Shopping Basket      Sign Up / Sign In     
250.758.4287  •  Toll Free 1.888.278.2202

Indigenous Culture / Identity

1 - 15 of 53 Results
Sort By
Go To   of 4
>
100 Days of Cree
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Cree (Nehiyawak);
Grade Levels: 8; 9; 10; 11; 12; University/College;

As an Elder once said, "Learn one Cree word a day for 100 days, and emerge a different person."

In 100 Days of Cree, Neal McLeod offers us a portal into another way of understanding the universe--and our place within it--while demonstrating why this funny, vibrant, and sometimes salacious language is "the sexiest of them all" (according to Tomson Highway).

Based on a series of Facebook posts, the 100 short chapters or "days" in the book present a chain of related words, some dealing with the traditional--the buffalo hunt, the seasons--and others cheekily capturing the detritus of modern life--from Internet slang to Johnny Cash songs to Viagra.

The result is both an introduction to the most widely spoken Indigenous language in Canada and the opportunity to see the world, and ourselves, in another way.

Reviews
"The nonfiction book is divided into 100 themes and offers Cree words and English explanations for everything from traditional subjects such as powwows and medicine to modern subjects such as Facebook and Star Wars. It also includes a guide to pronunciation written by Arok Wolvengrey, a linguist and the author of a Cree-English dictionary. 'When we think about indigenous languages, there’s a part of us that thinks they’re dying languages, ' URP publisher Bruce Walsh said. 'And then this manuscript comes in that demonstrates a living, vital language.' McLeod said that he and Wolvengrey worked to keep a balance between traditional usage and modern adaptations. 'To revitalize our languages, we have to do two things: we have to document the classical terminology, because within that terminology are all of our metaphors and idioms; but we also have to think of how to put old words together, to coin words, to describe the contemporary world.'" — Laura Godfrey, Publishers Weekly

Additional Information
325 pages | 5.50" x 7.00"

Authentic Canadian Content
Authentic Indigenous Text
$24.95

Quantity:
Aboriginal Rights Are Not Human Rights: In Defense of Indigenous Struggles
Authors:
Format: Paperback
Text Content Territories: Indigenous Canadian;

Aboriginal rights do not belong to the broader category of universal human rights because they are grounded in the particular practices of aboriginal people. So argues Peter Kulchyski in this provocative book from the front lines of indigenous people’s struggles to defend their culture from the ongoing conquest of their traditional lands. Kulchyski shows that some differences are more different than others, and he draws a border between bush culture and mall culture, between indigenous people’s mode of production and the totalizing push of state-led capitalism.

Aboriginal Rights Are Not Human Rights provides much needed conceptual and historical analysis of aboriginal and treaty rights in Canada, and offers concrete suggestions to transform the current policy paradigm into one that supports and invigorates indigenous cultures in a contemporary context.

Authentic Canadian Content
$19.95

Quantity:
Anishinaabeg Stories: Featuring Petroglyphs, Petrographs, and Wampum Belts
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg;

This code cracking book is written for people who wish to become culturally literate in the Anishinaabe worldview. This book is suitable for both Anishinaabeg and settler allies seeking greater understanding of a worldview, tradition, and knowledge philosophy once criminalized by the Canadian Government and consequently forced underground. It is also suitable for academics, both undergraduates and graduates, interested in gaining a deeper understanding of Indigenous governance traditions.

Authentic Canadian Content
Authentic Indigenous Text
$19.95

Quantity:
Askiwina: A Cree World
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Cree (Nehiyawak);

In his trademark direct prose style, Cree journalist and filmmaker Doug Cuthand articulates the past, present, and future of Saskatchewan's Aboriginal people. Through his newspaper columns and features, as well as his internationally-known film and video work, Doug Cuthand has become a respected voice in the aboriginal community.

In Askiwina: A Cree World, he offers fresh insights and straight talk over platitudes and dogma, providing readers with a bridge to understanding Aboriginal philosophy, history, culture, and society. He explores the basics of Aboriginal spirituality - the four directions, the trickster Wesakechak, creation stories, coming-of-age rituals, the Sundance, and sacred places on the prairies. He describes Saskatchewan history from an Aboriginal point of view, a perspective from which familiar events like the Battle of Cutknife Hill, the siege of Battleford, and the establishment of Prince Albert look profoundly different.

He delves into the worlds of past leaders and thinkers like Canon Edward Ahenakew, Anahareo, Poundmaker, and Sweetgrass, and cultural and religious traditions like the powwow and the Ghost Dance. He portrays the impact Aboriginal peoples have had on this province - including their critical role in the fur trade, place names of the province, settlement patterns, and even Canadian-American relations - and projects the impact they will have on its future. He also presents a seasoned observer's view of economic and political issues facing Aboriginal peoples in Saskatchewan, including such topics as gaming, self-government, and land claims.

Authentic Canadian Content
Authentic Indigenous Text
$19.95

Quantity:
Atlas of Indian Nations
Format: Hardcover
Text Content Territories: Indigenous American; Indigenous Canadian;

Atlas of Indian Nations is a comprehensive resource for those interested in Native American history and culture. Told through maps, photos, art, and archival cartography, this is the story of American Indians that only National Geographic can tell.

In the most comprehensive atlas of Native American history and culture available, the story of the North American Indian is told through maps, photos, art, and archival cartography. This illustrated atlas is perfect for fans of Empire of the Summer Moon, Blood and Thunder, and National Geographic atlases, as well as those fascinated with the Old West. Organized by region, this encyclopedic reference details Indian tribes in these areas: beliefs, sustenance, shelter, alliances and animosities, key historical events, and more. See the linguistic groupings and understand the constantly shifting, overlapping boundaries of the tribes. Follow the movement, growth, decline, and continuity of Indian nations and their lifestyles.

Authentic Indigenous Text
$60.00

Quantity:
Beau Dick: Devoured by Consumerism
Format: Hardcover
Grade Levels: 10; 11; 12; University/College;

Accompanying an exhibition of Beau Dick’s work, this beautifully illustrated volume distills his powerful argument against our unsustainable way of living.

"With this body of work, Beau intended to launch his most overt critique of a system that he knew was unsustainable, in favour of a return to the cultural values of his people, and his profound generosity compelled him to share these values as widely as possible." - LaTiesha Fazakas

Beau Dick (1955 - 2017) was celebrated far beyond his hometown of Alert Bay, B.C., for both his political activism and his creation of striking, larger-than-life carved masks inspired by the traditional stories of the Kwakwaka'wakw. Dick's multi-faceted engagement with Kwakwaka'wakw culture included carving (which he learned from Northwest Coast artists such as Henry Hunt, Doug Cranmer, and Bill Reid), storytelling, and dancing.

As a high-ranking member of Hamat'sa, the prestigious Kwakwaka'wakw secret society centred on the story of a ravenous, man-eating spirit, Dick drew on all these art forms to create regalia for and participate in elaborate ceremonies that enacted Kwakwaka'wakw cosmology. Devoured by Consumerism shares nearly two dozen of these masks: vivid, unforgettable creations, made with traditional and contemporary methods and materials, depicting figures like Cannibal Raven, Nu-Tla-Ma (Fool Dancer), and Bookwus (Wild Man of the Woods).

Texts by LaTiesha Fazakas, John Cussans, and Candice Hopkins outline the stories that the masks depict, consider the inescapable parallels between Hamat'sa and the consumerism of capitalist society, and grapple with the philosophy that animates Hamat'sa - one that seeks to confront and, ultimately, master the voracious appetites inside us all.

Educator Information
A useful book for the study of art and culture.

Devoured by Consumerism is Beau Dick's aesthetic response to Western capitalist values and an overt critique of the unchecked commercialism of capitalist society. The intention with this hardcover publication is to contrast the Kwakwaka'wakw economic and legal system of potlatching, which also functions as a way of maintaining and preserving oral history, again Western society's system of capitalism. The book references the Hamat'sa ceremony during potlatch, wherein the Hamat'sa cannibals' insatiable hunger and consumption is 'tamed' ritually through the dance. The power to control one's hunger is considered much greater than the power of hunger itself. This book works to critique the West's ravenous need to devour and consumer by presenting works that highlight this Kwakwaka'wakw worldview. 

Additional Information
96 pages | 8.00" x 9.00" 

 

Authentic Canadian Content
Authentic Indigenous Text
Authentic Indigenous Artwork
$30.00

Quantity:
Being Ts'elxwéyeqw: First Peoples' Voices and History from the Chilliwack-Fraser Valley, British Columbia
Editors:
Format: Hardcover
Grade Levels: 5; 6; 7; 8; 9; 10; 11; 12; University/College;

“Our stories identify for us the land which surrounds us and tie us to our ancestors. We find ourselves inextricably linked to the past, to the land, to the river, to each other, to the future.” —Shirley Hardman, contributor

This impressive volume tells of the First Peoples of the area through vivid narratives from the past and present.

The traditional territory of the Ts’elxwéyeqw First Peoples covers over 95,000 hectares of land in Southwestern BC. It extends throughout the central Fraser Valley, encompassing the entire Chilliwack River Valley (including Chilliwack Lake, Chilliwack River, Cultus Lake and areas, and parts of the Chilliwack municipal areas). In addition to being an area of natural beauty and abundant resources, it also has a rich cultural history. The Chilliwack region gets its name from the Ts’elxwéyeqw tribe, and this volume delves into what this name means—and also what it means to be Ts’elxwéyeqw. Being Ts’elxwéyeqw portrays the people, artifacts and landscapes that are central to the Ts’elxwéyeqw people, and represents a rich oral record of an aboriginal heritage that has been kept alive—even through adversity—for thousands of years.

Lavishly illustrated with over seven hundred historic and current photos and maps, this book amalgamates a variety of voices and personal histories from elders, while providing background into eighty-five place names within the region. The book’s unique composition—with an emphasis on visual storytelling—showcases a culture with a deep connection to the surrounding land and the watershed.

Educator Information
Recommended for Grades 5-12 for the following subject areas: Geography, Social Studies, Science.  Also a useful Teacher Resource.

Note: Educators should pre-read sections of this book that they are considering using from this reference book, as reading levels vary greatly.

Additional Information
304 pages | 11.00" x 14.00"

Authentic Canadian Content
Authentic Indigenous Text
$94.95

Quantity:
Carrying on
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations;

Carrying on "Irregardless" is a handsomely illustrated paperback based on the first exhibition to focus on humour in Northwest Coast First Nations art. The show, mounted by the Bill Reid Gallery of Northwest Coast Art in Vancouver is titled after one of Bill Reid's favourite deliberate grammatical blunders that were part of the sense of humour that, as Martine J. Reid says in her introduction, "was perhaps a part of his survival kit, as it often seems to be for First Nations people."

Within this book are the photographed artworks of twenty-eight prominent Northwest Coast artists, including such varied approaches to humour as a rare prehistoric Coast Salish bowl featuring a smiling face carved from stone, a 1990s etching depicting Raven and the First Men Overlooking Wreck Beach (to catch a glimpse at all the nudists, of course!) and a pair of red and yellow cedar bark high heels titled Too Haida. Collected here are artworks that act as political weapons, bold challenges to stereotypes, and nods to the Trickster. They satirize, ridicule and play. And, above all, they make us laugh, and think, and laugh again.

Accompanying the work are descriptions, quips and jokes from the artists themselves. And preceding it stands three impassioned contextualizing essays that range from the poetic to the academic to the anecdotal, by Tahltan artist, stand-up comedian and co-curator, Peter Morin; Director of Content and Research for the Bill Reid Gallery of Northwest Coast Art and co-curator, Martine J. Reid; and CEO of the Bill Reid Trust and Director for the Bill Reid Gallery of Northwest Coast Art, Mike Robinson.

Authentic Canadian Content
Authentic Indigenous Text
Authentic Indigenous Artwork
$24.95

Quantity:
Claiming Anishinaabe: Decolonizing the Human Spirit
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg;
Grade Levels: 12; University/College;

Denied her Indigenous status, Lynn Gehl has been fighting her entire life to reclaim mino-pimadiziwin--the good life. Exploring Anishinaabeg philosophy and Anishinaabeg conceptions of truth, Gehl shows how she came to locate her spirit and decolonize her identity, thereby becoming, in her words, "fully human." Gehl also provides a harsh critique of Canada and takes on important anti-colonial battles, including sex discrimination in the Indian Act and the destruction of sacred places.

Reviews
Gehl is at the cutting edge with her concepts and ideas... She is on a journey and documents it well. — Lorelei Anne Lambert, author of Research for Indigenous Survival

Clear, insightful, and desperately needed... — Lorraine F. Mayer, author of Cries from a Métis Heart

The discussion of the heart and mind knowledge, as well as the discussion on the Anishinaabeg Clan System of Governance, [are] major contributions to the research. — Marlyn Bennett, co-editor of Pushing the Margins

"Throughout Claiming Anishinaabe, the conversation remains rooted in the destructive effects of oppressive power on the human spirit, and an insistence that both knowledge and spirituality are key in reclaiming one’s sense of self." — Quill & Quire

Educator Information
This book would be useful for the following subject areas or courses: Indigenous Studies, Canadian History (Post-Confederation), Social Science, Autobiography/Biography Studies, Spirituality, and Law.

Additional Information
176 pages | 5.50" x 8.50" | Includes line drawings

Authentic Canadian Content
Authentic Indigenous Text
$24.95

Quantity:
Colonized Classrooms
Format: Paperback
Text Content Territories: Indigenous Canadian;

COLONIZED CLASSROOMS
Racism, Trauma and Resistance in Post-Secondary Education

In Colonized Classrooms, Sheila Cote-Meek discusses how Aboriginal students confront narratives of colonial violence in the post secondary classroom, while they are, at the same time, living and experiencing colonial violence on a daily basis. Basing her analysis on interviews with Aboriginal students, teachers and Elders, Cote-Meek deftly illustrates how colonization and its violence are not a distant experience, but one that is being negotiated every day in universities and colleges across Canada.


CONTENTS
Setting the Context • Conceptualizing the Impact of the Colonial Encounter • Negotiating the Culture/Colonial Divide in the Postsecondary Classroom • Negotiating Race in the Postsecondary Classroom • Trauma in the Classroom • Resisting Ongoing Racism and Colonialism in the Postsecondary Classroom • Closing the Circle: The Possibilities for Transformational Pedagogy • References

ABOUT THE AUTHOR
Sheila Cote-Meek is an Anishnaabe-Kwe from the Teme-Augama Anishnabai. She is Associate Vice President of Academic and Indigenous Programs as well as a professor in the School of Indigenous Relations at Laurentian University.

Authentic Canadian Content
Authentic Indigenous Text
$27.00

Quantity:
Dancing on Our Turtle's Back
Format: Paperback
Text Content Territories: Indigenous Canadian;

Many promote Reconciliation as a “new” way for Canada to relate to Indigenous Peoples. In Dancing on Our Turtle’s Back: Stories of Nishnaabeg Re-Creation, Resurgence, and a New Emergence activist, editor, and educator Leanne Simpson asserts reconciliation must be grounded in political resurgence and must support the regeneration of Indigenous languages, oral cultures, and traditions of governance.

Simpson explores philosophies and pathways of regeneration, resurgence, and a new emergence through the Nishnaabeg language, Creation Stories, walks with Elders and children, celebrations and protests, and meditations on these experiences. She stresses the importance of illuminating Indigenous intellectual traditions to transform their relationship to the Canadian state.

Challenging and original, Dancing on Our Turtle’s Back provides a valuable new perspective on the struggles of Indigenous Peoples.

Authentic Canadian Content
Authentic Indigenous Text
$19.95

Quantity:
Deaf Heaven
Format: Paperback
Grade Levels: 12; University/College;

Poetry that takes us inside present-day First Nations reality to reveal the wounds of history and the possible healing to come.

As the title suggests, this new collection of poetry from Garry Gottfriedson of the Secwepemc (Shuswap) Nation deals with the ways in which the world is deaf to the problems First Nations people face in Canada today.

Follow Garry Gottfriedson in this new collection of combative poems as he compels us and Heaven to listen to the challenges facing First Nation communities today. Employing many of the Secwepemc (Shuswap) images and stories, Gottfriedson takes us inside the rez and into the rooming houses in the city cores, but always drawing new strength from the land and the people who have moved upon it. He speaks of “the smell of grandmothers and grandfathers / breathing the stories into our blood” so as to “wrap our newborn in freshly made Star Quilts.”

Gottfriedson examines such issues as the Truth and Reconciliation movements as well as the missing and murdered Aboriginal women. The poems focus not only on postcolonial issues but also on First Nations internal problems. Although the book speaks of age-old themes, it explores them through fresh modern eyes offering thought-provoking and engaging prespectives. Eloquent and witty, these poems are power-packed with imagery that uncovers the raw politics of race. There is nothing polite about them. While frequently offering a bleak view of present-day First Nation conditions, the poems also provide a sense of optimism: "the hope/that the coldest day in winter/will promise serenity in spring."

Reviews
“Gottfriedson’s poetry is built to endure and it will remain with you long after this book is closed.” – Alexander MacLeod, author of Light Lifting, finalist for the Scotiabank Giller Prize

“Garry Gottfriedson rides double, calling out the violence and corruption he’s seen, while reminding us that grounded strength comes from staying connected to grandmothers, grandfathers, horses, and the land.” – Rita Wong, author of Forage, winner of the Dorothy Livesay Poetry Prize

“Gottfriedson writes us the sound of his blood, the splatter of ink on wood, and the dripping sweat and tears of prayer — all of it telling us who we are and chanting, as if in chorus, ‘survival is brilliant.’ Will we be wise or strong enough to listen?” – Shane Rhodes, author of X: Poems & Anti-Poems

Educator Information
This book of poetry would be useful for Indigenous Studies courses or literature courses such as Indigenous Literatures, Canadian Literature, and Creative Writing.

Additional Information
100 pages | 6.00" x 9.00"

Authentic Canadian Content
Authentic Indigenous Text
$15.95

Quantity:
Elements of Indigenous Style: A Guide for Writing By and About Indigenous Peoples
Format: Paperback
Text Content Territories: Indigenous;
Grade Levels: 8; 9; 10; 11; 12; University/College;

Elements of Indigenous Style offers Indigenous writers and editors—and everyone creating works about Indigenous Peoples—the first published guide to common questions and issues of style and process. Everyone working in words or other media needs to read this important new reference, and to keep it nearby while they’re working.

This guide features:

• Twenty-two succinct style principles.
• Advice on culturally appropriate publishing practices, including how to collaborate with Indigenous Peoples, when and how to seek the advice of Elders, and how to respect Indigenous Oral Traditions and Traditional Knowledge.
• Terminology to use and to avoid.
• Advice on specific editing issues, such as biased language, capitalization, and quoting from historical sources and archives.
• Case studies of projects that illustrate best practices.

Reviews
"Style is fraught with politics, especially when writing about Indigenous Peoples. Now, writers, academics, journalists, publishers, and students can breathe a sigh of relief. Reach for this essential Indigenous style guide, not only when searching for the right word, but when seeking guidance on the importance of relationships and trust." - Duncan McCue, CBC Radio Host and author of The Shoe Boy

"Elements of Indigenous Style is a beautiful beginning, a gathering place and a cultivator of both discussion and growth. Younging’s work clears the ground, drafts the blueprints and starts the framing out on the house that we need for our stories. At the same time, Younging manages to write both solid and grounded guidelines while leaving malleability in the architecture so that the ideas can grow and evolve. And we are all invited to share, discuss, add to, and cultivate this important work." - Cherie Dimaline, author and winner of the Governor General’s Literary Award

Educator Information
This book would be useful for the following courses and/or areas of studies from elementary to university: Indigenous Studies, Canadian Literature, Language Arts, English, Media Studies, Education, Journalism, Editing and Proofreading, Social Science/Ethnic Studies, and Composition and Creative Writing.

Recommended for Grades 3-12 for the following subject areas: English Language Arts, Indigenous Studies, Social Studies.  Also a useful Teacher's Resource.

Additional Information
168 pages | 5.50" x 7.50"

Authentic Canadian Content
Authentic Indigenous Text
$19.95

Quantity:
First in Canada: An Aboriginal Book of Days
Authors:
Format: Hardcover
Text Content Territories: Indigenous Canadian;

First in Canada is a unique expression of the many accomplishments Indigenous Canadians have made to Canadian society. As beautiful as it is informative, this perpetual calendar is a glimpse of 10,000 years in 365 days!

Informative, innovative, and inspirational, First in Canada will take readers through one calendar year of Aboriginal history, providing visuals and details of past and contemporary achievements and challenges of First Nations, Métis and Inuit peoples in Canada. It will appeal to those interested in Canadian history, to high school and university students, and to researchers looking to initiate projects on Aboriginal topics. Attractive and functional, this personal schedule book contains beautiful aboriginal works of art and will serve as a ready reminder of the importance of First Peoples to the ongoing cultural dynamic in Canada. Carefully researched by Jonathan Anuik, First in Canada is the first of its kind.


Authentic Canadian Content
$24.95

Quantity:
First Nations 101
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations;

First Nations 101 is an easy to read primer that provides readers with a broad overview of the diverse and complex lives of First Nations people. It is packed with more than 70 subjects including veterans, youth, urbanization, child welfare, appropriate questions to ask a First Nations person, feminism, the medicine wheel, Two-spirit (LGBTQ), residential schools, the land bridge theory, and language preservation. Author Lynda Gray endeavors to leave readers with a better understanding of the shared history of First Nations and non-First Nations people, and ultimately calls upon all of us - individuals, communities, and governments - to play active roles in bringing about true reconciliation between First Nations and non-First Nations people.

288 pages

Authentic Canadian Content
Authentic Indigenous Text
$20.00

Quantity:
Sort By
Go To   of 4
>