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A Mind Spread Out on the Ground
Format: Hardcover
Grade Levels: University/College;

A bold and profound work by Haudenosaunee writer Alicia Elliott, A Mind Spread Out on the Ground is a personal and critical meditation on trauma, legacy, oppression and racism in North America. 

In an urgent and visceral work that asks essential questions about the treatment of Native people in North America while drawing on intimate details of her own life and experience with intergenerational trauma, Alicia Elliott offers indispensable insight and understanding to the ongoing legacy of colonialism. What are the links between depression, colonialism and loss of language--both figurative and literal? How does white privilege operate in different contexts? How do we navigate the painful contours of mental illness in loved ones without turning them into their sickness? How does colonialism operate on the level of literary criticism?

A Mind Spread Out on the Ground is Alicia Elliott's attempt to answer these questions and more. In the process, she engages with such wide-ranging topics as race, parenthood, love, mental illness, poverty, sexual assault, gentrification, writing and representation. Elliott makes connections both large and small between the past and present, the personal and political--from overcoming a years-long history with head lice to the way Native writers are treated within the Canadian literary industry; her unplanned teenage pregnancy to the history of dark matter and how it relates to racism in the court system; her childhood diet of Kraft dinner to how systematic oppression is linked to depression in Native communities. With deep consideration and searing prose, Elliott extends far beyond her own experiences to provide a candid look at our past, an illuminating portrait of our present and a powerful tool for a better future.

Reviews
"This book is hard, vital medicine. It is a dance of survival and cultural resurgence. Above all, it is breathtakingly contemporary Indigenous philosophy, in which the street is also part of the land, and the very act of thinking is conditioned by struggles for justice and well-being." —Warren Cariou, author of Lake of the Prairies

"These essays are of fiercest intelligence and courageous revelation. Here, colonialism and poverty are not only social urgencies, but violence felt and fought in the raw of the everyday, in embodied life and intimate relations. This is a stunning, vital triumph of writing." —David Chariandy, author of Brother

"Wildly brave and wholly original, Alicia Elliot is the voice that rouses us from the mundane, speaks political poetry and brings us to the ceremony of everyday survival. Her words remind us to carry both our weapons and our medicines, to hold both our strength and our open, weeping hearts. A Mind Spread Out on the Ground is what happens when you come in a good way to offer prayer, and instead, end up telling the entire damn truth of it all." —Cherie Dimaline, author of The Marrow Thieves

"A Mind Spread Out on the Ground is a new lens on Indigenous Canadian literature." —Terese Marie Mailhot, author of Heart Berries

"We need to clone Alicia Elliott because the world needs more of this badass writer. A Mind Spread Out on the Ground showcases her peculiar alchemy, lighting the darkest corners of racism, classism, sexism with her laser-focused intellect and kind-hearted soul-searching. A fresh and revolutionary cultural critic alternately witty, vulnerable and piercing." —Eden Robinson, author of Son of a Trickster and Trickster Drift

"The future of CanLit is female, is Indigenous—is Alicia Elliott. I anticipate this book to be featured on every 'best of' and award list in 2019, and revered for years to come." —Vivek Shraya, author of I’m Afraid of Men and even this page is white

"In A Mind Spread Out on the Ground, Elliott invites readers into her unceded mind and heart, taking us on a beautiful, incisive and punk rock tour of Tuscarora brilliance. Elliott's voice is fire with warmth, light, rage and endless transformation." —Leanne Betasamosake Simpson, author of This Accident of Being Lost

"Alicia Elliott has gifted us with an Indigenous woman's coming of age story, told through engagingly thoughtful, painfully poignant and enraging essays on race, love and belonging. With poetic prose and searing honesty, she lays bare what it is like to grow up Indigenous and exist in a country proud of its tolerance, but one that has proven to be anything but. She opens eyes and captures hearts, leading you by the hand to see our fractured world through her eyes. Alicia is exactly the voice we need to hear now." —Tanya Talaga, author of Seven Fallen Feathers

"Incisive. That's the word I keep coming back to. A Mind Spread out on the Ground is incredibly incisive. Alicia Elliot slices through the sometimes complicated, often avoided issues affecting so many of us in this place now called Canada. She is at once political, personal, smart, funny, global and, best of all, divinely human. Necessary. That's the other word I keep thinking about. In every chapter, she manages to find the perfect word and the precise argument needed—I found myself saying 'yes, yes, that is exactly it' more than once. I am so grateful for her work." —Katherena Vermette, author of The Break

"A Mind Spread Out on the Ground is an astonishing book of insightful and affecting essays that will stay with you long after the final page." —Zoe Whittall, author of The Best Kind of People

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240 pages | 5.75" x 8.50"

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A Two-Spirit Journey: The Autobiography of a Lesbian Ojibwa-Cree Elder
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Oji-Cree;
Grade Levels: 12; University/College;

A compelling, harrowing, but ultimately uplifting story of resilience and self-discovery.

A Two-Spirit Journey is Ma-Nee Chacaby’s extraordinary account of her life as an Ojibwa-Cree lesbian. From her early, often harrowing memories of life and abuse in a remote Ojibwa community riven by poverty and alcoholism, Chacaby’s story is one of enduring and ultimately overcoming the social, economic, and health legacies of colonialism.

As a child, Chacaby learned spiritual and cultural traditions from her Cree grandmother and trapping, hunting, and bush survival skills from her Ojibwa stepfather. She also suffered physical and sexual abuse by different adults, and in her teen years became alcoholic herself. At twenty, Chacaby moved to Thunder Bay with her children to escape an abusive marriage. Abuse, compounded by racism, continued, but Chacaby found supports to help herself and others. Over the following decades, she achieved sobriety; trained and worked as an alcoholism counsellor; raised her children and fostered many others; learned to live with visual impairment; and came out as a lesbian. In 2013, Chacaby led the first gay pride parade in Thunder Bay.

Ma-Nee Chacaby has emerged from hardship grounded in faith, compassion, humour, and resilience. Her memoir provides unprecedented insights into the challenges still faced by many Indigenous people.

Reviews
“From groundbreaking and controversial AIDS awareness programs in the 1990s to the work she continues to do today, both with her own family and her extended reserve family, her life and this memoir ultimately serve as handbook of hope.”— Lara Rae, Winnipeg Free Press

"A Two-Spirit Journey is a raw and emotional story that doesn’t just show readers the author’s scars. Chacaby bares all in an honest telling of her life that includes flaws, like her struggles with substance abuse and a sometimes rocky path to sobriety. Despite the turmoil, the autobiography does have its uplifting moments and characters. Heartwarming stories of childhood friendships, and most importantly a powerful relationship between the author and her grandmother, weave feelings of optimism and hope into a life that is oftentimes surrounded by darkness.”— Scott Paradis, tbnewswatch.com

“An extraordinary account of an extraordinary life and very highly recommended for community and academic library Contemporary Biography, LGBT, and Native American Studies collections.”— Midwest Book Review

“Activist, survivor, mother, counsellor, Ma-Nee Chacaby recounts her sometimes harrowing life with a calm and steady voice, infused with resilience and compassion. Effectively designed and edited to appeal to both the general public and those engaged in Indigenous studies, A Two-Spirit Journey presents an important story, powerfully told.”— Nik Burton, Rick Walker, and Carolyn Wood, Judges, 2017 Manitoba Book Awards

“The story that Chacaby and Plummer recount is truly an extraordinary one, but it is also one that will resonate with many people whose stories have not been often told. The perspective of a lesbian Ojibwa-Cree elder is invaluable for LGBT Native youth and will be an enriching experience for many others, particularly those who have experienced abuse, disability, poverty, or the effects of colonization.”— Kai Pyle, Studies in American Indian Literatures

Educator Information
This book would be useful for courses in women's studies, social studies, and gender studies.  Recommended for students in grade 12 or at a college/university level.

Caution: discussion of physical and sexual abuse.

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256 pages | 6.00" x 9.00"

 

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An Honest Woman
Format: Paperback
Text Content Territories: Indigenous Canadian;
Grade Levels: 11; 12; University/College;

 An Honest Woman by Jonina Kirton confronts us with beauty and ugliness in the wholesome riot that is sex, love, and marriage. From the perspective of a mixed-race woman, Kirton engages with Simone de Beauvoir and Donald Trump to unravel the norms of femininity and sexuality that continue to adhere today.

Kirton recalls her own upbringing, during which she was told to find a good husband who would “make an honest woman” out of her. Exploring the lives of many women, including her mother, her contemporaries, and well-known sex-crime stories such as the case of Elisabeth Fritzl, Kirton mines the personal to loosen the grip of patriarchal and colonial impositions. 

An Honest Woman explores the many ways the female body is shaped by questions that have been too political to ask: What happens when a woman decides to take her sexuality into her own hands, dismissing cultural norms and the expectations of her parents? How is a young woman’s sexuality influenced when she is perceived as an “exotic” other? Can a woman reconnect with her Indigenous community by choosing Indigenous lovers? 

Daring and tender in their honesty and wisdom, these poems challenge the perception of women’s bodies as glamorous and marketable commodities and imagine an embodied female experience that accommodates the role of creativity and a nurturing relationship with the land.

Reviews
“Jonina Kirton is courageously honest about her life experiences as a female of Indigenous and immigrant ancestry. Many poems resonate deeply, as we identify with her personal quest to figure out who she is, and the unacceptable things done to her. Her raw honesty is unsettling and uncomfortable, because it can be our truth too. Her poems depict devaluation and dehumanization, grieving, lessons learned. Her poems offer important insights as to why there are thousands of missing and murdered Indigenous women.” — Senator Lillian E. Dyck

“When writing from the voice of between, writer and reader have no place to hide. Assumptions and camouflage fall away. Murdered, missing, and violated women and girl voices have been silenced. The story lethally repeats. Kirton picks over how she was raised familially and culturally like a crime scene. Too, she affirms, ‘I have been here forever and I will rise again and again.’ Tough, eloquent, revelatory, these poems are the very ones we are desperately in need of.” — Betsy Warland, author of Oscar of Between: A Memoir of Identity and Ideas

“I’m sure people have been looking at me strangely every time I gasp, but I can’t glance away from the page for even a second to notice. Some of the poems end sharply, with a punch; some deliberately leave me searching for the next line; others show the repetition of heartbreaking cycles of violence and oppression, but offer a portrayal of resilience, too.” — All Lit Up!

Educator Information
This book would be useful for Women's Studies, Creative Writing, English Language Arts, Poetry, and English courses.  Recommended for grades 11-12 and university-college students.  

Please be advised, this book contains explicit sexual references and references to sexual and physical abuse.

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104 pages | 6.00" x 9.00"

 

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Dana Claxton
Format: Hardcover
Text Content Territories: Indigenous Canadian; First Nations; Sioux; Lakota; Hunkpapa;
Grade Levels: 11; 12; University/College;

Known for her expansive multidisciplinary approach to art making Vancouver-based Dana Claxton, who is Hunkpapa Lakota (Sioux), has investigated notions of Indigenous identity, beauty, gender and the body, as well as broader social and political issues through a practice which encompasses photography, film, video and performance. Rooted in contemporary art strategies, her practice critiques the representations of Indigenous people that circulate in art, literature and popular culture in general. In doing so, Claxton regularly combines Lakota traditions with "Western" influences, using a powerful and emotive "mix, meld and mash" approach to address the oppressive legacies of colonialism and to articulate Indigenous world views, histories and spirituality. This timely catalogue is the first monograph to examine the full breadth and scope of Claxton's practice. It's extensively illustrated and includes essays by Claxton's colleague Jaleh Mansoor, Associate Professor in the Department of Art History, Visual Art & Theory at the University of British Columbia; Monika Kin Gagnon, Professor in the Communications Department at Concordia University, who has followed Claxton's work for 25 years; Olivia Michiko Gagnon, a New York-based scholar and doctoral student in Performance Studies; and Grant Arnold, Audain Curator of British Columbia Art at the Vancouver Art Gallery.

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160 pages | 9.08" x 10.60"

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Gender, Power, and Representations of Cree Law
Authors:
Emily Snyder
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Cree (Nehiyawak);
Grade Levels: University/College;

Drawing on the insights of Indigenous feminist legal theory, Emily Snyder examines representations of Cree law and gender in books, videos, graphic novels, educational websites, online lectures, and a video game. Although these resources promote the revitalization of Cree law and the principle of miyo-wîcêhtowin (good relations), Snyder argues that they do not capture the complexities of gendered power dynamics.

The majority of the resources either erase women’s legal authority by not mentioning them, or they diminish women’s agency by portraying them primarily as mothers and nurturers. Although these latter roles are celebrated, Snyder argues that Cree laws and gender roles are represented in inflexible, aesthetically pleasing ways that overlook power imbalances and difficult questions regarding interpretations of tradition.

What happens when good relations are represented in ways that are oppressive? Grappling with this question, Snyder makes the case that educators need to critically engage with issues of gender and power in order to create inclusive resources that meaningfully address the everyday messiness of law. As with all legal orders, gendered oppression can be perpetuated through Cree law, but Cree law is also a dynamic resource for challenging gendered oppression. 

This book will appeal to students and scholars of law, Indigenous studies, gender studies, and the sociology of inequality.

Reviews
"Emily Snyder engages with one of the thorniest issues in the field of Indigenous law – that of gender and power. This respectful, thoughtful, and razor-sharp analysis of essentialist and fundamentalist representations of women in Cree law both challenges and provokes. This book will change how we see and think about Indigenous law. It is a gift to feminism, to legal scholarship, and to Indigenous feminists and communities the world over." -  Val Napoleon, Law Foundation Chair of Aboriginal Justice and Governance, Faculty of Law, University of Victoria

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248 pages | 6.00" x 9.00"

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I Am Woman: A Native Perspective on Sociology and Feminism
Format: Paperback
Grade Levels: University/College;

I Am Woman represents my personal struggle with womanhood, culture, traditional spiritual beliefs and political sovereignty, written during a time when that struggle was not over. My original intention was to empower Native women to take to heart their own personal struggle for Native feminist being. It remains my attempt to present a Native woman's sociological perspective on the impacts of colonialism on us, as women, and on my self personally.

Reviews
One of the foremost Native writers in North America, Lee Maracle links her First Nations heritage with feminism in this visionary book. "Maracle has created a book of true wisdom, intense pride, sisterhood and love." -Milestones Review

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146 pages | 8.23" x 8.52"

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$18.95

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IKWE: Honouring Women, Life Givers, and Water Protectors
Format: Paperback
Text Content Territories: Indigenous Canadian;
Grade Levels: 1; 2; 3; 4; 5; 6; 7; 8; 9; 10; 11; 12; University/College;

An Indigneous Art Colouring Book for Adults and Children.

IKWE is a new colouring book by Anishinaabe artist Jackie Traverse. Featuring brand new works, the stunning images in IKWE celebrate the spiritual and ceremonial aspects of women and their important role as water protectors. 

“I had the privilege of going to Standing Rock twice. The strength and power that came from the women there inspired this book. To be a woman is to be a life giver and water protector. Even if you never have children, you have that sense, and the duty to honour and protect the water is within you,” writes Traverse.

Reviews
“The importance of celebrating Indigenous women and girls’ space and place within our collective journey toward healing, empowerment and reconciliation cannot be overstated. When we, as Indigenous women and girls, see ourselves reflected in positive and powerful ways, it renders emotional and spiritual transformative change in our lives. Jackie’s art, her book and her life fundamentally contribute to the positive imagery of Indigenous women and offers a sacred way to understand one another moving toward reconciliation in Canada.”— Nahanni Fontaine, NDP MLA for St. Johns, Legislative Assembly of Manitoba

“Jackie’s work is that medicine that connects us all to a time when the earth and her women were equally respected as sacred —life givers, leaders, teachers and healers. Her genius is to help make us remember.”— Leslie Spillett, Ka Ni Kanichihk, Winnipeg

“I first received Jackie’s colouring book as a gift. I was immediately struck by the feminine strength, beauty and resiliency in her drawings. The teachings she shares in the back of the colouring book add so much spiritual depth to her already powerful work! Hiy hiy mistahi Jackie for sharing your gifts of art and words, along with your cultural teachings with your drawings.— Lynette La Fontaine, Aboriginal nurse educator with Chee Mamuk, BC CDC

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50 pages | 10.00" x 8.00"

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Implicating the System: Judicial Discourses in the Sentencing of Indigenous Women
Authors:
Elspeth Kaiser-Derrick
Format: Paperback
Text Content Territories: Indigenous Canadian;
Grade Levels: University/College;

Indigenous women continue to be overrepresented in Canadian prisons; research demonstrates how their over-incarceration and often extensive experiences of victimization are interconnected with and through ongoing processes of colonization. Implicating the System: Judicial Discourses in the Sentencing of Indigenous Women explores how judges navigate these issues in sentencing by examining related discourses in selected judgments from a review of 175 decisions.

The feminist theory of the victimization-criminalization continuum informs Elspeth Kaiser-Derrick’s work. She examines its overlap with the Gladue analysis, foregrounding decisions that effectively integrate gendered understandings of Indigenous women’s victimization histories, and problematizing those with less contextualized reasoning. Ultimately, she contends that judicial use of the victimization-criminalization continuum deepens the Gladue analysis and augments its capacity to further its objectives of alternatives to incarceration.

Kaiser-Derrick discusses how judicial discourses about victimization intersect with those about rehabilitation and treatment, and suggests associated problems, particularly where prison is characterized as a place of healing. Finally, she shows how recent incursions into judicial discretion, through legislative changes to the conditional sentencing regime that restrict the availability of alternatives to incarceration, are particularly concerning for Indigenous women in the system.

Reviews
“Elspeth Kaiser-Derrick’s work is an important read in light of the needs of truth and reconciliation. Her exploration of judicial discourses in the sentencing of Indigenous women reveal the multiple systemic failures of Canada’s justice system. What judge’s say and write is important because it reflects and refracts the inequalities and injustices that are embedded in our collective social order. Their words are demonstrative of the dire need for dramatic changes in Canada’s justice system. The book is a must read for all persons concerned with justice, criminal law and human rights.” — Richard Jochelson

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414 pages | 6.00" x 9.00" | bibliography | index

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Indigenous Women's Writing and the Cultural Study of Law
Format: Paperback
Text Content Territories: Indigenous American; Indigenous Canadian;
Grade Levels: University/College;

In Indigenous Women’s Writing and the Cultural Study of Law, Cheryl Suzack explores Indigenous women’s writing in the post-civil rights period through close-reading analysis of major texts by Leslie Marmon Silko, Beatrice Culleton Mosionier, Louise Erdrich, and Winona LaDuke.

Working within a transnational framework that compares multiple tribal national contexts and U.S.-Canadian settler colonialism, Suzack sheds light on how these Indigenous writers use storytelling to engage in social justice activism by contesting discriminatory tribal membership codes, critiquing the dispossession of Indigenous women from their children, challenging dehumanizing blood quantum codes, and protesting colonial forms of land dispossession. Each chapter in this volume aligns a court case with a literary text to show how literature contributes to self-determination struggles. Situated at the intersections of critical race, Indigenous feminist, and social justice theories, Indigenous Women’s Writing and the Cultural Study of Law crafts an Indigenous-feminist literary model in order to demonstrate how Indigenous women respond to the narrow vision of law by recuperating other relationships–to themselves, the land, the community, and the settler-nation.

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Inuit Stories of Being and Rebirth: Gender, Shamanism, and the Third Sex
Format: Paperback
Text Content Territories: Indigenous Canadian; Inuit;
Grade Levels: University/College;

The small island of Igloolik lies between the Melville Peninsula and Baffin Island at the northern end of Hudson Bay north of the Arctic Circle. It has fascinated many in the Western world since 1824, when a London publisher printed the narratives by William Parry and his second-in-command, George Lyon, about their two years spent looking for the mythical Northwest Passage.

Nearly a hundred and fifty years later, Bernard Saladin d’Anglure arrived in Igloolik, hoping to complete the study he had been conducting for nearly six months in Arctic Quebec (present-day Nunavik). He was supposed to spend a month on Igloolik, but on his first morning there, Saladin d’Anglure met the elders Ujarak and Iqallijuq. He learned that they had been informants for Knud Rasmussen in 1922. Moreover, they had spent most of their lives in the camps and fully remembered the pre-Christian period.

Ujarak and Iqallijuq soon became Saladin d’Anglure’s friends and initiated him into the symbolism, myths, beliefs, and ancestral rules of the local Inuit. With them and their families, Saladin d’Anglure would work for thirty years, gathering the oral traditions of their people.

First published in French in 2006, Inuit Stories of Being and Rebirth contains an in-depth, paragraph-by-paragraph analysis of stories on womb memories, birth, namesaking, and reincarnation. This new English edition introduces this material to a broader audience and contains a new afterword by Saladin d’Anglure.

Contents

Ch. 1—Savviurtalik is Reincarnated
Ch. 2—Inuit Genesis and the Desire for Children
Ch. 3—‘Big Belly’
Ch. 4—Incestuous Moon Brother chases Sun Sister
Ch. 5—A Headstrong Daughter
Ch. 6—A Cheated Husband
Ch. 7—Girls Should not Play at Marriage
Ch. 8—A Battered Wife
Ch. 9—Walrus Skin, a Mistreated Orphan, Rescued by the Moon Man
Ch. 10—The Danger of Being Impregnated by a Spirit
Ch. 11—The First Woman Healer
Ch. 12—The Strange Man and His Whale
Ch. 13—Atanaarjuat, The Fast Runner, a Mythical Hero
Ch. 14—Aaguttaaluk, the Cannibal Forebear
Ch. 15—Qisaruatsiaq, Back to Her Mother’s Womb

 
Reviews
“The real strength of the book are the dialogues between d’Anglure, Iqallijuq, and Ujarak that provide insights into many of the stories provided by Kupaaq … providing one of the first Inuit commentaries on their own texts.” – Chris Trott, Etudes/Inuit/Studies
 
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400 pages | 6.00" x 9.00"
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Keetsahnak / Our Missing and Murdered Indigenous Sisters
Format: Paperback
Text Content Territories: Indigenous Canadian;
Grade Levels: University/College;

In Keetsahnak / Our Murdered and Missing Indigenous Sisters, the tension between personal, political, and public action is brought home starkly as the contributors look at the roots of violence and how it diminishes life for all. Together, they create a model for anti-violence work from an Indigenous perspective. They acknowledge the destruction wrought by colonial violence, and also look at controversial topics such as lateral violence, challenges in working with “tradition,” and problematic notions involved in “helping.” Through stories of resilience, resistance, and activism, the editors give voice to powerful personal testimony and allow for the creation of knowledge. 

It’s in all of our best interests to take on gender violence as a core resurgence project, a core decolonization project, a core of Indigenous nation building, and as the backbone of any Indigenous mobilization. —Leanne Betasamosake Simpson

Contributors: Kim Anderson, Stella August, Tracy Bear, Christi Belcourt, Robyn Bourgeois, Rita Bouvier, Maria Campbell, Maya Ode’amik Chacaby, Downtown Eastside Power of Women Group, Susan Gingell, Michelle Good, Laura Harjo, Sarah Hunt, Robert Alexander Innes, Beverly Jacobs, Tanya Kappo, Tara Kappo, Lyla Kinoshameg, Helen Knott, Sandra Lamouche, Jo-Anne Lawless, Debra Leo, Kelsey T. Leonard, Ann-Marie Livingston, Brenda Macdougall, Sylvia Maracle, Jenell Navarro, Darlene R. Okemaysim-Sicotte, Pahan Pte San Win, Ramona Reece, Kimberly Robertson, Leanne Betasamosake Simpson, Beatrice Starr, Madeleine Kétéskwew Dion Stout, Waaseyaa’sin Christine Sy, Alex Wilson

Educator Information
Useful for these subject areas: Women's Studies, Indigenous History, Sociology, Gender Studies, Social Science: Violence in Society.

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400 pages | 6.00" x 9.00"

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Life Stages and Native Women
Format: Paperback

A rare and inspiring guide to the health and well-being of Aboriginal women and their communities.

The process of "digging up medicines" - of rediscovering the stories of the past - serves as a powerful healing force in the decolonization and recovery of Aboriginal communities. In Life Stages and Native Women, Kim Anderson shares the teachings of fourteen elders from the Canadian prairies and Ontario to illustrate how different life stages were experienced by Metis, Cree, and Anishinaabe girls and women during the mid-twentieth century. These elders relate stories about their own lives, the experiences of girls and women of their childhood communities, and customs related to pregnancy, birth, post-natal care, infant and child care, puberty rites, gender and age-specific work roles, the distinct roles of post-menopausal women, and women's roles in managing death. Through these teachings, we learn how evolving responsibilities from infancy to adulthood shaped women's identities and place within Indigenous society, and were integral to the health and well-being of their communities. By understanding how healthy communities were created in the past, Anderson explains how this traditional knowledge can be applied toward rebuilding healthy Indigenous communities today.

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Making Space for Indigenous Feminism
Format: Paperback
Text Content Territories: Indigenous;
Grade Levels: 12; University/College;

The first edition of Making Space for Indigenous Feminism proposed that Indigenous feminism was a valid and indeed essential theoretical and activist position, and introduced a roster of important Indigenous feminist contributors. This new edition builds on the success and research of the first and provides updated and new chapters that cover a wide range of some of the most important issues facing Indigenous peoples today: violence against women, recovery of Indigenous self-determination, racism, misogyny and decolonization. Specifically, new chapters deal with Indigenous resurgence, feminism amongst the Sami and in Aboriginal Australia, neoliberal restructuring in Oaxaca, Canada’s settler racism and sexism, and missing and murdered Indigenous women and girls in Canada. 

Written by Indigenous feminists and allies, this book provides a powerful and original intellectual and political contribution demonstrating that feminism has much to offer Indigenous women, and all Indigenous peoples, in their struggles against oppression.

Reviews
Making Space for Indigenous Feminism is an essential resource that places gender justice at the core of our analyses of colonization and decolonization. What we learn is urgent: without addressing the systemic and symbolic character of the gendered violence that Indigenous women, girls, two-spirit, trans, and queer folks disproportionately face, decolonization will remain a man-made, colonial sham.”— Glen Coulthard, First Nations and Indigenous Studies, UBC

“This path-breaking collection brings together leading and emerging voices in the field, presenting critical innovative research that reminds us of the need for a consistent application of feminist analytic tools to understand colonialism and patriarchy as mutually constitutive and reinforcing forces. This collection is essential as an emancipatory tool for decolonization and Indigenous resurgence.”— Heidi Kiiwetinepinesiik Stark, University of Victoria

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256 pages | 6.00" x 9.00"

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Metis Pioneers: Marie Rose Delorme Smith and Isabella Clark Hardisty Lougheed
Authors:
Doris Jeanne Mackinnon
Format: Paperback
Text Content Territories: Indigenous Canadian; Métis;
Grade Levels: 12; University/College;

In Metis Pioneers, Doris Jeanne MacKinnon compares the survival strategies of two Metis women born during the fur trade—one from the French-speaking free trade tradition and one from the English-speaking Hudson’s Bay Company tradition—who settled in southern Alberta as the Canadian West transitioned to a sedentary agricultural and industrial economy. MacKinnon provides rare insight into their lives, demonstrating the contributions Metis women made to the building of the Prairie West. This is a compelling tale of two women’s acts of quiet resistance in the final days of the British Empire.

Reviews
"[These two women's] individual paths provide interesting parallel stories about Metis women who survived and thrived as the Canadian west transitioned from the fur trade to a more sedentary agricultural economy. Marie Rose’s family was French-speaking Metis and a few served as Louis Riel’s soldiers. Isabella was from the English-speaking Metis stock. Both were born in 1861 and both married non-Indigenous men in unions that were influenced, or arranged outright, by their families. Both families had a strong history in the fur trade; Marie Rose’s were free traders and Isabella as part of the Hudson’s Bay Company. Both were community builders who later relied on their influence and circle of acquaintances for support after they became widows and fell on hard times. And the stories of both women showed how the Metis people continued to make significant contributions to the Canadian west even after the fur trade ended, an area of historical study that MacKinnon thinks is rife for discovery...." — Eric Volmers, Calgary Herald

"MacKinnon's book offers readers an in-depth look at the contributions each of the two women made to the growth of Canada's west, but more than that, it is a book about courage, resilience, determination and strength of character. The book was written to tell the truth..." — John Copley, Alberta Native News

"Whether or not the two women were ever in the same room together, their individual paths provide interesting parallel stories about Metis women who survived and thrived as the Canadian west transitioned from the fur trade to a more sedentary agricultural economy…And the stories of both women showed how the Metis people continued to make significant contributions to the Canadian west even after the fur trade ended, an area of historical study that MacKinnon thinks is rife for discovery."— Eric Volmers, Strength and Resilience

"This book deals with the lives of two frontier women - Isabella Lougheed and Marie Rose Smith. They both were Metis but their histories were miles apart. ... The author has found a rich source of history in these two women and offers them in a detailed account of their lives."  — Alberta History

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584 pages | 6.00" x 9.00"

 

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$45.00

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Nitinikiau Innusi: I Keep the Land Alive
Format: Paperback
Grade Levels: University/College;

Labrador Innu cultural and environmental activist Tshaukuesh Elizabeth Penashue is well-known both within and far beyond the Innu Nation. The recipient of a National Aboriginal Achievement Award and an honorary doctorate from Memorial University, she has been a subject of documentary films, books, and numerous articles. She led the Innu campaign against NATO’s low-level flying and bomb testing on Innu land during the 1980s and ’90s, and was a key respondent in a landmark legal case in which the judge held that the Innu had the “colour of right” to occupy the Canadian Forces base in Goose Bay, Labrador. Over the past twenty years she has led walks and canoe trips in nutshimit, “on the land,” to teach people about Innu culture and knowledge.

Nitinikiau Innusi: I Keep the Land Alive began as a diary written in Innu-aimun, in which Tshaukuesh recorded day-to-day experiences, court appearances, and interviews with reporters. Tshaukuesh has always had a strong sense of the importance of documenting what was happening to the Innu and their land. She also found keeping a diary therapeutic, and her writing evolved from brief notes into a detailed account of her own life and reflections on Innu land, culture, politics, and history.

Beautifully illustrated, this work contains numerous images by professional photographers and journalists as well as archival photographs and others from Tshaukuesh’s own collection.

Additional Information
288 pages | 6.00" x 8.50" | 128 colour illustrations | 1 map | bibliography

Authentic Canadian Content
Authentic Indigenous Text
$29.95

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