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From the Iron House: Imprisonment in First Nations Writing
Authors:
Format: Hardcover
Text Content Territories: Indigenous Canadian; First Nations;

In From the Iron House: Imprisonment in First Nations Writing, Deena Rymhs identifies continuities between the residential school and the prison, offering ways of reading “the carceral”—that is, the different ways that incarceration is constituted and articulated in contemporary Aboriginal literature. Addressing the work of writers like Tomson Highway and Basil Johnston along with that of lesser-known authors writing in prison serials and underground publications, this book emphasizes the literary and political strategies these authors use to resist the containment of their institutions.

The first part of the book considers a diverse sample of writing from prison serials, prisoners’ anthologies, and individual autobiographies, including Stolen Life by Rudy Wiebe and Yvonne Johnson, to show how these works serve as second hearings for their authors—an opportunity to respond to the law’s authority over their personal and public identities while making a plea to a wider audience. The second part looks at residential school narratives and shows how the authors construct identities for themselves in ways that defy the institution’s control. The interactions between these two bodies of writing—residential school accounts and prison narratives—invite recognition of the ways that guilt is colonially constructed and how these authors use their writing to distance themselves from that guilt.

Offering new ways of reading Native writing, From the Iron House is a pioneering study of prison literature in Canada and situates its readings within international criticism of prison writing. Contributing to genre studies and theoretical understandings of life writing, and covering a variety of social topics, this work will be relevant to readers interested in indigenous studies, Canadian cultural studies, postcolonial studies, auto/biography studies, law, and public policy.

Authentic Canadian Content
$65.00

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Funny Little Stories / wawiyatacimowinisa
Editors:
Format: Paperback

This is the first in a series of readers in the First Nations languages of the prairie provinces meant for language learners and language users. The stories in this volume come from a variety of sources, all being narrated or written by fluent speakers of Cree, whether students or instructors of the Cree language or Elders. Funny Little Stories is a collection of nine stories representing the Plains Cree, Woods Cree, and Swampy Cree dialects, with a pronunciation guide and a Cree-to-English glossary.

Students and Elders come together in this volume to offer samples of three distinct genres of Cree storytelling: word play, humorous accounts of life experiences, and traditional stories about Wisahkecahk, the trickster-hero.

Each story is illustrated and is presented in both Standard Roman Orthography and syllabics, with English translation.

Series Information
Funny Little Stories is part of the First Nations Language Readers series. With a mix of traditional and new stories, each First Nations Language Reader introduces an Indigenous language and demonstrates how each language is used today. The University of Regina Press’s long-term goal is to publish all 60+ Indigenous languages of Canada.

Additional Information
110 pages | 5.50" x 8.50" | Narrated by Cree-speaking students, instructors, and Elders | Transcribed and Translated by Cree Linguistics Students | Edited and with a glossary and syllabics by Arok Wolvengrey

Authenticity Note: Because of the contribution of Indigenous Peoples, such as Cree-speaking Elders, to this work on Cree storytelling, it has received the Authentic Indigenous Text label.

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Authentic Indigenous Text
$12.95

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Glimpses of Oneida Life
Format: Paperback
Grade Levels: 11; 12; University/College;

Glimpses of Oneida Life is a remarkable compilation of modern stories of community life at the Oneida Nation of the Thames Settlement and the surrounding area. With topics ranging from work experiences and Oneida customs to pranks, humorous encounters, and ghost stories, these fifty-two unscripted narrations and conversations in Oneida represent a rare collection of first-hand Iroquoian reflections on aspects of daily life and culture not found in print elsewhere.

Each text is presented in Oneida with both an interlinear, word-by-word translation and a more colloquial translation in English. The book also contains a grammatical sketch of the Oneida language by Karin Michelson, co-author of the Oneida-English/English-Oneida Dictionary, that describes how words are structured and combined into larger linguistic structures, thus allowing Glimpses to be used as a teaching text as well.

The engrossing tales in Glimpses of Oneida Life will be a valuable resource for linguists and language learners, a useful source for those studying the history and culture of Iroquois people in the twentieth-century, and an entertaining read for anyone interested in everyday First Nations life in southern Ontario.

Additional Information
472 pages | 6.97" x 10.00"

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Authentic Indigenous Text
$49.95

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Him Standing
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Ojibway;
Grade Levels: 8; 9; 10; 11; 12; University/College;

When Lucas Smoke learns the Ojibway art of carving from his grandfather, he proves to be a natural. He can literally make people come to life in wood. Then Lucas's growing reputation attracts a mysterious stranger, who offers him a large advance to carve a spirit mask.
This mask is to represent the master, but Lucas must find its face in his dreams. As his dreams become more and more disturbing, he feels himself changing. And the mask takes control of his life. Then a chance encounter with an old woman introduces him to the identity of the master. He is an ancient sorcerer named Him Standing, a powerful and dark wizard. The more Lucas works on the mask, the closer Him Standing comes to emerging from the dream world to walk the earth again. What follows is a race against time and the forces of evil in this supernatural thriller.

Reviews
"In an efficient yet engaging writing style, Wagamese portrays Lucas as a likeable hero with a distinct voice and perspective. Amy acts as a solid foil to Lucas, and the two develop each other in showing their vulnerable sides...The pace is snappy; events follow on each other's heels like dominoes at a rate sure to keep the reader hooked on the storyline. Recommended."— CM Magazine, February 2013

"Perfect for mature reluctant readers, ESL learners, or anyone who enjoys a good story."— VOYA, June 2013

"Wagamese dips into deep issues such as balance in the universe and the power of fear, and wraps them up into a mystical story that clips along and clocks in at 129 pages. An impressive feat. Also impressive is the voice he creates for Lucas; the young man’s internal dialogue feels genuine throughout."— The Coastal Spectator, June 2013

Additional Information
136 pages | 4.75" x 7.25"

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Authentic Indigenous Text
$9.95

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How To Tell a Legend
Authors:
Format: Paperback
Grade Levels: 3; 4; 5;

A legend is a story about a hero, a people, or a natural phenomena. Popular legends include King Arthur and the Knights of the Round Table, Blackbeard, and Robin Hood. This exciting new title teaches readers about the common characteristics found in legends from around the world. Engaging writing activities guide readers as they use these characteristics to create their own legends.

$9.95

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How To Tell a Myth
Authors:
Format: Paperback
Grade Levels: 3; 4; 5; 6;

A myth is a story that attempts to explain a natural phenomena—such as how the world was created. Myths often include supernatural characters who have extraordinary powers. How To Tell a Myth is an engaging title that introduces readers to myths from around the world and highlights the common elements that make up this genre. Step-by-step instructions help readers create their own myths.

Educator & Series Information
Reading Level: Gr. 3
Interest Level: Gr. 3-6
Guided Reading Level: P

This book is part of the Text Styles series. Myths, folktales, legends, and fables—each kind of story has a set of rules for its construction. This engaging new series shows young readers how to look at stories in a whole new way. Children will develop their reading comprehension and critical reading skills by learning to identify the characteristics of different literary genres, or styles, in stories from around the world. Writing guides show students how to create their own stories in each particular style. 

Additional Information
32 pages | 7.80" x 9.60"

$9.95

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I Am a Damn Savage; What Have You Done to My Country?
Format: Paperback
Grade Levels: University/College;

Quebec author An Antane Kapesh's two books, Je suis une maudite sauvagesse (1976) and Qu'as-tu fait de mon pays? (1979), are among the foregrounding works by Indigenous women in Canada. This English translation of these works, presented alongside the revised Innu text, makes them available for the first time to a broader readership.

In I Am a Damn Savage, Antane Kapesh wrote to preserve and share her culture, experience, and knowledge, all of which, she felt, were disappearing at an alarming rate because many Elders – like herself – were aged or dying. She wanted to publicly denounce the conditions in which she and the Innu were made to live, and to address the changes she was witnessing due to land dispossession and loss of hunting territory, police brutality, and the effects of the residential school system. What Have You Done to My Country? is a fictional account by a young boy of the arrival of les Polichinelles and their subsequent assault on the land and on native language and culture.

Through these stories Antane Kapesh asserts that settler society will eventually have to take responsibility and recognize its faults, and accept that the Innu – as well as all the other nations – are not going anywhere, that they are not a problem settlers can make disappear.

Additional Information
216 pages | 5.25" x 8.00" | Translation and Afterword by Sarah Henzi

Authentic Canadian Content
Authentic Indigenous Text
$22.99

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Inconvenient Skin / nayêhtâwan wasakay
Format: Hardcover
Text Content Territories: Indigenous Canadian;
Grade Levels: 10; 11; 12; University/College;

Inconvenient Skin challenges how reconciliation has become a contested buzzword filled with promises and good intentions but rarely any meaningful follow-through. While Canada's history is filled with darkness, these poems aim to unpack that history to clean the wounds so the nation can finally heal. Powerful and thought-provoking, this collection will draw you in and make you reconsider Canada's colonial legacy. The cover features the art of Kent Monkman, and the interior features work by Joseph Sanchez, a member of the Indian Group of Seven.

Written in English and Cree.

Educator Information
This collection of poems features Shane Koyczan's well-known poem, "Inconvenient Skin," delivered in a dual-language format of English and Cree and paired with illustrations, artwork, and photography.

Additional Information
80 pages | 8.50" x 8.50" | Colour Illustrations

Authentic Canadian Content
Authentic Indigenous Text
Authentic Indigenous Artwork
$29.95

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Indigenous Storywork
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Salish; Coast Salish;
Grade Levels: University/College;

Jo-ann Archibald worked closely with Coast Salish Elders and storytellers, who shared both traditional and personal life-experience stories, in order to develop ways of bringing storytelling into educational contexts. Indigenous Storywork is the result of this research and it demonstrates how stories have the power to educate and heal the heart, mind, body, and spirit. It builds on the seven principles of respect, responsibility, reciprocity, reverence, holism, interrelatedness, and synergy that form a framework for understanding the characteristics of stories, appreciating the process of storytelling, establishing a receptive learning context, and engaging in holistic meaning-making.

Authentic Canadian Content
Authentic Indigenous Text
$43.95

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Inuinnaqtun English Dictionary
Format: Paperback
Text Content Territories: Indigenous Canadian; Inuit;

The only Inuinnaqtun-language dictionary in Canada, this indispensible reference compiles nearly two thousand terms in Inuinnaqtun and English. With definitions and terms in both languages, this dictionary will be a reliable resource for both native speakers of, and newcomers to, the language of the Kitikmeot region of Nunavut.

Originally published in 1996, this version has been revised and updated by the original editor.

Authentic Canadian Content
Authentic Indigenous Text
$24.95

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Kangiryuarmiut Inuinnaqtun: Uqauhiitaa Numiktitirutait Dictionary
Format: Paperback
Grade Levels: 10; 11; 12; University/College;

The product of intensive, highly detailed work, this dictionary is more than a language document. It is a unique window into the Inuinnait culture and way of life.

Kangiryuarmiut Inuinnaqtun Uqauhiitaa Numiktitirutait - Kangiryuarmiut Inuinnaqtun Dictionary details the Kangiryuarmiut dialect of Inuinnaqtun, as spoken in the community of Ulukhaktok in the Inuvialuit Region of Canada's Northwest Territories. Very similar dialects of Inuinnaqtun are spoken in Qurluqtuq (Kugluktuk) and Iqaluktuuttiaq (Cambridge Bay) in Nunavut.

This is the most comprehensive dictionary of any Western Canadian dialect of the Inuit language. It contains over 5,000 Inuinnaqtun entries and subentries with their translations, over 3,000 example sentences, and a large inventory of suffixes.

The introduction includes a brief overview of Inuinnaqtun, its sound system, orthography, and major word classes. Main entries include both related subentries and examples. Suffix entries include information about lexical categories, inflection, the different forms a suffix may take, and examples of how each suffix is used.

Additional Information
582 pages | 6.50" x 9.50" | English, Inuinnaqtun

Authentic Canadian Content
Authentic Indigenous Text
$59.95

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kisiskaciwan: Indigenous Voices from Where the River Flows Swiftly
Format: Paperback
Text Content Territories: Indigenous Canadian;
Grade Levels: 10; 11; 12; University/College;

This groundbreaking anthology from territory that is now Saskatchewan, kisiskâciwan, includes rich oral narratives from Cree, Saulteaux, Nakoda, Dakota, Dene, and Metis cultures; early writings from Cree missionaries; speeches and letters by Treaty Chiefs; stories from elders; archival discoveries; and contemporary literary works in all genres.

Historically and culturally comprehensive, voices include Big Bear, Thunderchild, Louis Riel, Gabriel Dumont, Edward Ahenakew, Maria Campbell, Buffy Sainte-Marie, Rita Bouvier, Harold Johnson, Gregory Scofield, Warren Cariou, Louise Halfe, and many more.

Educator Information
The collected works in this anthology would be useful for high school and college/university courses.  All the works in this anthology are connected to Saskatchewan in some way.  Some themes include Residential Schools, family, resilience, the Sixties Scoop, and coming of age.

Recommended resource for Grades 10-12 for these subjects: Drama, English Language Arts, Social Studies.

Caution: Some of the works in this anthology contain mature subject matter, such as discussion of abuse, violence, sexuality, etc. 

Additional Information
300 pages | 6.00" x 9.00"

Authenticity Note: This work is labelled as containing Authentic Indigenous Text because of the contributions from Indigenous Peoples.

Authentic Canadian Content
Authentic Indigenous Text
$39.95

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Little Athapapuskow: A Metis Love Story
Format: Paperback
Text Content Territories: Indigenous Canadian; Métis;
Grade Levels: 10; 11; 12; University/College;

Little Athapapuskow is collection of poems named after a lake Guy Freedman grew up on near Flin Flon, Manitoba. They represent his efforts to challenge Catholicism and its complicity with the Confederation project, which dismantled the New Nation developing in the Canadian Northwest. The poems are organized into three parts—past, present, and future—and they address the inter-generational impacts of the Church on his family in relation to the doctrine of the Holy Trinity. This book is his love song to his home and to his country.

Educator Information
Recommended resource for Grades 10-12 English Language Arts and Social Studies.

Contains poems about the history of the Metis people, family, love, celebration of culture, colonialism, religion, violence.

Caution: Some poems contain strong language and mature subject matter, such as discussions of violence, alcoholism, and sexuality.

Additional Information
86 pages | 7.25" x 5.75 " 

Authentic Canadian Content
Authentic Indigenous Text
Authentic Indigenous Artwork
$20.00

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Little Brother of War
Format: Paperback
Text Content Territories: Indigenous American; Native American; Choctaw;
Grade Levels: 8; 9; 10; 11;

“Dad, I don’t want to play football or baseball,” I blurted out.
“Oh, what do you want to play?” he asked. “Basketball? I hope its not soccer. That’s not even a real American sport.”
“Stickball,” I said.
“Say what?” Dad replied. He almost spit out a mouth full of coffee.
“Stickball. Toli.”
“You mean running around in your shorts behind the community center on Saturdays? That’s not a real sport.”
“Actually it is a real sport, and I’m talking about playing on a team that will compete at Choctaw Fair next summer.”
Dad slammed his fist down on the table. The plates and glasses shook. I almost jumped out of my seat.

Sixteen-year-old Mississippi Choctaw Randy Cheska lived most of his young life in the shadow of his older football-hero brother, Jack. After Jack is tragically killed while serving in Iraq, Randy's father puts even more pressure on Randy to excel in football. Randy has absolutely no desire or skills to play high school sports but when he discovers that he's good and stickball and loves the game, Randy jumps at the chance to play when its offered. His father considers the sport a relic of the Choctaw past when it was known as the Little Brother of War and used to settle disputes between communities. For Randy, stick ball provides him with a new sense of self-worth and a new direction in life.

Gary Robinson is a writer and filmmaker of Cherokee and Choctaw descent. He has spent 25 years working with American Indian communities to tell the stories of Native people. His previous works include From Warriors to Soldiers and The Language of Victory. He lives in rural central California.

Educator Information
Reading Level: 3.9

This book is part of the PathFinders series of Hi-Lo (high interest, low readability) novels, which offers the following features:

• Indigenous teen protagonists
• Age appropriate plots
• 2.5 – 4.5 Reading Level
• Contemporary and historical fiction
• Indigenous authors

The PathFinders series is from an American publisher. Therefore, Indigenous terminology in the PathFinders books is not the same as Canadian Indigenous terminology. This prompts a useful teaching moment for educators in discussing appropriate terminology use in Canada.

Additional Information
120 pages | 4.53" x 7.00"

Authentic Indigenous Text
$11.95

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Love You to Death
Authors:
Format: Paperback

Charlie D is the host of a successful late-night radio call-in show. His listeners have a particularly intimate relationship with him and often reveal much about themselves, confident that he will honor their trust and that he can save them. In their minds, he is perfect: one of life's winners. But Charlie feels he's something of a fake. His easy confidence on-air belies the reality for a man born with a wine-colored birthmark that covers half his face. Love You to Death covers one hour on ""The World According to Charlie D""--an hour during which he must both discover the long-time listener who is killing the people who trust him and attempt to come to terms with the man behind the birthmark.

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$9.95

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