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Art

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A Warrior I Have Been: Plains Indian Cultures in Transition
Authors:
Format: Paperback
Text Content Territories: Indigenous American; Indigenous Canadian;

This catalog of museum exhibitions traces the evolution of Plains Indian art and culture from early times to the present and includes material from a wide range of tribal groups. A wonderful reference source for anyone interested in learning about the Plains Indian lifestyle.

$35.95

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Blackfoot Craftworker's Book
Format: Paperback

This collection of photos of traditional accessories, clothing, cradleboards, utensils, and more is a look at Blackfoot material culture at its finest. History of the styles, descriptions of techniques and materials, and information about daily and ritual use of many of the items are included.

Authentic Canadian Content
Authentic Indigenous Text
$15.95

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Costumes of the Plains Indians
Authors:
Format: Paperback
Text Content Territories: Indigenous American; Indigenous Canadian;

Drawing from the numerous samples found in the American Museum of Natural History, anthropologist Clark David Wissler examines styles of shirts and dresses worn by Blackfoot and other Native peoples of the plains.

Full-color images capture the many details of weaving and decoration on the costumes pictured. Historical reference material provides information about the making, use, and symbolism of these garments.

$23.95

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Images from the Likeness House
Authors:
Format: Paperback

On a winter’s day in 1889, Tsimshian Chief Arthur Wellington Clah went to Hannah and Richard Maynard’s photography studio in Victoria “to give myself likeness.” In Images from the Likeness House, Dan Savard explores the relationship between First Peoples in British Columbia, Alaska and Washington and the photographers who made images of them from the late 1850s to the 1920s. He gives examples of the great technological advancements that took place, from wet-glass-plate to nitrate-film negatives, showing the images in their original state, not cropped, corrected or retouched.

This is not only an important book about photography, but also a visual statement about perception (and misperception), cultural change and survival. Images from the Likeness House will appeal to ethnographers, photographers, art lovers and anyone interested in the history of BC, Alaska and Washington.

Authentic Canadian Content
$39.95

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Inuit Modern: Masterworks from the Samuel and Esther Sarick Collection
Format: Paperback
Text Content Territories: Indigenous Canadian; Inuit;
Grade Levels: 12; University/College;

A gorgeous retrospective on the transformation of Inuit art in the 20th century, mirroring the vast and poignant cultural changes in the North.

In response to a rapidly changing Arctic environment, Inuit have had to cope with the transition from a traditional lifestyle to the disturbing realities of globalization and climate change. Inuit art in the latter half of the 20th century reflects the reciprocal stimulus of contact with Euro-Canadians and embodies the evolution of a modern Inuit aesthetic that springs from an ancient cultural context, creating an exciting new hybridized art form. Inuit Modern: Art from the Samuel and Esther Sarick Collection situates modern Inuit art within a larger framework that reinterprets the Canadian Arctic.

Essays by leading Canadian scholars in the field including Ingo Hessel, Robert McGhee, Christine Laloude, Heather Igloliorte, Dorothy Eber and Bernadette Driscoll Engelstad examine the social, political and cultural transformation through the dynamic lens of colonial influence and agency. Inuit Modern also features interviews with David Ruben Piqtoukun and Zacharias Kunuk.

Reviews
"The work of Inuit artists has continually evolved in response to the industrialized, bureaucratic culture encroaching from the south. Inuit Modern, an opulent new coffee-table book, displays the astonishing results. The 175 pieces beautifully reproduced here span the last century."— Georgia Straight

"This book is full of treasures from one of the world's most comprehensive collections of Inuit art. With more than 175 works by Inuit artists, the reader is taken on a journey of the Inuit aesthetic as it evolves from its from traditional roots to a more contemporary and globalized art form."— Globe & Mail Top 100 for 2010

Additional Information
256 pages | 10.00" x 11.10"

Authentic Canadian Content
Authentic Indigenous Text
Authentic Indigenous Artwork
$24.99

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Listening To Our Ancestors
Format: Paperback
Text Content Territories: Indigenous American; Indigenous Canadian;

Listening to Our Ancestors profiles native communities of the Pacific Northwest and showcases the region's rich cultural history and artwork. Here, in a series of community self-portraits, cultural figures from eleven Northwest Coast nations discuss the ways in which these masterpieces, as well as everyday tools and utensils from the museum's collections, connect them with their forbears, who made and used these beautiful objects.

Authentic Canadian Content
Authentic Indigenous Text
$33.00

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Looking at Totem Poles
Authors:
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations;

This work gives a historical, cultural, and artistic account of the ancient craft of totem poles that has grown to be a symbol of the Native Americans of the Northwest Coast.

Suggested Grades: 9-12
ABPBC

Authentic Canadian Content
$17.95

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Navajo Ceremonial Baskets: Sacred Symbols, Sacred Space
Format: Paperback

This well-documented and beautifully illustrated book contains over one hundred full-color photographs of baskets and Navajo weavers. Learn the detailed history, origins, and meanings of these ceremonial baskets, as well as the etiquette to observe when using them and how to preserve them for safekeeping.

Includes a glossary of essential Navajo words.

$23.95

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Potlatch at Gitsegukla: William Beynon's 1945 Field Notebooks
Format: Paperback
Grade Levels: 12; University/College;

William Beynon was born in 1888 in Victoria to a Welsh father and a Tsimshian mother. He was an accomplished ethnographer and had a long career documenting the traditions of the Tsimshian, Nisga'a, and Gitksan. In 1945 he attended and actively participated in five days of potlatches and totem pole raisings at Gitksan village of Gitsegukla. There he compiled four notebooks containing detailed and often verbatim information about the events he witnessed. For over 50 years these notebooks have seen limited circulation among specialists, who have long recognized them as the most perceptive and complete account of potlatching ever recorded. In Potlatch at Gitsegukla the almost 200 pages of the notebooks are published for the first time. Sketches and a selection of photographs taken by Beynon are also included (augmented by photographs taken by Wilson Duff in 1952). In addition to meticulously transcribing and annotating the text of the notebooks, Margaret Anderson and Marjorie Halpin provide a comprehensive introduction that puts Beynon's account into a Gitskan cultural perspective, as well as extensive appendices listing names, places, and Gitskan terms in the notebooks. There is also an excellent timeline of key events in Gitskan history by James McDonald and Jennifer Joseph. William Beynon's notebooks are among the most significant written records of Northwest coast potlatching and are an unsurpassed resource documenting these activities among the Gitskan. This rare, first-hand, ethnographic account of a potlatch reveals the wonderful complexities of the events that took place in Gitsegukla in 1945.

Authentic Canadian Content
$39.95

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