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A Two-Spirit Journey: The Autobiography of a Lesbian Ojibwa-Cree Elder
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Oji-Cree;
Grade Levels: 12; University/College;

A compelling, harrowing, but ultimately uplifting story of resilience and self-discovery.

A Two-Spirit Journey is Ma-Nee Chacaby’s extraordinary account of her life as an Ojibwa-Cree lesbian. From her early, often harrowing memories of life and abuse in a remote Ojibwa community riven by poverty and alcoholism, Chacaby’s story is one of enduring and ultimately overcoming the social, economic, and health legacies of colonialism.

As a child, Chacaby learned spiritual and cultural traditions from her Cree grandmother and trapping, hunting, and bush survival skills from her Ojibwa stepfather. She also suffered physical and sexual abuse by different adults, and in her teen years became alcoholic herself. At twenty, Chacaby moved to Thunder Bay with her children to escape an abusive marriage. Abuse, compounded by racism, continued, but Chacaby found supports to help herself and others. Over the following decades, she achieved sobriety; trained and worked as an alcoholism counsellor; raised her children and fostered many others; learned to live with visual impairment; and came out as a lesbian. In 2013, Chacaby led the first gay pride parade in Thunder Bay.

Ma-Nee Chacaby has emerged from hardship grounded in faith, compassion, humour, and resilience. Her memoir provides unprecedented insights into the challenges still faced by many Indigenous people.

Reviews
“From groundbreaking and controversial AIDS awareness programs in the 1990s to the work she continues to do today, both with her own family and her extended reserve family, her life and this memoir ultimately serve as handbook of hope.”— Lara Rae, Winnipeg Free Press

"A Two-Spirit Journey is a raw and emotional story that doesn’t just show readers the author’s scars. Chacaby bares all in an honest telling of her life that includes flaws, like her struggles with substance abuse and a sometimes rocky path to sobriety. Despite the turmoil, the autobiography does have its uplifting moments and characters. Heartwarming stories of childhood friendships, and most importantly a powerful relationship between the author and her grandmother, weave feelings of optimism and hope into a life that is oftentimes surrounded by darkness.”— Scott Paradis, tbnewswatch.com

“An extraordinary account of an extraordinary life and very highly recommended for community and academic library Contemporary Biography, LGBT, and Native American Studies collections.”— Midwest Book Review

“Activist, survivor, mother, counsellor, Ma-Nee Chacaby recounts her sometimes harrowing life with a calm and steady voice, infused with resilience and compassion. Effectively designed and edited to appeal to both the general public and those engaged in Indigenous studies, A Two-Spirit Journey presents an important story, powerfully told.”— Nik Burton, Rick Walker, and Carolyn Wood, Judges, 2017 Manitoba Book Awards

“The story that Chacaby and Plummer recount is truly an extraordinary one, but it is also one that will resonate with many people whose stories have not been often told. The perspective of a lesbian Ojibwa-Cree elder is invaluable for LGBT Native youth and will be an enriching experience for many others, particularly those who have experienced abuse, disability, poverty, or the effects of colonization.”— Kai Pyle, Studies in American Indian Literatures

Educator Information
This book would be useful for courses in women's studies, social studies, and gender studies.  Recommended for students in grade 12 or at a college/university level.

Caution: discussion of physical and sexual abuse.

Additional Information
256 pages | 6.00" x 9.00"

 

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All the Way: My Life on Ice
Format: Paperback

It seemed as though nothing could stop Jordin Tootoo on the ice. The captain of Canada’s Under-18, a fan favourite on the World Junior squad, and a WHL top prospect who could intimidate both goalies and enforcers, he was always a leader. And when Tootoo was drafted by Nashville in 2000 and made the Predators out of camp in 2003, he became a leader in another way: the first player of Inuk descent to suit up in the NHL. The stress of competition in the world’s top hockey league, the travel, the media, the homesickness—and the added pressure to hold one’s head high as a role model not only for the young people of his hometown of Rankin Inlet but for the culture that had given him the strength and the opportunities to succeed—would have been more than enough to challenge any rookie. But Tootoo faced something far more difficult: the loss of his brother in the year between his draft and his first shift for the Predators. Though he played through it, the tragedy took its inevitable toll. In 2010, Tootoo checked himself into rehab for alcohol addiction. It seemed a promising career had ended too soon. But that’s not the way Tootoo saw it and not the way it would end. As heir to a cultural legacy that included alcohol, despair, and suicide, Tootoo could also draw on a heritage that could help sustain him even thousands of miles away from Nunavut. And in a community haunted by the same hopelessness and substance abuse that so affected Tootoo’s life, it is not just his skill and fearlessness on the ice that have made him a hero, but the courage of his honesty to himself and to the world around him that he needed to rely on others to sustain him through his toughest challenge. All the Way tells the story of someone who has travelled far from home to realize a dream, someone who has known glory and cheering crowds, but also the demons of despair. It is the searing, honest tale of a young man who has risen to every challenge and nearly fallen short in the toughest game of all, while finding a way to draw strength from his community and heritage, and giving back to it as well.

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At the Bridge: James Teit and an Anthropology of Belonging
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Format: Paperback
Text Content Territories: Indigenous Canadian;
Grade Levels: University/College;

Every once in a while, an important historical figure makes an appearance, makes a difference, and then disappears from the public record. James Teit (1864–1922) was such a figure. A prolific ethnographer and tireless Indian rights activist, Teit spent four decades helping British Columbia’s Indigenous peoples in their challenge of the settler-colonial assault on their lives and territories. Yet his story is little known.

At the Bridge chronicles Teit’s fascinating story. From his base at Spences Bridge, British Columbia, Teit practised a participant- and place-based anthropology – an anthropology of belonging – that covered much of BC and northern Washington, Idaho, and Montana. Whereas his contemporaries, including famed anthropologist Franz Boas, studied Indigenous peoples as the last survivors of “dying cultures” in need of preservation in metropolitan museums, Teit worked with them as members of living cultures actively asserting jurisdiction over their lives and lands. Whether recording stories and songs, mapping place-names, or participating in the chiefs’ fight for fair treatment, he made their objectives his own. With his allies, he produced copious, meticulous records; an army of anthropologists could not have achieved a fraction of what Teit achieved in his short life.

Wendy Wickwire’s beautifully crafted narrative accords Teit the status he deserves. At the Bridge serves as a long-overdue corrective, consolidating Teit’s place as a leading and innovative anthropologist in his own right.

This book will appeal to those interested in the history of anthropology, settler-Indigenous relations in the Pacific Northwest, and Indigenous political resistance in the early twentieth century. Scholars of law, treaties, and politics in British Columbia will find invaluable information in this book.

Reviews
"Wendy Wickwire’s groundbreaking historical investigation places James Teit as a key figure in early North American anthropology, but also as central to historical Indigenous rights activism in British Columbia." - Julie Cruikshank

"Wendy Wickwire’s biography of James Teit is the first comprehensive and authoritative account of this important ethnographer and political activist. This compelling book should become a classic addition to our knowledge of Indigenous-settler relations in early British Columbia." - Ira Jacknis, author of The Storage Box of Tradition: Kwakiutl Art, Anthropologists, and Museums, 1881–1981

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368 pages | 6.00" x 9.00" | 36 b&w photos

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Being Ts'elxwéyeqw: First Peoples' Voices and History from the Chilliwack-Fraser Valley, British Columbia
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Format: Hardcover
Grade Levels: 5; 6; 7; 8; 9; 10; 11; 12; University/College;

“Our stories identify for us the land which surrounds us and tie us to our ancestors. We find ourselves inextricably linked to the past, to the land, to the river, to each other, to the future.” —Shirley Hardman, contributor

This impressive volume tells of the First Peoples of the area through vivid narratives from the past and present.

The traditional territory of the Ts’elxwéyeqw First Peoples covers over 95,000 hectares of land in Southwestern BC. It extends throughout the central Fraser Valley, encompassing the entire Chilliwack River Valley (including Chilliwack Lake, Chilliwack River, Cultus Lake and areas, and parts of the Chilliwack municipal areas). In addition to being an area of natural beauty and abundant resources, it also has a rich cultural history. The Chilliwack region gets its name from the Ts’elxwéyeqw tribe, and this volume delves into what this name means—and also what it means to be Ts’elxwéyeqw. Being Ts’elxwéyeqw portrays the people, artifacts and landscapes that are central to the Ts’elxwéyeqw people, and represents a rich oral record of an aboriginal heritage that has been kept alive—even through adversity—for thousands of years.

Lavishly illustrated with over seven hundred historic and current photos and maps, this book amalgamates a variety of voices and personal histories from elders, while providing background into eighty-five place names within the region. The book’s unique composition—with an emphasis on visual storytelling—showcases a culture with a deep connection to the surrounding land and the watershed.

Educator Information
Recommended for Grades 5-12 for the following subject areas: Geography, Social Studies, Science.  Also a useful Teacher Resource.

Note: Educators should pre-read sections of this book that they are considering using from this reference book, as reading levels vary greatly.

Additional Information
304 pages | 11.00" x 14.00"

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Black Elk Speaks: The Complete Edition
Format: Paperback
Grade Levels: University/College;

Black Elk Speaks, the story of the Oglala Lakota visionary and healer Nicholas Black Elk (1863–1950) and his people during momentous twilight years of the nineteenth century, offers readers much more than a precious glimpse of a vanished time. Black Elk’s searing visions of the unity of humanity and Earth, conveyed by John G. Neihardt, have made this book a classic that crosses multiple genres. Whether appreciated as the poignant tale of a Lakota life, as a history of a Native nation, or as an enduring spiritual testament, Black Elk Speaks is unforgettable.

Black Elk met the distinguished poet, writer, and critic John G. Neihardt in 1930 on the Pine Ridge Reservation in South Dakota and asked Neihardt to share his story with the world. Neihardt understood and conveyed Black Elk’s experiences in this powerful and inspirational message for all humankind.

This complete edition features a new introduction by historian Philip J. Deloria and annotations of Black Elk’s story by renowned Lakota scholar Raymond J. DeMallie. Three essays by John G. Neihardt provide background on this landmark work along with pieces by Vine Deloria Jr., Raymond J. DeMallie, Alexis Petri, and Lori Utecht. Maps, original illustrations by Standing Bear, and a set of appendixes rounds out the edition.

Paperback: 424 pages
Physical Dimensions: 5.98" x 8.97"

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Blanket Toss Under Midnight Sun: Portraits of Everyday Life in Eight Indigenous Communities
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Inuit; Métis;

A revelatory portrait of eight Indigenous communities from across North America, shown through never-before-published archival photographs--a gorgeous extension of Paul Seesequasis's popular social media project.

In 2015, writer and journalist Paul Seesequasis found himself grappling with the devastating findings of Canada's Truth and Reconciliation Commission report on the residential school system. He sought understanding and inspiration in the stories of his mother, herself a residential school survivor. Gradually, Paul realized that another, mostly untold history existed alongside the official one: that of how Indigenous peoples and communities had held together during even the most difficult times. He embarked on a social media project to collect archival photos capturing everyday life in First Nations, Metis and Inuit communities from the 1920s through the 1970s. As he scoured archives and libraries, Paul uncovered a trove of candid images and began to post these on social media, where they sparked an extraordinary reaction. Friends and relatives of the individuals in the photographs commented online, and through this dialogue, rich histories came to light for the first time.

Blanket Toss Under Midnight Sun collects some of the most arresting images and stories from Paul's project. While many of the photographs live in public archives, most have never been shown to the people in the communities they represent. As such, Blanket Toss is not only an invaluable historical record, it is a meaningful act of reclamation, showing the ongoing resilience of Indigenous communities, past, present--and future.
 
Reviews
“A revelatory work of astonishing grace, Blanket Toss Under Midnight Sun encapsulates an invisible generation brought to glorious life. So many times, the subject could have been my auntie, cousin or grandmother. When people ask why I live on the rez, I’ll point them to this book, this stunning reclamation of narrative, which so movingly shows the love of place, community and self.” —Eden Robinson

“Paul Seesequasis's Blanket Toss Under Midnight Sun is a wonderful collection of found photographs and recovered histories that link us to a past as old as the land and as precious as breath.” —Thomas King, author of The Inconvenient Indian

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192 pages | 7.08" x 9.03" | Colour photos throughout


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Buckskin & Broadcloth: A Celebration of E. Pauline Johnson-Tekahionwake, 1861-1913
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Format: Paperback

This is the first generously illustrated biography of the Mohawk poet-performer E. Pauline Johnson-Tekahionwake. The author has created an exciting volume of anecdotes, letters and poetry, and illustrated it with period photographs and new illustrations by the Six Nations artist, Raymond R. Skye.

While the story of Pauline Johnson has been told before, it has never been given the intimacy that this book provides. Tracing her ancestry, moving on to explore her extraordinary stage career, and finally shedding light on Pauline Johnson's last years in Vancouver, Sheila M.F. Johnston has breathed new life into the compelling story of one of Canada's brightest literary and stage stars.

This book contains over forty poems that are not part of Pauline Johnson's classic collection of poems, Flint and Feather. The "uncollected" poems have been culled from archives, libraries and out-of-print books. They shed light on the development of the poet, and enlighten and enrich her life story.

Buckskin & Broadcloth is truly a celebration of the life of a Canadian hero – one whose legacy to Canadian literature and Canadian theatre is unparalleled.

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Buffy Sainte-Marie: It's My Way
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Cree (Nehiyawak);

Buffy Sainte-Marie is a symbol of the free expression movement of the 1960s and her powerful songs inspired countless people seeking hope and change. Her life has been one of transitions; from songwriter to famous intellectually-oriented folk and protest singer, to country and western and rock and roll musician, to social activist, mother, script-writer, actress, digital artist, philanthropist, children's educator, and "medicine woman." Within all these roles, and throughout her incredibly diverse and engaging, though private, life, Buffy Sainte-Marie has cultivated her unique vision for achieving collective beauty and purpose in an often lonely world.

In this ambitious biography of an international cultural icon, Blair Stonechild seeks to bring together the many facets of a remarkable life, and to develop a sense of the woman behind it all. In doing so, Stonechild also traces some of the tumultuous history of the Cree people, and offers a fascinating, and challenging, view into the impoverished Saskatchewan reserve where Sainte-Marie was born, and an exploration of the story and context of a Native culture, which Buffy continues to inspire today.

Blair Stonechild is a member of the Muscowpetung First Nation in Saskatchewan. He obtained his B.A. from McGill, and M.A. and Ph.D. degrees from the University of Regina, and in 1976 was the first academic hired by the Saskatchewan Indian Federated College (SIFC). Blair is currently Professor of Indigenous Studies and has served as Dean of Academics and Executive Director of Development for the First Nations University of Canada (formerly Saskatchewan Indian Federated College). He co-authored with Dr. Bill Waiser, Loyal Till Death: Indians and the North-West Rebellion, which won the Saskatchewan Book Award and was a finalist for the Governor General’s Literary Award in 1997. Dr. Stonechild’s book on First Nations post-secondary policy, The New Buffalo: Aboriginal Post-secondary Policy in Canada (2006), was a finalist for the Saskatchewan Book Award. Blair was a Trustee of the Canadian Museum of Civilization from 1990 to 1998. He has done extensive consulting on Aboriginal education. Blair is married to Sylvia and is father to Michael, Rachel, and Gabrielle.

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Buffy Sainte-Marie: The Authorized Biography
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Format: Hardcover
Text Content Territories: Indigenous Canadian; First Nations; Cree (Nehiyawak);
Grade Levels: 11; 12; University/College;

A powerful, intimate look at the life and music of a beloved folk icon and activist.

Folk hero. Songwriter icon. Living legend. Buffy Sainte-Marie is all of these things and more. In this, Sainte-Marie’s first and only authorized biography, music critic Andrea Warner draws from more than sixty hours of exclusive interviews to offer a powerful, intimate look at the life of the beloved artist and everything that she has accomplished in her seventy-seven years (and counting).

Since her groundbreaking debut, 1964’s It’s My Way!, the Cree singer-songwriter has been a trailblazer and a tireless advocate for Indigenous rights and freedoms, an innovative artist, and a disruptor of the status quo. Establishing herself among the ranks of folk greats such as Joni Mitchell and Bob Dylan, she has released more than twenty albums, survived being blacklisted by two U.S. presidents, and received countless accolades, including the only Academy Award ever to be won by a First Nations artist. But this biography does more than celebrate Sainte-Marie’s unparalleled talent as a songwriter and entertainer; packed with insight and knowledge, it offers an unflinchingly honest, heartbreakingly real portrait of the woman herself, including the challenges she experienced on the periphery of showbiz, her healing from the trauma of childhood and intimate partner violence, her commitment to activism, and her leadership in the protest movement.

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304 pages | 6.00" x 9.00" | photographic colour insert

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Chilcotin Chronicles
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Format: Paperback
Grade Levels: 12; University/College;

A compilation of stories that meld both culture and bloodlines, Chilcotin Chronicles by Sage Birchwater is set in the wild and untamed country of central British Columbia’s Chilcotin Plateau. West of the Fraser River, this high country is contained by an arc of impenetrable mountain ranges that separates it from the Pacific Coast. The first inhabitants of this region were fiercely independent, molded by the land itself. Those who came later were drawn to this landscape with its mysterious aura of freedom, where time stood still and where a person could find solace in the wilderness and never be found.

Birchwater reaches back to first European contact in British Columbia when the indigenous population spoke forty of Canada’s fifty-four languages and seventy of Canada’s one hundred dialects. The land known today as the Cariboo Chilcotin Coast was already an entity when Alexander Mackenzie arrived in 1793. Bonds of friendship, mutual support and family ties had long been established between the Dakelh, Tsilhqot’in and Nuxalk, giving cohesiveness to the region. Chilcotin Chronicles is about the men and women caught in the interface of cultures and the changing landscape. Indigenous inhabitants and white newcomers brought together by the fur brigades, then later by the gold rush, forged a path together, uncharted and unpredictable. Birchwater discovers that their stories, seemingly disconnected, are intrinsically linked together to create a human ecosystem with very deep roots. The lives of these early inhabitants give substance to the landscape. They give meaning to the people who live there today.

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Clifford: A Memoir, A Fiction, A Fantasy, A Thought Experiment
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Cree (Nehiyawak);
Grade Levels: 12; University/College;

I open my eyes in the darkness, laying on my side, half my vision is of the earth and shadows; the other is of the sky, treetops, and stars. I should write Clifford’s story. The thought emerges fully formed . . . The thought dissipates. I close my eyes and the earth and the sky disappear. The warmth of my sleeping bag wraps around me and sleep pulls me under into that half-world where reality and fantasy mingle in a place where coherent thoughts disintegrate.

When Harold Johnson returns to his childhood home in a northern Saskatchewan Indigenous community for his brother Clifford’s funeral, the first thing his eyes fall on is a chair. It stands on three legs, the fourth broken off and missing. So begins a journey through the past, a retrieval of recollections that have too long sat dormant. Moving from the old family home to the log cabin, the garden, and finally settling deep in the forest surrounding the property, his mind circles back, shifting in time and space, weaving in and out of memories of his silent, powerful Swedish father; his formidable Cree mother, an expert trapper and a source of great strength; and his brother Clifford, a precocious young boy who is drawn to the mysterious workings of the universe.

As the night unfolds, memories of Clifford surface in Harold’s mind’s eye: teaching his younger brother how to tie his shoelaces; jousting on a bicycle without rubber wheels; building a motorcycle. Memory, fiction, and fantasy collide, and Clifford comes to life as the scientist he was meant to be, culminating in his discovery of the Grand Unified Theory.

Exquisitely crafted, funny, visionary, and wholly moving, Clifford is an extraordinary work for the way it defies strict category and embraces myriad forms of storytelling. To read it is to be immersed in a home, a family, a community, the wider world, the entire cosmos.

Reviews
“Clifford is a luminous, genre-bending memoir. Heartache and hardship are no match for the disarming whimsy, the layered storytelling shot through with love. The power of land, the pull of family, the turbulence of poverty are threads woven together with explorations of reality, tackling truth with a trickster slant.” — Eden Robinson, author of Son of a Trickster

“Clifford is a story only Harold Johnson could tell. By turns soft and harsh, intellectual and emotional, Johnson weaves truth, fiction, science, and science fiction into a tapestry that is rich with meaning and maybes. A natural storyteller, Johnson seeks imagined pasts and futurity with equal parts longing and care. This work allows readers and writers the possibility of new and ancient modes of storytelling.” — Tracey Lindberg, author of Birdie

“Harold R. Johnson is a wonderful writer, and Clifford is his best work yet. For fans of Jack Finney and Richard Matheson, this terrific book is a wonderfully human tale of memory both bitter and sweet, as well as a poignant exploration of time’s hold over all of us.” — Robert J. Sawyer, Hugo Award–winning author of Quantum Night

“Clifford is unlike anything I’ve read — it is at once a story of science and magic, love and loss, and a case for the infinite potential of humanity. It is a book of profound wisdom — an unpacking of the deepest truths of science in an effort to transform the pain of grief and regret into healing and forgiveness.” — Patti Laboucane-Benson, author of The Outside Circle

Educator Information
Curriculum Connections: English, Biographies, Family 

Additional Information
264 pages | 5.25" x 8.00"

 

 

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Creating Space: My Life and Work in Indigenous Education
Format: Paperback

Verna J. Kirkness grew up on the Fisher River Indian reserve in Manitoba. Her childhood dream to be a teacher set her on a lifelong journey in education as a teacher, counsellor, consultant, and professor.

As the œfirst cross-cultural consultant for the Manitoba Department of Education Curriculum Branch she made Cree and Ojibway the languages of instruction in several Manitoba schools. In the early 1970s she became the œfirst Education Director for the Manitoba Indian Brotherhood (now the Assembly of Manitoba Chiefs) and then Education Director for the National Indian Brotherhood (now the Assembly of First Nations). She played a pivotal role in developing the education sections of Wahbung: Our Tomorrows, which transformed Manitoba education, and the landmark 1972 national policy of Indian Control of Indian Education. These two major works have shaped First Nations education in Canada for more than 40 years.

In the 1980s she became an assistant professor at the University of British Columbia where she was appointed Director of the Native Teacher Education Program, founded the Ts’‘Kel Graduate Program, and was a driving force behind the creation of the First Nations House of Learning. Honoured by community and country, Kirkness is a visionary who has inspired, and been inspired by, generations of students.

Like a long conversation between friends, Creating Space reveals the challenges and misgivings, the burning questions, the successes and failures that have shaped the life of this extraordinary woman and the history of Aboriginal education in Canada.

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Daniel Paul: Mi'kmaw Elder
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Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Mi'kmaq;
Grade Levels: University/College;

Born in a log cabin during a raging blizzard on Indian Brook Reserve in 1938, Mi'kmaw elder Daniel N. Paul rose to the top of a Canadian society that denied his people's civilization. When he was named to the Order of Canada, his citation called him a "powerful and passionate advocate for social justice and the eradication of racial discrimination." His Order of Nova Scotia honour said he "gives a voice to his people by revealing a past that the standard histories have chosen to ignore."

But long before the acclaim, there was the Indian Agent denying food to his begging mother. There was the education system that taught him his people were savages. There was the Department of Indian Affairs that frustrated his work to bring justice to his people.

His landmark book We Were Not the Savages exposed the brutalities of the collision between European and Native American civilizations from a Mi'kmaq perspective. The book sold tens of thousands of copies around the world and inspired others to learn history from an indigenous point of view.

He shone a light on Halifax founder Edward Cornwallis through newspaper columns and public debates over two decades, calling on Nova Scotia to stop honouring the man whose scalping proclamations were an act of genocide against the Mi'kmaq.

Now, for the first time, here is the full story of his personal journey of transformation, a story that will inspire Canadians to recognize and respect their First Nations as equal and enlightened civilizations.

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Daylight in the Swamp: Memoirs of Selwyn Dewdney
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Format: Hardcover
Text Content Territories: Indigenous Canadian;

Daylight in the Swamp is the bush memoirs of Selwyn Dewdney, a noted Canadian artist and recorder of native rock art. His two great loves, art and the Canadian north, come together in this book. His respect for native culture and art is reflected in his own work, his insight into native rock art, and his passion for canoeing and the northern experience.

The third theme of the book is history spanning the period from 1910 through to the 1970s during which the old north largely vanished. Dewdney was there to record the images of forgotten dreams painted on rocks and cliffs throughout the Canadian Shield.

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Edward S. Curtis Above the Medicine Line
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Format: Paperback
Text Content Territories: Indigenous American; Indigenous Canadian;

Edward S. Curtis Above the Medicine Line is both an introduction to the Seattle-based photographer and a tribute to a true visionary. While Curtis’s photographs will long be his legacy, his own story is likewise compelling. Curtis built his first camera at 12 and developed that interest into a large Seattle photo studio by the age of 30. Then, on an expedition to Alaska in 1899, Curtis was exposed to First Nations cultures in a way that affected him profoundly. First Nations people had been decimated due to the diseases and aggressions of white settlers. Curtis, alarmed that their traditional ways of life were in danger of disappearing forever, made an incredible effort to capture their daily routines, character and dignity through photography and audio recordings. Curtis had planned to document only the First Peoples of the United States and Alaska, but his exposure to Canada’s Blackfoot Nation spurred him to include all of North America. The visual result was The North American Indian, a 20-volume record of 75 of North America’s Native peoples. This collection of Curtis’s images includes 100 of his most striking images and a biography.

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