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Canoe Kids Volume 1: The Ojibwe of Great Spirit Island
Authors:
Canoe Kids
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Ojibway;

Canoe Kids Vol. 1 The Ojibwe of Great Spirit Island is the first issue of a 24 edition series designed as family books for kids all ages. This eight-year project will see the Canoe Kids Team embed with 24 Peoples. The mandate for the full-colour book (161 full colour high res photographs) is Exploring Indigenous Cultures through Authentic Indigenous Voices. The publication balances culture, equity and the environment in a beautiful mix that reminds the reader of the pictorial quality of National Geographic with a more in depth editorial content.

This first issue (in a series of 24) focuses on the Ojibwe People of Great Spirit Island (Manitoulin Island). In 129 pages the reader is introduced to the Ojibwe People who kindly assisted the Canoe Kids staff by allowing access to their traditional territory. Canoe Kids acknowledges the generosity of the Council of Aundeck Omni Kanning and the People of the six Manitoulin communities.

Educator Information
Each edition follows a common theme and features:

1: Compelling and beautiful pictorials that draw you into the stories and place of the featured community
2: The story of the vessel used by the featured Peoples
3: Art and Food
4: A Kids Zone
5: Resources for kids, parents and educators
6: Stories by and of the featured Peoples in each edition
7: Extraordinary pictures of the lives, land and waters of the featured Peoples

The materials are equal parts cultural and environmental. The latter is a natural offshoot of the former as Indigenous cultures are wrapped around and through the lands and water and sky both spiritually and from a harvesting and gathering perspective. Indigenous Peoples have long been the caretakers of Mother Earth and we can all learn from these experts whose message is perhaps more relevant today than ever.

Indigenous communities have always included the little ones in their circles and talk and teach to them in the same way they talk and teach to young adults and adults. Canoe Kids decided to follow that inclusive way of life for the layout of each book. Rather than create editions for different age groups, Canoe Kids decided to have one book for all ages.

CANOE KIDS is an ideal ongoing resource for teachers and is well received in all libraries. Articles are organized and developed so that there are materials for every age group, grade level, subject and interest.

K through 3 use Canoe Kids to read beautiful and ancient stories. There is beautiful original art to explore and a Kids Zone with puzzles, word searches, colouring, cutouts and more. Mid grades use the materials to study the culture, food and wildlife of the featured cultures. Grades 8 through 12 use stories that are more in depth from Dr. David Suzuki about the environment and there are discussion articles about living well and properly with Mother Nature as well as articles about the history and geography of the featured People.

Additional Information
130 pages | 8.50" x 11.00"

Authentic Canadian Content
Authentic Indigenous Text
Authentic Indigenous Artwork
$22.95

In Re-Print
Canoe Kids Volume 3: The Mi'kmaq of Newfoundland
Authors:
Canoe Kids
Format: Paperback
Text Content Territories: Mi’kmaw;

Canoe Kids Vol. 3 The Mi'kmaq of Newfoundland (Ktaqamkuk) is the third issue of a 24 edition series designed as family books for kids all ages. This eight to ten year project will see the Canoe Kids Team embed with 24 Peoples. The mandate for the full-colour book (150+ full colour high res photographs) is Exploring Indigenous Cultures through Authentic Indigenous Voices. The publication balances culture, equity and the environment in a beautiful mix that reminds the reader of the pictorial quality of National Geographic with a more in depth editorial content.

This third issue (in a series of 24) focuses on the Mi'kmaq of the Newfoundland and north Atlantic coast. In 150 pages the reader is introduced to the Mi'kmaq People who kindly assisted the Canoe Kids staff by allowing access to their traditional territory. Canoe Kids acknowledges the generosity of the Council of Flat Bay and Conn River.

Educator Information
Each edition follows a common theme and features:

1: Compelling and beautiful pictorials that draw you into the stories and place of the featured community
2: The story of the vessel used by the featured Peoples
3: Art and Food
4: A Kids Zone
5: Resources for kids, parents and educators
6: Stories by and of the featured Peoples in each edition
7: Extraordinary pictures of the lives, land and waters of the featured Peoples

The materials are equal parts cultural and environmental. The latter is a natural offshoot of the former as Indigenous cultures are wrapped around and through the lands and water and sky both spiritually and from a harvesting and gathering perspective. Indigenous Peoples have long been the caretakers of Mother Earth and we can all learn from these experts whose message is perhaps more relevant today than ever.

Indigenous communities have always included the little ones in their circles and talk and teach to them in the same way they talk and teach to young adults and adults. Canoe Kids decided to follow that inclusive way of life for the layout of each book. Rather than create editions for different age groups, Canoe Kids decided to have one book for all ages.

K through 3 use Canoe Kids to read beautiful and ancient stories. There is beautiful original art to explore and a Kids Zone with puzzles, word searches, colouring, cutouts and more. Mid grades use the materials to study the culture, food and wildlife of the featured cultures. Grades 8 through 12 use stories that are more in depth from Dr. David Suzuki about the environment and there are discussion articles about living well and properly with Mother Nature as well as articles about the history and geography of the featured People.

Additional Information
150 pages | 8.50" x 11.00"

Authentic Canadian Content
Authentic Indigenous Text
Authentic Indigenous Artwork
$22.95

In Re-Print
Flight of the Hummingbird
Format: Hardcover

The hummingbird parable, with origins in the Quechuan people of South America, has become a talisman for environmentalists and activists who are committed to making meaningful change in the world. In this inspiring story, the determined hummingbird does everything she can to put out a raging fire that threatens her forest home. The hummingbirdósymbol of wisdom and courageódemonstrates that doing something is better than doing nothing at all.The parable is embraced by two of the worldís most influential leaders: Wangari Maathai, the Nobel Peace Prize winner from Kenya who launched the Green Belt Movement (which you can read about here), and His Holiness the Dalai Lama, who has spoken widely about his commitment to preserving the environment. This courageous little book features artwork by internationally renowned artist Michael Nicoll Yahgulanaas. His distinct and lively Haida Manga style engages perfectly with this inspirational story that encourages every individual to act on behalf of the worldís limited and precious resources.

Authentic Canadian Content
Authentic Indigenous Text
Authentic Indigenous Artwork
$16.00

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Inuit Modern: Masterworks from the Samuel and Esther Sarick Collection
Format: Paperback
Text Content Territories: Inuit;

A gorgeous retrospective on the transformation of Inuit art in the 20th century, mirroring the vast and poignant cultural changes in the North.

In response to a rapidly changing Arctic environment, Inuit have had to cope with the transition from a traditional lifestyle to the disturbing realities of globalization and climate change. Inuit art in the latter half of the 20th century reflects the reciprocal stimulus of contact with Euro-Canadians and embodies the evolution of a modern Inuit aesthetic that springs from an ancient cultural context, creating an exciting new hybridized art form. Inuit Modern: Art from the Samuel and Esther Sarick Collection situates modern Inuit art within a larger framework that reinterprets the Canadian Arctic.

Essays by leading Canadian scholars in the field including Ingo Hessel, Robert McGhee, Christine Laloude, Heather Igloliorte, Dorothy Eber and Bernadette Driscoll Engelstad examine the social, political and cultural transformation through the dynamic lens of colonial influence and agency. Inuit Modern also features interviews with David Ruben Piqtoukun and Zacharias Kunuk.

Reviews
"The work of Inuit artists has continually evolved in response to the industrialized, bureaucratic culture encroaching from the south. Inuit Modern, an opulent new coffee-table book, displays the astonishing results. The 175 pieces beautifully reproduced here span the last century."— Georgia Straight

"This book is full of treasures from one of the world's most comprehensive collections of Inuit art. With more than 175 works by Inuit artists, the reader is taken on a journey of the Inuit aesthetic as it evolves from its from traditional roots to a more contemporary and globalized art form."— Globe & Mail Top 100 for 2010

Additional Information
256 pages | 10.00" x 11.10"

Authentic Canadian Content
Authentic Indigenous Text
Authentic Indigenous Artwork
$24.99

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Isuma: The Art and Imagination of Ruben Komangapik
Format: Paperback

Ruben Anton Komangapik is one of the Arctic's most gifted sculptors.

His work has been exhibited across Canada with pieces on permanent loan to the Museum of Nature and Culture in Montreal. In Isuma, Ruben's vibrant, provocative sculpture, and his artistic process, are brought to life by photographer Estelle Marcoux Komangapik's arresting images.

Part autobiography, part art object, this book will introduce Canadians to one of the Arctic's most talented young artists.

Authentic Canadian Content
Authentic Indigenous Text
$29.95

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Medicine Paint: The Art of Dale Auger
Format: Hardcover
Text Content Territories: Indigenous Canadian; First Nations; Cree (Nehiyawak);

One of Canada's most evocative modern painters, Cree artist Dale Auger was a gifted interpreter of First Nations culture, using the cross-cultural medium of art to portray scenes from the everyday to the sacred and dissemble stereotypes about Indigenous peoples. Medicine Paint is a collection of Auger's best work, reproduced in glorious full colour and reflecting the evolution of the artist's distinctive style. Including a revealing look back at his life and professional development, the book is a stunning tribute to the master Aboriginal artist.

Auger uses bold, bright colours in his oil paintings to explore the intricate links between spirituality and the natural laws of the land. Birds, beasts and human forms are carried from the dreamworld onto canvas, their spirits channeled through his paintbrush and presented in brilliant yellows, mystic blues, vibrant reds and swirls of black. Infusing his subjects with energy, life and colour, Dale Auger masterfully presents scenes that are powerful, spiritual and inspiring. A bald eagle is majestic in flight against a bright blue sky. An elder makes a solemn offering to the Sky Being. Horses dance playfully in the frame for a sweat lodge. A warrior draws his bow and points it skyward.

Authentic Canadian Content
Authentic Indigenous Text
Authentic Indigenous Artwork
$59.95

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Out of Concealment: Female Supernatural Beings of Haida Gwaii
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Haida;

A stunning collection of powerful and whimsical photo collages celebrating supernatural female beings rooted in Haida culture.

Out of Concealment presents the origin stories of the Haida Nation through the vibrant depiction of its female supernatural beings. Passed on from generation to generation through oral tradition, these stories are important historical narratives that illustrate the Haida’s values, customs, rituals, and relationships with the earthly and metaphysical realms. It is said that in Haida Gwaii, people recognize these supernatural beings all around them.

This book features over thirty full-colour surreal photo collages by Haida artist, performer, and activist Terri-Lynn Williams-Davidson. The collages also integrate traditional Haida form-line art by Robert Davidson. Each image is accompanied by insightful, reflective text describing the being’s place in Haida mythology. Out of Concealment encourages readers—both within the Haida Nation and the general public—to see the feminine and the powerful land and seascapes of Haida Gwaii through a worldview where the environment is worthy of respect, not to be dominated or exploited. 

Educator Information
Recommended for Grades 10-12 for these subject areas: Art Education, English Language Arts.

Additional Information
160 pages | 8.50" x 10.00"

Authentic Canadian Content
Authentic Indigenous Text
Authentic Indigenous Artwork
$29.95

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Sonny Assu: A Selective History
Format: Paperback

A stunning retrospective highlighting the playfulness, power, and subversive spirit of Northwest Coast Indigenous artist Sonny Assu.

Through large-scale installation, sculpture, photography, printmaking, and painting, Sonny Assu merges the aesthetics of Indigenous iconography with a pop-art sensibility. This stunning retrospective spans over a decade of Assu’s career, highlighting more than 120 full-colour works, including several never-before-exhibited pieces.

Through analytical essays and personal narratives, Richard Van Camp, Marianne Nicolson, Candice Hopkins, and Ellyn Walker provide brilliant commentary on Assu’s practice, its meaning in the context of contemporary art, and its wider significance in the struggle for Indigenous cultural and political autonomy. Exploring themes of Indigenous rights, consumerism, branding, humour, and the ways in which history informs contemporary ideas and identities, Sonny Assu: A Selective History is the first major full-scale book to pay tribute to this important, prolific, and vibrant figure in the Canadian contemporary art world.

Reviews
"Educators and students will find numerous access points and opportunities to examine our nation's beliefs, actions, words, and legislation. [This book] also invites readers to knowledgeably and compassionately consider how we can reconcile all that has been with all that can be"—Canadian Indigenous Books for Schools 2018-2019

"Framed by contributions from some of our brightest Indigenous intellectuals, Sonny Assu’s canvas is more than an examination of how Indigenous Peoples respond to the Canadian experience. His witty and gentle hand offers Canada a mirror to consider its own scarred identity."—Michael Nicoll Yahgulanaas

“This brilliant book not only provides readers with an overview of the career of one of Canada’s most important artists but also links his development to the contemporary creative practices of First Nations artists in BC politics and history—the intersection of stories with visual expression. All this unveils historical truths and artistic insights that elevate Sonny Assu to greatness." —Dr. Ron Burnett, Order of Canada, Order of BC. President and vice-chancellor, Emily Carr University of Art and Design

Educator Information
Recommended for Grades 9-12 for these subjects: Art Education, Social Justice, Social Studies.

Additional Information
224 pages | 8.50" x 10.00"

Authentic Canadian Content
Authentic Indigenous Text
Authentic Indigenous Artwork
$34.95

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The Edward Curtis Project: A Modern Picture Story
Format: Paperback
Text Content Territories: Indigenous Canadian;

A profoundly moving new drama by Marie Clements, combined with a spectacular contemporary photo exhibit by Rita Leistner.

Edward Curtis saw his job as that of creating a photographic record of “the vanishing race of the North American Indian.” His work therefore became as much a projection of colonial attitudes upon aboriginal peoples as it was an authentic record of their lives.

The Edward Curtis Project began when the Presentation House Theatre commissioned Marie Clements to write a play that would stage the issues raised by Curtis’ monumental but controversial achievement—to dramatize not only the creation of his twenty-volume photographic and ethnographic epic and the enormous commitment, unwavering vision, sacrifice, poverty and ultimate disappointment it represented for the photographer, but also the devastating legacy that his often misrepresentative and imposed vision had on the lives of the people he touched.

Upon receiving the commission, Marie Clements immediately asked photojournalist Rita Leistner to create a parallel photographic investigation of Curtis’ work—to question the practice of documentary photography with the very medium under scrutiny. After two years of retracing Curtis’ footsteps, travelling to First Nations communities throughout North America, Clements finally felt that between them: “We were making our own pictures out of our own beliefs and they were adding up. We were inside the lies and beauty of history, of gender and class, we were making a case for the future.”

This collaborative work of two artists, to take Curtis’ photographs to heart and to see who and what might live inside them today, resulted in a profoundly moving new drama by Marie Clements, and a spectacular contemporary photo exhibit by Rita Leistner. Published together here, they illustrate the trauma that the notion of a “vanishing race” has inflicted on an entire people, and celebrate the triumph of a future in which North American First Nations communities “are everywhere and it is beautiful.”

 

Authentic Canadian Content
Authentic Indigenous Text
$24.95

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The Land We Are: Artists and Writers Unsettle the Politics of Reconciliation
Format: Paperback
Text Content Territories: Indigenous Canadian;

The Land We Are is a stunning collection of writing and art that interrogates the current era of reconciliation in Canada. Using visual, poetic, and theoretical language, the contributors approach reconciliation as a problematic narrative about Indigenous-settler relations, but also as a site where conversations about a just future must occur. The result of a four-year collaboration between artists and scholars engaged in resurgence and decolonization, The Land We Are is a moving dialogue that blurs the boundaries between activism, research, and the arts.

The contributors to this book include leading artists and scholars engaged in questions of resurgence, restitution, and decolonization.

Contributors: Jordan Abel, Leah Decter, Jonathan Dewar, David Garneau, Ayumi Goto, Allison Hargreaves, Gabrielle L'Hirondelle Hill, Jaimie Isaac, David Jefferess, Layli Long Soldier, The New BC Indian Art and Welfare Society Collective, Sophie McCall, Peter Morin, Skeena Reece, Dylan Robinson, Sandra Semchuk, Adrian Stimson, Clement Yeh, and Keren Zaiontz.

Reviews
"This beautifully produced, richly illustrated volume not only offers readers a visual journey into the featured artistic installations and performance pieces, but through its creative use of text and graphic design is itself an artistic statement on reconciliation." --Winnipeg Free Press

Educator Information
Recommended for students in grades 11 and 12, as well as at a college/university level.  

Additional Information
240 pages | 6.50" x 9.50"

 

Authentic Canadian Content
Authentic Indigenous Text
Authentic Indigenous Artwork
$24.95

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The Raven Steals the Light
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Haida;

Ten masterful, complex drawings by Bill Reid are accompanied by ten episodes from Haida mythology told by Bill Reid and Robert Bringhurst. The result brings Haida art and mythology alive as never before in an English-speaking world. The collection includes, says Reid, "a good selection of bestiality, adultery, violence, thievery and assault, for those who like that sort of thing."

Additional Information
112 pages | 6.13" x 8.44"

Authentic Canadian Content
Authentic Indigenous Text
Authentic Indigenous Artwork
$14.95

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The Spirit of Haida Gwaii: Bill Reid's Masterpiece
Authors:
Ulli Steltzer
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Haida;

Before he passed away, the Haida artist Bill Reid was internationally renowned for his totem poles and other large pieces, as well as for his work on a small scale in silver and gold. His masterpiece, The Spirit of Haida Gwaii, is a bronze canoe six metres (20 feet) long, filled to overflowing with the creatures of Haida mythology. Two copies of this extraordinary bronze casting exist, one in the Canadian Chancery in Washington, D.C., and the other in the main foyer of the Vancouver International Airport.

Ulli Steltzer’s superb black-and-white photographs record and reveal intimate insights into the creative process of this sculpture, as well as the parts and the whole of this monumental work. The story of the sculpture and of its creator, Bill Reid, is engagingly related by Robin Laurence. And Bill Reid’s own descriptions of the creatures in the canoe provide glimpses into the mythic complexity and power of The Spirit of Haida Gwaii.

The story of the sculpture and of its creator, Bill Reid, is engagingly related by Robin Laurence. And Bill Reid’s own descriptions of the creatures in the canoe provide glimpses into the mythic complexity and power of The Spirit of the Haida Gwaii.

Suggested Grades: 9-12
ABPBC

Authentic Canadian Content
$15.95

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