Poetry

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A Moon Made of Copper
Content Territory: First Nations, Indigenous Canadian
Format: Paperback

A moon made of Copper is a collection of non-fiction poems that look at the continual maturing and growth of a human being.

The poems were written while touring across Canada, and they capture Bose’s experiences meeting people, wandering different cities, and getting into adventures and mis-adventures. This is Bose’s second book since Stone the Crow.

Bose reveals "what it takes as a First Nations person to survive the unrelenting human conditions of Aboriginals in this country. His poetic expression untangles the pain, loss, and recovery expressed bodly through this volume of poetry. To read this, is to know that journey." Garry Gottfriedson.

$16.00

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A Night for the Lady
Format: Paperback
A Night for the Lady explores the terrain of poetry conversation. Each poem arises from conversations with poets, colleagues and intimate friends. They range from a 1998 conversation on healing programs and the fundamentals of world change to a sequence of recent indigenous literary events on the prairies. Within the context of these conversations, an exploration emerges of the roles of woman within local as well as historic literary and global situations. The poems draw together diverse figures from world literature, world religions and myths to lay open the experience of human beings within the “brown-feminine.” Identifying and synthesizing connections across a wide palette of human experience, this collection challenges the divisions of personal and global, indigenous and “everyone else,” all the while celebrating both the humanity and the divinity of the Lady. Playful, erotic and occasionally harrowing, this collection bundles together experimental and inspirational work from a longstanding voice of conscience in Canadian letters. Once again, Arnott carries us into the most intimate terrain, casts her net widely, catches us up.
$15.95

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Beautiful Razor: Love Poems & Other Lies
Author: Al Hunter
Format: Paperback
In Beautiful Razor, Al Hunter explores the span between the sensual and the profane; the distance of which can sometimes be vast or on the razor's edge. This much awaited collection is the third poetry book written by the former Rainy River First Nations Chief, along with Spirit Horses and The Recklessness of Love.
$15.00

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Breaking Boundaries: LGBTQ2 Writers on Coming Out and Into Canada
Editors: Lori Shwydky
Format: Paperback
An anthology of stories and poetry written by Canadian LGBTQ2 authors who are immigrants, refugees, or Canada-born.

“What does it mean to be LGBTQ2 in Canada? The only possible answer to that question is one given in many voices. That is exactly what this book offers. There is struggle in these stories and poems, but there is also strength and resilience, compassion and determination. Woven together these voices leave me with a sense of hopefulness: a belief that the creativity and fierce commitment of our community will carry us forward as we work to create a Canada that lives up to the dream of freedom and safety it represents to so many people around the world.” — Robin Stevenson, author of Pride: Celebrating Diversity and Community

Review
The anthology pieces are diverse with authors who identify as Lesbian, Gay, Bisexual, Transgender and 2-Spirited. It also includes stunning artwork by LGBTQ artists and allies. — Rainbow Refugee Society

Authors & Artists
Authors in this anthology include Teryl Berg, Kyle Chen, Wendy Judith Cutler, Corrie Hope Furst, Kevin Henry, Anne Hofland, Chantal Hughes, Masaki Kidokoro, Dale Lee Kwong, Austin Lee, JL Lori, Eka Nasution (narrator), Adam Nixon, Rainer Oktovianus (narrator), Gail Marlene Schwartz, Caelan Sinclair, LS Stone, Sosania Tomlinson, E.T. Turner, and Hayley Zacks.

Artwork by Joni Danielson, Wokie Clark Fraser, Austin Lee, Trinity Lindenau, and Rainer Oktovianus.

Additional Information
146 pages | 6.00" x 9.00"
Edited by Lori Shwydky

This book contains memoirs, stories, poems, and artwork, which is why it appears in a variety of categories, such as both Fiction and Non-fiction, on our website.
Authentic Canadian Content
$13.95

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Buckskin & Broadcloth: A Celebration of E. Pauline Johnson-Tekahionwake, 1861-1913
Format: Paperback
This is the first generously illustrated biography of the Mohawk poet-performer E. Pauline Johnson-Tekahionwake. The author has created an exciting volume of anecdotes, letters and poetry, and illustrated it with period photographs and new illustrations by the Six Nations artist, Raymond R. Skye.

While the story of Pauline Johnson has been told before, it has never been given the intimacy that this book provides. Tracing her ancestry, moving on to explore her extraordinary stage career, and finally shedding light on Pauline Johnson's last years in Vancouver, Sheila M.F. Johnston has breathed new life into the compelling story of one of Canada's brightest literary and stage stars.

This book contains over forty poems that are not part of Pauline Johnson's classic collection of poems, Flint and Feather. The "uncollected" poems have been culled from archives, libraries and out-of-print books. They shed light on the development of the poet, and enlighten and enrich her life story.

Buckskin & Broadcloth is truly a celebration of the life of a Canadian hero – one whose legacy to Canadian literature and Canadian theatre is unparalleled.
$29.95

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Canadian Aboriginal Voices: Imagine Mercy
Author: David Groulx
Format: Paperback
Imagine Mercy is a vibrant poetry collection portraying the daily realities of living as an Aboriginal in Canada. David Groulx seamlessly weaves the spiritual with the ordinary and the present with the past. He speaks for the spirit, determination, and courage of Aboriginal people, compelling readers to confront cruel reality with his honest and inspiring vision. The poems in Imagine Mercy portray mixed bloods, resistance, determination, sovereignty, and cultural issues that generate sharply divided opinions and deep emotional struggles. Groulx’s poetic power renders an honest and painful perception of modern-day Aboriginal life with strong voice against prejudice and injustice. 
$16.95

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Canadian Aboriginal Voices: Rising with a Distant Dawn
Author: David Groulx
Format: Paperback
Rising with a Distant Dawn is a powerful and moving poetry collection, which stretches across the boundaries of skin colour, language, and religion to give voice to the lives and experiences of ordinary Aboriginal Canadians. The poems embrace anguish, pride, and hope. They come from the woodlands and the plains, they speak of love, of war, and of the known and the mysterious, they strike with wisdom, joy, and sadness, bringing us closer than ever before to the heart of urban Aboriginal life. The book captures timely personal and cultural challenges, and ultimately shares subtle insight and compassion.
$14.95

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Chaos Inside Thunderstorms
Format: Paperback
Chaos Inside Thunderstorms draws the audience into the centre of the tumultuous political, socio/economical and historical reality of the First Nations experience in Canada today. It is poetic expression that examines leadership, resilience, honour, shame, and love. It examines the issues implicit in the Idle No More Movement and the Truth and Reconciliation conferences. Although the book speaks of age-old themes, it explores them through fresh modern eyes. Eloquent and witty, these poems are power-packed with imagery that uncovers the raw politics of race. There is nothing polite about them. Like his two previous collections of poems, Chaos Inside Thunderstorms is candid and challenging. More importantly, it is thought-provoking and engaging.
$15.95

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Clay Pots and Bones
Format: Paperback
The poetry of Clay Pots and Bones is Lindsay Marshall’s way of telling stories, of speaking with others about what things that matter to him. His heritage. His people. His life as a Mi’kmaw. For the reader, Clay Pots and Bones is a colourful journey from early days, when the People of the Dawn understood, interacted with and roamed the land freely, to the turbulent present and the uncertain future where Marshall envisions a rebirth of the Mi’kmaq. The poetry challenges and enlightens. It will, most certainly, entertain.
$14.95

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Deaf Heaven
Content Territory: First Nations, Secwepemc (Shuswap)
Format: Paperback
Poetry that takes us inside present-day First Nations reality to reveal the wounds of history and the possible healing to come.

As the title suggests, this new collection of poetry from Garry Gottfriedson of the Secwepemc (Shuswap) Nation deals with the ways in which the world is deaf to the problems First Nations people face in Canada today.

Follow Garry Gottfriedson in this new collection of combative poems as he compels us and Heaven to listen to the challenges facing First Nation communities today. Employing many of the Secwepemc (Shuswap) images and stories, Gottfriedson takes us inside the rez and into the rooming houses in the city cores, but always drawing new strength from the land and the people who have moved upon it. He speaks of “the smell of grandmothers and grandfathers / breathing the stories into our blood” so as to “wrap our newborn in freshly made Star Quilts.”

Gottfriedson examines such issues as the Truth and Reconciliation movements as well as the missing and murdered Aboriginal women. The poems focus not only on postcolonial issues but also on First Nations internal problems. Although the book speaks of age-old themes, it explores them through fresh modern eyes offering thought-provoking and engaging prespectives. Eloquent and witty, these poems are power-packed with imagery that uncovers the raw politics of race. There is nothing polite about them. While frequently offering a bleak view of present-day First Nation conditions, the poems also provide a sense of optimism: "the hope/that the coldest day in winter/will promise serenity in spring."

Reviews
“Gottfriedson’s poetry is built to endure and it will remain with you long after this book is closed.” – Alexander MacLeod, author of Light Lifting, finalist for the Scotiabank Giller Prize

“Garry Gottfriedson rides double, calling out the violence and corruption he’s seen, while reminding us that grounded strength comes from staying connected to grandmothers, grandfathers, horses, and the land.” – Rita Wong, author of Forage, winner of the Dorothy Livesay Poetry Prize

“Gottfriedson writes us the sound of his blood, the splatter of ink on wood, and the dripping sweat and tears of prayer — all of it telling us who we are and chanting, as if in chorus, ‘survival is brilliant.’ Will we be wise or strong enough to listen?” – Shane Rhodes, author of X: Poems & Anti-Poems

Educator Information
This book of poetry would be useful for Indigenous Studies courses or literature courses such as Indigenous Literatures, Canadian Literature, and Creative Writing.

Additional Information
100 pages | 6.00" x 9.00"
Authentic Canadian Content
$15.95

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From the Poplars
Format: Paperback
In the North Arm of British Columbia’s Fraser River lies an uninhabited island. In the midst of major industry and shipping, it is central to the waterfront of British Columbia’s original capital of New Westminster passed by daily by thousands of SkyTrain commuters. Poplar Island is lush and unspoken, but storied. It is the traditional territory of the Qayqayt First Nation. Made into property, a parcel of land belonging to the “New Westminster and Brownsville Indians,” this is the location of one of British Columbia’s first “Indian Reserves.”

This is also a place where Indigenous smallpox victims from the south coast were forced into quarantine, substandard care and buried. As people were decimated the land was taken and exchanged between levels of government. The trees were clear-cut for industry, beginning with shipbuilding during the First World War. The island still serves as booming anchorage for local sawmills.

From the Poplars is the poetic outcome of archival research, and of listening to the land and the stories of a place. It is a meditation on an unmarked, twenty-seven and a half acres of land held as government property: a monument to colonial plunder on the waterfront of a city, like many cities, built upon erasures. From an emplaced poet and resident of New Westminster, this text contributes to present narratives on decolonization. It is an honouring of river and riparian density, and a witness to resilience, tempering a silence that inevitably will be heard.
$16.95

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full-metal indigiqueer
Content Territory: Oji-Cree
Format: Paperback
This poetry collections focuses on a hybridized Indigiqueer Trickster character named Zoa who brings together the organic (the protozoan) and the technologic (the binaric) in order to re-beautify and re-member queer Indigeneity. This Trickster is a Two-Spirit / Indigiqueer invention that resurges in the apocalypse to haunt, atrophy, and to reclaim. Following oral tradition (Ã la Iktomi, Nanaboozho, Wovoka), Zoa infects, invades, and becomes a virus to canonical and popular worksin order to re-centre Two-Spirit livelihoods. They dazzlingly and fiercely take on the likes of Edmund Spenser, Shakespeare, Charles Dickens, and John Milton while also not forgetting contemporary pop culture figures such as Lana Del Rey, Grindr, and Peter Pan. Zoa world-builds a fourth-dimension, lives in the cyber space, and survives in NDN-time – they have learned to sing the skin back onto their bodies and remain #woke at the end of the world. “Do not read me as a vanished ndn,” they ask, “read me as a ghastly one.”

full-metal indigiqueer is influenced by the works of Jordan Abel, Tanya Tagaq, Daniel Heath Justice, Claudia Rankine, Vivek Shraya, Qwo-Li Driskill, Leanne Simpson, Kent Monkman, and Donna Haraway. It is a project of resurgence for Two-Spirit / Indigiqueer folk who have been ghosted in policy, page, tradition, and hi/story – the very lives of Two-Spirit / Indigiqueer youth are rarely mentioned (and even dispossessed in our very mandates for reconciliation), our lives are precarious but they too are precious. We find ourselves made spectral in settler and neocolonial Indigenous nationalisms – if reconciliation is a means of “burying the hatchet,” Zoa seeks to unearth the bones buried with those hatched scalps and perform a séance to ghost dance Indigiqueerness into existence. Zoa world-destroys in order to world-build a new space – they care little for reconciliation but rather aim to reterroritorialize space in literature, pop culture, and oral storytelling. This project follows in the tradition of the aforementioned authors who, Whitehead believes, utilize deconstruction as a means of decolonization. This is a sex-positive project that tirelessly works to create coalition between those who have, as Haraway once noted, “been injured, profoundly.” Zoa stands in solidarity with all qpoc folk who exist as ghosts with intergenerational and colonial phantom pains – they sing with Donna Summer, RuPaul, Effie White, and Trixie Mattel. The space made is a post-apocalyptic hub of sex and decolonization – a world where making love is akin to making live.
Authentic Canadian Content
$18.95

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Glass Beads
Author: Sandra Lynxlegs
Format: Paperback
Glass Beads is Lynxleg’s first collection of poetry published by Black Moss Press. It is the manifestion of Lynxleg’s bravery through rich poetry that expresses history, language, culture and a journey to the self. Lynxleg says “Glass Beads is my fourth brave act”, and every reader should read it and be inspired to live in the same brave manner.
$17.00

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Halfling Spring: An Internet Romance
Format: Paperback
In Halfling Spring , a series of notes unfolds the dance of desire versus trust through a long season of actual and metaphorical springtime.

Joanne Arnott is a Métis/mixed blood mother of six, and in this collection she continues her explorations of love, intimacy, and family, with a focus on electronic connections (internet love). Transiting Canada from Victoria to Iqaluit, and transitioning from virtual to real (fantasy to reality), she inspects the realms of miscegenation and love in a class conscious and cross-cultural context, revealing en route the many ways that our deepest connections unveil the depths of old pain.

Optimistic and playful, romantic and mythic, affirming embodiment, this process of poetic revelation shows all the dirty tricks of love.
$16.00

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Indians Don't Cry: Gaawiin Mawisiiwag Anishinaabeg
Content Territory: Anishinaabeg
George Kenny is an Anishinaabe poet and playwright who learned traditional ways from his parents before being sent to residential school in 1958. When Kenny published his first book, 1977’s Indians Don’t Cry, he joined the ranks of Indigenous writers such as Maria Campbell, Basil Johnston, and Rita Joe whose work melded art and political action. Hailed as a landmark in the history of Indigenous literature in Canada, this new edition is expected to inspire a new generation of Anishinaabe writers with poems and stories that depict the challenges of Indigenous people confronting and finding ways to live within urban settler society.

Indians Don’t Cry: Gaawin Mawisiiwag Anishinaabeg is the second book in the First Voices, First Texts series, which publishes lost or underappreciated texts by Indigenous artists. This new bilingual edition includes a translation of Kenny’s poems and stories into Anishinaabemowin by Patricia M. Ningewance and an afterword by literary scholar Renate Eigenbrod.
$24.95

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