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Algonquin Sunset: An Algonquin Quest Novel
Format: Paperback
Grade Levels: 7; 8; 9; 10;

Anokì and his sister Pangì Mahingan have grown up, and now face a decision that will change their lives forever.

Twelve years after Mahingan was wounded battling for his life against the Haudenosaunee warrior known as Ö:nenhste Erhar (Corn Dog), we rejoin his family and learn what fate held for him.

Now, his children, Anokì and Pangì Mahingan, along with their twin cousins Makwa and Wàbek, are grown and have adult responsibilities. Still living with their Algonquin family, they have become a formidable fighting unit with the addition of three Mi´kmaq warriors, E´s, Jilte´g, and the fierce Elue´wiet Ga´qaquj.

However, there is danger in the land of the setting sun, and nothing is more dangerous than what the family is going to encounter from the fierce enemy of their new Anishinaabe allies: the Lakȟóta.

Educator Information
Recommended Ages: 12-15.

Series Information
This novel is part of the Algonquin Quest Series, a series of young adult novels from Algonquin author Rick Revelle.

Additional Information
304 pages | 5.00" x 8.00"

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$12.99

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An Anthology of Canadian Native Literature 4th Edition
Format: Paperback
Text Content Territories: Indigenous Canadian;

This collection presents writing in English by Canadian Native authors featuring prose selections, traditional songs, short stories, plays, poems and essays, showing a complexity and rich wealth of this culture.

Twenty years after the publication of its groundbreaking first edition, this collection continues to provide the most comprehensive coverage of Canadian Native literature available in one volume. Emphasizing the importance of the oral tradition, the anthology offers a diverse selection of songs, short stories, poems, plays, letters, and essays crafted by exceptional writers from First Nation, Inuit, and Metis communities across Canada.

Reviews
"This textbook is indispensable to teachers and students of Native literature in Canada." --Allison Hargreaves, University of British Columbia, Okanagan Campus

"This text is very much the gold standard of anthologies of contemporary Indigenous literatures in Canada. . . .Excellent new introduction by Armand Garnet Ruffo - the highlight of the new edition." --Daniel Heath Justice, University of Toronto

Educator Information
Grades 10/11 English First Peoples resource for various units.

Note: Some works in this anthology contain mature and challenging material that may not be suitable for all students.  Only specific works identified in English First Peoples units are recommended for classroom use.

Additional Information
688 pages | 6.00" x 9.00"

Please NoteThis item could take 2-3 weeks for delivery, as it is a special order item.

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$125.00

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Anishinaabe ABC Mazina’igan
Artists:
Nicole Marie Burton
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Ojibway;
Grade Levels: Kindergarten; 1; 2; 3; 4; 5; 6; 7; 8; 9; 10; 11; 12; University/College;

It's never too early to start teaching children their First Nations language, and Anishinaabe ABC Mazina'igan is a great tool to assist with learning.

This book is the second in a series by Language Facilitator, Wanda Barker. It is a great tool to assist with learning the Ojibwe language. Anishinaabe ABC Mazina’igan is filled with beautiful illustrations, Anishinaabemowin/Ojibwe sentences and their English translations. The images can serve as a starting point for discussion of the cultural relevancy of the sentences associated with each letter.

This book can be used by students, parents and teachers, young and old.  It is written in the double vowel writing system and is intended to show the sequence of the Ojibwe alphabet.  The images can serve as a starting point for discussion of the cultural relevancy of the sentences associated with each letter.

Educator Information
This book is written in the Ojibwe language with a glossary at the back in Ojibwe and English. It is useful for anyone wanting to learn the Ojibwe language. 

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$7.95

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Anishinaabeg Stories: Featuring Petroglyphs, Petrographs, and Wampum Belts
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg;

This code cracking book is written for people who wish to become culturally literate in the Anishinaabe worldview. This book is suitable for both Anishinaabeg and settler allies seeking greater understanding of a worldview, tradition, and knowledge philosophy once criminalized by the Canadian Government and consequently forced underground. It is also suitable for academics, both undergraduates and graduates, interested in gaining a deeper understanding of Indigenous governance traditions.

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$19.95

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Anishinaabemowin Alphabet
Artists:
Nicole Marie Burton
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Ojibway;

It’s never too early to start teaching children their First Nations language, and Anishinaabemowin Alphabet is the perfect place to begin. This book is filled with beautifully shaded illustrations, Anishinaabemowin/Ojibwe words and their English translations, and it can be used by students, parents and teachers young and old. It is written in the double vowel writing system and is intended to show the sequence of the Ojibwe alphabet. The images can serve as a starting point for discussion of the cultural relevancy of the word associated with each letter.

Educator Information
This book is written in the Ojibwe language.  An English translation for each word is provided at the back of the book.

 

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$7.95

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As Long as the Sun Shines
Format: Paperback
Grade Levels: 12; University/College;

This poetry collection creatively reveals the beautiful and bitter essences of the world from a distinctive Indigenous female voice. Speaking from her unique Mohawk perspective, the poet unapologetically sings words of wisdom and cultural confidence. By using this creative foundation to unite distinctive communities, she expresses raw emotion throughout her journey toward inner peace from a uniquely Indigenous point of view. It is this strong expression that the poet hopes will become a global guide for her communities to follow and interpret while encountering their truths and identity.

Series Information
This book is part of the Modern Indigenous Voices series.

Additional Information
104 pages | 5.50" x 8.50"

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$16.95

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Beau Dick: Devoured by Consumerism
Format: Hardcover
Grade Levels: 10; 11; 12; University/College;

Accompanying an exhibition of Beau Dick’s work, this beautifully illustrated volume distills his powerful argument against our unsustainable way of living.

"With this body of work, Beau intended to launch his most overt critique of a system that he knew was unsustainable, in favour of a return to the cultural values of his people, and his profound generosity compelled him to share these values as widely as possible." - LaTiesha Fazakas

Beau Dick (1955 - 2017) was celebrated far beyond his hometown of Alert Bay, B.C., for both his political activism and his creation of striking, larger-than-life carved masks inspired by the traditional stories of the Kwakwaka'wakw. Dick's multi-faceted engagement with Kwakwaka'wakw culture included carving (which he learned from Northwest Coast artists such as Henry Hunt, Doug Cranmer, and Bill Reid), storytelling, and dancing.

As a high-ranking member of Hamat'sa, the prestigious Kwakwaka'wakw secret society centred on the story of a ravenous, man-eating spirit, Dick drew on all these art forms to create regalia for and participate in elaborate ceremonies that enacted Kwakwaka'wakw cosmology. Devoured by Consumerism shares nearly two dozen of these masks: vivid, unforgettable creations, made with traditional and contemporary methods and materials, depicting figures like Cannibal Raven, Nu-Tla-Ma (Fool Dancer), and Bookwus (Wild Man of the Woods).

Texts by LaTiesha Fazakas, John Cussans, and Candice Hopkins outline the stories that the masks depict, consider the inescapable parallels between Hamat'sa and the consumerism of capitalist society, and grapple with the philosophy that animates Hamat'sa - one that seeks to confront and, ultimately, master the voracious appetites inside us all.

Educator Information
A useful book for the study of art and culture.

Devoured by Consumerism is Beau Dick's aesthetic response to Western capitalist values and an overt critique of the unchecked commercialism of capitalist society. The intention with this hardcover publication is to contrast the Kwakwaka'wakw economic and legal system of potlatching, which also functions as a way of maintaining and preserving oral history, again Western society's system of capitalism. The book references the Hamat'sa ceremony during potlatch, wherein the Hamat'sa cannibals' insatiable hunger and consumption is 'tamed' ritually through the dance. The power to control one's hunger is considered much greater than the power of hunger itself. This book works to critique the West's ravenous need to devour and consumer by presenting works that highlight this Kwakwaka'wakw worldview. 

Additional Information
96 pages | 8.00" x 9.00" 

 

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$30.00

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Being Ts'elxwéyeqw: First Peoples' Voices and History from the Chilliwack-Fraser Valley, British Columbia
Editors:
David M. Schaepe
Format: Hardcover
Grade Levels: 5; 6; 7; 8; 9; 10; 11; 12; University/College;

“Our stories identify for us the land which surrounds us and tie us to our ancestors. We find ourselves inextricably linked to the past, to the land, to the river, to each other, to the future.” —Shirley Hardman, contributor

This impressive volume tells of the First Peoples of the area through vivid narratives from the past and present.

The traditional territory of the Ts’elxwéyeqw First Peoples covers over 95,000 hectares of land in Southwestern BC. It extends throughout the central Fraser Valley, encompassing the entire Chilliwack River Valley (including Chilliwack Lake, Chilliwack River, Cultus Lake and areas, and parts of the Chilliwack municipal areas). In addition to being an area of natural beauty and abundant resources, it also has a rich cultural history. The Chilliwack region gets its name from the Ts’elxwéyeqw tribe, and this volume delves into what this name means—and also what it means to be Ts’elxwéyeqw. Being Ts’elxwéyeqw portrays the people, artifacts and landscapes that are central to the Ts’elxwéyeqw people, and represents a rich oral record of an aboriginal heritage that has been kept alive—even through adversity—for thousands of years.

Lavishly illustrated with over seven hundred historic and current photos and maps, this book amalgamates a variety of voices and personal histories from elders, while providing background into eighty-five place names within the region. The book’s unique composition—with an emphasis on visual storytelling—showcases a culture with a deep connection to the surrounding land and the watershed.

Educator Information
Recommended for Grades 5-12 for the following subject areas: Geography, Social Studies, Science.  Also a useful Teacher Resource.

Note: Educators should pre-read sections of this book that they are considering using from this reference book, as reading levels vary greatly.

Additional Information
304 pages | 11.00" x 14.00"

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$94.95

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Bella Coola Man
Format: Paperback

When Clayton Mack was a child, his parents wrapped him in wolf skin and dumped him in water four times so he would grow up strong and fierce in the woods like a wolf. True to this Nuxalk tradition, Mack grew up to be a world-famous grizzly bear hunter and guide.
Clayton Mack''s first book of amazing tales about bears and q''umsciwas (white men), "Grizzlies and White Guys," became an instant best seller when it was published in 1993. In "Bella Coola Man," Clayton Mack continues his hair-raising stories about pulling bears out of the bushes by their legs, eating fresh bear meat with Thor Heyerdahl, finding gold nuggets in the bush, murder in the Big Ootsa country and dead men's talking beans, plus Crooked Jaw the Indian agent and where to find good fishing.
Clayton Mack was a walking encyclopedia of tribal lore, and one of the best storytellers ever born. The stories in "Bella Coola Man" are the last he told, and reflect his desire to pass on as much information about Nuxalk life and legends as he could before his death. Hear about the man-eater dance performed at River's Inlet where the dancers ate a dead woman's head, or about the last Indian war on the coast, native remedies like devil's club tea which is "good for anything," Alexander Mackenzie''s travels through Bella Coola country along the Grease Trail, how native hunters killed mountain goats by prying them off cliffs with sticks, and about forgotten villages and places, which come alive again through Clayton Mack''s words.
Clayton Mack had a deep understanding and appreciation of life on British Columbia''s rugged coast. His stories are unique lessons in history, as well as pure entertainment. Here are the stories of the legend himself, Clayton Mack.

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$24.95

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Best of Chief Dan George
Authors:
Chief Dan George
Format: Paperback

Chief Dan George was an accomplished performer, poet, philosopher, champion of First Nations peoples, and loving patriarch of a large family. This book combines the two best sellers, MY HEART SOARS and MY SPIRIT SOARS. Poetic and spiritual, this book has a universal message for all people.

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$12.95

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Bill Reid and the Haida Canoe
Editors:
Martine J. Reid
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Haida;

Northwest Coast peoples were maritime engineers who mastered the art of building dugout canoes from gigantic red cedars, using only tools made from bone, stone, and wood. Ubiquitous, these elegant craft were used for everyday and ceremonial purposes, for fishing, hunting and trading, for feasting and potlatching, and in warfare—they were the keys that unlocked the treasure chest of the North Pacific.

Bill Reid and the Haida Canoe tells the story of the Northwest Canoe from its zenith in pre-contact times, through its decline in the late nineteenth century, to its revival in Lootaas (Wave Eater) which Bill Reid built for Expo '86, to its culmination with the Tribal Canoe Journeys of the twenty-first century and The Spirit of Haida Gwaii sculptures. Bill Reid expressed awe for the traditional Haida canoe and what it represents visually, symbolically, and culturally. In his words, "Western art starts with the figure—West Coast Indian art starts with the canoe."

The successive journeys of Lootaas were significant stages in Bill Reid's work, which culminated with the iconic sculpture The Spirit of Haida Gwaii, a monumental bronze canoe filled to overflowing with creatures of Haida mythology (currently featured on the Canadian twenty-dollar bill). As a final creative act Bill Reid requested that, at the end of his life, his ashes be transported in Lootaas paddled by a crew of his Haida friends and relatives to Tanu, his grandmother's village in Gwaii Haanas.

The story is told through writings and artworks by Bill Reid, vivid photographs by Phillip Hersee, Ulli Steltzer, Robert Semeniuk and others, texts by James Raffan, Martine J. Reid, and Mike Robinson and first-hand accounts by First Nations paddlers.

Bill Reid and the Haida Canoe is a companion book to the Bill Reid and the Haida Canoe exhibition mounted by the Bill Reid Gallery of Northwest Coast Art and touring to the Canadian Canoe Museum in Peterborough, Ontario.

Authenticity Note: Because of this work's contributions of writings and artworks from Bill Reid and other First Nations peoples on Indigenous topics, it has received the Authentic Indigenous Text and Authentic Indigenous Artwork labels.

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$29.95

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Black Sheep, White Crow and Other Windmill Tales: Stories from Navajo Country
Authors:
Jim Kristofic
Format: Paperback
Text Content Territories: Indigenous American; Native American; Navajo (Diné);
Grade Levels: 4; 5; 6; 7; 8;

When Kameron moves to his grandma's sheep camp on the Navajo Reservation, he leaves behind his cell phone reception and his friends. The young boy's world becomes even stranger when Kameron takes the sheep out to the local windmill and meets an old storyteller. As the seasons turn, the old man weaves eight tales that teach the deeper story of the Diné country and the Diné people.

Reviews
“A wonderful set of stories that encompass the past, present, and future of the Navajos. It encourages [readers] to be determined, disciplined, and motivated as they move through life and make stories of their own.”—Edison Eskeets, Diné runner, artist, educator, and first Diné trader at Hubbell Trading Post National Historic Site

Awards

  • Winner of the 2018 Skipping Stones Honor Award for Multicultural and International Books

Educator Information
Recommended Ages: 9-13

Contents
Preface
Shįįgo—Summer

  • Black Sheep, White Crow
  • The Animals Who Wanted to Be What They Were Not

’Aak’eedgo—Autumn

  • The Rattling Bones
  • The Ring with Three Stones

Haigo—Winter

  • The Heart of a Rider
  • The Ugly Dog

Dąągo—Spring

  • The Boy Who Became Coyote
  • The Flint Bear

Author’s Notes
Notes on Navajo Pronunciation

Additional Information
120 pages | 6.00" x 9.00"

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$29.95

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Blackbird Song
Text Content Territories: Indigenous Canadian; First Nations; Cree (Nehiyawak);
Grade Levels: 10; 11; 12; University/College;

An exquisite series of meditations on memory, evanescence and the land. Randy Lundy draws deeply from his Cree heritage and equally from European and Asian traditions. Readers will be reminded by turns of Simon Ortiz, P?r Lagerkvist, and Jane Hirshfield. This is the mind of prayer, a seeing and re-seeing of the immense cyclic beauty of the earth.

Reviews
“Lundy has entered the place where the masters reside. His poems join the shades that walk among them. There aren’t many people who get to that place and sometimes it can feel very lonely there, but the masters are saved by the brilliant and humble work they have done, their poems the crevices in our lives where the light shines through." – Patrick Lane, author of Washita

“Randy Lundy’s poems bring forward the spirit of his Cree ancestry, and place our species humbly among the creatures of Earth—who are all observed with deep reverence and perceptive care.” – Don McKay, author of Strike/Slip

“This is the book of poems I’ve been waiting for … His poems burn us, feed us, and make us feel beloved even if we have been broken. Language, as he uses it, holds us and leads us to a place where we can mourn and pray and wonder.” – Lorna Crozier, author of What the Soul Doesn’t Want

Educator Information
The Canadian Indigenous Books for Schools list recommends this resource for Grades 10-12 for English Language Arts.

Caution: Some poems contain content that may cause trigger reactions for readers. Pre-read poems before using them with students.

Additional Information
96 pages | 5.50" x 8.50"

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$19.95

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Blackfoot Craftworker's Book
Format: Paperback

This collection of photos of traditional accessories, clothing, cradleboards, utensils, and more is a look at Blackfoot material culture at its finest. History of the styles, descriptions of techniques and materials, and information about daily and ritual use of many of the items are included.

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$15.95

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Blueberries and Apricots
Format: Paperback
Grade Levels: 12; University/College;

In this, her third volume of poetry, this Aboriginal writer from Quebec again confronts the loss of her landscape and language.

On my left hip
a face

I walk
I walk upright
like a shadow

a people on my hip
a boatload of fruit
and the dream inside
women and children first

"A cry rises in me and transfigures me. The world waits for woman to come back as she was born: woman standing, woman powerful, woman resurgent. A call rises in me and I've decided to say yes to my birth."

Reviews
"Poetess, painter, actress, slammer ... Natasha Kanapé Fontaine speaks with a soft voice, but her words are powerful. In a few years, the young Innue has become a model for young people and for her community." —La Presse

Additional Information
72 pages | 5.00" x 7.50" | Translated from French by Howard Scott.

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$19.95

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