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Being Ts'elxwéyeqw: First Peoples' Voices and History from the Chilliwack-Fraser Valley, British Columbia
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Format: Hardcover
Grade Levels: 5; 6; 7; 8; 9; 10; 11; 12; University/College;

“Our stories identify for us the land which surrounds us and tie us to our ancestors. We find ourselves inextricably linked to the past, to the land, to the river, to each other, to the future.” —Shirley Hardman, contributor

This impressive volume tells of the First Peoples of the area through vivid narratives from the past and present.

The traditional territory of the Ts’elxwéyeqw First Peoples covers over 95,000 hectares of land in Southwestern BC. It extends throughout the central Fraser Valley, encompassing the entire Chilliwack River Valley (including Chilliwack Lake, Chilliwack River, Cultus Lake and areas, and parts of the Chilliwack municipal areas). In addition to being an area of natural beauty and abundant resources, it also has a rich cultural history. The Chilliwack region gets its name from the Ts’elxwéyeqw tribe, and this volume delves into what this name means—and also what it means to be Ts’elxwéyeqw. Being Ts’elxwéyeqw portrays the people, artifacts and landscapes that are central to the Ts’elxwéyeqw people, and represents a rich oral record of an aboriginal heritage that has been kept alive—even through adversity—for thousands of years.

Lavishly illustrated with over seven hundred historic and current photos and maps, this book amalgamates a variety of voices and personal histories from elders, while providing background into eighty-five place names within the region. The book’s unique composition—with an emphasis on visual storytelling—showcases a culture with a deep connection to the surrounding land and the watershed.

Educator Information
Recommended for Grades 5-12 for the following subject areas: Geography, Social Studies, Science.  Also a useful Teacher Resource.

Note: Educators should pre-read sections of this book that they are considering using from this reference book, as reading levels vary greatly.

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304 pages | 11.00" x 14.00"

Authentic Canadian Content
Authentic Indigenous Text
$94.95

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Best of Chief Dan George
Format: Paperback

Chief Dan George was an accomplished performer, poet, philosopher, champion of First Nations peoples, and loving patriarch of a large family. This book combines the two best sellers, MY HEART SOARS and MY SPIRIT SOARS. Poetic and spiritual, this book has a universal message for all people.

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$12.95

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Daughters Are Forever
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Salish;
Grade Levels: 12; University/College;

This powerful novel about a woman's self-discovery reinforces Lee Maracle's stature as one of the most important First Nations writers in North America. The novel incorporates an innovative structure - one based on Salish Nation storytelling - to depict the transformation of Marilyn, a First Nations woman who is alienated from her culture, her family, and herself. By discovering her own culture's ways and listening to the natural world, Marilyn begins to heal her deep-rooted hurt and gradually becomes reconciled with her estranged daughters. Here is a moving work about First Nations people in the modern world, and the importance of courage, truth, and reconciliation.

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206 pages | 6.00" x 9.00"

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$19.95

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First Fish, First People: Salmon Tales of the North Pacific Rim
Editors:
Format: Paperback

First Fish, First People brings together writers from two continents and four countries whose traditional cultures are based on Pacific wild salmon: Ainu from Japan; Ulchi and Nyvkh from Siberia; Okanagan and Coast Salish from Canada; and Makah, Warm Springs, and Spokane from the United States remember the blessedness and mourn the loss of the wild salmon while alerting us to current environmental dangers and conditions. The text is enhanced by traditional designs from each nation and photographs, both contemporary and historical, as well as personal family pictures from the writers. Together, words and images offer a prayer that our precious remaining wild salmon will increase and flourish.

Educator Information

Contents
Sherman Alexie

The Powwow at the End of the World

That Place Where Ghosts of salmon Jump

Shigeru Kayano (translated by Jane Corddry Langill with Rie Taki)

Traditional Ainu Life: Living Off the Interest

Kamuy Yukar: Song of the Wife of Okikurmi

My Village Painted on the Face of the Sky

Shiro Kayano (translated by Jane Corddry Langill with Rie Taki)

Who Owns the Salmon?

Gloria Bird

Images of Salmon and You Kettle Falls on the Columbia, Circa 1937 Illusions

Mieko Chikappu (translated by Jane Corddry Langill with Rie Taki)

Salmon Coming Home in Search of Sacred Bliss

Elizabeth Woody

Tradition with a Big "T"

TWANAT, to follow behind the ancestors

Conversion

Nadyezhda Duvan (as told to and translated by Jan Van Ysslestyne)

The Ulchi World View

Temu - The God of the Waters and the Ritual to the Salmon

Ulchi Clan Creation Myths

The Anga Clan Legend

The Salmon Spirit

Nora Marks Dauenhauer

Five Slices of Salmon

1 Introduction

2 Trolling

3 Dryfish Camp

4 Raven, King Salmon and the Birds

5 How to Make Good Baked Salmon from the River (6. Salmon Egg Puller - $2.15 an Hour)

Ito Oda with Tomo Matsui (translated by Jane Corddry Langill with Rie Taki)

Travelling by Dugout on the Chitose River and Sending the Salmon Spirits Home: memoir of an Ainu Woman

Sandra Osawa

The Makah Indians

The Politics of Taking Fish

Vladimir M. Sangi (translated by Valerie Ajaja)

The Nyvkhs At the Source

Lee Maracle

Where Love Winds Itself Around Desire

Jeannette C. Armstrong

Unclean Tides: An Essay on Salmon and Relations

Shigeru Kayano (translated by Jane Corddry Langill with Rie Taki)

The Fox's Plea: An Ainu Fable

Additional Information
204 pages | 6.00" x 9.00" | 72 b&w illustrations

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Authentic Indigenous Text
$49.95

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Folk-Tales of the Coast Salish
Editors:
Format: Paperback
Text Content Territories: Indigenous American; Native American; Salish; Coast Salish;
Grade Levels: 11; 12; University/College;

First published in 1934, this collection of tales was recorded and edited by Thelma Adamson (1901–83), a student of Franz Boas and one of the first women to conduct ethnographic fieldwork in the Pacific Northwest. A major contribution to our knowledge of western Washington Salish oral traditions, Folk-Tales of the Coast Salish contains 190 texts from nineteen consultants—most collected in English or in English translation. The 155 stories represent Upper Chehalis and Cowlitz Salish narrative traditions, primarily myths and tales, and constitute the largest published body of oral literature for either of these groups. Adamson included as many as four variants of the same tale-type, and Adele Froehlich prepared a useful forty-three-page section of abstracts with comparative notes from eight regional text collections. Folk-Tales of the Coast Salish provides a rich data source for those interested in the content and comparative analysis of Native texts told in English. With few exceptions, the tales refer to the time “when all the animals were people.”

This new edition enhances Adamson’s seminal work with the inclusion of a biographical sketch of Adamson and of her friend and noted ethnomusicologist George Herzog, who produced the appended music transcriptions

Authenticity Note: Because of the contributions from various Coast Salish peoples, this work has been labeled as containing Authentic Indigenous Text.

Authentic Indigenous Text
$43.50

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Heart Berries: A Memoir
Format: Hardcover
Grade Levels: University/College;

Guileless and refreshingly honest, Terese Mailhot's debut memoir chronicles her struggle to balance the beauty of her Native heritage with the often desperate and chaotic reality of life on the reservation.

Heart Berries is a powerful, poetic memoir of a woman's coming of age on the Seabird Island Indian Reservation in British Columbia. Having survived a profoundly dysfunctional upbringing only to find herself hospitalized and facing a dual diagnosis of Post Traumatic Stress Disorder and Bipolar II, Terese Mailhot is given a notebook and begins to write her way out of trauma. The triumphant result is Heart Berries, a memorial for Mailhot's mother, a social worker and activist who had a thing for prisoners; a story of reconciliation with her father--an abusive drunk and a brilliant artist--who was murdered under mysterious circumstances; and an elegy on how difficult it is to love someone while dragging the long shadows of shame.

Mailhot "trusts the reader to understand that memory isn't exact, but melded to imagination, pain and what we can bring ourselves to accept." Her unique and at times unsettling voice graphically illustrates her mental state. As she writes, she discovers her own true voice, seizes control of her story and, in so doing, reestablishes her connection to her family, to her people and to her place in the world.

176 pages | 5.30" x 7.70"

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$25.00

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Hope Matters
Format: Paperback
Grade Levels: 12; University/College;

Hope Matters, written by multiple award-winner Lee Maracle, in collaboration with her daughters Columpa Bobb and Tania Carter, focuses on the journey of Indigenous people from colonial beginnings to reconciliation.

Maracle states that the book, "is also about the journey of myself and my two daughters." During their youth, Bobb and Carter wrote poetry with their mother, and eventually they all decided that one day they would write a book together. This book is the result of that dream. Written collaboratively by all three women, the poems in Hope Matters blend their voices together into a shared song of hope and reconciliation.

Additional Information
104 pages | 5.25" x 8.00"

Authentic Canadian Content
Authentic Indigenous Text
$18.00

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I Am Woman: A Native Perspective on Sociology and Feminism
Format: Paperback
Grade Levels: University/College;

I Am Woman represents my personal struggle with womanhood, culture, traditional spiritual beliefs and political sovereignty, written during a time when that struggle was not over. My original intention was to empower Native women to take to heart their own personal struggle for Native feminist being. It remains my attempt to present a Native woman's sociological perspective on the impacts of colonialism on us, as women, and on my self personally.

Reviews
One of the foremost Native writers in North America, Lee Maracle links her First Nations heritage with feminism in this visionary book. "Maracle has created a book of true wisdom, intense pride, sisterhood and love." -Milestones Review

Additional Information
146 pages | 8.23" x 8.52"

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$18.95

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Indigenous Storywork
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Salish; Coast Salish;
Grade Levels: University/College;

Jo-ann Archibald worked closely with Coast Salish Elders and storytellers, who shared both traditional and personal life-experience stories, in order to develop ways of bringing storytelling into educational contexts. Indigenous Storywork is the result of this research and it demonstrates how stories have the power to educate and heal the heart, mind, body, and spirit. It builds on the seven principles of respect, responsibility, reciprocity, reverence, holism, interrelatedness, and synergy that form a framework for understanding the characteristics of stories, appreciating the process of storytelling, establishing a receptive learning context, and engaging in holistic meaning-making.

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Authentic Indigenous Text
$43.95

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Legends and Teachings of Xeel's, The Creator
Format: Paperback
Grade Levels: 10; 11; 12;

Snuneymuxw Elder and storyteller Ellen White shares four stories handed down to her from her grandparents and their ancestors.

Legends and Teachings of Xeel’s, the Creator contains four short stories centering around themes such as communication, connection, teaching and respect. The stories featured include: “The Creator and the Flea Lady, The Boys Who Became a Killer Whale, The Sockeye That Became a Rainbow, and The Marriage of the Seagull and the Crow.” Each story is accompanied by a companion piece developed by the storyteller Ellen Rice White (Kwulasulwut) which provides cultural context and an explanation of some of the lessons found in each story.

In the story “The Creator and the Flea Lady”, a Flea mother asks for help saving her premature infant. The Flea woman is reminded of her connection to the many energies surrounding her by Xeel’s and the energies themselves.

In “Boys Who Became a Killer Whale”, eager learners frustrated with the pace and demeanour of their traditional teachers reach beyond what they know and encounter tragedy.

In both the “Sockeye That Became a Rainbow” and “The Marriage of the Seagull and the Crow”, respect and acceptance of the differences of others are central components of the stories. The protagonists struggle with their relationships and the differences they have with their partners.

Educator Information
Please Note: These are a set of uncensored, traditional stories.  The content is meant to provide traditional teachings. 

Each of the four stories in the book is accompanied by a discussion piece that provides cultural context and questions for the reader to consider.

Some subject matter may not be suitable for some readers.

Additional Information
112 pages | 6.75" x 9.75"

 

 

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$19.95

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People Among the People: The Public Art of Susan Point
Authors:
Format: Hardcover
Grade Levels: 11; 12; University/College;

“I feel that it is important to re-establish our Salish footprint upon our lands, to create a visual expression of the link between the past and present that is both accessible and people-friendly. . . . I create unique, ‘original’ artwork that honours both my people and the diverse group of peoples from around the world who have come to live upon our lands on the Northwest Coast. My hope is that my art leaves a lasting impression on visitors, locals, and the surrounding communities.” — Susan Point

This beautifully designed book is the first to explore Susan Point's publicly commissioned artworks from coast to coast.

Susan Point’s unique artworks have been credited with almost single-handedly reviving the traditional Coast Salish art style. Once nearly lost to the effects of colonization, the crescents, wedges, and human and animal forms characteristic of the art of First Nations peoples living around the Salish Sea can now be seen around the world, reinvigorated with modern materials and techniques, in her serigraphs and public art installations—and in the works of a new generation of artists that she’s inspired.

People Among the People beautifully displays the breadth of Susan Point’s public art, from cast-iron manhole covers to massive carved cedar spindle whorls, installed in locations from Vancouver to Zurich. Through extensive interviews and access to her archives, Robert D. Watt tells the story of each piece, whether it’s the evolution from sketch to carving to casting, or the significance of the images and symbolism, which is informed by surviving traditional Salish works Point has studied and the Oral Traditions of her Musqueam family and elders.

In her long quest to re-establish a Coast Salish footprint in Southwest British Columbia and the Pacific Northwest of the US, Point has received many honours, including the Order of Canada and the Audain Lifetime Achievement Award. This gorgeous and illuminating book makes it clear they are all richly deserved.

Additional Information
208 pages | 10.17" x 12.39"

Authentic Canadian Content
Authentic Indigenous Artwork
$50.00

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Picking Up the Pieces: Residential School Memories and the Making of the Witness Blanket
Format: Hardcover
Grade Levels: 10; 11; 12; University/College;

Every object tells a story.

Picking Up the Pieces tells the story of the making of the Witness Blanket, a living work of art conceived and created by Indigenous artist Carey Newman. It includes hundreds of items collected from residential schools across Canada, everything from bricks, photos and letters to hockey skates, dolls and braids. Every object tells a story.

Carey takes the reader on a journey from the initial idea behind the Witness Blanket to the challenges in making it work to its completion. The story is told through the objects and the Survivors who donated them to the project. At every step in this important journey for children and adults alike, Carey is a guide, sharing his process and motivation behind the art. It's a very personal project. Carey's father is a residential school Survivor. Like the Blanket itself, Picking Up the Pieces calls on readers of all ages to bear witness to the residential school experience, a tragic piece of Canada’s history.

"In the traditions of my Salish ancestors, a blanket is gifted to uplight the spirit, protect the vulnerable or honour the strong. I made this blanket for the Survivors, and for the children who never came home; for the dispossessed, the displaced and the forgotten. I made this blanket so that I will never forget -- so that we will never forget." - Carey Newman

Reviews
"Picking Up the Pieces is both a crucial record of history and an outstanding assertion of love and community. The story behind the creation of the powerful Witness Blanket project is one of great care and consideration, with residential school Survivors and their families at the centre. By sharing his own family's connection to a brutal and shameful part of Canadian history, renowned artist Carey Newman brilliantly guides us through the meticulous and thoughtful process of creating one of the most important pieces of art to exist in this country. I had the privilege of experiencing the Witness Blanket on its tour, and it was a poignant moment that will stay with me for the rest of my life. Reading how it all came together is yet another vital experience. Like the Witness Blanket itself, Picking Up the Pieces will educate and enlighten Canadians for generations to come. It's a must-read for anyone seeking to understand Canada's residential-school saga. Most importantly, it's a touchstone of community for those survivors and their families still on the path to healing." — Waubgeshig Rice, journalist and author of Moon of the Crusted Snow, March 2019

Educator Information
Themes: Indigenous Art, Reconciliation, Residential Schools, Survivor Stories, Intergenerational Trauma

Suitable for most ages (about 12 years+).  A useful social studies or Indigenous studies resource for pre-teens and teens.

Additional Information
180 pages | 10.75" x 10.00"

Authentic Canadian Content
Authentic Indigenous Text
$39.95

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Protecting the Sacred Cycle: Indigenous Women and Leadership
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Salish; Coast Salish;
Grade Levels: 11; 12; University/College;

Xwulmuxw Slhunlheni (Indigenous Women) have, since time immemorial, played critical leadership roles in Indigenous communities. However, with the imposition of racist and sexist colonial policies, Indigenous women’s roles were systematically displaced. As a result of these policies, which formalized colonial governance systems, the vital informal leadership roles the Xwulmuxw Slhunlheni play rarely receive recognition. This book strives to honour the women in our communities who continue to embrace their important roles as givers of life and carriers of culture. This book reviews new ways to view Indigenous women’s leadership. Thirteen women from various Hul’qumi’num communities on Vancouver Island and the Mainland, share their thoughts on leadership and stress the importance of living our cultural and traditional teachings. A central theme for leadership emphasizes the importance of keeping the past, present and future connected – a Sacred Cycle that will ensure we bring our teachings forward for the future generations.

Foreword by Dr. Gwendolyn Point. Reviews by: Dr.’s Lelie Brown, Jeannine Carrière, and Mary Ellen Turpel-Lafond.

Reviews
"Dr. Robina Thomas (Qwul’sih’yah’maht) eloquently and courageously models the leadership she explores in this book that honours the critical place of women in Indigenous culture, family and communities. She speaks back to the systematic displacement of Indigenous women that has occurred through colonization and at the same time offers us all hope. Whether Indigenous or not, whether a woman or not, the traditional teachings of Nuts’a’maat (we are all one) underpin true leadership. The women she learned from and who share their knowledge with us all in her book inspire a way forward. This book belongs in everyone’s home and office; its teachings belong in everyone’s life." - Leslie Brown, PhD, University of Victoria.

"Professor Thomas has gathered the wisdom of Indigenous women and leaders from her Nation as well as from across many Nations on Vancouver Island and British Columbia. The words and actions of these remarkable women are woven together in an account that takes us to the places we live as women and leaders—to building up the bonds of kinship, culture and ensuring the continuation of stories, teachings and wisdom. Professor Thomas is a bridge to understanding for the public and her fortunate students. The respect and gratitude she reveals for each woman’s path and contribution to the whole is apparent in every page. She makes her circle of friends and relations our circle, and leaves us with a deeper appreciation of the work underway rebuilding families and nations." - Mary Ellen Turpel-Lafond, Aki-Kwe (Cree/Scottish), Allard Hall Law School UBC, Former Judge and BC’s First Representative for Children and Youth.

"For the student this book will be a magical exploration of teachings about Indigenous women in leadership storytelling, personal location, Indigenous feminism and doing research that counts. For her colleagues Robina continues to teach us in a good way as a walking example of the meanings of ‘uy shkwaluwun’ or doing things with a good mind and a good heart. In my teachings that is the application of ‘all my relations’." -  Sohki Aski Esquao, University of Victoria.

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147 pages | 6.00" x 9.00"

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$27.00

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Saanich Ethnobotany
Format: Paperback

Nancy Turner and Richard Hebda present the results of many years of working with botanical experts from the Saanich Nation on southern Vancouver Island. Elders Violet Williams, Elsie Claxton, Christopher Paul and Dave Elliott pass on their knowledge of plants and their uses to future generations of Saanich and Coast Salish people, and to anyone interested in native plants. Saanich Ethnobotany includes detailed information about the plants that were traditionally harvested to use in all aspects of Saanich life, such as for food and medicines, and to make tools, buildings and weapons. Each plant is listed by its common (English), scientific and Saanich names. Each listing contains a brief botanical description with a colour photograph, where to find the plant and how it was used traditionally by the Saanich people. This important book celebrates the richness and tremendous value of locally based knowledge in a rapidly changing world.

Authenticity Note: This book has received the Authentic Text label because of its contributions from Elders Violet Williams, Elsie Claxton, Christopher Paul, and Dave Elliott.

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$24.95

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SH:LAM (The Doctor)
Format: Paperback
Grade Levels: 12; University/College;

Meditations upon the decimation of the Kwantlen people of western Canada.

This powerful collection, all too relevant today, tells a story that needs to be told. The author writes, "This is the truth of what has happened to my people. The Kwantlen people used to number in the thousands but like all river tribes, eighty percent of our people were wiped out by smallpox and now there are only 200 of us. As a Kwantlen man, father, fisherman, poet and playwright I believe the gift of words was given to me so I can retell our stories?"

These poems tell the story of a Kwantlen man who has been given the gift of healing but is also is a heroin addict.

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96 pages | 5.50" x 8.25"

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$19.95

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