to lead us to regeneration and renewal...these poems are not meant merely to be read, but also to be lived.—Phoebe Wang, The Winnipeg Review

Educator Information
This book is recommended for students in grades 10-12 and those at a college/university level for courses in creative writing, English, poetry, and English language arts.

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120 pages | 5.00" x 9.00"

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Sounding Thunder: The Stories of Francis Pegahmagabow
Format: Paperback
Text Content Territories: Ojibway;

Francis Pegahmagabow (1889–1952), a member of the Ojibwe nation, was born in Shawanaga, Ontario. Enlisting at the onset of the First World War, he became the most decorated Canadian Indigenous soldier for bravery and the most accomplished sniper in North American military history. After the war, Pegahmagabow settled in Wasauksing, Ontario. He served his community as both chief and councillor and belonged to the Brotherhood of Canadian Indians, an early national Indigenous political organization. Francis proudly served a term as Supreme Chief of the National Indian Government, retiring from office in 1950.

Francis Pegahmagabow’s stories describe many parts of his life and are characterized by classic Ojibwe narrative. They reveal aspects of Francis’s Anishinaabe life and worldview. Interceding chapters by Brian McInnes provide valuable cultural, spiritual, linguistic, and historic insights that give a greater context and application for Francis’s words and world. Presented in their original Ojibwe as well as in English translation, the stories also reveal a rich and evocative relationship to the lands and waters of Georgian Bay.

In Sounding Thunder, Brian McInnes provides new perspective on Pegahmagabow and his experience through a unique synthesis of Ojibwe oral history, historical record, and Pegahmagabow family stories.

Awards

  • Fred Landon Award, Ontario Historical Society (2018)
  • American Book Award, Before Columbus Foundation (2017)
 
Reviews
“Debwemigad Nimkiig gaye Aadizookanag zhawenimaawaad. Brian McInnes has clearly been blessed by the Thunders and Great Storytellers. With Sounding Thunder he has achieved the perfect balance of personal memoir and scholarly inquiry. He shares with readers the stories that have connected one generation to another and in these cycles we find the truth about living. Dibaajimowinan omaada’oozhinang mii igo aanikoobijige.” – Margaret Ann Noodin, Assistant Professor, Department of English, University of Wisconsin
 
“This uniquely intimate portrait illuminates Francis’s commitment to live in a way that reflected the spiritual values of sharing and respect for life, despite his military record of 378 enemy kills for which he became renowned.” – Allyson Stevenson, University of Guelph, Canadian Journal of History
 
“McInnes’ Sounding Thunder brings complexity and nuance to the story (or stories) of Francis Pegahmagabow’s life. Past authors have portrayed Pegahmagabow alternatively as a warrior, a veteran, and/or a political activist. Certainly, these depictions capture snapshots of his character. But McInnes goes much further, adding breadth and depth to the sketch of the Nishnaabe man from Georgian Bay. He has produced a high-quality piece of historical research that tells an important story of Indigenous peoples as human beings with challenges that exist both within and without the constraints of colonialism.” – Eric Story, Laurier Centre for Military, Strategic and Disarmament Studies 

Sounding Thunder is invaluable for those working in biographical, historical, Indigenous, military and political studies and the general reader. McInnes skillfully contextualizes his subject as one of Canada’s greatest war heroes as well as a member of his family, community, and Anishinaabe people.” – Brock Pitawanakwat, Assistant Professor, Department of Indigenous Studies, University of Sudbury

“Brian McInnes’ book is both elegant and masterful in its weaving of language, spirituality, storytelling, family, community, and physical place on the lands and waters of Georgian Bay as he presents the world and life of his great-grandfather, Francis Pegahmagabow. McInnes’ presentation of family stories in both Ojibwe and English, and his placement of them within their historical and geographical context, underlines Waubgeshig Rice’s claim in his foreword to Sounding Thunder that the book will remain ‘a vital resource for generations to come.’” – Jurors, Fred Landon Award, Ontario Historical Society

 
Educator Information
This book would be useful for social studies and history courses for students in grades 11 and 12 or at a college/university level.
 
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240 pages | 6.00" x 9.00" | 31 b&w illustrations | 5 b&w tables | bibliography 
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Reckoning
Format: Paperback
Text Content Territories: Indigenous Canadian;

Reckoning is a triptych of three short plays: Witness is a dance-movement piece featuring a Truth and Reconciliation Commissioner who unravels as he confronts the brutal testimony of residential school survivors; in Daughter, the daughter of a teacher who was accused of rape seduces her father's accuser; and Survivor is a solo piece about a man preparing to commit suicide as a protest against the insufficiencies of the reconciliation process.

Agonizing, poignant, theatrical, hilarious, and true, Reckoning illuminates the difficulties of trying to come to terms with our country's painful past.

Educator Information
Recommended for grade 11 and 12 students for courses in performance arts, language arts, and English.  Also useful for college and university courses in these areas.

Caution: explicit language and discussion of sexual and physical abuse.

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66 pages | 5.00" x 8.00"

 

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The Haunting of Vancouver Island: Supernatural Encounters with the Other Side
Authors:
Shanon Sinn
Format: Paperback
Text Content Territories: Coast Salish; Kwakwaka'wakw; Nuu-chah-nulth (Nootka);

A compelling investigation into supernatural events and local lore on Vancouver Island.

Vancouver Island is known worldwide for its arresting natural beauty, but those who live here know that it is also imbued with a palpable supernatural energy. Researcher Shanon Sinn found his curiosity piqued by stories of mysterious sightings on the island—ghosts, sasquatches, sea serpents—but he was disappointed in the sensational and sometimes disrespectful way they were being retold or revised. Acting on his desire to transform these stories from unsubstantiated gossip to thoroughly researched accounts, Sinn uncovered fascinating details, identified historical inconsistencies, and now retells these encounters as accurately as possible.

Investigating 25 spellbinding tales that wind their way from the south end of the island to the north, Sinn explored hauntings in cities, in the forest, and on isolated logging roads. In addition to visiting castles, inns, and cemeteries, he followed the trail of spirits glimpsed on mountaintops, beaches, and water, and visited Heriot Bay Inn on Quadra Island and the Schooner Restaurant in Tofino to personally scrutinize reports of hauntings. Featuring First Nations stories from each of the three Indigenous groups who call Vancouver Island home—the Coast Salish, the Nuu-chah-nulth, and the Kwakwaka’wakw—the book includes an interview with Hereditary Chief James Swan of Ahousaht.

Reviews
"Sinn offers a grounded approach to understanding how the folklore developed. He is also out to bust some myths. That is, to distinguish fact from fiction and not be afraid to hurt some feelings along the way."— Otaku No Culture blog, September 2017

"I really encourage everyone to pick up the book. There are a lot of great stories, a lot of great history, and again, things you're just not going to find anywhere . . . it's all really fascinating."— The Ghost Story Guys Podcast, October 2017

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376 pages | 5.50" x 8.00"

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$20.00

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The Pemmican Eaters
Format: Paperback
Text Content Territories: Métis;

A picture of the Riel Resistance from one of Canada’s preeminent Métis poets.

With a title derived from John A. Macdonald’s moniker for the Métis, The Pemmican Eaters explores Marilyn Dumont’s sense of history as the dynamic present. Combining free verse and metered poems, her latest collection aims to recreate a palpable sense of the Riel Resistance period and evoke the geographical, linguistic/cultural, and political situation of Batoche during this time through the eyes of those who experienced the battles, as well as through the eyes of Gabriel and Madeleine Dumont and Louis Riel. 

Included in this collection are poems about the bison, seed beadwork, and the Red River Cart, and some poems employ elements of the Michif language, which, along with French and Cree, was spoken by Dumont’s ancestors. In Dumont’s The Pemmican Eaters, a multiplicity of identities is a strengthening rather than a weakening or diluting force in culture.

Awards

  • Winner of the 2016 Stephan G. Stephansson Award for Poetry 

Reviews
“A rollicking poem about the fiddle ('the first high call of the fiddle bids us dance/baits with its first pluck and saw of the bow/reels us, feet flick — fins to its lure and line') becomes a statement of cultural pride and defiance — much like The Pemmican Eaters as a whole.” — Toronto Star 

“Dumont’s work is visual and evocative, highlighting recurring symbols and images of a natural world that will be familiar to any dweller of the Prairies . . . The Pemmican Eaters builds off the poet’s earlier work and highlights a writer who has mastered both craft and voice.” — Quill & Quire 

“Dumont honours Métis traditions in music and beadwork in a number of lyrically driven poems. The Pemmican Eaters is a statement of cultural pride and defiance, much like Marilyn herself.” — CBC News Online 

“Marilyn Dumont uses both rhythmic and free verse to provide a brilliant and insightful look at Métis and Cree people.” — Scene Magazine

Educator Information
This book would be useful for grades 9 - 12 in courses such as creative writing, English language arts, and social studies.  Also recommended for students a college/university level.

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96 pages | 5.50" x 8.50"

 

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$18.95

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Nta'tugwaqanminen: Our Story: Evolution of the Gespege'wa'gi Mi'gmaq
Format: Paperback
Text Content Territories: Mi’kmaw;

Nta’tugwaqanminen provides evidence that the Mi’gmaq of the Gespe’gewa’gi (Northern New Brunswick and the Gaspé Peninsula) have occupied their territory since time immemorial. They were the sole occupants of it prior to European settlement and occupied it on a continuous basis. This book was written through an alliance between the Mi’gmaq of Northern Gespe’gewa’gi (Gaspé Peninsula), their Elders and a group of eminent researchers in the field with the aim of reclaiming their history, both oral and written, in the context of what is known as knowledge re-appropriation. It also provides non-Aboriginal peoples with a view of how Mi’gmaq history looks when it is written from an Indigenous perspective. 

There are two voices in the book — that of the Mi’gmaq of the Gespe’gewa’gi, including the Elders, as they act as narrators of the collective history, and that of the researchers, who studied all possible aspects of this history, including advanced investigation on place names as indicators of migration patterns. 

Nta’tugwaqanminen speaks of the Gespe’gewa’gi Mi’gmaq vision, history, relation to the land, past and present occupation of the territory and their place names and what they reveal in terms of ancient territorial occupation. It speaks of the treaties they agreed to with the British Crown, the respect of these treaties on the part of the Mi’gmaq people and the disrespect of them from the various levels of governments. This book speaks about the dispossession the Mi’gmaq of Gespe’gewa’gi had to endure while the European settlers illegally occupied and developed the Gaspé Peninsula to their own advantage and the rights and titles the Mi’gmaq people still have on their lands.

Author Note: The Gespe’gewa’gi Mi’gmawei Mawiomi is the organization that represents the three communities of the northern part of Gespe’gewa’gi. Research associates Richard Jeannotte and Donald Jeannotte, both Gespe’gewa’gi Mi’gmaqs, and Danielle E. Cyr, senior scholar at York University, wrote the seven first chapters. Troy Jerome, current Mi’gmawei Mawiomi Secretariat Executive Director / Nutewistoq wrote Chapter 8.

 
Educator Information 
This book would be useful for courses in social studies, history, and English language arts.  Recommended for grades 8-12, as well as college/university courses.
 
Table of Contents
Foreword by Satsun (Herb George)
Introduction: How We Came to Write Nta’tugwaqanminen
Our Territory in Prehistoric Times
Our Place Names
Our Creation Story and Fundamental Myths
Our Historical Presence in Gespe’gewa’gi
The Treaty Relationship Between Mi’gmaq of Gespe’gewa’gi and the British Crown
Good Faith and Dispossession
Our Constitutional Rights as Gespe’gewa’gi Mi’gmaq
The Gespe’gewa’gi Mi’gmaq in Contemporary Times
Conclusion: Our Story Continues
Notes
Bibliography
Index
 
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320 pages | 6.00" x 9.00"
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$19.95

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Nicimos: The Final Rez Christmas Story
Format: Paperback
Text Content Territories: Cree;

This Christmas season, things have gone awry for the kohkoms of Kiwetinohk. Clare Bear is engaged to be married, Zula Merasty is moving off-reserve and Sihkos Sinclare is in jail. It all comes to fruition at Clare's stagette. Nicimos is dedicated to the memory of Lacy Morin-Desjarlais.

Reviews
“Nicimos means sweetheart in Cree and that’s what this play is. A warm-hearted sweetheart with depth and charm and a great sense of humour. The final installment of the Rez Christmas series finds Saskatchewan Native Theatre Company director-writer Curtis Peeteetuce in outstanding form. His words are a gift to the actors and his generosity is reciprocated by incredibly satisfying performances. There’s more here than just a play, you realize. It’s an example of the power of theatre to unite, heal and humanize by appealing to First Nations audiences and the broader community.” – Saskatoon Star Phoenix

Educator Information
This book may be useful for courses in English language arts, creative writing, and performance arts for grades 11 to 12 students, as well as for students at a college/university level.

Caution: references to sexual and alcohol abuse and some Indigenous stereotypes.

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72 pages | 5.50" x 8.50"

 

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mitewacimowina: Indigenous Science Fiction and Speculative Storytelling
Format: Paperback

What do you get when you ask the finest Indigenous writers to dream of the future? Many strange tales woven and crafted to keep the reader glued to the book until its final page.  Includes 18 short stories that detail things such as space travel, alien invasions, post-apocalyptic worlds, etc. 

Featuring cover art by award-winning artist Steven Paul Judd and the talents of Kateri Akiwenzie-Damm, Jesse Archibald-Barber, Damon Badger Heit, Tania Carter, Trevor Greyeyes, Brian Hudson, Rebecca Lafond, Lee Maracle, Neal McLeod, Duncan Mercredi, Daniel David Moses, Eden Robinson, Cathy Smith, Bill Stevenson, Drew Hayden Taylor, Richard Van Camp.

Educator Information
Caution: occasional instances of profanity and drug use. 

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240 pages | 6.00" x 9.00"

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The Land We Are: Artists and Writers Unsettle the Politics of Reconciliation
Format: Paperback
Text Content Territories: Indigenous Canadian;

The Land We Are is a stunning collection of writing and art that interrogates the current era of reconciliation in Canada. Using visual, poetic, and theoretical language, the contributors approach reconciliation as a problematic narrative about Indigenous-settler relations, but also as a site where conversations about a just future must occur. The result of a four-year collaboration between artists and scholars engaged in resurgence and decolonization, The Land We Are is a moving dialogue that blurs the boundaries between activism, research, and the arts.

The contributors to this book include leading artists and scholars engaged in questions of resurgence, restitution, and decolonization.

Contributors: Jordan Abel, Leah Decter, Jonathan Dewar, David Garneau, Ayumi Goto, Allison Hargreaves, Gabrielle L'Hirondelle Hill, Jaimie Isaac, David Jefferess, Layli Long Soldier, The New BC Indian Art and Welfare Society Collective, Sophie McCall, Peter Morin, Skeena Reece, Dylan Robinson, Sandra Semchuk, Adrian Stimson, Clement Yeh, and Keren Zaiontz.

Reviews
"This beautifully produced, richly illustrated volume not only offers readers a visual journey into the featured artistic installations and performance pieces, but through its creative use of text and graphic design is itself an artistic statement on reconciliation." --Winnipeg Free Press

Educator Information
Recommended for students in grades 11 and 12, as well as at a college/university level.  

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240 pages | 6.50" x 9.50"

 

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A Knock on the Door: The Essential History of Residential Schools from the Truth and Reconciliation Commission of Canada
Format: Paperback
Text Content Territories: Indigenous Canadian;

“It can start with a knock on the door one morning. It is the local Indian agent, or the parish priest, or, perhaps, a Mounted Police officer… The officials have arrived and the children must go.”

So began the school experience of many Indigenous children in Canada for more than a hundred years, and so begins the history of residential schools prepared by the Truth and Reconciliation Commission of Canada (TRC).

Between 2008 and 2015, the TRC provided opportunities for individuals, families, and communities to share their experiences of residential schools and released several reports based on 7,000 Survivor statements and 5 million documents from government, churches, and schools, as well as a solid grounding in secondary sources.

A Knock on the Door, published in collaboration with the National Centre for Truth and Reconciliation (NCTR), gathers material from the TRC reports to present the essential history and legacy of residential schools and inform the journey to reconciliation that Canadians are now embarked upon. An afterword introduces the holdings and opportunities of the NCTR, home to the archive of recordings and documents collected by the TRC.

Survivor and former National Chief of the Assembly First Nations, Phil Fontaine, provides a Foreword, and an Afterword introduces the holdings and opportunities of the National Centre for Truth & Reconciliation, home to the archive of recordings, and documents collected by the TRC.

As Aimée Craft writes in the Afterword, knowing the historical backdrop of residential schooling and its legacy is essential to the work of reconciliation. In the past, agents of the Canadian state knocked on the doors of Indigenous families to take the children to school. Now, the Survivors have shared their truths and knocked back. It is time for Canadians to open the door to mutual understanding, respect, and reconciliation.

Reviews
“The attempt to transform us failed. The true legacy of the survivors, then, will be the transformation of Canada.” – Phil Fontaine, from the Foreword

A Knock on the Door is a book that I hope every Canadian will read, and read deeply. The transformation of this country begins with acknowledging what happened after that knock on the door. Acknowledging, understanding the implications, and then resolving to do something for positive change. It’s right that the TRC Calls to Action are included, for we are all called to action.” – Shelagh Rogers, O.C., TRC Honorary Witness

"Seven volumes from a nationwide inquiry into the legacy of Canada’s Indian Residential Schools have been condensed into a compelling book that is both accessible and well-documented. The central conclusion—that the schools were part of a deliberate cultural genocide policy aimed at the continent’s first peoples, spearheaded by the Canadian government with the support of mainline churches —is clearly supported by historical references, gut-wrenching personal stories, and a thorough analysis of a system that forcibly removed indigenous children from their families.” – Publishers Weekly 

Educator Information
This book is recommended for grade 11 and 12 students for courses in social studies and social justice (also useful for college/university students in courses of a similar nature).  This book is also a useful teacher resource.

Caution: physical and sexual abuse is discussed in this book.

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Edited and Abridged | 296 pages | 5.50" x 8.50" | 11 b&w photographs | maps | bibliography

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An Honest Woman
Format: Paperback
Text Content Territories: Indigenous Canadian;

 An Honest Woman by Jonina Kirton confronts us with beauty and ugliness in the wholesome riot that is sex, love, and marriage. From the perspective of a mixed-race woman, Kirton engages with Simone de Beauvoir and Donald Trump to unravel the norms of femininity and sexuality that continue to adhere today.

Kirton recalls her own upbringing, during which she was told to find a good husband who would “make an honest woman” out of her. Exploring the lives of many women, including her mother, her contemporaries, and well-known sex-crime stories such as the case of Elisabeth Fritzl, Kirton mines the personal to loosen the grip of patriarchal and colonial impositions. 

An Honest Woman explores the many ways the female body is shaped by questions that have been too political to ask: What happens when a woman decides to take her sexuality into her own hands, dismissing cultural norms and the expectations of her parents? How is a young woman’s sexuality influenced when she is perceived as an “exotic” other? Can a woman reconnect with her Indigenous community by choosing Indigenous lovers? 

Daring and tender in their honesty and wisdom, these poems challenge the perception of women’s bodies as glamorous and marketable commodities and imagine an embodied female experience that accommodates the role of creativity and a nurturing relationship with the land.

Reviews
“Jonina Kirton is courageously honest about her life experiences as a female of Indigenous and immigrant ancestry. Many poems resonate deeply, as we identify with her personal quest to figure out who she is, and the unacceptable things done to her. Her raw honesty is unsettling and uncomfortable, because it can be our truth too. Her poems depict devaluation and dehumanization, grieving, lessons learned. Her poems offer important insights as to why there are thousands of missing and murdered Indigenous women.” — Senator Lillian E. Dyck

“When writing from the voice of between, writer and reader have no place to hide. Assumptions and camouflage fall away. Murdered, missing, and violated women and girl voices have been silenced. The story lethally repeats. Kirton picks over how she was raised familially and culturally like a crime scene. Too, she affirms, ‘I have been here forever and I will rise again and again.’ Tough, eloquent, revelatory, these poems are the very ones we are desperately in need of.” — Betsy Warland, author of Oscar of Between: A Memoir of Identity and Ideas

“I’m sure people have been looking at me strangely every time I gasp, but I can’t glance away from the page for even a second to notice. Some of the poems end sharply, with a punch; some deliberately leave me searching for the next line; others show the repetition of heartbreaking cycles of violence and oppression, but offer a portrayal of resilience, too.” — All Lit Up!

Educator Information
This book would be useful for Women's Studies, Creative Writing, English Language Arts, Poetry, and English courses.  Recommended for grades 11-12 and university-college students.  

Please be advised, this book contains explicit sexual references and references to sexual and physical abuse.

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104 pages | 6.00" x 9.00"

 

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Glimpses of Oneida Life
Format: Paperback
Text Content Territories: Oneida;

Glimpses of Oneida Life is a remarkable compilation of modern stories of community life at the Oneida Nation of the Thames Settlement and the surrounding area. With topics ranging from work experiences and Oneida customs to pranks, humorous encounters, and ghost stories, these fifty-two unscripted narrations and conversations in Oneida represent a rare collection of first-hand Iroquoian reflections on aspects of daily life and culture not found in print elsewhere.

Each text is presented in Oneida with both an interlinear, word-by-word translation and a more colloquial translation in English. The book also contains a grammatical sketch of the Oneida language by Karin Michelson, co-author of the Oneida-English/English-Oneida Dictionary, that describes how words are structured and combined into larger linguistic structures, thus allowing Glimpses to be used as a teaching text as well.

The engrossing tales in Glimpses of Oneida Life will be a valuable resource for linguists and language learners, a useful source for those studying the history and culture of Iroquois people in the twentieth-century, and an entertaining read for anyone interested in everyday First Nations life in southern Ontario.

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472 pages | 6.97" x 10.00"

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$49.95

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Gatherings Journal XV: Youth Water Anthology
Format: Paperback
Text Content Territories: Indigenous Canadian;

Gatherings XV: Youth - Water Anthology features writing submissions from B.C. based Indigenous Youth on the theme of water. 

This special book marks the return of the Gatherings anthologies that were a mainstay of Theytus Books’ publishing program for a decade.
The Gatherings-Water project reflects the cultural rejuvenation of Indigenous Youth in B.C. It is not only a revival of a respected anthology series, but also a new level of engagement between publishing house and community, between established writers and emerging voices, and finally a testament to the connection of Indigenous Youth with the life-sustaining power of water.

Essays, narratives, fictional pieces and poems are grouped thematically under headings: 

  • Drip, Drip, Drip
  • Splashes
  • Tears
  • Cleansing Rain
  • Rivers Flow
  • Waves
  • Tsunami

The authors are from all over BC from Haida Gwaii to Vancouver Island.

Educator Information
Useful for English Language Arts courses for grades 10-12.

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248 pages | 6.00" x 9.00"

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$22.95

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From the Tundra to the Trenches
Editors:
Thibault Martin
Format: Paperback
Text Content Territories: Inuit;

“My name is Weetaltuk; Eddy Weetaltuk. My Eskimo tag name is E9-422.” So begins From the "Tundra to the Trenches." Weetaltuk means “innocent eyes” in Inuktitut, but to the Canadian government, he was known as E9-422: E for Eskimo, 9 for his community, 422 to identify Eddy.

In 1951, Eddy decided to leave James Bay. Because Inuit weren’t allowed to leave the North, he changed his name and used this new identity to enlist in the Canadian Forces: Edward Weetaltuk, E9-422, became Eddy Vital, SC-17515, and headed off to fight in the Korean War. In 1967, after fifteen years in the Canadian Forces, Eddy returned home. He worked with Inuit youth struggling with drug and alcohol addiction, and, in 1974, started writing his life’s story. This compelling memoir traces an Inuk’s experiences of world travel and military service. Looking back on his life, Weetaltuk wanted to show young Inuit that they can do and be what they choose. 

Reviews
“Endlessly interesting; an account of a traditional way of life now lost, a gripping first-hand account of a front-line soldier during the war, and an honest account of a young man’s adventures and misadventures. It is to all our benefit that it has, at last, found its way into print." — Michael Melgaard, The National Post

“Tender, honest, and often raw, Weetaltuk’s storytelling is masterful, engrossing, and deeply human. He has imbued his writing with a philosophical nuance that is characteristically Inuit: very subtle, yet profound." — Siku Allooloo, The Malahat Review

“Recounts the adventures of Inuk veteran Eddy Weetaltuk, from his early life in the North to his escape to the south under an assumed identity, to his enlistment in the Canadian Forces, which took him across the Canadian West, to Japan and Germany, and into battle in Korea. Adopting the name Eddy Vital was necessary in 1951 because the federal government restricted the movement of Inuit people. Through his alias, Weetaltuk was able to see the world; in the army, he experienced equality and respect – all the while never forgetting his true identity as an Inuk. The publication history of From the Tundra to the Trenches is itself a four-decades-long saga of many twists and turns. That it now finds English publication (after first appearing in French and German) owes to the author’s conviction that his life story be read as a work of literature with the makings of a bestseller. Eddy Weetaltuk was right.”— Jade Colbert, The Globe and Mail

“For those interested in Inuit culture it offers the rare and valuable perspective of an Inuk looking out from his culture at the world rather than the world looking in. “ — P. T. Sherrill, CHOICE

Series Information
From the Tundra to the Trenches is the fourth book in the First Voices, First Texts series, which publishes lost or underappreciated texts by Indigenous writers. This new English edition of Eddy Weetaltuk’s memoir includes a foreword and appendix by Thibault Martin and an introduction by Isabelle St-Amand.

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280 pages | 5.50" x 8.50" | 25 colour illustrations, 3 b&w photographs, bibliography

 

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$24.95

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Everyday Exposure: Indigenous Mobilization and Environmental Justice in Canada's Chemical Valley
Authors:
Sarah Marie Wiebe
Format: Paperback
Text Content Territories: Ojibway;

Surrounded by Canada’s densest concentration of chemical manufacturing plants, members of the Aamjiwnaang First Nation express concern about a declining male birth rate and high incidences of miscarriage, asthma, cancer, and cardiovascular illness. Everyday Exposure uncovers the systemic injustices they face as they fight for environmental justice. Exploring the problems that conflicting levels of jurisdiction pose for the creation of effective policy, analyzing clashes between Indigenous and scientific knowledge, and documenting the experiences of Aamjiwnaang residents as they navigate their toxic environment, this book argues that social and political change requires a transformative “sensing policy” approach, one that takes the voices of Indigenous citizens seriously.

Educator Information
This book would be useful for courses in Environmental Studies, Science, Social Justice, and Social Studies.

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280 pages | 6.00" x 9.00" 

 

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$32.95

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Sacred Feminine: An Indigenous Art Colouring Book
Format: Paperback
Text Content Territories: Indigenous Canadian;

Colouring book for adults and children.

Sacred Feminine is a colouring book by Anishinaabe artist Jackie Traverse.

The beautiful and intricate works of art within depict images of strength, resilience, and empowerment. With each image, the artist explains the symbolism and meaning represented. The first of its kind, Sacred Feminine is intended to heal and educate readers and colourers of all ages.

Additional Information
64 pages | 10.00" x 8.00"

Authentic Canadian Content
Authentic Indigenous Text
Authentic Indigenous Artwork
$20.00

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The Antifa Comic Book: 100 Years of Fascism and Antifa Movements
Authors:
Gord Hill
Format: Paperback
Text Content Territories: ► Non-Indigenous Content;

The shocking images of neo-Nazis marching in Charlottesville, Virginia, in the summer of 2017 linger, but so do those of the passionate anti-fascist protestors who risked their lives to do the right thing. In this stirring graphic non-fiction book by the author of The 500 Years of Resistance Comic Book, Gord Hill looks at the history of fascism over the last 100 years, and the concurrent antifa movements that have worked fastidiously to topple it. 

Fascism is a relatively new political ideology, yet in its short history some of the greatest atrocities against humanity have been carried out in its name. Its poisonous roots have taken hold in every region of the world, from its beginnings in post-World War I Italy, through Nazi Germany, Franco's Spain, and the KKK in America. And today, emboldened by the American president, fascism is alive and well again. At the same time, antifa activists have proven, throughout history and again today, that the spirit of resistance is alive and well, and necessary. 

In The Antifa Comic Book, Gord Hill documents these powerful moments of conflict and confrontation with a perceptive eye and a powerful sense of resolve. 

Full-colour throughout. Includes a foreword by Mark Bray, author of Antifa: The Anti-Fascist Handbook.

Additional Information
112 pages | 8.00" x 10.00"

Authentic Canadian Content
$19.95

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Storymaking: The Maker Movement Approach to Literacy for Early Learners
Format: Paperback
Text Content Territories: ► Non-Indigenous Content;

After studying the current research on literacy learning for young children, delving into the beliefs and schools of Reggio Emilia, and discovering the Maker Movement, the authors created StoryMaking. With great success, they implemented it in their diverse and large public school district. StoryMaking shares the processes, first steps, next steps, uses for materials, and lessons learned so teachers can implement their own versions in their classrooms. 

Educator Information
The book shares practical suggestions, student samples, photographs, anchor charts, and other forms of documentation so teachers can implement their own version of StoryMaking in their classrooms. 

Age focus: 3-5

Additional Information
200 pages | 8.40" x 10.90"

$55.50

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Uncharted Waters: The Explorations of Jose Narvaez (1768-1840)
Authors:
Jim McDowell
Format: Paperback

Jim McDowell's new biography of the little-known Spanish explorer José María Narváez, reveals his significant discoveries during the European exploration of what is now Canada's Pacific Northwest Coast. Narváez was the first European to investigate a Russian fur-trading outpost in the Gulf of Alaska in 1788. The following year he became the first Spaniard to reconnoitre Juan de Fuca Strait. In 1791, he charted the interiors of three large inlets on Vancouver Island's west coast, discovered a vast inland sea to the east (today's Salish Sea), mapped the entire gulf, located two prospective entrances to the fabled Northwest Passage, made first contact with Aboriginal peoples, and found the site of what became western Canada's largest city - Vancouver, British Columbia. Narvaez also undertook diplomatic missions around the Pacific Ocean, charted the waters of the Philippines, and engaged in the political upheaval that transformed New Spain into México between 1796 and his death in 1840.

Reviews
McDowell's biography is an eloquent and informed contribution to cultural diversity and accurate colonial history in what is now British Columbia." - BC BookWorld 

Additional Information
300 pages | 6.00" x 9.00" | b&w photos

Authentic Canadian Content
$24.95

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Hope Blooms: Plant a Seed, Harvest a Dream
Authors:
Hope Blooms
Format: Paperback
Text Content Territories: ► Non-Indigenous Content;

There is an old saying that it takes a village to raise a child, but Jessie Jollymore has experienced through the youth of Hope Blooms, an inner-city initiative she founded that engages at-risk youth, that sometimes it takes the children to raise the village. A dietitian who worked in inner city health for 15 years, Jollymore witnessed the challenges people face every day with food security, isolation, discrimination, and poverty. An idea bloomed of creating sustainable, youth-driven micro-economies: growing local food systems, growing social enterprises, and mentoring youth to become leaders of change. This led to over 50 youth ages 6 to 18 leading the way in growing over 3,000 pounds of organic produce yearly for their community, building innovative outdoor classrooms, and building a successful Fresh Herb Dressing social enterprise, with 100% of proceeds going toward growing food, and scholarships for youth.

In this inspiring, vibrant book, the youth behind Hope Blooms tell the story of the social enterprise they built from the soil up, the struggles of "creating something from nothing," successfully navigating the world of business, and ultimately building resilience and leaving behind a legacy. Includes youth's words of wisdom, stories, and poetry, and over 75 colour photos.

Additional Information
180 pages | 7.50" x 9.25"

$24.95

Coming Soon
The Drum Story: Ojibwe Story of The Gift of The Drum - Book and DVD
Authors:
Reality Media
Format: Paperback
Text Content Territories: Anishinaabeg; Ojibway;

The Drum Story book and movie were created so people could hear and see the storyteller tell the story. This book and DVD combination also features the Ojibwe language alongside English. This beautiful and ancient story has been passed down through many generations. The story tells of a young girl given the gift of the first drum, and how she used that drum to bring peace to her people. Told in the traditional oral style, the teachings of the story are all about respect for one another and how to live well and properly with Mother Earth.

This hardcover book is richly illustrated (60 pictures and paintings) with 12 originally commissioned original artworks. The DVD is included in a sleeve on the inside back cover. The combination of reading and hearing the story told in the ages-old traditional method is extraordinary. The DVD also features traditional drumming and singing. 

Educator Information
The Drum Story book with story-telling DVD includes English and Ojibwe language translation - selectable on DVD with opposing subtitle and teacher/educational aids in PDF format included on the DVD, printable as a teacher resource. 

Additional Information
65 pages | paperback with DVD 

 

Authentic Canadian Content
$29.95

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The Dog’s Children: Anishinaabe Texts told by Angeline Williams
Format: Paperback
Text Content Territories: Anishinaabeg; Ojibway;

In 1941, Angeline Williams, an Anishinaabe elder left her home on an island in the St. Mary’s River between Michigan and Ontario and travelled south to North Caroline to teach the Ojibwe (Chippewa) language. At the Linguistic Institute, a summer school of linguistics, Angeline Williams spoke words and sentences and told anecdotes and stories to give the students practice in transcribing an analyzing the structure of an unwritten language.

The Dog’s Children includes twenty stories dictated to the class and the teaching staff, Charles F. Voegelin, and Leonard Bloomfield, as later edited by Bloomfield. The manuscript from which this edition has been prepared is now at the National Anthropological Archives at the Smithsonian Institution. Presented in Ojibwe, with English translations by Bloomfield. The volume also contains an Ojibwe-English glossary and other linguistic study aids.

Reviews
"This book is tremendously valuable as a tool for understanding not only linguistic research but for understanding the life and culture of an Ojibwe woman. Angeline Williams, Biidaasigekwe or "Sunlight Woman," came to Virginia in 1941 from Sugar Island on the St. Mary's River to teach the Ojibwe language to Leonard Bloomfield. Bloomfield's subsequent translations and understanding of the Algonquian language family led to significant advances and changes in the study of linguistics. This series of Ojibwe stories and their up-to-date translations to English illustrate the thoroughness of Bloomfield's linguistic research.... The Ojibwe word inaajimowin means "story" in English. Throughout this book, Angeline Williams weaves Ojibwe "stories" that are influenced by myth, regionality, and family. The oral quality of her stories is rich in meaning and humor. More important these stories remain as an ethnographic record of her life and her contributions tofurther cultural understanding of the Ojibwe people. The updated version of Bloomfield's notes and the orthography installed by Nichols serves to enhance the fine translations and culturally rich Ojibwe stories. The notes on inflectional endings and the glossary with a dictionary of Ojibwe-to-English and English-to-Ojibwe translations make the book even more valuable as a linguistic resource tool. The mirror-like lay-out of the book also aids in understanding the translations. With alternating pages of Ojibwe and English, it is easy to compare the translations paragraph by paragraph, even line by line." - Paul C. Brooke, Department of English, Iowa State University

Additional Information
268 pages | 6.00" x 9.00"

Authentic Canadian Content
$32.95

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Self-Determined Stories: The Indigenous Reinvention of Young Adult Literature
Authors:
Mandy Suhr-Sytsma
Format: Paperback
Text Content Territories: Indigenous American; Indigenous Canadian;

Reimagining Indigenous empowerment.

The first book of its kind, Self-Determined Stories: The Indigenous Reinvention of Young Adult Literature reads Indigenous-authored YA-from school stories to speculative fiction-not only as a vital challenge to stereotypes but also as a rich intellectual resource for theorizing Indigenous sovereignty in the contemporary era.

Building on scholarship from Indigenous studies, children’s literature, and cultural studies, Suhr-Sytsma delves deep into close readings of works by Sherman Alexie, Jeannette Armstrong, Joseph Bruchac, Drew Hayden Taylor, Susan Power, Cynthia Leitich Smith, and Melissa Tantaquidgeon Zobel. Together, Suhr-Sytsma contends, these works constitute a unique Indigenous YA genre. This genre radically revises typical YA conventions while offering a portrayal of Indigenous self-determination and a fresh critique of multiculturalism, heteropatriarchy, and hybridity. This literature, moreover, imagines compelling alternative ways to navigate cultural dynamism, intersectionality, and alliance-formation.

Self-Determined Stories invites readers from a range of contexts to engage with Indigenous YA and convincingly demonstrates the centrality of Indigenous stories, Indigenous knowledge, and Indigenous people to the flourishing of everyone in every place.

Contents

Introduction
Ch. 1: A Rebel with a Community, Not Just Cause: Revising YA Power Dynamics and Uniquely Representing Indigenous Sovereignty in Jeannette Armstrong's Slash
Ch. 2: Indigenous School Stories: Alternatives to Multiculturalism in Sherman Alexie's The Absolutely True Diary of a Part-Time Indian and Joseph Bruchac's The Heart of a Chief 
Ch. 3: Not Your Father's Pocahontas: Cynthia Leitich Smith's and Susan Power's Resistive Romance
Ch. 4: That's One Story: Reworking Hybridity through Melissa Tantaquidgeon Zobel's and Drew Hayden Taylor's Speculative Fiction
Coda: Alexie's Flight, Zobel's Wabanaki Blues, and the Future of Indigenous YA Literature

Additional Information
214 pages | 6.00" x 9.00"

$29.95

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Sovereign Traces: Not (Just) (An)Other
Format: Paperback
Text Content Territories: Indigenous American; Indigenous Canadian;

A unique collection of graphically reimagined fiction and poetry.

By merging works of contemporary North American Indigenous literature with imaginative illustrations by U.S. and Canadian artists, Sovereign Traces: Not (Just) (An)Other provides a unique opportunity for audiences to engage with works by prominent authors such as Stephen Graham Jones, Gordon Henry Jr., Gerald Vizenor, Warren Cariou, Niigaanwewidam James Sinclair, Louise Erdrich, Joy Harjo, Richard Van Camp, and Gwen Westerman.

Through this exciting medium, Sovereign Traces beckons to audiences that are both new to and familiar with Native writing, allowing for possibilities for reimagined readings along the way.

Readers will find works of graphic literature, uniquely including both poetry and fiction, newly adapted from writing by Indigenous North Americans. 

Writers
Warren Cariou, Louise Erdrich, Joy Harjo, Gordon G. Henry Jr., Stephen Graham Jones, Sheldon Raymore, Niigaanwewidam James Sinclair, Richard Van Camp, Gerald Vizenor, Gwen Nell Westerman

Illustrators and Colourists
Weshoyot Alvitre, Evan Buchanan, Nicholas Burns, GMB Chomichuk, Scott B. Henderson, Elizabeth LaPensée, Tara Ogaick, Neal Shannacappo, Delicia Williams, Donovan Yaciuk

Content
Preface: Beginnings and Future Imaginings
Foreword: Not (Just) (An)Other
Werewolves on the Moon
The Prisoner of Hiaku
Ice Tricksters
An Athabasca Story
Trickster Reflections
The Strange People
Deer Dancer
Mermaids
Just Another Naming Ceremony

Reviews
“Not just another book for fans of Indigenous stories and comics alike, this collection locates myth not in the past, but in the mundane, drawing on traditional cultures and stories to depict current Indigenous lives in their many complex forms.” — Nyala Ali, Winnipeg Free Press

Additional Information
128 pages | 6.62" x 10.12"

 

Authentic Indigenous Text
Authentic Indigenous Artwork
$29.95

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Inuit Stories of Being and Rebirth: Gender, Shamanism, and the Third Sex
Format: Paperback
Text Content Territories: Inuit;

The small island of Igloolik lies between the Melville Peninsula and Baffin Island at the northern end of Hudson Bay north of the Arctic Circle. It has fascinated many in the Western world since 1824, when a London publisher printed the narratives by William Parry and his second-in-command, George Lyon, about their two years spent looking for the mythical Northwest Passage.

Nearly a hundred and fifty years later, Bernard Saladin d’Anglure arrived in Igloolik, hoping to complete the study he had been conducting for nearly six months in Arctic Quebec (present-day Nunavik). He was supposed to spend a month on Igloolik, but on his first morning there, Saladin d’Anglure met the elders Ujarak and Iqallijuq. He learned that they had been informants for Knud Rasmussen in 1922. Moreover, they had spent most of their lives in the camps and fully remembered the pre-Christian period.

Ujarak and Iqallijuq soon became Saladin d’Anglure’s friends and initiated him into the symbolism, myths, beliefs, and ancestral rules of the local Inuit. With them and their families, Saladin d’Anglure would work for thirty years, gathering the oral traditions of their people.

First published in French in 2006, Inuit Stories of Being and Rebirth contains an in-depth, paragraph-by-paragraph analysis of stories on womb memories, birth, namesaking, and reincarnation. This new English edition introduces this material to a broader audience and contains a new afterword by Saladin d’Anglure.

Contents

Ch. 1—Savviurtalik is Reincarnated
Ch. 2—Inuit Genesis and the Desire for Children
Ch. 3—‘Big Belly’
Ch. 4—Incestuous Moon Brother chases Sun Sister
Ch. 5—A Headstrong Daughter
Ch. 6—A Cheated Husband
Ch. 7—Girls Should not Play at Marriage
Ch. 8—A Battered Wife
Ch. 9—Walrus Skin, a Mistreated Orphan, Rescued by the Moon Man
Ch. 10—The Danger of Being Impregnated by a Spirit
Ch. 11—The First Woman Healer
Ch. 12—The Strange Man and His Whale
Ch. 13—Atanaarjuat, The Fast Runner, a Mythical Hero
Ch. 14—Aaguttaaluk, the Cannibal Forebear
Ch. 15—Qisaruatsiaq, Back to Her Mother’s Womb

 
Reviews
“The real strength of the book are the dialogues between d’Anglure, Iqallijuq, and Ujarak that provide insights into many of the stories provided by Kupaaq … providing one of the first Inuit commentaries on their own texts.” – Chris Trott, Etudes/Inuit/Studies
 
Additional Information
400 pages | 6.00" x 9.00"
Authentic Canadian Content
$31.95

Coming Soon
Structures of Indifference: An Indigenous Life and Death in a Canadian City
Format: Paperback
Text Content Territories: Anishinaabeg; Indigenous Canadian;

The tragic consequences of systemic racism.

Structures of Indifference examines an Indigenous life and death in a Canadian city and what it reveals about the ongoing history of colonialism. At the heart of this story is a thirty-four-hour period in September 2008. During that day and a half Brian Sinclair, a middle-aged, non-Status Anishinaabeg resident of Manitoba’s capital city, arrived in the emergency room of the Health Sciences Centre, Winnipeg’s major downtown hospital, was left untreated and unattended to, and ultimately died from an easily treatable infection. His death reflects a particular structure of indifference born of and maintained by colonialism.

McCallum and Perry present the ways in which Sinclair, once erased and ignored, came to represent diffuse, yet singular and largely dehumanized ideas about Indigenous people, modernity, and decline in cities. This story tells us about ordinary indigeneity in the city of Winnipeg through Sinclair’s experience and restores the complex humanity denied him in his interactions with Canadian health and legal systems, both before and after his death.

Structures of Indifference completes the story left untold by the inquiry into Sinclair’s death, the 2014 report of which omitted any consideration of underlying factors, including racism and systemic discrimination.

Contents

Introduction: Thirty-Four Hours
Ch. 1: The City
Ch. 2: The Hospital
Ch. 3: Brian Sinclair
Conclusion

Reviews
“You can’t really sugarcoat the colonial genealogy that killed Brian Sinclair. Structures of Indifference is a necessary book. It offers a short, direct framing of the death of Brian Sinclair as a clear instance of racism, a racism that is the basis of Canadian settler colonialism.” – Sherene H. Razack, UCLA, author of Dying from Improvement: Inquests and Inquiries into Indigenous Deaths in Custody

Additional Information
192 pages | 4.25" x 7.12"

Authentic Canadian Content
$17.95

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Kayanerenkó:wa: The Great Law of Peace
Format: Paperback
Text Content Territories: Haudenosaunee (Iroquois);

Several centuries ago, the five nations that would become the Haudenosaunee—Mohawk, Oneida, Onondaga, Cayuga, and Seneca—were locked in generations-long cycles of bloodshed. When they established Kayanerenkó:wa, the Great Law of Peace, they not only resolved intractable conflicts but also shaped a system of law and government that would maintain peace for generations to come. This law remains in place today in Haudenosaunee communities: an Indigenous legal system, distinctive, complex, and principled. It is not only a survivor, but a viable alternative to Euro-American systems of law. With its emphasis on lasting relationships, respect for the natural world, building consensus, and on making and maintaining peace, it stands in contrast to legal systems based on property, resource exploitation, and majority rule.

Although Kayanerenkó:wa has been studied by anthropologists, linguists, and historians, it has not been the subject of legal scholarship. There are few texts to which judges, lawyers, researchers, or academics may refer for any understanding of specific Indigenous legal systems. Following the United Nations Declaration on the Rights of Indigenous Peoples, and a growing emphasis on reconciliation, Indigenous legal systems are increasingly relevant to the evolution of law and society.

In Kayanerenkó:wa: The Great Law of Peace Kayanesenh Paul Williams, counsel to Indigenous nations for forty years, with a law practice based in the Grand River Territory of the Six Nations, brings the sum of his experience and expertise to this analysis of Kayanerenkó:wa as a living, principled legal system. In doing so, he puts a powerful tool in the hands of Indigenous and settler communities.

Contents

Part 1: Context
Part 2: The Nature of the Law: Principles and Processes
Part 3: Bringing the Great Peace
Part 4: The Constitution

Reviews
“Paul Williams’ Kaianerenko:wa The Great Law of Peace is the most comprehensive writing on Haudenosaunee law that I have ever read. As we move forward and work towards implementing the Calls to Action from the Truth and Reconciliation Commission, works like this, will be an invaluable resource for engaging with Indigenous laws. Kaianerenko:wa The Great law of Peace should be required reading in all Canadian law schools.”— Sarah Morales

"This expansive book illustrates the living nature of Haudenosaunee law. Everyone interested in law's relationship to violence and peace should read it. Haudenosaunee law has the power to change the world."— John Borrows

Additional Information
472 pages | 6.75" x 9.75"

 

Authentic Canadian Content
$35.95

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Mark Twain's Niagara: Book 1, The Graphic Novel
Authors:
Mark Twain
Zachary Schwartz
Format: Paperback
Text Content Territories: ► Non-Indigenous Content;

Mark Twain’s Niagara: Book 1, is part 1 of a 2-part series. This 96-page graphic novel is based on the short story “Niagara”, written by Mark Twain in the 1860’s and originally published in 1875. This exciting adventure follows a young Twain as he travels by steam train to the Niagara region. There, he embarks on a journey through legend and history, encountering incredible figures – some living, some long since passed.

 A Visual Journey
This book features a unique visual experience unlike anything you’ve seen before! With every encounter Twain has with the people and places that make up the stunning and rich region of Niagara, the perspective of the story visually changes. You, the reader, experience the most exciting and legendary aspects of Niagara through Mark Twain’s eyes, as he imagines himself virtually living the history in the region that surrounds him.

Each branch of history that Twain experiences is illustrated by an award-winning artist.  Divided into chapters - each one illustrated by a different artist - Mark Twain's Niagara is a gorgeous visual adaptation, stunningly created in a way you’ve yet to experience!

The Artists

  • Menton J. Matthews III (MONOCYTE, The Fly: Outbreak, The X-Files) is an award-winning fine artist and illustrator.
  • Claude St. Aubin (Superman, Batman, Green Lantern) is a Joe Shuster Award winner and Canadian Comic Book Hall of Fame artist.
  • Nicholas Burns (Arctic Comics, Bride of Chucky, True North) is a Canadian award-winning film-maker, illustrator and painter.
  • Haiwei Hou (Two Brothers, Ochek) is an internationally renowned concept artist from award-winning studios.
  • Jeffrey Veregge (G.I. Joe, Transformers, Judge Dredd, Red Wolf) is a critically acclaimed award-winning artist.
  • Katherine Piro (The Chaste Maid) is a brilliant Canadian multi-media artist and illustrator.
  • Shane Kirshenblatt (Dorothy Gale: Journey to Oz, The Bleeding Tree, Classics Illustrated) is a popular commercial artist, educator and painter.
  • Ben Shannon (Ayanisach, Superior Iron Man, Rolling Stone magazine) is an award-winning graphic artist and illustrator.
  • David Cutler (Water Master, Adventure Time) is a multi-talented illustrator and frequent comicon guest of honour.
  • Mike Rooth (Savage Sword, Captain Canuck, WidowsWake) is a huge fan favourite comic book artist.
  • Keith Grachow (Concrete Martians, Saltwater) is a former Disney animator, cartoonist and fine artist.
  • Ken Lashley (Batman, Superman, X-Men, The Avengers) is one of the comic book world's superstar artists for titles in both the Marvel and DC universes.
  • Ty Templeton (Batman, Spider-Man, The Simpsons) is an absolutely legendary comic book artist and all around great guy.

Additional Information
10.2 x 6.5 x 0.3 inches

$9.99

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Rooster Town: The History of an Urban Metis Community, 1901–1961
Format: Paperback
Text Content Territories: Métis;

Melonville. Smokey Hollow. Bannock Town. Fort Tuyau. Little Chicago. Mud Flats. Pumpville. Tintown. La Coulee. These were some of the names given to Métis communities at the edges of urban areas in Manitoba. Rooster Town, which was on the outskirts of southwest Winnipeg, endured from 1901 to 1961.

Those years in Winnipeg were characterized by the twin pressures of depression and inflation, chronic housing shortages, and a spotty social support network. At the city’s edge, Rooster Town grew without city services as rural Métis arrived to participate in the urban economy and build their own houses while keeping Métis culture and community as a central part of their lives.

In other growing settler cities, the Indigenous experience was largely characterized by removal and confinement. But the continuing presence of Métis living and working in the city, and the establishment of Rooster Town itself, made the Winnipeg experience unique.

Rooster Town documents the story of a community rooted in kinship, culture, and historical circumstance, whose residents existed unofficially in the cracks of municipal bureaucracy, while navigating the legacy of settler colonialism and the demands of modernity and urbanization.

 
Reviews
"Rooster Town challenges the lingering mainstream belief that Indigenous people and their culture are incompatible with urban life and opens the door to a broader conversation about the insidious nature of racial stereotypes ubiquitous among the broader Canadian polity.— Brenda Macdougall

"Places like Rooster Town are known and talked about within the contemporary Métis world-everybody knows somebody whose parents or grandparents came from these types of invisible and often marginalized communities-but there has been no acknowledgment of their existence within Canadian historical, geographic, sociological, or political scholarship."— Brenda Macdougall

"Very little is written about Indigenous urban histories. They are typically hidden, or erased, from the histories of Prairie cities, and Canadian cities generally. Rooster Town is an authoritative correction to that colonial erasure in the written record."— Ryan Walker
 
Additional Information
248 pages | 6.00" x 9.00" | 33 b&w tables, 14 maps
 
Contents
Ch.1—Settler Colonialism and the Dispossession of the Manitoba Métis
Ch.2—The Establishment and Consolidation of Rooster Town, 1901-1911
Ch.3—Devising New Economic and Housing Strategies: Rooster Town during the First World War and After, 1916-1926
Ch.4—Persistence and Community: Rooster Town During and After the Great Depression, 1931-1946
Ch.5—Stereotyping, Dissolution, and Dispersal: Rooster Town, 1951-1961
Conclusion
 
Authentic Canadian Content
$27.95

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When the Caribou Do Not Come: Indigenous Knowledge and Adaptive Management in the Western Arctic
Editors:
Ken J. Caine
Brenda L. Parlee
Format: Paperback
Text Content Territories: Dene; Gwich’in; Inuvialuit;

In the 1990s, news stories began to circulate about declining caribou populations in the North. Were caribou the canary in the coal mine for climate change, or did declining numbers reflect overharvesting by Indigenous hunters or failed attempts at scientific wildlife management?

Grounded in community-based research in northern Canada, a region in the forefront of co-management efforts, these collected stories and essays bring to the fore the insights of the Inuvialuit, Gwich’in, and Sahtú, people for whom caribou stewardship has been a way of life for centuries. Anthropologists, historians, political scientists, ecologists, and sociologists join forces with elders and community leaders to discuss four themes: the cultural significance of caribou, caribou ecology, food security, and caribou management. Together, they bring to light past challenges and explore new opportunities for respecting northern communities, cultures, and economies and for refocusing caribou management on the knowledge, practices, and beliefs of northern Indigenous peoples.

Ultimately, When the Caribou Do Not Come drives home the important role that Indigenous knowledge must play in understanding, and coping with, our changing Arctic ecosystems and in building resilient, adaptive communities.

This collection is essential reading for multiple groups and interested parties – scientists, scholars, graduate students, wildlife managers, and members and leaders of Indigenous communities.

Reviews

"This book shines a light on the diverse peoples who have come together to share their knowledge and build a new relationship in order to address the very real concern we all have for the wellness of caribou." -  Stephen Kakfwi, former premier of the Northwest Territories
"This is a fascinating volume with unusual breadth. Barren-ground caribou are one of the North’s most important biological and cultural resources. When the Caribou Do Not Come blends the perspectives of Indigenous and academic specialists and allows them to retain their own voice. The understandings of human-caribou interaction expressed in this book will lead researchers, Indigenous and non-Indigenous users, and wildlife managers to reflect on current and future practices."  - George Wenzel, cultural ecologist, Department of Geography, McGill University

Additional Information
280 pages | 6.00" x 9.00" | 15 figures, 12 tables, 6 photos, 3 maps

CONTENTS:
Foreword / Fikret Berkes
Introduction / Brenda Parlee and Ken Caine
Part 1: Counting Caribou
1 From Tuktoyaktuk – Place of Caribou / Frank Pokiak
2 The Past Facing Forward: History and Caribou Management in Northern Canada / John Sandlos
3 Recounting Caribou / Brenda Parlee
4 Beyond the Harvest Study / Brenda Parlee, Natalie Zimmer, and Peter Boxall
Part 2: Understanding Caribou
5 We Are the People of the Caribou / Morris Neyelle
6 Harvesting in Dene Territory: The Connection of Ɂepę́ (Caribou) to the Culture and Identity of the Shúhtagot’ı̨nę / Leon Andrew
7 Dene Youth Perspectives: Learning Skills on the Land / Roger McMillan
Part 3: Food Security
8 Time, Effort, Practice, and Patience / Anne Marie Jackson
9 The Wage Economy and Caribou Harvesting / Zoe Todd and Brenda Parlee
10 Caribou and the Politics of Sharing / Tobi Jeans Maracle, Glenna Tetlichi, Norma Kassi, and David Natcher
Part 4: Governance and Management
11 Recollections of Caribou Use and Management / Robert Charlie
12 Ways We Respect Caribou: A Comparison of Rules and Rules-in-Use in the Management of the Porcupine Caribou / Kristine Wray
13 Letting the Leaders Pass: Barriers to Using Traditional Ecological Knowledge in Co-management as the Basis of Formal Hunting Regulations / Elisabeth Padilla and Gary P. Kofinas
14 Linking the Kitchen Table and Boardroom Table: Women in Caribou Management / Brenda Parlee, Kristine Wray, and Zoe Todd
Index

Authentic Canadian Content
$32.95

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Gender, Power, and Representations of Cree Law
Authors:
Emily Snyder
Format: Paperback
Text Content Territories: Cree;

Drawing on the insights of Indigenous feminist legal theory, Emily Snyder examines representations of Cree law and gender in books, videos, graphic novels, educational websites, online lectures, and a video game. Although these resources promote the revitalization of Cree law and the principle of miyo-wîcêhtowin (good relations), Snyder argues that they do not capture the complexities of gendered power dynamics.

The majority of the resources either erase women’s legal authority by not mentioning them, or they diminish women’s agency by portraying them primarily as mothers and nurturers. Although these latter roles are celebrated, Snyder argues that Cree laws and gender roles are represented in inflexible, aesthetically pleasing ways that overlook power imbalances and difficult questions regarding interpretations of tradition.

What happens when good relations are represented in ways that are oppressive? Grappling with this question, Snyder makes the case that educators need to critically engage with issues of gender and power in order to create inclusive resources that meaningfully address the everyday messiness of law. As with all legal orders, gendered oppression can be perpetuated through Cree law, but Cree law is also a dynamic resource for challenging gendered oppression. 

This book will appeal to students and scholars of law, Indigenous studies, gender studies, and the sociology of inequality.

Reviews
"Emily Snyder engages with one of the thorniest issues in the field of Indigenous law – that of gender and power. This respectful, thoughtful, and razor-sharp analysis of essentialist and fundamentalist representations of women in Cree law both challenges and provokes. This book will change how we see and think about Indigenous law. It is a gift to feminism, to legal scholarship, and to Indigenous feminists and communities the world over." -  Val Napoleon, Law Foundation Chair of Aboriginal Justice and Governance, Faculty of Law, University of Victoria

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248 pages | 6.00" x 9.00"

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Otter's Journey through Indigenous Language and Law
Format: Paperback
Text Content Territories: Anishinaabeg; Indigenous Canadian; Ojibway;

Otter’s Journey employs the Anishinaabe tradition of storytelling to explore how Indigenous language revitalization can inform the emerging field of Indigenous legal revitalization. Indigenous languages and laws need bodies to live in. Learning an endangered language and a suppressed legal system are similar experiences. When we bring language back to life, it becomes a medium for developing human relationships. Likewise, when laws are written on people’s hearts, true revitalization has occurred.

Storytelling has the capacity to address feelings and demonstrate themes – to illuminate beyond argument and theoretical exposition. In Otter’s Journey, Lindsay Keegitah Borrows follows Otter, a dodem (clan) relation from the Chippewas of Nawash First Nation, on a journey across Anishinaabe, Inuit, Māori, Coast Salish, and Abenaki territories, through a narrative of Indigenous resurgence. While Otter’s Journey is guided by a literal truth, it also splices and recombines real-world events and characters.

Through her engaging protagonist, Borrows reveals that the processes, philosophies, and practices flowing from Indigenous languages and laws can emerge from under the layers of colonial laws, policies, and languages to become guiding principles in people’s contemporary lives. We need the best of all people’s teachings to lead us into the future.

Students and scholars in a wide range of subfields within Indigenous studies will find this book of considerable appeal, as will scholars and students of law, literature, education, and language studies, and those with an interest in Indigenous methodologies.

Reviews
"Otter’s Journey holds the potential to change the way people think about and, in turn, talk about Indigenous laws and Indigenous language acquisition and reacquisition ... The elemental way in which legal storytelling is embedded in the text makes Indigenous laws and language normative, not as things to be justified or even accommodated. Eloquent, poetic, and lyrical, this book marks a rare and even generational shift in the dialogue by and about Indigenous peoples." - Tracey Lindberg, author of Birdie, and professor of law and University Research Chair in Indigenous Laws, Legal Orders and Traditions at the University of Ottawa


"Otter's Journey offers a vibrant account of the possibilities and importance of Indigenous language revitalization. Weaving oral narrative, prose fiction, and autobiography, Lindsay Borrows models a scholarly practice grounded in family, community, and storytelling. This is an important academic contribution – and also a new work of Indigenous literature by an emerging writer of considerable skill." - Keavy Martin, author of Stories in a New Skin: Approaches to Inuit Literature, and associate professor in the Department of English and Film Studies at the University of Alberta

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236 pages | 6.00" x 9.00"

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Truth and Conviction: Donald Marshall Jr. and the Mi'kmaw Quest for Justice
Authors:
L. Jane McMillan
Format: Hardcover
Text Content Territories: Mi’kmaw;

The name “Donald Marshall Jr.” is synonymous with “wrongful conviction” and the fight for Indigenous rights in Canada. In Truth and Conviction, Jane McMillan – Marshall’s former partner, an acclaimed anthropologist, and an original defendant in the Supreme Court’s Marshall decision on Indigenous fishing rights – tells the story of how Marshall’s fight against injustice permeated Canadian legal consciousness and revitalized Indigenous law.

Marshall was destined to assume the role of hereditary chief of Mi’kmaq nation when, in 1971, at the age of seventeen, he was wrongly convicted of murder. He spent more than eleven years in jail before a royal commission exonerated him and exposed the entrenched racism underlying the terrible miscarriage of justice. Four years later, in 1993, he was charged with fishing eels without a licence. With the backing of Mi’kmaq chiefs and the Union of Nova Scotia Indians, he took the case all the way to the Supreme Court to vindicate Indigenous treaty rights in the landmark Marshall decision.

Marshall was only fifty-five when he died in 2009. His legacy lives on as Mi’kmaq continue to assert their rights and build justice programs grounded in customary laws and practices, key steps in the path to self-determination and reconciliation.

This book will appeal to anyone interested in the Donald Marshall story, Indigenous peoples encounters with the law, and social justice issues.

Reviews
"Jane McMillian has written an admirable, engaging, and formidable book about an Indigenous man’s quest for justice against the systemic injustices of Canada." - Sákéj Henderson, research fellow, Native Law Centre of Canada, University of Saskatchewan

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288 pages | 6.00" x 9.00" | 10 black and white photographs

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IKWE: Honouring Women, Life Givers, and Water Protectors
Format: Paperback
Text Content Territories: Indigenous Canadian;

An Indigneous Art Colouring Book for Adults and Children.

IKWE is a new colouring book by Anishinaabe artist Jackie Traverse. Featuring brand new works, the stunning images in IKWE celebrate the spiritual and ceremonial aspects of women and their important role as water protectors. 

“I had the privilege of going to Standing Rock twice. The strength and power that came from the women there inspired this book. To be a woman is to be a life giver and water protector. Even if you never have children, you have that sense, and the duty to honour and protect the water is within you,” writes Traverse.

Reviews
“The importance of celebrating Indigenous women and girls’ space and place within our collective journey toward healing, empowerment and reconciliation cannot be overstated. When we, as Indigenous women and girls, see ourselves reflected in positive and powerful ways, it renders emotional and spiritual transformative change in our lives. Jackie’s art, her book and her life fundamentally contribute to the positive imagery of Indigenous women and offers a sacred way to understand one another moving toward reconciliation in Canada.”— Nahanni Fontaine, NDP MLA for St. Johns, Legislative Assembly of Manitoba

“Jackie’s work is that medicine that connects us all to a time when the earth and her women were equally respected as sacred —life givers, leaders, teachers and healers. Her genius is to help make us remember.”— Leslie Spillett, Ka Ni Kanichihk, Winnipeg

“I first received Jackie’s colouring book as a gift. I was immediately struck by the feminine strength, beauty and resiliency in her drawings. The teachings she shares in the back of the colouring book add so much spiritual depth to her already powerful work! Hiy hiy mistahi Jackie for sharing your gifts of art and words, along with your cultural teachings with your drawings.— Lynette La Fontaine, Aboriginal nurse educator with Chee Mamuk, BC CDC

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50 pages | 10.00" x 8.00"

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Ohpikiihaakan-ohpihmeh — Raised Somewhere Else: A 60s Scoop Adoptee's Story of Coming Home
Format: Paperback
Text Content Territories: Cree; Indigenous Canadian;

During the 60s Scoop, over 20,000 Indigenous children in Canada were removed from their biological families, lands and culture and trafficked across provinces, borders and overseas to be raised in non-Indigenous households. 

Ohpikiihaakan-ohpihmeh — Raised Somewhere Else delves into the personal and provocative narrative of Colleen Cardinal’s journey growing up in a non- Indigenous household as a 60s Scoop adoptee. Cardinal speaks frankly and intimately about instances of violence and abuse throughout her life, but this book is not a story of tragedy. It is a story of empowerment, reclamation and, ultimately, personal reconciliation. It is a form of Indigenous resistance through truth-telling, a story that informs the narrative on missing and murdered Indigenous women, colonial violence, racism and the Indigenous child welfare system.

Reviews
“With Canadians slowly awakening to the reality of the 60s Scoop and its ongoing repercussions, Cardinal’s inspiring work here is essential reading and will be an integral resource for generations to come.”— Waubgeshig Rice, author of Legacy

“Offers a window through which readers can see why cultural suppression is such a dark chapter in Canada’s history.”— Winnipeg Free Press

“I highly recommend reading this story for anyone interested in learning more about the Sixties Scoop and understanding what’s really happening under the stereotypes put on many Indigenous by those who do not truly understand.” — All Booked

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214 pages | 6.00" x 9.00" | Foreward by Raven Sinclair

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Indigenous Peoples Atlas of Canada
Format: Hardcover
Text Content Territories: First Nations; Indigenous Canadian; Inuit; Métis;

Indigenous perspectives much older than the nation itself shared through maps, artwork, history and culture.

The Royal Canadian Geographical Society, in partnership with Canada's national Indigenous organizations, has created a groundbreaking four-volume atlas that shares the experiences, perspectives, and histories of First Nations, Inuit and Métis peoples. It's an ambitious and unprecedented project inspired by the Truth and Reconciliation Commission's Calls to Action. Exploring themes of language, demographics, economy, environment and culture, with in-depth coverage of treaties and residential schools, these are stories of Canada's Indigenous Peoples, told in detailed maps and rich narratives.

This extraordinary project offers Canada a step on the path toward understanding.

The volumes contain more than 48 pages of reference maps, content from more than 50 Indigenous writers; hundreds of historical and contemporary photographs and a glossary of Indigenous terms, timelines, map of Indigenous languages, and frequently asked questions. All packaged together in a beautifully designed protective slipcase.

Educator Information
Recommended for ages 13+.

The Indigenous Peoples Atlas of Canada includes a four volume print atlas, an online atlas, an app, and more!

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322 pages | 10.50" x 12.87"

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Big Lonely Doug: The Story of One of Canada's Last Great Trees
Authors:
Harley Rustad
Format: Paperback
Text Content Territories: ► Non-Indigenous Content;

How a single tree, and the logger who saved it, have changed the way we see British Columbia’s old-growth forests

On a cool morning in the winter of 2011, a logger named Dennis Cronin was walking through a stand of old-growth forest near Port Renfrew on Vancouver Island. His job was to survey the land and flag the boundaries for clear-cutting. As he made his way through the forest, Cronin came across a massive Douglas fir the height of a twenty-storey building. It was one of the largest trees in Canada that if felled and milled could easily fetch more than fifty thousand dollars. Instead of moving on, he reached into his vest pocket for a flagging he rarely used, tore off a strip, and wrapped it around the base of the trunk. Along the length of the ribbon were the words “Leave Tree.”

When the fallers arrived, every wiry cedar, every droopy-topped hemlock, every great fir was cut down and hauled away — all except one. The solitary tree stood quietly in the clear cut until activist and photographer T. J. Watt stumbled upon the Douglas fir while searching for big trees for the Ancient Forest Alliance, an environmental organization fighting to protect British Columbia's dwindling old-growth forests. The single Douglas fir exemplified their cause: the grandeur of these trees juxtaposed with their plight. They gave it a name: Big Lonely Doug. The tree would also eventually, and controversially, be turned into the poster child of the Tall Tree Capital of Canada, attracting thousands of tourists every year and garnering the attention of artists, businesses, and organizations who saw new values encased within its bark.

Originally featured as a long-form article in The Walrus that garnered a National Magazine Award (Silver), Big Lonely Doug weaves the ecology of old-growth forests, the legend of the West Coast’s big trees, the turbulence of the logging industry, the fight for preservation, the contention surrounding ecotourism, First Nations land and resource rights, and the fraught future of these ancient forests around the story of a logger who saved one of Canada's last great trees.

Reviews
“Having spent time, personally, with Big Lonely Doug, and wandering through the last of our ancient forests in British Columbia, it's never been more clear to me how imperative it is for us as humans to recognize the magnificence of these ancient trees and forests and do everything that we can to preserve them. With less than 1 percent of the original old-growth Douglas-fir stands left on B.C.’s coast, it’s time for Canadians to embrace Big Lonely Doug and his fellow survivors, and keep them standing tall. Harley Rustad’s story brings both the majesty and adversity of Big Lonely Doug a little closer to home.” — Edward Burtynsky 

“You can see the forest for the trees, at least when the trees in question are singular giants like Big Lonely Doug, and the writer deftly directing your gaze is Harley Rustad. This sweeping yet meticulous narrative reveals the complex human longings tangled up in B.C.’s vanishing old-growth forests — cathedrals or commodities, depending on who you ask, and the future hinges on our answer.” — Kate Harris, author of Lands of Lost Borders

“An affecting story of one magnificent survivor tree set against a much larger narrative — the old conflict between logging and the environmental movement, global economics, and the fight to preserve the planet’s most endangered ecosystems. If you love trees and forests, this book is for you.” — Charlotte Gill, author of Eating Dirt

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384 pages | 5.50" x 8.50"

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Clifford: A Memoir, A Fiction, A Fantasy, A Thought Experiment
Format: Paperback
Text Content Territories: Cree;

I open my eyes in the darkness, laying on my side, half my vision is of the earth and shadows; the other is of the sky, treetops, and stars. I should write Clifford’s story. The thought emerges fully formed . . . The thought dissipates. I close my eyes and the earth and the sky disappear. The warmth of my sleeping bag wraps around me and sleep pulls me under into that half-world where reality and fantasy mingle in a place where coherent thoughts disintegrate.

When Harold Johnson returns to his childhood home in a northern Saskatchewan Indigenous community for his brother Clifford’s funeral, the first thing his eyes fall on is a chair. It stands on three legs, the fourth broken off and missing. So begins a journey through the past, a retrieval of recollections that have too long sat dormant. Moving from the old family home to the log cabin, the garden, and finally settling deep in the forest surrounding the property, his mind circles back, shifting in time and space, weaving in and out of memories of his silent, powerful Swedish father; his formidable Cree mother, an expert trapper and a source of great strength; and his brother Clifford, a precocious young boy who is drawn to the mysterious workings of the universe.

As the night unfolds, memories of Clifford surface in Harold’s mind’s eye: teaching his younger brother how to tie his shoelaces; jousting on a bicycle without rubber wheels; building a motorcycle. Memory, fiction, and fantasy collide, and Clifford comes to life as the scientist he was meant to be, culminating in his discovery of the Grand Unified Theory.

Exquisitely crafted, funny, visionary, and wholly moving, Clifford is an extraordinary work for the way it defies strict category and embraces myriad forms of storytelling. To read it is to be immersed in a home, a family, a community, the wider world, the entire cosmos.

Reviews
“Clifford is a luminous, genre-bending memoir. Heartache and hardship are no match for the disarming whimsy, the layered storytelling shot through with love. The power of land, the pull of family, the turbulence of poverty are threads woven together with explorations of reality, tackling truth with a trickster slant.” — Eden Robinson, author of Son of a Trickster

“Clifford is a story only Harold Johnson could tell. By turns soft and harsh, intellectual and emotional, Johnson weaves truth, fiction, science, and science fiction into a tapestry that is rich with meaning and maybes. A natural storyteller, Johnson seeks imagined pasts and futurity with equal parts longing and care. This work allows readers and writers the possibility of new and ancient modes of storytelling.” — Tracey Lindberg, author of Birdie

“Harold R. Johnson is a wonderful writer, and Clifford is his best work yet. For fans of Jack Finney and Richard Matheson, this terrific book is a wonderfully human tale of memory both bitter and sweet, as well as a poignant exploration of time’s hold over all of us.” — Robert J. Sawyer, Hugo Award–winning author of Quantum Night

“Clifford is unlike anything I’ve read — it is at once a story of science and magic, love and loss, and a case for the infinite potential of humanity. It is a book of profound wisdom — an unpacking of the deepest truths of science in an effort to transform the pain of grief and regret into healing and forgiveness.” — Patti Laboucane-Benson, author of The Outside Circle

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264 pages | 5.25" x 8.00"

 

 

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All Our Relations: Finding the Path Forward
Authors:
Tanya Talaga
Format: Paperback
Text Content Territories: Indigenous Canadian;

Every single year in Canada, one-third of all deaths among Indigenous youth are due to suicide. Studies indicate youth between the ages of ten and nineteen, living on reserve, are five to six times more likely to commit suicide than their peers in the rest of the population. Suicide is a new behaviour for First Nations people. There is no record of any suicide epidemics prior to the establishment of the 130 residential schools across Canada.

Bestselling and award-winning author Tanya Talaga argues that the aftershocks of cultural genocide have resulted in a disturbing rise in youth suicides in Indigenous communities in Canada and beyond. She examinees the tragic reality of children feeling so hopeless they want to die, of kids perishing in clusters, forming suicide pacts, or becoming romanced by the notion of dying — a phenomenon that experts call “suicidal ideation.” She also looks at the rising global crisis, as evidenced by the high suicide rates among the Inuit of Greenland and Aboriginal youth in Australia. Finally, she documents suicide prevention strategies in Nunavut, Seabird Island, and Greenland; Facebook’s development of AI software to actively link kids in crisis with mental health providers; and the push by First Nations leadership in Northern Ontario for a new national health strategy that could ultimately lead communities towards healing from the pain of suicide.

Based on her Atkinson Fellowship in Public Policy series, Tanya Talaga’s 2018 Massey Lectures is a powerful call for action and justice for Indigenous communities and youth.

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320 pages | 5.00" x 8.00"

 

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river woman
Format: Paperback
Text Content Territories: Indigenous Canadian;

Governor General’s Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second work of poetry, river woman, examines and celebrates love as postcolonial action. Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of our preconceptions of historical time, while never losing a connection to history. This is what we mean when we describe a work of art as being “timeless.”

Like the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it’s through language and the body — particularly through language as it lives inside the body — that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker revels in the physical pleasures of learning Anishnaabemowin (“the language / I should have already known”), as she contemplates the ongoing negotiation between the natural world and urban structures, and as she finds herself falling into trust with the ones she loves.

Divided into four sections, and written in her distinctively lean and elegantly spare style, where short lines belie the depth within them, river woman explores Vermette’s relationship to nature — its destructive power and beauty, its timelessness, and its place in human history. Here is a poet who is a keen observer of an environment that is both familiar and otherworldly, where her home is alive with the sounds and smells of the land it grows out of, where “Words / transcend ceremony / into everyday” and “Nothing / is inanimate.”

Reviews
“‘A snake carved / into prairie grass,’ river woman is a collection that will stay with you, question you, live in you. One cannot simply tread the surface of its open invitation. There are many layers here below the poetic surface, and Vermette is singer-guide to the true depths of this river. It’s a work to be read, shared, and read again.” — Liz Howard, author of the Griffin Poetry Prize–winning collection Infinite Citizen of the Shaking Tent

“In river woman, Katherena Vermette marshals the maternal energy of the river to spin the lyric poem into something that is awash with vitality. This ethic of care, which each section bears and ricochets about, has at its core a project of repair or nourishment, not just of the natural, but of those of us entangled with it. This us, Vermette deftly shows, is not an empty thing, but is instead teeming with Indigenous life — ‘we are the earth you are hurting.’ We are the river and, in this, we are without end, regardless of what history swells in us. Pick up this book and listen for the musicality of our beautiful rebellion!” — Billy-Ray Belcourt, author of This Wound is a World, winner of the 2018 Griffin Poetry Prize 

river woman again displays Vermette’s extraordinary gift for narrative. ‘Ziibiwan (like a river),’ these are poems that gather pieces of personal experience and Indigenous history and in their sweep are bigger than the spare language we see on the page.” — Armand Garnet Ruffo, author of The Thunderbird Poems 

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112 pages | 5.50" x 8.50"

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100 Days of Cree
Format: Paperback
Text Content Territories: Cree;

As an Elder once said, "Learn one Cree word a day for 100 days, and emerge a different person."

In 100 Days of Cree, Neal McLeod offers us a portal into another way of understanding the universe--and our place within it--while demonstrating why this funny, vibrant, and sometimes salacious language is "the sexiest of them all" (according to Tomson Highway).

Based on a series of Facebook posts, the 100 short chapters or "days" in the book present a chain of related words, some dealing with the traditional--the buffalo hunt, the seasons--and others cheekily capturing the detritus of modern life--from Internet slang to Johnny Cash songs to Viagra.

The result is both an introduction to the most widely spoken Indigenous language in Canada and the opportunity to see the world, and ourselves, in another way.

Reviews
"The nonfiction book is divided into 100 themes and offers Cree words and English explanations for everything from traditional subjects such as powwows and medicine to modern subjects such as Facebook and Star Wars. It also includes a guide to pronunciation written by Arok Wolvengrey, a linguist and the author of a Cree-English dictionary. 'When we think about indigenous languages, there’s a part of us that thinks they’re dying languages, ' URP publisher Bruce Walsh said. 'And then this manuscript comes in that demonstrates a living, vital language.' McLeod said that he and Wolvengrey worked to keep a balance between traditional usage and modern adaptations. 'To revitalize our languages, we have to do two things: we have to document the classical terminology, because within that terminology are all of our metaphors and idioms; but we also have to think of how to put old words together, to coin words, to describe the contemporary world.'" — Laura Godfrey, Publishers Weekly

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325 pages | 5.50" x 7.00"

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mâci-nêhiyawêwin: Beginning Cree
Format: Coil Bound
Text Content Territories: Cree;

Designed as an introduction for Cree language learners, Beginning Cree acts as a self-study aid--a much-needed resource in today's world where most students cannot speak Cree fluently. Basic grammar units and everyday vocabulary items guide the student through the building blocks of the language, and expansion drills and exercises reinforce lessons and prepare the student for further study. With over 100 delightful illustrations, Beginning Cree grounds the language in traditional and contemporary contexts.

Educator Information
This book is recommended for ages 12+.

Table of Contents
Chapter One: Introduction
Chapter Two: Nouns
Chapter Three: Prepositions and Pronouns
Chapter Four: Animate Intransitive Verbs
Chapter Five: Inanimate Intransitive Verbs
Chapter Six: Possessives: Kinship Terms
Chapter Seven: Transitive Inanimate Verbs
Chapter Eight: Transitive Animate Verbs
Verb Charts
Conjugation Patterns
Vocabulary List
Bibliography
Notes

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165 pages | 8.50" x 11.00" | black and white illustrations | spiral bound

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Aaniiih/Gros Ventre Stories
Format: Paperback

The first-ever collection of Anniiih/Gros Ventre narratives to be published in the Aaniiih/Gros Ventre language, this book contains traditional trickster tales and war stories. Some of these stories were collected by Alfred Kroeber in 1901, while others are contemporary, oral stories, told in the past few years. 

As with the previous titles in the First Nations Language Readers series, Aaniiih/Gros Ventre Stories comes with a complete glossary and provides some grammar usage. Delightfully illustrated, each story is accompanied by an introduction to guide the reader through the material.

The Aaniiih/Gros Ventre people lived in the Saskatchewan area in the 1700s, before being driven south during the 1800s to the Milk River area in Montana, along the USA/Canada border.

Educator Information
This book is published in the Aaniiih/Gros Ventre language. An English glossary is provided at the back of the book. 

Series Information
Aaniiih/Gros Ventre Stories is part of the First Nations Language Readers series. With a mix of traditional and new stories, each First Nations Language Reader introduces an Indigenous language and demonstrates how each language is used today. The University of Regina Press’s long-term goal is to publish all 60+ Indigenous languages of Canada.

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120 pages | 5.50" x 8.50" | Compiled and Edited by Terry Brockie and Andrew Cowell
 

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A Digital Bundle: Protecting and Promoting Indigenous Knowledge Online
Format: Paperback
Text Content Territories: Indigenous Canadian;

An essential contribution to Internet activism and a must read for Indigenous educators, A Digital Bundle frames digital technology as an important tool for self-determination and idea sharing, ultimately contributing to Indigenous resurgence and nation building.

By defining Indigenous Knowledge online in terms of “digital bundles,” Jennifer Wemigwans elevates both cultural protocol and cultural responsibilities, grounds online projects within Indigenous philosophical paradigms, and highlights new possibilities for both the Internet and Indigenous communities.

Reviews
"[A] serious advance in state-of-the-art research." – Marisa Duarte, author of Network Sovereignty: Building the Internet across Indian Country

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224 pages | 6.00" x 9.00"

 

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Flow, Spin, Grow: Looking for Patterns in Nature
Authors:
Patchen Barss
Artists:
Todd Stewart
Format: Hardcover
Text Content Territories: ► Non-Indigenous Content;

Branching, spiraling, spinning—you can find patterns almost anywhere in nature, if you look for them. This book is a starting point that introduces kids to some major patterns in the natural world. Just as the branches of a tree spread upwards into the sky, roots branch deep into the ground. Branches also spread through our bodies, inside our lungs and veins. Storms and snail shells spiral; electrons and galaxies spin.

With brief text and full-spread illustrations, this book is designed to inspire kids to observe, discover, and explore hidden structures and shapes in the natural world around them. Why are things the way they are? This question, key to scientific inquiry, runs throughout the text.

Artwork in multilayered screen prints shows how the natural world is inherently beautiful, from the curve of your ear to the spiraling arms of our galaxy. Kids will come away with a deeper understanding that we are all connected to nature and part of its patterns.

Educator Information
Recommended for ages 4-8.

Curriculum Connections:

  • Language Arts: Reading Comprehension
  • Math: Patterns

Key Features:

  • Excellent STEM pick with links to math, space, weather patterns, the human body, and more.
  • Encourages kids to observe and inquire about the world around them.
  • Author's note provides further deatil about patterns in nature and the human body.

Reading Levels
Grade: K-5
Fountas & Pinnell: N

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32 pages | 8.00" x 10.00"

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Coyote and Raven Go Canoeing: Coming Home to the Village
Format: Paperback
Text Content Territories: First Nations;

A lyrical, epic narrative about Aboriginal knowledge and education.

we are narrators narratives voices interlocutors of our own knowings 
we can determine for ourselves what our educational needs are 
before the coming of churches residential schools prisons 
before we knew how we knew we knew

In a gesture toward traditional First Nations orality, Peter Cole blends poetic and dramatic voices with storytelling. A conversation between two tricksters, Coyote and Raven, and the colonized and the colonizers, his narrative takes the form of a canoe journey. Cole draws on traditional Aboriginal knowledge to move away from the western genres that have long contained, shaped, and determined ab/originality. Written in free verse, Coyote and Raven Go Canoeing is meant to be read aloud and breaks new ground by making orality the foundation of its scholarship.

Cole moves beyond the rhetoric and presumption of white academic (de/re)colonizers to aboriginal spaces recreated by aboriginal peoples. Rather than employing the traditional western practice of gathering information about exoticized other, demonized other, contained other, Coyote and Raven Go Canoeing is a celebration of aboriginal thought, spirituality, and practice, a sharing of lived experience as First Peoples.

Reviews

"One of the clearest and most thorough pictures of an aboriginal view of the consequences of colonization that I have ever read."— Olive Dickason, emeritus, York University
"In the tradition of Gayatri Spivak, Homi Bhabha, Edward Said, Trinh Min-Ha, and other radically original intellectuals, Cole risks a new language to talk about the unthinkable."— Mary Bryson, Department of Educational and Counselling Psychology, University of British Columbia

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352 pages | 7.00" x 9.50"

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Buffy Sainte-Marie: The Authorized Biography
Authors:
Andrea Warner
Format: Hardcover
Text Content Territories: Cree;

A powerful, intimate look at the life and music of a beloved folk icon and activist.

Folk hero. Songwriter icon. Living legend. Buffy Sainte-Marie is all of these things and more. In this, Sainte-Marie’s first and only authorized biography, music critic Andrea Warner draws from more than sixty hours of exclusive interviews to offer a powerful, intimate look at the life of the beloved artist and everything that she has accomplished in her seventy-seven years (and counting).

Since her groundbreaking debut, 1964’s It’s My Way!, the Cree singer-songwriter has been a trailblazer and a tireless advocate for Indigenous rights and freedoms, an innovative artist, and a disruptor of the status quo. Establishing herself among the ranks of folk greats such as Joni Mitchell and Bob Dylan, she has released more than twenty albums, survived being blacklisted by two U.S. presidents, and received countless accolades, including the only Academy Award ever to be won by a First Nations artist. But this biography does more than celebrate Sainte-Marie’s unparalleled talent as a songwriter and entertainer; packed with insight and knowledge, it offers an unflinchingly honest, heartbreakingly real portrait of the woman herself, including the challenges she experienced on the periphery of showbiz, her healing from the trauma of childhood and intimate partner violence, her commitment to activism, and her leadership in the protest movement.

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304 pages | 6.00" x 9.00" | photographic colour insert

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From Bear Rock Mountain: The Life and Times of a Dene Residential School Survivor
Format: Hardcover
Text Content Territories: Dene; First Nations; Indigenous Canadian;

In this poetic, poignant memoir, Dene artist and social activist Antoine Mountain paints an unforgettable picture of his journey from residential school to art school—and his path to healing.

In 1949, Antoine Mountain was born on the land near Radelie Koe, Fort Good Hope, Northwest Territories. At the tender age of seven, he was stolen away from his home and sent to a residential school—run by the Roman Catholic Church in collusion with the Government of Canada—three hundred kilometres away. Over the next twelve years, the three residential schools Mountain was forced to attend systematically worked to erase his language and culture, the very roots of his identity.

While reconnecting to that which had been taken from him, he had a disturbing and painful revelation of the bitter depths of colonialism and its legacy of cultural genocide. Canada has its own holocaust, Mountain argues.

As a celebrated artist and social activist today, Mountain shares this moving, personal story of healing and the reclamation of his Dene identity.

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272 pages | 5.50" x 8.50"

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Authentic Indigenous Text
$30.00

Coming Soon
Out of the Woods: Woodworkers along the Salish Sea
Authors:
Pirjo Raits
Artists:
Michele Ramberg
Dale Roth
Format: Paperback

A breathtaking art book profiling twenty-six wood carvers, sculptors, and artisans who draw inspiration from the natural beauty of the Salish Sea.

It could be a pile of driftwood on a rock-strewn beach resembling the bleached bones of some ancient creature. It could be the old growth of the lush coastal rain forests, or the winds that blow across the water like a life-affirming force. The Salish Sea inspires artists working in many mediums, but there is no greater representation of the symbiotic relationship between natural environment and creative energy than woodworking.

Out of the Woods profiles twenty-six dynamic artists who use wood to create an amazing range of work. Among them is Pheobe Dunbar, a carver who searches for hidden treasures among logging waste to create one-of-a-kind bowls and vessels. Charles Elliott, a member of the T’sartlip First Nation, is a world-renowned carver and tireless advocate for Coast Salish art. Mike Randall is a west coast modernist who creates furniture and lighting that is minimal in size but large on impact. Carey Newman, Kwakwaka’wakw master carver, mentored by the late Bill Reid, takes a contemporary yet traditional approach to his work.

Although they have diverse backgrounds and practices, these woodworkers place importance on sustainability, preservation of wild places, and respect for natural materials. Featuring exquisite photography of the artists in their studios, and full-colour images of their works, Out of the Woods is a stunning display of skill, creativity, and the depth of artistic talent along the Salish Sea.

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224 pages | 11.00" x 8.50"

Authentic Canadian Content
$34.95

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Mamaskatch: A Cree Coming of Age
Format: Hardcover
Text Content Territories: Cree;

A powerful story of resilience—a must-read for all Canadians.

Growing up in the tiny village of Smith, Alberta, Darrel J. McLeod was surrounded by his Cree family’s history. In shifting and unpredictable stories, his mother, Bertha, shared narratives of their culture, their family and the cruelty that she and her sisters endured in residential school. McLeod was comforted by her presence and that of his many siblings and cousins, the smells of moose stew and wild peppermint tea, and his deep love of the landscape. Bertha taught him to be fiercely proud of his heritage and to listen to the birds that would return to watch over and guide him at key junctures of his life. 

However, in a spiral of events, Darrel’s mother turned wild and unstable, and their home life became chaotic. Sweet and innocent by nature, Darrel struggled to maintain his grades and pursue an interest in music while changing homes many times, witnessing violence, caring for his younger siblings and suffering abuse at the hands of his surrogate father. Meanwhile, his sibling’s gender transition provoked Darrel to deeply question his own sexual identity. 

The fractured narrative of Mamaskatch mirrors Bertha’s attempts to reckon with the trauma and abuse she faced in her own life, and captures an intensely moving portrait of a family of strong personalities, deep ties and the shared history that both binds and haunts them. 

Beautifully written, honest and thought-provoking, Mamaskatch—named for the Cree word used as a response to dreams shared—is ultimately an uplifting account of overcoming personal and societal obstacles. In spite of the traumas of Darrel’s childhood, deep and mysterious forces handed down by his mother helped him survive and thrive: her love and strength stayed with him to build the foundation of what would come to be a very fulfilling and adventurous life.

Reviews
“Honestly stunning. McLeod’s clear writing lays bare his complicated ties to his family, his lovers and his country in a memoir that moved and haunted me. If you loved Maria Campbell’s Halfbreed, you will love Mamaskatch.” — Eden Robinson, author of Son of a Trickster and Monkey Beach

“Reading the text was like diving into the eternity of dreams and being paralyzed by a nightmare. However, there is sunrise. Told candidly and with heartbreaking honesty, McLeod’s memoir shows how survival beckoned and he held on to the spirit of his ancestors—the love that no one can ever sever. He lives for all of us.— Louise Bernice Halfe, author of Burning in this Midnight Dream

“A compelling read that shows the heartbreaking results of imposed oppression. Darrel has identity problems of many kinds and the result is a life full of chaos. The gradual climb out of that dark place is touching.”— Bev Sellars, former councillor and chief of the Xat’sull First Nation and author of Price Paid.

“Mamaskatch is a profound and tender love song, an elegy to a wounded family, and an unsparing, exquisitely moving chronicle of growing up “Nehiyaw” (Cree). Like the birdsong his mother taught him to understand, McLeod’s voice is magical; it will lift and carry you through bone-breaking grief with grit, optimism and wry, life-saving humour. You will not leave this book unchanged.”— Denise Ryan, journalist, Vancouver Sun

"Darrel McLeod’s Mamaskatch is a heart-wrenching mîwâsin memoir full of vignettes that are so intricately woven that they guide you through with grace, sâkihiwêwin, humour, and maskihkîy. This is a narrative built through continuums that detail the lives of the McLeod family through their queer travails, trans realities, bannock and stew conversations, and a plethora of intergenerational traumas and triumphs. I can feel the warm embrace of the Three Sisters wrapping around me as I read this, that heart-drum beat resounding beneath its literary cadences, the frigidity of the Athabasca kissing my heels, and a narrator who teaches me from his very first passage in this novel that a good story is a medicine song that re-members and re-animates, in true nehiyawewin fashion, those who have paved the way for us and those who for whom we pave.  Ay-hay, Darrel, for this lovely work that lulls me back into those old-fashioned country songs that nearly every prairie kokôm raised us on. Mâmaskâc!"— Joshua Whitehead, author of Full-Metal Indigiqueer and Jonny Appleseed

Additional Information
240 pages | 6.00" x 9.00"

Authentic Canadian Content
Authentic Indigenous Text
$29.95

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