Anishinaabeg

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Algonquin Sunset: An Algonquin Quest Novel
Format: Paperback
Grade Levels: 7; 8; 9; 10;

Anokì and his sister Pangì Mahingan have grown up, and now face a decision that will change their lives forever.

Twelve years after Mahingan was wounded battling for his life against the Haudenosaunee warrior known as Ö:nenhste Erhar (Corn Dog), we rejoin his family and learn what fate held for him.

Now, his children, Anokì and Pangì Mahingan, along with their twin cousins Makwa and Wàbek, are grown and have adult responsibilities. Still living with their Algonquin family, they have become a formidable fighting unit with the addition of three Mi´kmaq warriors, E´s, Jilte´g, and the fierce Elue´wiet Ga´qaquj.

However, there is danger in the land of the setting sun, and nothing is more dangerous than what the family is going to encounter from the fierce enemy of their new Anishinaabe allies: the Lakȟóta.

Educator Information
Recommended Ages: 12-15.

Series Information
This novel is part of the Algonquin Quest Series, a series of young adult novels from Algonquin author Rick Revelle.

Additional Information
304 pages | 5.00" x 8.00"

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$12.99

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All Creation Represented: A Child's Guide to the Medicine Wheel
Artists:
Terra Mar
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Ojibway;
Grade Levels: 3; 4; 5; 6; 7;

All Creation Represented is a child’s guide to the Medicine Wheel. Told from an authentic perspective of an Anishinaabe / Ojibwe knowledge holder, Joyce Perreault skillfully weaves together traditional teachings with modern educational goals, making this book an excellent resource for children of all ages.

The Medicine Wheel is a foundation of teaching and learning that shows how different parts of life are connected and balanced. Many generations of Indigenous cultures have understood the world through Medicine Wheel teachings. The Medicine Wheel offers holistic and relational ways of understanding the self, the family, the community, the natural and spiritual world. The book introduces the concept of a Medicine Wheel, highlighting the significance of the associated ancestral teachings as it discusses various aspects of human well-being, the physical world, and Indigenous culture. This book is designed as an education resource and embodies First Peoples Principles of Learning.

Learn the Ojibwe words that are represented by various aspects of the Medicine Wheel with a glossary at the back of the book, and explore a way of looking at the world that is holistic, sacred, and powerful. All Creation Represented will help readers consider the wisdom and knowledge of the First Peoples who used the Medicine Wheel to teach about and understand the world around them.

Educator Information
This book is designed as an education resource and embodies First Peoples Principles of Learning.

Additional Informaiton
32 pages | 8.25" x 8.25"

 

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$15.00

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Anishinaabe ABC Mazina’igan
Artists:
Nicole Marie Burton
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Ojibway;
Grade Levels: Kindergarten; 1; 2; 3; 4; 5; 6; 7; 8; 9; 10; 11; 12; University/College;

It's never too early to start teaching children their First Nations language, and Anishinaabe ABC Mazina'igan is a great tool to assist with learning.

This book is the second in a series by Language Facilitator, Wanda Barker. It is a great tool to assist with learning the Ojibwe language. Anishinaabe ABC Mazina’igan is filled with beautiful illustrations, Anishinaabemowin/Ojibwe sentences and their English translations. The images can serve as a starting point for discussion of the cultural relevancy of the sentences associated with each letter.

This book can be used by students, parents and teachers, young and old.  It is written in the double vowel writing system and is intended to show the sequence of the Ojibwe alphabet.  The images can serve as a starting point for discussion of the cultural relevancy of the sentences associated with each letter.

Educator Information
This book is written in the Ojibwe language with a glossary at the back in Ojibwe and English. It is useful for anyone wanting to learn the Ojibwe language. 

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Anishinaabemowin Alphabet
Artists:
Nicole Marie Burton
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Ojibway;

It’s never too early to start teaching children their First Nations language, and Anishinaabemowin Alphabet is the perfect place to begin. This book is filled with beautifully shaded illustrations, Anishinaabemowin/Ojibwe words and their English translations, and it can be used by students, parents and teachers young and old. It is written in the double vowel writing system and is intended to show the sequence of the Ojibwe alphabet. The images can serve as a starting point for discussion of the cultural relevancy of the word associated with each letter.

Educator Information
This book is written in the Ojibwe language.  An English translation for each word is provided at the back of the book.

 

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Canoe Kids Volume 1: The Ojibwe of Great Spirit Island
Authors:
Canoe Kids
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Ojibway;
Grade Levels: Kindergarten; 1; 2; 3; 4; 5; 6; 7; 8; 9; 10; 11; 12;

Canoe Kids Vol. 1 The Ojibwe of Great Spirit Island is the first issue of a 24 edition series designed as family books for kids all ages. This eight-year project will see the Canoe Kids Team embed with 24 Peoples. The mandate for the full-colour book (161 full colour high res photographs) is Exploring Indigenous Cultures through Authentic Indigenous Voices. The publication balances culture, equity and the environment in a beautiful mix that reminds the reader of the pictorial quality of National Geographic with a more in depth editorial content.

This first issue (in a series of 24) focuses on the Ojibwe People of Great Spirit Island (Manitoulin Island). In 129 pages the reader is introduced to the Ojibwe People who kindly assisted the Canoe Kids staff by allowing access to their traditional territory. Canoe Kids acknowledges the generosity of the Council of Aundeck Omni Kanning and the People of the six Manitoulin communities.

Educator Information
Each edition follows a common theme and features:

1: Compelling and beautiful pictorials that draw you into the stories and place of the featured community
2: The story of the vessel used by the featured Peoples
3: Art and Food
4: A Kids Zone
5: Resources for kids, parents and educators
6: Stories by and of the featured Peoples in each edition
7: Extraordinary pictures of the lives, land and waters of the featured Peoples

The materials are equal parts cultural and environmental. The latter is a natural offshoot of the former as Indigenous cultures are wrapped around and through the lands and water and sky both spiritually and from a harvesting and gathering perspective. Indigenous Peoples have long been the caretakers of Mother Earth and we can all learn from these experts whose message is perhaps more relevant today than ever.

Indigenous communities have always included the little ones in their circles and talk and teach to them in the same way they talk and teach to young adults and adults. Canoe Kids decided to follow that inclusive way of life for the layout of each book. Rather than create editions for different age groups, Canoe Kids decided to have one book for all ages.

CANOE KIDS is an ideal ongoing resource for teachers and is well received in all libraries. Articles are organized and developed so that there are materials for every age group, grade level, subject and interest.

K through 3 use Canoe Kids to read beautiful and ancient stories. There is beautiful original art to explore and a Kids Zone with puzzles, word searches, colouring, cutouts and more. Mid grades use the materials to study the culture, food and wildlife of the featured cultures. Grades 8 through 12 use stories that are more in depth from Dr. David Suzuki about the environment and there are discussion articles about living well and properly with Mother Nature as well as articles about the history and geography of the featured People.

Additional Information
130 pages | 8.50" x 11.00"

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$22.95

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Eagle Feather, An Honour
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Ojibway;
Grade Levels: 2; 3; 4;

Now that his Mishoomis, his grandfather, is gone, a young man remembers walking with him in the bush and listening to stories of the old days; he remembers being honored with an eagle feather at the powwow and not knowing what he had done to deserve this honor; he remembers his grandfather telling him that I had achieved a good deed from the first day he held me, as a baby, in his arms.

Through his grandfather's gentle teachings a young Ojibwe boy learns the values of life and the significance of the eagle feather.

Plains illustrations perfectly complement this deep little story and express the many layers of life's experiences.

Additional Information
24 pages | 9.00" x 8.00"

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$8.95

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First Nations Ceremonies
Authors:
Valerie Roulette
Artists:
Amber Green
Scott B. Henderson
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg;
Grade Levels: 3; 4; 5; 6; 7; 8; 9;

Written from an Anishinaabe perspective, First Nations Ceremonies explores various Anishinaabe teachings that have been handed down from Elders, encouraging mino-pimaatisiwin, the good life. These practices are still used today, crossing time from the past to the future.


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24 pages
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$4.95

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I Am Algonquin: An Algonquin Quest Novel
Format: Paperback
Grade Levels: 7; 8; 9; 10;

This book paints a vivid picture of the original peoples of North America before the arrival of Europeans. The novel follows the story of Mahingan and his family as they live the traditional Algonquin way of life in what is now Ontario in the early 14th century. Along the way we learn about the search for moose and the dramatic rare woodland buffalo hunt, conflicts with other Native nations, and the dangers of wolves and wolverines. We also witness the violent game of lacrosse, the terror of a forest fire, and the rituals that allow Algonquin boys to be declared full-grown men.

But warfare is also part of their lives, and signs point to a defining conflict between Mahingan's nation, its allies the Omàmiwinini (Algonquin), Ouendat (Huron), and the Nippissing against the Haudenosaunee (Iroquois). The battle's aftermath may open the door to future journeys by Mahingan and his followers.

Educator Information
Recommended Ages: 12-15.

Series Information
This novel is part of the Algonquin Quest Series, a series of young adult novels from Algonquin author Rick Revelle.

Additional Information
280 pages | 5.00" x 8.00"

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I Am Not a Number
Artists:
Gillian Newland
Format: Hardcover
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Ojibway;
Grade Levels: 2; 3; 4; 5; 6;

When eight-year-old Irene is removed from her First Nations family to live in a residential school she is confused, frightened, and terribly homesick. She tries to remember who she is and where she came from, despite the efforts of the nuns who are in charge at the school and who tell her that she is not to use her own name but instead use the number they have assigned to her. When she goes home for summer holidays, Irene's parents decide never to send her and her brothers away again. But where will they hide? And what will happen when her parents disobey the law? Based on the life of co-author Jenny Kay Dupuis’ grandmother, I Am Not a Number is a hugely necessary book that brings a terrible part of Canada’s history to light in a way that children can learn from and relate to.

Reviews
"Residential and boarding school stories are hard to read, but they're vitally important... books like I Am Not a Number should be taught in schools in Canada, and the U.S., too."— Debbie Reese, American Indians in Children's Literature

"It’s important to teach children about true Canadian history, but it’s not easy to talk about it in a way that children will understand. I Am Not a Number is perfect to get the conversation about residential schools started with your children. It opens the door for them to ask questions about the subject and the story is relatable in a way they can follow."— Residential School Magazine

"[A] powerful teaching tool that brings a terrible part of Canada’s history to light in a way that children can learn from and relate to. It is written in simple language and told in a way that will stimulate conversations about residential schools and the traumatic effects they have had on generations of First Nation families and communities. ... beautifully illustrated by Gillian Newland. She captures the somber mood of the school, the anguish of the children, the severity of the nuns and the desperation of the family. Students can easily empathize with Irene and her brothers as well as their parents as they try to imagine how they would feel or act in a similar situation." — Alberta Native News, December 2016

"Endless cross-curricular connections can be made using this story. But the most powerful aspect of this book is that it will open a dialogue, one that Justice Murray Sinclair spoke of as head of the Truth and Reconciliation Commission, a dialogue that needs to take place for reconciliation to happen." — ETFO Voice

Educator Information
Recommended Ages: 7-11
Guided Reading: V

Additional Information
32 pages | 8.50" x 11.00"

 

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$18.95

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Little Voice
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Ojibway;
Grade Levels: 4; 5; 6; 7;

A young Ojibway girl, struggling over the fact that her father has died, spends a summer in the bush with her grandmother and finds her own identity and voice.

Things have been hard for her family since her father's accidental death in a logging accident, and Ray has been unable to express her grief. In school, the green eyes she inherited from her father are unusual for a child from an Ojibway background in a northern Ontario town and get her noticed in ways she doesn't enjoy. At home, Ray believes that her mother, grieving herself and busy with Ray's younger brother and sister, no longer needs her. Ray becomes so withdrawn that at times she hardly speaks.

At the end of this beautiful and empowering story, which begins in 1978, the withdrawn green-eyed girl has found her voice and is not afraid to use it.

Educator Information
Recommended Ages: 9-12.

Additional Information
176 pages | 6.17" x 7.30"

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Meshom and the Little One
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Ojibway;
Grade Levels: Kindergarten; 1; 2; 3;

After ten-year-old Shawna moves to the West Coast with her mother, she misses everything from back home, including her school friends and the wide prairie skies of Manitoba. But most of all she misses Meshom (her grandfather). Delightfully, he arrives for her birthday and brings with him a surprising Little One with many important lessons to teach her.

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58 pages | 8.00" x 8.00"

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Morning On The Lake
Artists:
Karen Reczuch
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Ojibway;
Grade Levels: Kindergarten; 1; 2; 3; 4;

A young boy and his grandfather set out in a birchbark canoe early one spring morning. Under the patient and gentle guidance of his grandfather, the boy gradually comes to respect the ways of nature and to understand his own place in the world.

In the first of three linked stories, a young boy and his grandfather set out in a birchbark canoe early one spring morning. Together, they discover the peaceful beauty of the lake. In the second story, the sun rises high in the summer sky as they climb a rocky cliff for a bird's-eye view of the land. And, finally, as an autumn night descends, they venture into the woods. Under the patient and gentle guidance of his grandfather, the boy gradually comes to respect the ways of nature and to understand his own place in the world.

Reviews
"Filled with lessons of love and respect for Mother Earth, this book is packed with many Ojibway cultural references for young readers. Noshen and his grandfather, Mishomis, set off in a birchbark canoe, climb a mountain and stand off a pack of wolves - all in one day. Noshen learns that he is brother to the wolves and need not be afraid of any animal he meets in the woods. Karen Reczuch's illustrations of many culturally-relevant objects like beadwork designs and Mishomis' moccasins make this book something to be treasured." —Aboriginal Voices

"From the first words of Morning on the Lake, it's evident the author has an abundance of love and respect for the force of nature in all its magnificence. And, as we follow the young native protagonist and his grandfather, the call of the wild sounds ever more clear. Early one morning, the boy and his grandfather set off in their canoe and are rewarded with a rare glimpse of a family of loons. Later that day, they climb to the top of a hill and have an encounter with a bald eagle. And in the still night, the boy comes face to face with a pack of wolves. In this boy's traditional world, nature is given very human qualities which can set the heart a-thumping as well as soothe the spirit. Karen Reczuch's tranquil illustrations lovingly portray the relationship between man and his surroundings." —Children's Book News

Additional Information
32 pages | 10.00" x 9.00"

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Ojibway Clans
Format: Hardcover
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Ojibway;
Grade Levels: 4; 5; 6; 7;

My name is Pey-sim-away-apey-binasi, which means Rainbow Thunderbird in my language. I am an artist with Ojibway (Ashinabe) heritage and my English given name is Mark Anthony Jacobson.

This book is about the clan system of the Ojibway First Nations people of Canada and the animal totems, or spirits that represent them. The clan system is made up of a group of families, or clans that are descended from a common ancestor through family chiefs. This system provides leadership and organization within the community and plays a very important role in our culture, creating harmony and direction for each member of the tribe.

The animal totems help us identify the different responsibilities each clan has in supporting and leading our community, and we associate special gifts with each animal. The different animal totems spiritually represent specific clans and are very important for the tribe to function as a whole. Some of those meanings and functions are outlined in this wonderful book for you to learn and enjoy.


Several of the important duties the clan system must help with are in the areas of leadership and guidance. Other tasks deal with policing, hunting and food gathering, learning about medicines and healing one another in the community.

The clan system is also used to assign roles for our community’s teachers, historians and mediators, who help resolve disputes between the different clans. It also has responsibilities in the spiritual areas of life, helping us to care for the mind, the body and the emotional issues we all go through.

I hope this book will offer each and every one of you an understanding of the clans, the animal totems and their responsibilities. It was fun creating these paintings and the meanings of each clan animal described. I thank you so much for taking the time to learn about how awesome these animals are and some of the incredible gifts they offer. I wish you all a creative and beautiful day, all my relations!
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Pictographs: The Graphic Art of James Simon Mishibinijima
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Ojibway;
Grade Levels: 4; 5; 6; 7; 8; 9; 10; 11; 12;

In Pictographs, Ojibway artist James Simon Mishibinijima brings to life the legends passed down to him by generations of Elders. In this collection of drawings, each image tells a story, silently communicating lessons of harmony, interconnectedness and peace.

Transcending the familiar iconography of the Near North—the crows, the wolves, the loons and the ravens—the drawings of James Simon, known as Mishibinijima, propel readers into a fantastical spirit world, one that is as powerful and mysterious as it is beautiful.

In Mishibinijima’s Pictographs, smooth, quiet drawings serve as a reflection of place, not just of the wild geography of forest and rock of his native Wikwemikong First Nation on Manitoulin Island but also of the ancestral wisdom of the Elders, whose telling images remain graven into stone on the north shore of Lake Superior and at the burial sites of LaCloche Island.

Mishibinijima’s world is quiet, devoid of language—a world in which the artist listens to the fauna, in which pictographs articulate the essential interconnectedness of nature and in which images themselves become texts of dimly-remembered lessons recited by Elders long passed.

Reviews
"Arresting, elegant, and powerful, the pictographs approach storytelling in an entirely new way to draw readers into a world of spirits, animals, lessons, and knowledge. A silent exploration of interconnectedness and history, the collection speaks volumes." — Open Book Ontario

"Unique and an inherently fascinating read from cover to cover, Pictographs: The Graphic Art of James Simon Mishibinijima is an uncommon and very special addition to personal, community, and academic libra[ries]...."— Midwest Book Review

Educator Information
The Canadian Indigenous Books for Schools list recommends this resource for Grades 4-12 for these subjects: Art Education, Social Studies.

The language of pictographs is used in this work, not the English or Ojibwe languages.

Additional Information
208 pages | 5.50" x 9.00"

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$24.95

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Sometimes I Feel Like a Fox
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg;
Grade Levels: Kindergarten; 1; 2;

In this introduction to the Anishinaabe tradition of totem animals, young children explain why they identify with different creatures such as a deer, beaver or moose. Delightful illustrations show the children wearing masks representing their chosen animal, while the few lines of text on each page work as a series of simple poems throughout the book.

In a brief author’s note, Danielle Daniel explains the importance of totem animals in Anishinaabe culture and how they can also act as animal guides for young children seeking to understand themselves and others.

Educator Information
Recommended for Grades K-2 for these subject areas: Art Education, English Language Arts, Science, Social Studies.

Additional Information
40 pages | 8.25" x 10.00"

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$9.95

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