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Indigenous Culture / Identity

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100 Days of Cree
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Cree (Nehiyawak);
Grade Levels: 8; 9; 10; 11; 12; University/College;

As an Elder once said, "Learn one Cree word a day for 100 days, and emerge a different person."

In 100 Days of Cree, Neal McLeod offers us a portal into another way of understanding the universe--and our place within it--while demonstrating why this funny, vibrant, and sometimes salacious language is "the sexiest of them all" (according to Tomson Highway).

Based on a series of Facebook posts, the 100 short chapters or "days" in the book present a chain of related words, some dealing with the traditional--the buffalo hunt, the seasons--and others cheekily capturing the detritus of modern life--from Internet slang to Johnny Cash songs to Viagra.

The result is both an introduction to the most widely spoken Indigenous language in Canada and the opportunity to see the world, and ourselves, in another way.

Reviews
"The nonfiction book is divided into 100 themes and offers Cree words and English explanations for everything from traditional subjects such as powwows and medicine to modern subjects such as Facebook and Star Wars. It also includes a guide to pronunciation written by Arok Wolvengrey, a linguist and the author of a Cree-English dictionary. 'When we think about indigenous languages, there’s a part of us that thinks they’re dying languages, ' URP publisher Bruce Walsh said. 'And then this manuscript comes in that demonstrates a living, vital language.' McLeod said that he and Wolvengrey worked to keep a balance between traditional usage and modern adaptations. 'To revitalize our languages, we have to do two things: we have to document the classical terminology, because within that terminology are all of our metaphors and idioms; but we also have to think of how to put old words together, to coin words, to describe the contemporary world.'" — Laura Godfrey, Publishers Weekly

Additional Information
325 pages | 5.50" x 7.00"

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$24.95

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Aboriginal Rights Are Not Human Rights: In Defense of Indigenous Struggles
Authors:
Format: Paperback
Text Content Territories: Indigenous Canadian;

Aboriginal rights do not belong to the broader category of universal human rights because they are grounded in the particular practices of aboriginal people. So argues Peter Kulchyski in this provocative book from the front lines of indigenous people’s struggles to defend their culture from the ongoing conquest of their traditional lands. Kulchyski shows that some differences are more different than others, and he draws a border between bush culture and mall culture, between indigenous people’s mode of production and the totalizing push of state-led capitalism.

Aboriginal Rights Are Not Human Rights provides much needed conceptual and historical analysis of aboriginal and treaty rights in Canada, and offers concrete suggestions to transform the current policy paradigm into one that supports and invigorates indigenous cultures in a contemporary context.

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$19.95

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Atlas of Indian Nations
Format: Hardcover
Text Content Territories: Indigenous American; Indigenous Canadian;

Atlas of Indian Nations is a comprehensive resource for those interested in Native American history and culture. Told through maps, photos, art, and archival cartography, this is the story of American Indians that only National Geographic can tell.

In the most comprehensive atlas of Native American history and culture available, the story of the North American Indian is told through maps, photos, art, and archival cartography. This illustrated atlas is perfect for fans of Empire of the Summer Moon, Blood and Thunder, and National Geographic atlases, as well as those fascinated with the Old West. Organized by region, this encyclopedic reference details Indian tribes in these areas: beliefs, sustenance, shelter, alliances and animosities, key historical events, and more. See the linguistic groupings and understand the constantly shifting, overlapping boundaries of the tribes. Follow the movement, growth, decline, and continuity of Indian nations and their lifestyles.

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$60.00

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Beau Dick: Devoured by Consumerism
Format: Hardcover
Grade Levels: 10; 11; 12; University/College;

Accompanying an exhibition of Beau Dick’s work, this beautifully illustrated volume distills his powerful argument against our unsustainable way of living.

"With this body of work, Beau intended to launch his most overt critique of a system that he knew was unsustainable, in favour of a return to the cultural values of his people, and his profound generosity compelled him to share these values as widely as possible." - LaTiesha Fazakas

Beau Dick (1955 - 2017) was celebrated far beyond his hometown of Alert Bay, B.C., for both his political activism and his creation of striking, larger-than-life carved masks inspired by the traditional stories of the Kwakwaka'wakw. Dick's multi-faceted engagement with Kwakwaka'wakw culture included carving (which he learned from Northwest Coast artists such as Henry Hunt, Doug Cranmer, and Bill Reid), storytelling, and dancing.

As a high-ranking member of Hamat'sa, the prestigious Kwakwaka'wakw secret society centred on the story of a ravenous, man-eating spirit, Dick drew on all these art forms to create regalia for and participate in elaborate ceremonies that enacted Kwakwaka'wakw cosmology. Devoured by Consumerism shares nearly two dozen of these masks: vivid, unforgettable creations, made with traditional and contemporary methods and materials, depicting figures like Cannibal Raven, Nu-Tla-Ma (Fool Dancer), and Bookwus (Wild Man of the Woods).

Texts by LaTiesha Fazakas, John Cussans, and Candice Hopkins outline the stories that the masks depict, consider the inescapable parallels between Hamat'sa and the consumerism of capitalist society, and grapple with the philosophy that animates Hamat'sa - one that seeks to confront and, ultimately, master the voracious appetites inside us all.

Educator Information
A useful book for the study of art and culture.

Devoured by Consumerism is Beau Dick's aesthetic response to Western capitalist values and an overt critique of the unchecked commercialism of capitalist society. The intention with this hardcover publication is to contrast the Kwakwaka'wakw economic and legal system of potlatching, which also functions as a way of maintaining and preserving oral history, again Western society's system of capitalism. The book references the Hamat'sa ceremony during potlatch, wherein the Hamat'sa cannibals' insatiable hunger and consumption is 'tamed' ritually through the dance. The power to control one's hunger is considered much greater than the power of hunger itself. This book works to critique the West's ravenous need to devour and consumer by presenting works that highlight this Kwakwaka'wakw worldview. 

Additional Information
96 pages | 8.00" x 9.00" 

 

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$30.00

In Re-Print
Carrying on
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations;

Carrying on "Irregardless" is a handsomely illustrated paperback based on the first exhibition to focus on humour in Northwest Coast First Nations art. The show, mounted by the Bill Reid Gallery of Northwest Coast Art in Vancouver is titled after one of Bill Reid's favourite deliberate grammatical blunders that were part of the sense of humour that, as Martine J. Reid says in her introduction, "was perhaps a part of his survival kit, as it often seems to be for First Nations people."

Within this book are the photographed artworks of twenty-eight prominent Northwest Coast artists, including such varied approaches to humour as a rare prehistoric Coast Salish bowl featuring a smiling face carved from stone, a 1990s etching depicting Raven and the First Men Overlooking Wreck Beach (to catch a glimpse at all the nudists, of course!) and a pair of red and yellow cedar bark high heels titled Too Haida. Collected here are artworks that act as political weapons, bold challenges to stereotypes, and nods to the Trickster. They satirize, ridicule and play. And, above all, they make us laugh, and think, and laugh again.

Accompanying the work are descriptions, quips and jokes from the artists themselves. And preceding it stands three impassioned contextualizing essays that range from the poetic to the academic to the anecdotal, by Tahltan artist, stand-up comedian and co-curator, Peter Morin; Director of Content and Research for the Bill Reid Gallery of Northwest Coast Art and co-curator, Martine J. Reid; and CEO of the Bill Reid Trust and Director for the Bill Reid Gallery of Northwest Coast Art, Mike Robinson.

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$24.95

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Claiming Anishinaabe: Decolonizing the Human Spirit
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg;
Grade Levels: 12; University/College;

Denied her Indigenous status, Lynn Gehl has been fighting her entire life to reclaim mino-pimadiziwin--the good life. Exploring Anishinaabeg philosophy and Anishinaabeg conceptions of truth, Gehl shows how she came to locate her spirit and decolonize her identity, thereby becoming, in her words, "fully human." Gehl also provides a harsh critique of Canada and takes on important anti-colonial battles, including sex discrimination in the Indian Act and the destruction of sacred places.

Reviews
Gehl is at the cutting edge with her concepts and ideas... She is on a journey and documents it well. — Lorelei Anne Lambert, author of Research for Indigenous Survival

Clear, insightful, and desperately needed... — Lorraine F. Mayer, author of Cries from a Métis Heart

The discussion of the heart and mind knowledge, as well as the discussion on the Anishinaabeg Clan System of Governance, [are] major contributions to the research. — Marlyn Bennett, co-editor of Pushing the Margins

"Throughout Claiming Anishinaabe, the conversation remains rooted in the destructive effects of oppressive power on the human spirit, and an insistence that both knowledge and spirituality are key in reclaiming one’s sense of self." — Quill & Quire

Educator Information
This book would be useful for the following subject areas or courses: Indigenous Studies, Canadian History (Post-Confederation), Social Science, Autobiography/Biography Studies, Spirituality, and Law.

Additional Information
176 pages | 5.50" x 8.50" | Includes line drawings

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$24.95

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Counting Coup: Becoming a Crow Chief on the Reservation and Beyond
Format: Hardcover
Grade Levels: 7; 8; 9;

Picture a Crow Indian elder, his wizened eyes catching yours in the ancient flicker of firelight. His mesmerizing stories span the ages, from Custer to World War II to the 21st Century. He is the last traditional chief of his people. He is over 90 years old. Now picture that same man lecturing at colleges nationwide, and addressing the United Nations on the subject of peace.

National Geographic presents the amazing life story of Joseph Medicine Crow, the man who begins life as Winter Man. Trained as a warrior by his grandfather, Yellowtail, he bathes in icy rivers and endures the ceremony of "counting coup"—facing fierce combat with an enemy Sioux boy.

An operation at the local hospital brings the young Crow face-to-face with his worst fears: a Sioux, a ghost, and a white man. He excels at the white man's school and is raised in the Baptist faith. He translates the stories of the elder chiefs, becoming the link to the ancient traditions of the pre-reservation generation. His own dramatic and funny stories span both ages, and the ancient Crow legends are passed on in the storytelling tradition.

Joseph Medicine Crow's doctorate degree was interrupted by the call to arms of World War II. On the battlefields of Germany he earned the ancient status of War Chief by completing the four war deeds required of the Crow warrior.

In 1948 the Crow Tribal Council appointed Joseph Medicine Crow (now called High Bird) their Tribal Historian and Anthropologist.

Counting Coup is a vibrant adventure narrative, bringing Native American history and culture alive for young readers. Joseph Medicine Crow's story illuminates the challenges faced by the Crow people as hurricanes of change raged through America. His epic story and its lessons are an essential legacy for us all.

Additional Information
128 pages | 5.55" x 8.55"

Authentic Indigenous Text
$21.95

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Deaf Heaven
Format: Paperback
Grade Levels: 12; University/College;

Poetry that takes us inside present-day First Nations reality to reveal the wounds of history and the possible healing to come.

As the title suggests, this new collection of poetry from Garry Gottfriedson of the Secwepemc (Shuswap) Nation deals with the ways in which the world is deaf to the problems First Nations people face in Canada today.

Follow Garry Gottfriedson in this new collection of combative poems as he compels us and Heaven to listen to the challenges facing First Nation communities today. Employing many of the Secwepemc (Shuswap) images and stories, Gottfriedson takes us inside the rez and into the rooming houses in the city cores, but always drawing new strength from the land and the people who have moved upon it. He speaks of “the smell of grandmothers and grandfathers / breathing the stories into our blood” so as to “wrap our newborn in freshly made Star Quilts.”

Gottfriedson examines such issues as the Truth and Reconciliation movements as well as the missing and murdered Aboriginal women. The poems focus not only on postcolonial issues but also on First Nations internal problems. Although the book speaks of age-old themes, it explores them through fresh modern eyes offering thought-provoking and engaging prespectives. Eloquent and witty, these poems are power-packed with imagery that uncovers the raw politics of race. There is nothing polite about them. While frequently offering a bleak view of present-day First Nation conditions, the poems also provide a sense of optimism: "the hope/that the coldest day in winter/will promise serenity in spring."

Reviews
“Gottfriedson’s poetry is built to endure and it will remain with you long after this book is closed.” – Alexander MacLeod, author of Light Lifting, finalist for the Scotiabank Giller Prize

“Garry Gottfriedson rides double, calling out the violence and corruption he’s seen, while reminding us that grounded strength comes from staying connected to grandmothers, grandfathers, horses, and the land.” – Rita Wong, author of Forage, winner of the Dorothy Livesay Poetry Prize

“Gottfriedson writes us the sound of his blood, the splatter of ink on wood, and the dripping sweat and tears of prayer — all of it telling us who we are and chanting, as if in chorus, ‘survival is brilliant.’ Will we be wise or strong enough to listen?” – Shane Rhodes, author of X: Poems & Anti-Poems

Educator Information
This book of poetry would be useful for Indigenous Studies courses or literature courses such as Indigenous Literatures, Canadian Literature, and Creative Writing.

Additional Information
100 pages | 6.00" x 9.00"

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$15.95

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Dreaming in Indian: Contemporary Native American Voices
Format: Hardcover
Text Content Territories: Indigenous American; Indigenous Canadian;
Grade Levels: 7; 8; 9; 10; 11; 12;

A powerful and visually stunning anthology from some of the most groundbreaking Native artists working in North America today.

Truly universal in its themes, Dreaming In Indian will shatter commonly held stereotypes and challenge readers to rethink their own place in the world. Divided into four sections, ‘Roots,’ ‘Battles,’ ‘Medicines,’ and ‘Dreamcatchers,’ this book offers readers a unique insight into a community often misunderstood and misrepresented by the mainstream media.

Emerging and established Native artists, including acclaimed author Joseph Boyden, renowned visual artist Bunky Echo Hawk, and stand-up comedian Ryan McMahon, contribute thoughtful and heartfelt pieces on their experiences growing up Indigenous, expressing them through such mediums as art, food, the written word, sport, dance, and fashion. Renowned chef Aaron Bear Robe, for example, explains how he introduces restaurant customers to his culture by reinventing traditional dishes. And in a dramatic photo spread, model Ashley Callingbull and photographer Thosh Collins reappropriate the trend of wearing ‘Native’ clothing.

Whether addressing the effects of residential schools, calling out bullies through personal manifestos, or simply citing hopes for the future, Dreaming In Indian refuses to shy away from difficult topics. Insightful, thought-provoking, and beautifully honest, this book will to appeal to young adult readers. An innovative and captivating design enhances each contribution and makes for a truly unique reading experience.

Reviews
“It’s hard to imagine a middle- or high-school classroom that wouldn’t benefit from having this.” —Booklist, 02/15

“Belongs in every middle school, high school and public library.” —CM Reviews, 05/22/15

"For some time now, I've been waiting for Dreaming in Indian: Contemporary Native American Voices... It was getting buzz in Native networks on social media. I've read it, now, and highly recommend it... Dreaming in Indian has a vibrancy I've not seen in anything else. A vibrancy that, perhaps, is characteristic of a generation at ease with technology and its tools... I want to pore over the art, studying it, thinking about it, marveling at it. I can imagine a lot of people dismissing this work because it doesn't conform to their stereotypical ideas of dead or stoic Indians. But I can also imagine a lot of others holding it dear because it reflects who we are... You'll also have a solid introduction to the artists and writers, their lives, what drives them... Gritty and real, their live stories are inspiring... There's a lot to ponder in Dreaming In Indian. It'll challenge readers, in good ways, and that is a good thing. Check it out." — Debbie Reese, American Indians in Children's Literature, September 2014

Educator Information
Recommended Ages: 11-18

Themes: First Nations; native peoples; Indigenous; biography; multicultural; stereotyping; acceptance; community; prejudice; self-esteem; tolerance.

Fountas & Pinnell Reading Level: Z+

Authentic First Peoples resource K-9.

Recommended English First Peoples resource.

Additional Information
128 pages | 8.50" x 11.00" | full-color illustrations and photographs throughout, foreword, introduction

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$19.95

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Elements of Indigenous Style: A Guide for Writing By and About Indigenous Peoples
Format: Paperback
Text Content Territories: Indigenous;
Grade Levels: 8; 9; 10; 11; 12; University/College;

Elements of Indigenous Style offers Indigenous writers and editors—and everyone creating works about Indigenous Peoples—the first published guide to common questions and issues of style and process. Everyone working in words or other media needs to read this important new reference, and to keep it nearby while they’re working.

This guide features:

• Twenty-two succinct style principles.
• Advice on culturally appropriate publishing practices, including how to collaborate with Indigenous Peoples, when and how to seek the advice of Elders, and how to respect Indigenous Oral Traditions and Traditional Knowledge.
• Terminology to use and to avoid.
• Advice on specific editing issues, such as biased language, capitalization, and quoting from historical sources and archives.
• Case studies of projects that illustrate best practices.

Reviews
"Style is fraught with politics, especially when writing about Indigenous Peoples. Now, writers, academics, journalists, publishers, and students can breathe a sigh of relief. Reach for this essential Indigenous style guide, not only when searching for the right word, but when seeking guidance on the importance of relationships and trust." - Duncan McCue, CBC Radio Host and author of The Shoe Boy

"Elements of Indigenous Style is a beautiful beginning, a gathering place and a cultivator of both discussion and growth. Younging’s work clears the ground, drafts the blueprints and starts the framing out on the house that we need for our stories. At the same time, Younging manages to write both solid and grounded guidelines while leaving malleability in the architecture so that the ideas can grow and evolve. And we are all invited to share, discuss, add to, and cultivate this important work." - Cherie Dimaline, author and winner of the Governor General’s Literary Award

Educator Information
This book would be useful for the following courses and/or areas of studies from elementary to university: Indigenous Studies, Canadian Literature, Language Arts, English, Media Studies, Education, Journalism, Editing and Proofreading, Social Science/Ethnic Studies, and Composition and Creative Writing.

Recommended for Grades 3-12 for the following subject areas: English Language Arts, Indigenous Studies, Social Studies.  Also a useful Teacher's Resource.

Additional Information
168 pages | 5.50" x 7.50"

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$19.95

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First in Canada: An Aboriginal Book of Days
Authors:
Format: Hardcover
Text Content Territories: Indigenous Canadian;

First in Canada is a unique expression of the many accomplishments Indigenous Canadians have made to Canadian society. As beautiful as it is informative, this perpetual calendar is a glimpse of 10,000 years in 365 days!

Informative, innovative, and inspirational, First in Canada will take readers through one calendar year of Aboriginal history, providing visuals and details of past and contemporary achievements and challenges of First Nations, Métis and Inuit peoples in Canada. It will appeal to those interested in Canadian history, to high school and university students, and to researchers looking to initiate projects on Aboriginal topics. Attractive and functional, this personal schedule book contains beautiful aboriginal works of art and will serve as a ready reminder of the importance of First Peoples to the ongoing cultural dynamic in Canada. Carefully researched by Jonathan Anuik, First in Canada is the first of its kind.


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$24.95

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First Nations 101
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations;

First Nations 101 is an easy to read primer that provides readers with a broad overview of the diverse and complex lives of First Nations people. It is packed with more than 70 subjects including veterans, youth, urbanization, child welfare, appropriate questions to ask a First Nations person, feminism, the medicine wheel, Two-spirit (LGBTQ), residential schools, the land bridge theory, and language preservation. Author Lynda Gray endeavors to leave readers with a better understanding of the shared history of First Nations and non-First Nations people, and ultimately calls upon all of us - individuals, communities, and governments - to play active roles in bringing about true reconciliation between First Nations and non-First Nations people.

288 pages

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$20.00

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From Lishamie
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Dene;
Grade Levels: 8; 9; 10; 11; 12; University/College;

With astonishing detail, Albert Canadien fondly recounts his boyhood years in Lishamie, a traditional Dene camp north of the Mackenzie River, and reflects on the devastating and long-lasting impact residential schooling had on him, his family and his people. Separated at a young age from his parents and forced to attend a strict Catholic boarding school, the author, and many like him, was robbed of his language, community and traditional way of living. From Lishamie is a candid memoir of loss and of the journey back.

Reviews
"From Lishamie focuses on the loss of language, culture, exposure to the land, and brings a stark contrast of life pre- and post-residential schools. This rich and lasting book portrays the fullness of life on the land, the seasons, travelling with the food sources, and community." - Joyce Atcheson

Additional Information
284 pages | 5.50" x 8.49"

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$22.95

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From Time Immemorial: The First Peoples of the Northwest Coast
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations;
Grade Levels: 3; 4; 5; 6; 7; 8;

From Time Immemorial provides an honest and up-to-date survey of the history of the coastal First Nations from pre-contact to the present. The culture of the coastal people was highly complex. Although there were many similarities, there were also many differences among the groups who shared the wealth of their life-sustaining environment.

This book provides a broad overview of traditional ways common to a large number of diverse groups. It encourages readers to learn more about particular groups who, long ago, walked the shorelines and forest trails of the Pacific Northwest.

Educator Information
From Time Immemorial has been recommended by the First Nations Education Steering Committee of BC as an “authentic First Peoples text that meets provincial standards and reflects First Peoples knowledge and perspectives in a respective way.

It has also been recommended by Literacy BC: “It’s easy to see why this text, which is accessible for fundamental level students, was also awarded the British Columbia 2000 Book Award.” Jan Weiten notes, “[This] is such an ambitious project. Both Diane and Joe Silvey have honoured the spirit and history of First Nations people, and they should be proud of themselves. This is definitely an asset to any classroom.

From Time Immemorial meets or exceeds all of the Learning Standards for the new BC Grade 3 Social Studies curriculum and the First Nations content for grades 4-8: 

  • Learning about indigenous peoples nurtures multicultural awareness and respect for diversity
  • People from diverse cultures and societies share some common experiences and aspects of life.
  • Indigenous knowledge is passed down through oral history, traditions, and collective memory.
  • Indigenous societies throughout the world value the well-being of the self, the land, spirits, and ancestors.

Recommended Grades: 3-8.

A teacher's guide for this book is also available: https://www.strongnations.com/store/item_display.php?i=141

Additional Information
92 pages | colour illustrations, photos, and maps 

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$24.95

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In Our Own Aboriginal Voice 2: A Collection of Indigenous Writers & Artists in Canada
Format: Hardcover
Grade Levels: 11; 12; University/College;

Through our own Indigenous stories we discover our roots.

A collection of short fiction, memoirs, non-fiction, and poetry written by Indigenous writers from across Canada, plus original Indigenous artwork. This anthology contains the work of established authors such as the late Connie Fife, and up-and-coming Indigenous authors to watch out for (according to CBC Books) Joanne Arnott, Michelle Sylliboy, and Dennis Saddleman, as well as emerging writers from across Canada, who shine a light on the lives of Indigenous Peoples living in Canada.

"The time for our own stories has arrived, our own written words, our own voices. It is through our stories that we discover our roots." - Terri Mack, Strong Nations

Educator Information
The Indigenous selection committee comprised of librarians, educators, and administrators also included author Richard van Camp.

Foreword by former Chief Edmund Metatawabin, author of Up Ghost River: A Chief's Journey Through the Turbulent Waters of Native History.

Edited by Indigenous editor, Michael Calvert.

Additional Information
6.00" x 9.00"

 

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$18.99

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