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A Thousand Supperless Babes: The Story of the Metis
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Format: Paperback
Text Content Territories: Indigenous Canadian; Métis;

A Thousand Supperless Babes: The Story of the Metis is a theatrical play and interactive Compact Disc compilation, revealing the history of the Metis through story, song and dance. Set in New York City, far from the Metis homeland, A Thousand Supperless Babes tells a poignant history of a Nation, unfolding using the stories and experiences of Metis individuals and the reminiscences of Honore Jaxon, one of Louis Riel's secretaries. Through the use of cast monologues, this play promotes and preserves the tradition of Metis storytelling, as monologues have been created using stories of Metis history told to cast members by their ancestors. The compilation includes the play's script in both printed and electronic formats and an electronic Flash Presentation of historical images to be used throughout the performance. The compact disc also includes the musical score, performed by singer/songwriters Andrea Menard and Don Freed, accompanying sheet music, and other information that can be used by teachers and drama instructors to produce and perform A Thousand Supperless Babes: The Story of the Metis. Depending upon the theatre group or drama class, the script can easily be modified to include new stories based on cast member's family stories or other significant events in Metis history.

Grade Level: Middle Years/Secondary/Post Secondary/Adult

 

$15.00

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alterNatives
Format: Paperback
Text Content Territories: Indigenous;

A very liberal contemporary couple, Angel, an urban Native science fiction writer, and Colleen, a "non-practising" Jewish intellectual who teaches Native literature, hosts a dinner party. The guests at this little "sitcom" soir are couples that represent what by now have become the cliche'd extremes of both societies: Angel's former radical Native activist buddies and Colleen's environmentally concerned vegetarian / veterinarian friends. The menu is, of course, the hosts, respectful attempt at shorthand for the irreconcilable cultural differences about to come to a head during the evening: moose roast and vegetarian lasagna.

Like all of Drew Hayden Taylor's work, alterNatives manages to say things about "Whites and Indians" that one is not supposed to talk about, it digs up the carefully buried, raw and pulsing nerve-endings of the unspeakable and exposes them to the hot bright lights of the stage. That he does so with a humour that the politically correct among his audiences continue to miss entirely beneath the sound and fury of their own self-righteous indignation is a measure of his immense talent as a dramatist. In the end, the play is not about cultural differences at all, but instead constitutes a full frontal attack on the personal qualities the sitcom holds most dear and pushes hardest at its audiences: Taylor actually has the temerity to suggest that neither "attitude" nor "sincerity" are enough to address basic human issues, no matter which side of the cultural fence the characters are on. And that's hard for the pushers of what is considered a globally enlightened culture to take.

Cast of 3 women and 3 men.

Authentic Canadian Content
Authentic Indigenous Text
$18.95

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An Anthology of Canadian Native Literature 4th Edition
Format: Paperback
Text Content Territories: Indigenous Canadian;

This collection presents writing in English by Canadian Native authors featuring prose selections, traditional songs, short stories, plays, poems and essays, showing a complexity and rich wealth of this culture.

Twenty years after the publication of its groundbreaking first edition, this collection continues to provide the most comprehensive coverage of Canadian Native literature available in one volume. Emphasizing the importance of the oral tradition, the anthology offers a diverse selection of songs, short stories, poems, plays, letters, and essays crafted by exceptional writers from First Nation, Inuit, and Metis communities across Canada.

Reviews
"This textbook is indispensable to teachers and students of Native literature in Canada." --Allison Hargreaves, University of British Columbia, Okanagan Campus

"This text is very much the gold standard of anthologies of contemporary Indigenous literatures in Canada. . . .Excellent new introduction by Armand Garnet Ruffo - the highlight of the new edition." --Daniel Heath Justice, University of Toronto

Educator Information
Grades 10/11 English First Peoples resource for various units.

Note: Some works in this anthology contain mature and challenging material that may not be suitable for all students.  Only specific works identified in English First Peoples units are recommended for classroom use.

Additional Information
688 pages | 6.00" x 9.00"

Please NoteThis item could take 2-3 weeks for delivery, as it is a special order item.

Authentic Canadian Content
Authentic Indigenous Text
$125.00

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Annie Mae's Movement
Format: Paperback
Grade Levels: 10; 11;

Annie Mae''s Movement explores what is must have been like to be Anna Mae Pictou Aquash, a woman in a man''s movement, a Canadian in America, an American Indian in a white-dominant culture. This play looks for the truth by examining the life and death of this remarkable woman.

Educator Information
Recommended Grades: 10-11.

Authentic Canadian Content
Authentic Indigenous Text
$16.95

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Dead White Writer on the Floor
Format: Paperback
Text Content Territories: Indigenous;

A funny yet thought-provoking play about identity politics. Cast of 4 men and 1 woman.

Authentic Canadian Content
Authentic Indigenous Text
$17.95

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DraMetis: Three Metis Plays
Format: Paperback
Text Content Territories: Indigenous Canadian; Métis;

DraMetis is the first anthology to focus on the emerging discipline of Metis drama. The pieces have all been previously produced and highlight the diversity of Metis drama being written and performed in Canada.

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Authentic Indigenous Text
$19.95

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Elapultiek (We Are Looking Towards): A Play
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Mi'kmaq;
Grade Levels: 12; University/College;

Set in contemporary times, a young Mi'kmaw drum singer and a Euro-Nova Scotian biologist meet at dusk each day to count a population of endangered Chimney Swifts (kaktukopnji'jk). They quickly struggle with their differing views of the world. Through humour and story, the characters must come to terms with their own gifts and challenges as they dedicate efforts to the birds. Each "count night" reveals a deeper complexity of connection to land and history on a personal level.

Inspired by real-life species at risk work, shalan joudry originally wrote this story for an outdoor performance.

Elapultiek calls on all of us to take a step back from our routine lives and question how we may get to understand our past and work better together. The ideal of weaving between Indigenous and non-Indigenous worlds involves taking turns to speak and to listen, even through the most painful of stories, in order for us all to heal. We are in a time when sharing cultural, ecological, and personal stories is vital in working towards a peaceful shared territory, co-existing between peoples and nature.

"It's a crucial time to have these conversations," offers joudry. "The power of story can engage audience and readers in ways that moves them to ask more questions about the past and future."

Additional Information
96 pages | 6.00" x 9.00"

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$19.95

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Ernestine Shuswap Gets Her Trout
Format: Paperback

Based on a deposition signed by 14 Chiefs of the Thompson River basin on the occasion of a visit to their lands by Canadian Prime Minister Sir Wilfrid Laurier in 1910, Ernestine Shuswap Gets Her Trout is a ritualized retelling of how the Native Peoples of British Columbia lost their fishing, hunting and grazing rights, their lands, and finally their language without their agreement or consent, and without any treaties ever having been signed. It is one of the most compellingly tragic cases of cultural genocide to emerge from the history of colonialism, enacted by four women whose stories follow each other like the cyclical seasons they represent.

Written in the spirit of Shuswap, a “Trickster language” within which the hysterically comic spills over into the unutterably tragic and back, this play is haunted by the blood of the dead spreading over the landscape like a red mist of mourning.

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Authentic Indigenous Text
$16.95

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From the Heart: How 100 Canadians Created an Unconventional Theatre Performance about Reconciliation
Authors:
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Inuit; Métis;

From the Heart - How 100 Canadians Created an Unconventional Theatre Performance about Reconciliation

Over the summer of 2013, a group of over one hundred community members from 16 to 88 years old took part in an unconventional theatre production in Victoria BC. From the Heart: enter into the journey of reconciliation was performed in a beautiful 14,000 sq. ft. indoor labyrinth made from salvaged doors and windows, trees, and hundreds of metres of fabric, all lit by paper lantern lights. In the alcoves and chambers of the labyrinth, the audience encountered songs, scenes, and shadow theatre performances created by our ensemble of non-Indigenous Canadians to tell the transformative stories that have deepened our understanding about the lived experience of Indigenous peoples in Canada. We created the show to encourage dialogue about what it might mean for non-Indigenous people to take responsibility for learning more about our own history as a first step toward standing in solidarity with First Nations, Métis, and Inuit people.

This book tells the story of how the show was developed and what it was like in performance. For those with an interest in reconciliation, From the Heart offers a gripping example of how theatre can contribute to public dialogue in a creative and vital way. Community groups will be able to use the book as a model to create their own unique production of From the Heart based on the pilot project.

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$24.00

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In Spirit
Format: Paperback
Text Content Territories: Indigenous Canadian;
Grade Levels: 11; 12; University/College;

Twelve-year-old Molly was riding her new bicycle on a deserted road when a man in a truck pulled up next to her, saying he was lost. He asked if she could get in and help him back to the highway, and said he could bring her back to her bike after. Molly declined, out of interest for her own safety. The next things Molly remembers are dirt, branches, trees, pain, and darkness.

Molly is now a spirit.

Mustering up some courage, she pieces together her short life for herself and her family while she reassembles her bicycle—the same one that was found thrown into the trees on the side of the road. Juxtaposed with flashes of news, sounds, and videos, Molly’s chilling tale becomes more and more vivid, challenging humanity not to forget her presence and importance.

Reviews
“Tara Beagan's In Spirit distills the tragic disappearance of hundreds of native women along BC's Highway of Tears into a powerful theatrical experience.” —Jon Kaplan, NOW Magazine 

In Spirit is a very touching piece, not only for the content, but also because of how we were transported into this little girl’s world… It is a refreshing change to see a play tackle a societal defect without hate and guilt. Through love and empathy, it reminds us of the missing women and the horrors that are still taking place in our county.” —Emma Letki, Mooney on Theatre

Educator Information
This play is listed in the 2018-2019 Canadian Indigenous Books for Schools list as a resource for Grades 11-12 for these subjects: Acting, Drama, English Language Arts.

Caution: discussion of violence and death.

Additional Information
64 pages | 5.13" x 7.65"

Authentic Canadian Content
Authentic Indigenous Text
$17.95

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Indian Act: Residential School Plays
Format: Paperback
Text Content Territories: Indigenous Canadian;
Grade Levels: 10; 11; 12; University/College;

Indian Act is a tribute and thank you to those who survived the Indian Residential School system so that future generations could be free to pursue their lives unhindered by educationally enforced lowered expectations and institutionalized abuse. Plays by contemporary First Nations and Metis playwrights cover the broad scope of residential school experiences, all kinds of characters, and no stereotypes, giving voice to those who could not be heard.

Includes the plays:
Bunk #7 by Larry Guno
God and the Indian by Drew Hayden Taylor
They Know Not What They Do by Tara Began
A Very Polite Genocide or The Girl Who Fell to Earth by Melanie J. Murray
Kihew by Curtis Peeteetuce
Dear Mr. Buchwald by Yvette Nolan

Educator Information
Recommended resource for Grades 10-12 English Language Arts, Drama, and Acting.  

Caution: Some plays contain mature subject matters and cover themes of substance abuse, sexual and physical violence, etc.  Some plays are not appropriate for high school use and may be better suited for college-level courses. 

Additional Information
392 pages | 6.00" x 9.00"

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$29.95

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Native Canadian Fiction And Drama
Format: Paperback
Text Content Territories: Indigenous Canadian;

A wide-ranging anthology of contemporary native fiction and drama, the work of men and women of many tribal affiliations, startling in their reinvention of traditional material and their invention of a modern life that is authentic. All these new (and some few older) writers operate not as apologists or explainers, but as present day story-tellers of their people: Richard Van Camp, Buffy Sainte-Marie, Melissa Hardy, Sharon Proulx-Turner, Lauren B. Davis, and of course, Daniel David Moses, along with fifteen other authors.

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Authentic Indigenous Text
$22.95

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Nicimos: The Final Rez Christmas Story
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Cree (Nehiyawak);
Grade Levels: 11; 12; University/College;

This Christmas season, things have gone awry for the kohkoms of Kiwetinohk. Clare Bear is engaged to be married, Zula Merasty is moving off-reserve and Sihkos Sinclare is in jail. It all comes to fruition at Clare's stagette. Nicimos is dedicated to the memory of Lacy Morin-Desjarlais.

Reviews
“Nicimos means sweetheart in Cree and that’s what this play is. A warm-hearted sweetheart with depth and charm and a great sense of humour. The final installment of the Rez Christmas series finds Saskatchewan Native Theatre Company director-writer Curtis Peeteetuce in outstanding form. His words are a gift to the actors and his generosity is reciprocated by incredibly satisfying performances. There’s more here than just a play, you realize. It’s an example of the power of theatre to unite, heal and humanize by appealing to First Nations audiences and the broader community.” – Saskatoon Star Phoenix

Educator Information
This book may be useful for courses in English language arts, creative writing, and performance arts for grades 11 to 12 students, as well as for students at a college/university level.

Caution: references to sexual and alcohol abuse and some Indigenous stereotypes.

Additional Information
72 pages | 5.50" x 8.50"

 

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$15.95

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Only Drunks and Children Tell the Truth
Format: Paperback
Text Content Territories: Indigenous Canadian;
Grade Levels: 11; 12; University/College;

Only Drunks and Children Tell the Truth is the emotional story of a woman’s struggle to acknowledge her birth family. Grace, a Native girl adopted by a White family, is asked by her birth sister to return to the Reserve for their mother’s funeral. Afraid of opening old wounds, Grace must find a place where the culture of her past can feed the truth of her present. Cast  of 2 women and 2 men.

Reviews
“…this play is a very tender, engaging look at two strangers learning to be sisters…witty one-liners and snappy dialogue has crafted likeable, real characters…brings a satisfying sense of closure to the struggles of Barb and Janice/Grace. It is a welcome ending, one that reflects hope for the future – not only for these two sisters , but also for all the others who have yet to find their way home.” - Cheryl Isaacs, Aboriginal Voices.

Awards

  • James Buller Award for Playwright of the Year, 1997
  • Dora Mavor Moore Award for Outstanding New Play, Small Theatre Division, 1996.

Educator Information
Grades 11-12 BC English First Peoples resource for the units Yes, there is Funny Stuff - Humour in First Peoples Literature and What Creates Family?

Additional Information
112 pages | 6.00" x 9.00"

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$22.00

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Reckoning
Format: Paperback
Text Content Territories: Indigenous Canadian;
Grade Levels: 11; 12; University/College;

Reckoning is a triptych of three short plays: Witness is a dance-movement piece featuring a Truth and Reconciliation Commissioner who unravels as he confronts the brutal testimony of residential school survivors; in Daughter, the daughter of a teacher who was accused of rape seduces her father's accuser; and Survivor is a solo piece about a man preparing to commit suicide as a protest against the insufficiencies of the reconciliation process.

Agonizing, poignant, theatrical, hilarious, and true, Reckoning illuminates the difficulties of trying to come to terms with our country's painful past.

Educator Information
Recommended for grade 11 and 12 students for courses in performance arts, language arts, and English.  Also useful for college and university courses in these areas.

Caution: explicit language and discussion of sexual and physical abuse.

Additional Information
66 pages | 5.00" x 8.00"

 

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$15.95

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