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Social and Cultural Studies

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#NotYourPrincess
Format: Paperback
Text Content Territories: Indigenous;
Grade Levels: 8; 9; 10; 11; 12; University/College;

Native women demand to be heard in this stunning anthology.

Whether looking back to a troubled past or welcoming a hopeful future, the powerful voices of Indigenous girls and women across North America resound in this book. In the same visual style as the bestselling Dreaming in Indian, #NotYourPrincess presents an eclectic collection of poems, essays, interviews, and art that combine to express the experience of being a Native woman. Stories of abuse, intergenerational trauma, and stereotyping are countered by the voices of passionate women demanding change and realizing their dreams. Sometimes outraged, often reflective, but always strong, the women in this book will give teen readers insight into the lives of women who, for so long, have had their history hidden and whose modern lives have been virtually invisible.

Reviews
“A stunning anthology of creative writing and art . . . All YA collections will want this."— Alicia Abdul, School Library Journal

Educator Information
Themes: First Nations; Native Peoples; Indigenous; girls and women; biography; multicultural; stereotyping; acceptance; community; prejudice; self-esteem; tolerance

Interest Age 14+ | Grade 9+

The Canadian Indigenous Books for Schools list recommends this resource for Grades 8-12 for these subjects: English Language Arts, Social Justice, Social Studies.

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8.5 x 11 | 112 Pages

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$14.95

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1493 for Young People: From Columbus's Voyage to Globalization
Authors:
Charles Mann
Format: Paperback
Text Content Territories: Indigenous;
Grade Levels: 7; 8; 9; 10; 11; 12;

1493 for Young People by Charles C. Mann tells the gripping story of globalization through travel, trade, colonization, and migration from its beginnings in the fifteenth century to the present. How did the lowly potato plant feed the poor across Europe and then cause the deaths of millions? How did the rubber plant enable industrialization? What is the connection between malaria, slavery, and the outcome of the American Revolution? How did the fabled silver mountain of sixteenth-century Bolivia fund economic development in the flood-prone plains of rural China and the wars of the Spanish Empire? Here is the story of how sometimes the greatest leaps also posed the greatest threats to human advancement.

Mann's language is as plainspoken and clear as it is provocative, his research and erudition vast, his conclusions ones that will stimulate the critical thinking of young people. 1493 for Young People provides tools for wrestling with the most pressing issues of today, and will empower young people as they struggle with a changing world.

$18.95

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21 Things You May Not Know About the Indian Act
Format: Paperback
Text Content Territories: Indigenous Canadian;
Grade Levels: 11; 12; University/College;

Based on a viral article, 21 Things You May Not Know About the Indian Act is the essential guide to understanding the legal document and its repercussion on generations of Indigenous Peoples, written by a leading cultural sensitivity trainer.

Since its creation in 1876, the Indian Act has shaped, controlled, and constrained the lives and opportunities of Indigenous Peoples, and is at the root of many enduring stereotypes. Bob Joseph’s book comes at a key time in the reconciliation process, when awareness from both Indigenous and non-Indigenous communities is at a crescendo. Joseph explains how Indigenous Peoples can step out from under the Indian Act and return to self-government, self-determination, and self-reliance—and why doing so would result in a better country for every Canadian. He dissects the complex issues around truth and reconciliation, and clearly demonstrates why learning about the Indian Act’s cruel, enduring legacy is essential for the country to move toward true reconciliation.

Reviews
"Increasing Canadians' knowledge about the terrible foundation this country has been built on is a critical part of reconciliation. Bob Joseph has highlighted some of the unbelievable provisions of the Indian Act and how they have impacted First Nations in Canada and gives a brief overview of what we may replace it with going forward. His book provides helpful context to the dialogue that needs to take place in Canada." — Kim Baird, O.C., O. B. C.; Owner, Kim Baird Strategic Consulting; Member of the Tsawwassen First Nation; Negotiator of the Tsawwassen First Nation Treaty

"From declaring cultural ceremonies illegal, to prohibiting pool hall owners from granting Indigenous people entrance, from forbidding the speaking of Indigenous languages, to the devastating policy that created residential schools, Bob Joseph reveals the hold this paternalistic act, with its roots in the 1800s, still has on the lives of Indigenous people in Canada in the 21st century. This straightforward book is an invaluable resource. There is much for non-Indigenous people to learn and to do. But equally important, there is much to unlearn and to undo. The time is right for this book. Thank you, Bob Joseph. Gilakasla." — Shelagh Rogers, O.C.; Truth and Reconciliation Commission of Canada Honourary Witness

"Bob’s ability to navigate the complex history of the Indian Act is a wonder to behold. He provides depth and knowledge for Indigenous and non-Indigenous scholars alike. Whether you are an Indigenous scholar or a neophyte, his articulate, insightful and comprehensive analysis on the history of the Indian Act provides a sound understanding on the present narrative of Indigenous peoples in Canada. By way of the Indian Act, this book provides an excellent analysis of the ongoing relationship and predicament between provincial and federal governments and Indigenous peoples in the 21st century." — JP Gladu, President and CEO of the Canadian Council for Aboriginal Business

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160 pages | 5.22" x 8.05"

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$19.95

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500 Years of Indigenous Resistance (PB)
Format: Paperback

The history of the colonization of the Americas by Europeans is often portrayed as a mutually beneficial process, in which ”civilization” was brought to the Natives, who in return shared their land and cultures. A more critical history might present it as a genocide in which Indigenous peoples were helpless victims, overwhelmed by European military power. In reality, neither of these views is correct. This book is more than a history of European colonization of the Americas. In this slim volume, Gord Hill chronicles the resistance by Indigenous peoples, which limited and shaped the forms and extent of colonialism. This history encompasses North and South America, the development of nation-states and the resurgence of Indigenous resistance in the post-WW2 era.

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A Knock on the Door: The Essential History of Residential Schools from the Truth and Reconciliation Commission of Canada
Format: Paperback
Text Content Territories: Indigenous Canadian;
Grade Levels: 11; 12; University/College;

“It can start with a knock on the door one morning. It is the local Indian agent, or the parish priest, or, perhaps, a Mounted Police officer… The officials have arrived and the children must go.”

So began the school experience of many Indigenous children in Canada for more than a hundred years, and so begins the history of residential schools prepared by the Truth and Reconciliation Commission of Canada (TRC).

Between 2008 and 2015, the TRC provided opportunities for individuals, families, and communities to share their experiences of residential schools and released several reports based on 7,000 Survivor statements and 5 million documents from government, churches, and schools, as well as a solid grounding in secondary sources.

A Knock on the Door, published in collaboration with the National Centre for Truth and Reconciliation (NCTR), gathers material from the TRC reports to present the essential history and legacy of residential schools and inform the journey to reconciliation that Canadians are now embarked upon. An afterword introduces the holdings and opportunities of the NCTR, home to the archive of recordings and documents collected by the TRC.

Survivor and former National Chief of the Assembly First Nations, Phil Fontaine, provides a Foreword, and an Afterword introduces the holdings and opportunities of the National Centre for Truth & Reconciliation, home to the archive of recordings, and documents collected by the TRC.

As Aimée Craft writes in the Afterword, knowing the historical backdrop of residential schooling and its legacy is essential to the work of reconciliation. In the past, agents of the Canadian state knocked on the doors of Indigenous families to take the children to school. Now, the Survivors have shared their truths and knocked back. It is time for Canadians to open the door to mutual understanding, respect, and reconciliation.

Reviews
“The attempt to transform us failed. The true legacy of the survivors, then, will be the transformation of Canada.” – Phil Fontaine, from the Foreword

A Knock on the Door is a book that I hope every Canadian will read, and read deeply. The transformation of this country begins with acknowledging what happened after that knock on the door. Acknowledging, understanding the implications, and then resolving to do something for positive change. It’s right that the TRC Calls to Action are included, for we are all called to action.” – Shelagh Rogers, O.C., TRC Honorary Witness

"Seven volumes from a nationwide inquiry into the legacy of Canada’s Indian Residential Schools have been condensed into a compelling book that is both accessible and well-documented. The central conclusion—that the schools were part of a deliberate cultural genocide policy aimed at the continent’s first peoples, spearheaded by the Canadian government with the support of mainline churches —is clearly supported by historical references, gut-wrenching personal stories, and a thorough analysis of a system that forcibly removed indigenous children from their families.” – Publishers Weekly 

Educator Information
This book is recommended for grade 11 and 12 students for courses in social studies and social justice (also useful for college/university students in courses of a similar nature).  This book is also a useful teacher resource.

Caution: physical and sexual abuse is discussed in this book.

Additional Information
Edited and Abridged | 296 pages | 5.50" x 8.50" | 11 b&w photographs | maps | bibliography

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American Indian Stories
Format: Paperback
Text Content Territories: Indigenous American; Native American; Sioux; Dakota; Yankton ;
Grade Levels: University/College;

A groundbreaking Dakota author and activist chronicles her refusal to assimilate into nineteenth-century white society and her mission to preserve her culture—with an introduction by Layli Long Soldier, winner of the National Book Critics Circle Award and the PEN/Jean Stein Book Award for Whereas.

Bright and carefree, Zitkála-Šá grows up on the Yankton Sioux reservation in South Dakota with her mother until Quaker missionaries arrive, offering the reservation’s children a free education. The catch: They must leave their parents behind and travel to Indiana. Curious about the world beyond the reservation, Zitkála-Šá begs her mother to let her go—and her mother, aware of the advantages that an education offers, reluctantly agrees.

But the missionary school is not the adventure that Zitkála-Šá expected: The school is a strict one, her long hair is cut short, and only English is spoken. She encounters racism and ridicule. Slowly, Zitkála-Šá adapts to her environment—excelling at her studies, winning prizes for essay-writing and oration. But the price of success is estrangement from her cultural roots—and is it one she is willing to pay?

Combining Zitkála-Šá’s childhood memories, her short stories, and her poetry, American Indian Stories is the origin story of an activist in the making, a remarkable woman whose extraordinary career deserves wider recognition.

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160 pages | 5.18" x 8.00"

 

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$20.00

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An Honest Woman
Format: Paperback
Text Content Territories: Indigenous Canadian;
Grade Levels: 11; 12; University/College;

 An Honest Woman by Jonina Kirton confronts us with beauty and ugliness in the wholesome riot that is sex, love, and marriage. From the perspective of a mixed-race woman, Kirton engages with Simone de Beauvoir and Donald Trump to unravel the norms of femininity and sexuality that continue to adhere today.

Kirton recalls her own upbringing, during which she was told to find a good husband who would “make an honest woman” out of her. Exploring the lives of many women, including her mother, her contemporaries, and well-known sex-crime stories such as the case of Elisabeth Fritzl, Kirton mines the personal to loosen the grip of patriarchal and colonial impositions. 

An Honest Woman explores the many ways the female body is shaped by questions that have been too political to ask: What happens when a woman decides to take her sexuality into her own hands, dismissing cultural norms and the expectations of her parents? How is a young woman’s sexuality influenced when she is perceived as an “exotic” other? Can a woman reconnect with her Indigenous community by choosing Indigenous lovers? 

Daring and tender in their honesty and wisdom, these poems challenge the perception of women’s bodies as glamorous and marketable commodities and imagine an embodied female experience that accommodates the role of creativity and a nurturing relationship with the land.

Reviews
“Jonina Kirton is courageously honest about her life experiences as a female of Indigenous and immigrant ancestry. Many poems resonate deeply, as we identify with her personal quest to figure out who she is, and the unacceptable things done to her. Her raw honesty is unsettling and uncomfortable, because it can be our truth too. Her poems depict devaluation and dehumanization, grieving, lessons learned. Her poems offer important insights as to why there are thousands of missing and murdered Indigenous women.” — Senator Lillian E. Dyck

“When writing from the voice of between, writer and reader have no place to hide. Assumptions and camouflage fall away. Murdered, missing, and violated women and girl voices have been silenced. The story lethally repeats. Kirton picks over how she was raised familially and culturally like a crime scene. Too, she affirms, ‘I have been here forever and I will rise again and again.’ Tough, eloquent, revelatory, these poems are the very ones we are desperately in need of.” — Betsy Warland, author of Oscar of Between: A Memoir of Identity and Ideas

“I’m sure people have been looking at me strangely every time I gasp, but I can’t glance away from the page for even a second to notice. Some of the poems end sharply, with a punch; some deliberately leave me searching for the next line; others show the repetition of heartbreaking cycles of violence and oppression, but offer a portrayal of resilience, too.” — All Lit Up!

Educator Information
This book would be useful for Women's Studies, Creative Writing, English Language Arts, Poetry, and English courses.  Recommended for grades 11-12 and university-college students.  

Please be advised, this book contains explicit sexual references and references to sexual and physical abuse.

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104 pages | 6.00" x 9.00"

 

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$16.95

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Beau Dick: Devoured by Consumerism
Format: Hardcover
Grade Levels: 10; 11; 12; University/College;

Accompanying an exhibition of Beau Dick’s work, this beautifully illustrated volume distills his powerful argument against our unsustainable way of living.

"With this body of work, Beau intended to launch his most overt critique of a system that he knew was unsustainable, in favour of a return to the cultural values of his people, and his profound generosity compelled him to share these values as widely as possible." - LaTiesha Fazakas

Beau Dick (1955 - 2017) was celebrated far beyond his hometown of Alert Bay, B.C., for both his political activism and his creation of striking, larger-than-life carved masks inspired by the traditional stories of the Kwakwaka'wakw. Dick's multi-faceted engagement with Kwakwaka'wakw culture included carving (which he learned from Northwest Coast artists such as Henry Hunt, Doug Cranmer, and Bill Reid), storytelling, and dancing.

As a high-ranking member of Hamat'sa, the prestigious Kwakwaka'wakw secret society centred on the story of a ravenous, man-eating spirit, Dick drew on all these art forms to create regalia for and participate in elaborate ceremonies that enacted Kwakwaka'wakw cosmology. Devoured by Consumerism shares nearly two dozen of these masks: vivid, unforgettable creations, made with traditional and contemporary methods and materials, depicting figures like Cannibal Raven, Nu-Tla-Ma (Fool Dancer), and Bookwus (Wild Man of the Woods).

Texts by LaTiesha Fazakas, John Cussans, and Candice Hopkins outline the stories that the masks depict, consider the inescapable parallels between Hamat'sa and the consumerism of capitalist society, and grapple with the philosophy that animates Hamat'sa - one that seeks to confront and, ultimately, master the voracious appetites inside us all.

Educator Information
A useful book for the study of art and culture.

Devoured by Consumerism is Beau Dick's aesthetic response to Western capitalist values and an overt critique of the unchecked commercialism of capitalist society. The intention with this hardcover publication is to contrast the Kwakwaka'wakw economic and legal system of potlatching, which also functions as a way of maintaining and preserving oral history, again Western society's system of capitalism. The book references the Hamat'sa ceremony during potlatch, wherein the Hamat'sa cannibals' insatiable hunger and consumption is 'tamed' ritually through the dance. The power to control one's hunger is considered much greater than the power of hunger itself. This book works to critique the West's ravenous need to devour and consumer by presenting works that highlight this Kwakwaka'wakw worldview. 

Additional Information
96 pages | 8.00" x 9.00" 

 

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$30.00

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Canoe Crossings: Understanding the Craft that Helped Shape British Columbia
Authors:
Sanford Osler
Shelagh Rogers
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations;
Grade Levels: 11; 12; University/College;

“A comprehensive and well-informed review of canoeing and kayaking in British Columbia.” —BC Studies

Often called one of the Seven Wonders of Canada, the canoe has played a particularly important role in British Columbia. This seemingly simple watercraft allowed coastal First Nations to hunt on the open ocean and early explorers to travel the province’s many waterways. Always at the crossroads of canoe culture, BC today is home to innovative artists and designers who have rediscovered ancient canoe-building techniques, as well as community leaders who see the canoe’s potential to bring people together in exciting, inspiring ways.

The story of Canoe Crossings begins some fifteen thousand years ago, when, as compelling new evidence suggests, the first humans to reach the Americas did so by canoe down the West Coast. It continues through the centuries, chronicling the evolution of the canoe and its impact on the various people who used it to explore, hunt, trade, fight, race, create, and even heal. The book contains dozens of stories of colourful, passionate people who have contributed to the province’s canoe culture, including a teenager who lived ninety feet up in a tree house while designing and building the world’s longest kayak; a group of high school students who practised on a tiny lake and went on to win several World Dragon Boat Championships; and at-risk Aboriginal youth who reconnected with their traditional culture through annual “big canoe” trips.

Canoe Crossings will appeal to anyone who has ever sought adventure, found solace, or seen beauty in a canoe or wondered about the origins of its design and use in British Columbia and beyond.

Reviews
“The canoe is a threshold vessel—a skin, a fabric, and some bark between water and sky. Floating is some kind of miracle, some kind of dream. All canoeists are dreamers to a degree. As you will see in Canoe Crossings, the canoe has always brought diverse groups of people together, both for joy and for common purpose, and it always will." —from the foreword by Shelagh Rogers

 
"Nobody has done a better job of connecting the 'canoe dots' on the Northwest Coast and BC's interior waterways than Sanford Osler. His lifelong interest in canoe travel, canoe design, and canoe personalities enthuses Canoe Crossings with both wisdom and generosity of spirit. His book is a 'j-stroke' in prose." —Michael Robinson, Director, Bill Reid Gallery of Northwest Coast Art

"An important and substantial contribution to canoe literature and to the significance of this watercraft in BC. The blend of history, present-day, and personal accounts is sensitively and fascinatingly presented. A highly informative and captivating read." —Käri-Ann Thor, President, Recreational Canoeing Association of British Columbia
 
"Canoe Crossings is not just about the canoe, but about the many people throughout history to the modern day whose existence and livelihood depend on this noble craft. Sanford Osler brings their passion for paddling to life. If you have ever held a paddle in your hand, you should read this book." —Bob Putnam, Deep Cove Canoe and Kayak

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192 pages | 5.50" x 8.50"

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$19.95

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Chiwid
Authors:
Sage Birchwater
Format: Paperback
Grade Levels: 7; 8; 9; 10; 11; 12;

Chiwid was a Tsilhqot'in woman, said to have shamanistic powers, who spent most of her adult life "living out" in the hills and forests around Williams Lake, BC. Chiwid is the story of this remarkable woman told in the vibrant voices of Chilcotin oldtimers, both native and non-native.

Reviews
"Chiwid was a Chilcotin woman who lived outside, self-sufficiently for most of her life and moving camps with the seasons. Chiwid is a collection of oral histories about the woman, her family and what life was like in the Chilcotin area of British Columbia in the early to mid-1900s." - The Association of Book Publishers of BC. BC Books for BC Schools. 2009-2010.

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128 pages | 8.00" x 9.00" 

Authenticity Note: This book's author is not Indigenous; however, the book has the Authentic Indigenous Text label because it contains stories collected by the author from Indigenous and non-Indigenous peoples. It is up to readers to determine if this book will work as an authentic text for their purposes.

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$16.00

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Counting Coup: Becoming a Crow Chief on the Reservation and Beyond
Format: Hardcover
Grade Levels: 7; 8; 9;

Picture a Crow Indian elder, his wizened eyes catching yours in the ancient flicker of firelight. His mesmerizing stories span the ages, from Custer to World War II to the 21st Century. He is the last traditional chief of his people. He is over 90 years old. Now picture that same man lecturing at colleges nationwide, and addressing the United Nations on the subject of peace.

National Geographic presents the amazing life story of Joseph Medicine Crow, the man who begins life as Winter Man. Trained as a warrior by his grandfather, Yellowtail, he bathes in icy rivers and endures the ceremony of "counting coup"—facing fierce combat with an enemy Sioux boy.

An operation at the local hospital brings the young Crow face-to-face with his worst fears: a Sioux, a ghost, and a white man. He excels at the white man's school and is raised in the Baptist faith. He translates the stories of the elder chiefs, becoming the link to the ancient traditions of the pre-reservation generation. His own dramatic and funny stories span both ages, and the ancient Crow legends are passed on in the storytelling tradition.

Joseph Medicine Crow's doctorate degree was interrupted by the call to arms of World War II. On the battlefields of Germany he earned the ancient status of War Chief by completing the four war deeds required of the Crow warrior.

In 1948 the Crow Tribal Council appointed Joseph Medicine Crow (now called High Bird) their Tribal Historian and Anthropologist.

Counting Coup is a vibrant adventure narrative, bringing Native American history and culture alive for young readers. Joseph Medicine Crow's story illuminates the challenges faced by the Crow people as hurricanes of change raged through America. His epic story and its lessons are an essential legacy for us all.

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128 pages | 5.55" x 8.55"

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$21.95

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Direct Action Gets the Goods: A Graphic History of the Strike in Canada
Format: Paperback
Grade Levels: 12; University/College;

Art has always played a significant role in the history of the labour movement. Songs, stories, poems, pamphlets, and comics, have inspired workers to take action against greedy bosses and helped shape ideas of a more equal world. They also help fan the flames of discontent. Radical social change doesn’t come without radical art. It would be impossible to think about labour unrest without its iconic songs like “Solidarity Forever” or its cartoons like Ernest Riebe’s creation, Mr. Block. 

In this vein, The Graphic History Collective has created an illustrated chronicle of the strike—the organized withdrawal of labour power—in Canada. For centuries, workers in Canada—Indigenous and non-Indigenous, union and non-union, men and women—have used the strike as a powerful tool, not just for better wages, but also for growing working-class power. This lively comic book will inspire new generations to learn more about labour and working-class history and the power of solidarity.

Reviews
"There are so many exciting and vitally important stories from the history of social movements, and the most engaging way to tell those stories is through art, in its various forms.  The Graphic History Collective is brilliantly doing just that." - David Rovics, singer, songwriter, activists 

"The Graphic History Collective shows us that art can inspire hope for radical social change" - Noam Chomsky

"Brilliant in narrative power and artistic expression, Direct Action Gets the Goods offers more proof of the Graphic History Collective's prowess with the graphic form. Magnificent!" - Paul Buhle 

"Direct Action Gets the Goods is a brilliant and essential resource. Through well-researched history and powerful graphic art, it shows how the strike is key to revolutionary unionism and social movement solidarity. This book will inspire future generations to fight and win against bosses and capitalism." – Harsha Walia, community organizer and author of Undoing Border Imperialism

Educator Information
The Graphic History Collective is made up of activists, artists, writers, and researchers passionate about comics, history, and social change.  They produce alternative histories - people's histories - in an accessible format to help people understand the historical roots of contemporary social issues. 

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64 pages | 8.50" x 11.00" | 80 illustrations

Authenticity and Content Note: This work contains contributions from Gord Hill, a member of the Kwakwaka'wakw Nation.  Indigenous content and perspectives, therefore, may be included but are not the sole focus of the work.

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$14.95

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Doug Knockwood, Mi'kmaw Elder: Stories, Memories, Reflections
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Mi'kmaq;
Grade Levels: 10; 11; 12; University/College;

Freeman Douglas Knockwood is a highly respected Elder in Mi’kmaw Territory and one of Canada’s premier addictions recovery counsellors. The story of his life is one of unimaginable colonial trauma, recovery and hope.

At age 6, Knockwood was placed in the Shubenacadie Residential School, where he remained for a year and a half. Like hundreds of other Mi’kmaw and Maliseet children, he suffered horrible abuse. By the time he reached his twenties, he was an alcoholic. He contracted tuberculosis in the 1940s, had one lung and several ribs removed.

Having hit rock bottom, Knockwood, gained sobriety in his thirties through Alcoholics Anonymous. He went on to become a much sought after drug and alcohol rehabilitation counsellor in Canada. Many of Doug’s initiatives have been implemented across Canada and used by thousands of people, both Indigenous and non-Indigenous. Looking back now, says Doug, “I realize I wasn’t only helping them. They were helping me to gather strength in my presentations, in feeding them the knowledge I received, the same as it was fed to me. That helped me to gain confidence in myself; doing all these things that I didn’t know I could yet do”.

This book is an in-depth look at Doug Knockwood’s life that also casts a wide and critical glance at the forces that worked to undermine his existence and the indomitable spirit of a man who recovered from, yet still struggles to overcome, those forces.

Educator Information
The 2018-2019 Canadian Indigenous Books for Schools list recommends this resource for Grades 10-12 for these subjects: English Language Arts, Social Justice, Social Studies.

Additional Information
128 pages | 6.00" x 9.00" | Written by Doug Knockwood and Friends

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$21.00

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Dreamcatcher and the Seven Deceivers
Format: Hardcover
Text Content Territories: Indigenous Canadian; First Nations; Inuit; Métis;
Grade Levels: 5;

Dreamcatcher and the Seven Deceivers, the sequel to the Seven Sacred Teachings, warns of voices we can expect to hear in our dream time – voices that do not represent the Sacred Teachings.

These are the voices of Seven Deceivers who are spoken of by name. The allure of their whisperings is carefully spelled out in order that all might come to know what to listen for. Dreamcatcher and the Seven Deceivers is a carefully woven telling of how and why Creator sent Trickster to Turtle Island with a gift that would help us see the light and resist temptation. At a time before distant religions and churches came with their teachings, their commandments and their seven cardinal sins, we knew. We knew the way of the Good Red Road. We knew the right way to live; not through commandments but through Sacred Teachings – Teachings that were given to us long before their arrival. And we knew we would be tested by Seven Deceivers – what they called seven cardinal sins. We knew because we had been forewarned. And when these distant churches arrived with their teachings, their relics and their symbols, we had our own. One was the Dreamcatcher.

Rooted in humility and honesty, the creators have tried to respect the cultures and traditions of all peoples. It is our hope that this telling will unite and thus heal divisions. Prophecies tell that this is the time for One Heart, One Mind and One Drum. We, readers and authors alike, are the ones we have been waiting for. There is nobody else who can revitalize our culture and values except ourselves.

It is our hope that this telling might move readers toward greater courage and wisdom and ultimately toward achieving and understanding what is true in life’s journey.

The Seven Sacred Teachings are a link that ties all Native, Inuit and Metis communities together.

Additional Information
35 pages

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$21.95

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Dreaming in Indian: Contemporary Native American Voices
Format: Hardcover
Text Content Territories: Indigenous American; Indigenous Canadian;
Grade Levels: 7; 8; 9; 10; 11; 12;

A powerful and visually stunning anthology from some of the most groundbreaking Native artists working in North America today.

Truly universal in its themes, Dreaming In Indian will shatter commonly held stereotypes and challenge readers to rethink their own place in the world. Divided into four sections, ‘Roots,’ ‘Battles,’ ‘Medicines,’ and ‘Dreamcatchers,’ this book offers readers a unique insight into a community often misunderstood and misrepresented by the mainstream media.

Emerging and established Native artists, including acclaimed author Joseph Boyden, renowned visual artist Bunky Echo Hawk, and stand-up comedian Ryan McMahon, contribute thoughtful and heartfelt pieces on their experiences growing up Indigenous, expressing them through such mediums as art, food, the written word, sport, dance, and fashion. Renowned chef Aaron Bear Robe, for example, explains how he introduces restaurant customers to his culture by reinventing traditional dishes. And in a dramatic photo spread, model Ashley Callingbull and photographer Thosh Collins reappropriate the trend of wearing ‘Native’ clothing.

Whether addressing the effects of residential schools, calling out bullies through personal manifestos, or simply citing hopes for the future, Dreaming In Indian refuses to shy away from difficult topics. Insightful, thought-provoking, and beautifully honest, this book will to appeal to young adult readers. An innovative and captivating design enhances each contribution and makes for a truly unique reading experience.

Reviews
“It’s hard to imagine a middle- or high-school classroom that wouldn’t benefit from having this.” —Booklist, 02/15

“Belongs in every middle school, high school and public library.” —CM Reviews, 05/22/15

"For some time now, I've been waiting for Dreaming in Indian: Contemporary Native American Voices... It was getting buzz in Native networks on social media. I've read it, now, and highly recommend it... Dreaming in Indian has a vibrancy I've not seen in anything else. A vibrancy that, perhaps, is characteristic of a generation at ease with technology and its tools... I want to pore over the art, studying it, thinking about it, marveling at it. I can imagine a lot of people dismissing this work because it doesn't conform to their stereotypical ideas of dead or stoic Indians. But I can also imagine a lot of others holding it dear because it reflects who we are... You'll also have a solid introduction to the artists and writers, their lives, what drives them... Gritty and real, their live stories are inspiring... There's a lot to ponder in Dreaming In Indian. It'll challenge readers, in good ways, and that is a good thing. Check it out." — Debbie Reese, American Indians in Children's Literature, September 2014

Educator Information
Recommended Ages: 11-18

Themes: First Nations; native peoples; Indigenous; biography; multicultural; stereotyping; acceptance; community; prejudice; self-esteem; tolerance.

Fountas & Pinnell Reading Level: Z+

Authentic First Peoples resource K-9.

Recommended English First Peoples resource.

Additional Information
128 pages | 8.50" x 11.00" | full-color illustrations and photographs throughout, foreword, introduction

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Authentic Indigenous Artwork
$19.95

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    Strong Nations Gifts & Books:

  • 102 - 5160 Dublin Way
    Nanaimo, BC, Canada, V9T 0H2
    Phone: 250.585.1549

    Strong Nations Warehouse:

  • Suite 1 - 1970 Island Diesel Way
    Nanaimo, BC, Canada, V9S 5W8
    Phone: 250.758.4287
    Toll Free: 1.888.278.2202
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